Journal of Research (Urdu)
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اقبال اور فیض کی فکری ہم آہنگی: توضیحی مطالعہ
No full textThe thought of Iqbal is rampant with enormous treasure of classical literature, deep rooted and conclusive. In the tutelage of individual and sparkling harmony of Iqbal, there lies the apparent manifestation of religion. Melody and tone also occupy a prominent place in Iqbal's artifice. The fame of Iqbal's thought is dependent upon his unique style which is embellished with many wellsprings of modern and ancient and the east and the west. Prof Abdul Haq deeply studied the thought of Iqbal and performed the obligation of exegesis and propagation of ideologies of Iqbal in His articles. Whatever he wrote, may be considered as the yearn of Iqbal with utmost integrity. He established a system of multitude of personalities. In the galaxy of this system many acquaintances of Iqbal seem to be propagating the intellection of Iqbal. In this article, one star of this galaxy, the thoughts of Faiz Ahmed Faiz have been nurtured and a close proximity with Iqbal's thoughts has been presented
مرزا ابنِ حنیف اور پاکستان میں متبادل تاریخی بیانیہ کی تشکیل
No full textHistoriography of Pakistan has been criticized for a linear, vertical and repetitive approach and claims of scientific and objective writing of History. It is criticized for the Periodic shift/break ups, for an imbalance between indigenuity and exoticity, non-spatial centrality and metaphysical concerns supported by the state policy. In spite that a counter narrative has not been encouraged, several attempts can be found trying to present an alternate and parallel narrative of the Historical process in the areas forming Pakistan, and focusing on the People, indigenuity, continuity, culturality and regionality. Although, initially such attempts were considered as a sort of resistance to the state policies, but by the time, such narrative are identified as attempts to address the 'crises of identity' in Pakistan. Mirza Ibn Hanif (1930-2004) deserves a fundamental place in the history of the development of alternate and parallel narrative in Pakistan. He had begun to develop this narrative very early by 1960s and advocated the case for a historically distinct cultural and civilizational status of the region of Pakistan. In his narrative Multan occupies a central place. In this perspective, the paper explores Ibn Hanif's works as a counter and alternate narrative for the history of Pakistan
زبیدہ ذوالفقار کی شاعری میں عصری مسائل کی عکاسی
No full textZubaida Zulfiqar is a unique poetess of Khyber Pakhtunkhwa .She has done little but valuable work and created a unique way of her own. She has a certain sobriety in her poetry which is very heart touching .She has studied the political and economic affairs of the province in detail and reflected current issues and problems through her poetry. Instead of being dishearten, she never loses hope and identifies all problems through her positive approach
احمد ندیم قاسمی کی خاکہ نگاری
No full textAhmed Nadeem Qasmi as a versatile personality holds a distinct status and repute in various genres of literature. In the field of poetry, he had full command over the presentation of Ghazal, Nazm and Qata'at while in prose he had distinction in short story writing, play-writing, columns and editorial and in sketch-writing as well. He earned and enjoyed a good name as a prominent literary for decades. In this study two books of Ahmed Nadeem Qasmi Mere Hamsafar (2002) and Mere Hamdam (2007) have been considered for analyzing sketch-writing of Qasmi. These two books consist of 32 sketches. As a matter of fact he depicted the entire age through his sketches. The indications of literary extract entice the attention of the reader. These sketches are actually biographies. Life has been portrayed through these writings as it existed in Qasmi's time
مکتوباتِ اقبال کا سیاسی و سماجی تناظر
No full textIt is the proven fact that Dr. Allama Muhammad Iqbal has a unending influence on literature, philosophy as well as socio-political history of the subcontinent .Not only his poetry , but lectures too reflect his philosophical thoughts. His letters are undoubtedly an open perspective of the Islamic culture, mysticism and socio-political world. In this article Iqbal's socio-political approach explicitly depicts through his letters has been discussed. It may be helpful to understand Iqbal's socio-political insight
اردو فکشن کی فلمائی تشکیل: فنی جائزہ ۔ کردار۔واقعات۔کہانی
