Journal of Research (Urdu)
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ادبی رسائل و جرائد کے مدیران کے شخصیات نمبر :تحقیقی وتنقیدی جائزہ (بحوالہ خصوصی ادبِ لطیف ، نقوش ، فنون)
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The way in which literary journals promoted literary creations in the twentieth century is no less than the invaluable service of knowledge and art not only quenching the thirst of the readers but these journals also introduced new poets, fiction writers and critics these literary journals also acquainted the readers with the writing of famous writers. The editors of literary journals performed this task as a duty and also explained the quality of creation to the new writers. These standard and literary journals were the full expression of cultural activities of the society. The standard and literary publications of these journals were due to their editors who expanded the circle of standard literature even with limited resources and unfavorable conditions. These editors conveyed life giving messages in their editorials and promoted various ideas and thoughts. These editors endured the differences but did not allow the universality of art to be harmed. These editors published various personality numbers and special numbers in their lives whose literary importance cannot be denied and then also be published personality numbers of editors by which many bright aspects of his personality have also came to the fore. These personalities’ numbers have become in mortal in the world of literature
ادبی تاریخ نویسی اور ادبی متون کے معنیاتی واہمے میں کشادگی کے امکانات
No full textLiterary Socialism is not a new theory in west but obviously little unknown in Urdu literature.This literary theory discuss the creative text not only in the absence of creator or not by the envoirment where this text created.In Urdu literature we need to re-criticise our poetry and fiction in the light of literary socialism.Literary Socialism discuss the total frame of text created and person who creates this one,this theory firstly in hisory of literature discuses the public and private offices which take part in the creation of literature likely Anjuman e punjaab,Halqa Arbab e Zauq, Progressive Writters Forum.In this article you can know about madam staeel,the founder of this theory and others.In this article we discuss the Neo_Colonial socio political part of Sir Syed Ahmad Khan,Altaf Hussain Hali,M Hussain Azad and the present situation of creative works of Urdu litreture and point out the inner side of that politacal era.In this article criticaly random techique is used to express basic concept and central point of Discourse that is the reason at some places repitition may proced but it contains due to make article intresred.we try to not be a formal and express the whole theory with simple critic apon urdu litreture and also divide it inti pieces so from the start till end the article carry diffrent particular of literery theory and also about prominent udru litreture.hope article can express the basic idea upon which is based regarding refrences it took some special policy as we use some basic content with some most famous critics of the time but article is not full with refrence and code un code but writer try to make his own opinion
منیر نیازی کی شاعری میں داستانوی عناصر
No full textMunir Niazi is one of the most important and distinct urdu poet of this age. His views and subjects are entirely different from his contemporary poets. Munir Niazi fabricated his own diction to express his stronge and unique ideas of poetry. There are haunted ruins, dark and dangerous jungls, dreadful creations and monsters fabulous animals, venomous serpents ad fearful atmosphere in his poetry. All these elements make Munir Niazi an unusual and the most mysterious urdu poet. This article deals with some favourits aspects i.e; fabulous, mytheological and 'dastanvi' styles and elements of Munir Niazi's poetry
مابعد جدید افسانہ اور نیر مسعود کی افسانوی مہارتیں
No full textNaiyer Masud has masterly portrayed the social and cultural spectrum of life in his short stories. He has skillfully used various western narrative devices and techniques to enrich his stories with conflict and sense of alienation. This study attempts in general to analyze the use of various modern and postmodern narrative techniques in his works
اردو کالم نگاری میں لاہور کی تہذیب و ثقافت
No full textRaison d'etre of Column writing in Urdu Literature is by no means novel or nascent. This invention in literary conventions is said to have started in this part of the world in the second decade of 20th century when some renowned Urdu scholars like Abul Kalaam Azaad, Maulana Muhammad Ali Johar, Maulana Zafar Ali Khan, Charaagh Hassan Hasrat, Haji Laq Laq and Hameed Nizami became pioneers of this field of Urdu literature. They were regular writers in newspapers of those times, the forerunner being, Jaam e Jehan Numa (started publication on 27th March 1823). This was how the column writing paved its way for entrance in the domain of Urdu literature prior to political Division of Subcontinent. After independence, this art progressed, diversified and improvised its theme, its focus and its peripheral influence on public opinion when many stalwarts of Urdu Journalism and literature like Abdullah Malik, Nasrullah Khan, Intezar Hussain, Ibrahim Jalees, Ibn e Insha, Majeed Lahori, Munnu Bhai, Mustansar Hussain Tarar, Ata ul Haq