No full textThere are two common mediums to present a particular story to the public. One is Through a Fiction and the other is through a Film. In Fiction, we are moved by Characters, incidents and story, not by the emotions of the person who happens to be telling the story. A film takes us on a journey that engage with our minds and emotions.The adaptation of a film is a form of relationship between literature and film.When a film maker decides to adapt a piece of fiction into a film they must impress the characters, incidents or story as well as they can for the movie to be successful. In simple term the theme, the characters and the flow of story line are the same in both Film and Fiction. So the readers and audience can get the same feeling after reading the book or after watching the movie. Adaptations were greeted positively at first, with critics thinking educational and innovative. It may be that a particular film adaptation is a high quality work of art that connects with its audience and that it captures many of the themes and ideas of the fiction.Film adaptation takes the audience on an emotional ride. A successful adaptation balances "the comfort of ritual and recognition with the delight of surprise and novelty," not only carrying the aura with it, but contributing to its continual expansion. In film adaptation differentiations happen so as to allow to stand " as meaningful works of art." Cinema is wonderful and film can be entertaining but pedagogically it needs to be approached carefully. Fidelity, accuracy and truth are all important measuring devices that should not be utterly ignored or neglected in evaluating a film adapted from fiction.Film adaptation studies invites in a vital and fertile area of aesthetics, contributing new questions, research, perspectives and ideas to the study of literary, televisual and filmic arts
دشتِ سوس کے نمائندہ کرداروں کے افکار و نظریات
No full textDasht-e-Soos, more sentimental and more philosophical, amazing, fascinating and astonishing dispassionate analysis of a bye gone age of Muslim history, One can imagine that the main player of Jamila Hashmi's this novel would be Hussain Bin Mansur Hillaj. However throughout the story one cannot escape the overbearing aroma of "Aghul" and other characters. This was an unexpected love story or at least with an unusual diction that one does not come across in Urdu fiction .Many of the critics expected a story that would bring out Hillaj as he was commonly imagined but Jamila Hashmi had done a lot of historical and theoretical research to write about the Sufi Saint's inner journey. Someone who challenged the Status -quo of religion in 9th century Baghdad.But Jamila Hashmi's interest was in writing about the journey which started with Aghul"and ended with every bit of Hillaj's body, as it was hung by the king's decree and then chopped into pieces , screaming Anal Haq
مرزا قتیل کے دستوری مباحث میں حافظ شیرازی کی شعری مثالیں
No full textHafiz Shirazi is a renowned Persian poet not only in Iran but also in subcontinent. Many of poets from sub-continent translated and followed the style of Hafiz Shirazi's ghazal. Mirza Muhammad Hassan Qateel is one of them who followed his poetic style and coated his poetry as examples in his literary works. This article consists of Introduction of the life of Mirza Qateel, his literary work and the poetic examples of Hafiz Shirazi coated by Mirza Qateel in his poetry
آریاؤں کی ہندوستان آمد[یلغار]کا مفروضہ : مجہول لسانی تناظراور خام محاکاتِ تحقیق
No full textTheory of Aryan invasion of India has been very imperative in historiography in India. The Aryans have been projected as that white colored superior race which established the foundation of great Indian Civilization in North India by most of the western philologists. Aryan Invasion Theory (AIT) has been a highly decisive theory in India since last one amp; a half century. Interestingly, this theory is in fact a hypothesis which states that the Aryans came to India from somewhere outside of this country, in 1500 BC and drove out the local Dravidians into South India. Local historians, philologists and archeologists especially belonging to Hindu community has been saying that this theory is constructed to set the fact that India was ruled and civilized all along by the outsiders. It is also postulated that AIT was in fact an item of imperialistic agenda of Asiatic Society of Bengal. One prominent member of this society and a liable servant of East India Company Friedrich Max Müller posited this Idea. While Pro-AIT scholars say that rejecting AIT is actually the agenda of 'Hindutva'. This article is a study of AIT along with its sustaining and discarding points and arguments. An effort has been made to analyze AIT from linguistics angle also to verify the perspective of Urdu and other Aryan languages
گارساں دتاسی کی "تاریخ ادبیات اردو":تحقیقی و تنقیدی تناظر
No full textGarseen Detassi was the prominent French orientalist of nineteenth century. He was a good researcher, critic, historiographer and linguistic as well. His history ''Tareekh Adabiyat e Urdu'' is his valuable work which is the important evidence of eighteenth and nineteenth century Urdu literature. This is the first history in which he gave not only the introduction and piece of writings of poets and prose writers but also gave the detailed introduction of their publications. Linguistic and scriptural discussions, presentation of journalism history, hindustani culture with objective point of view, are the salient features of this history. It is also important due to its research and critical point of view. He consulted multiple scripts and pointed out their condition with compact introduction. He also made comparative study of writings. These are the qualities which made this book as the first prominent parameter of writing an authentic critical history. This article is the detailed study of its research and critical approach.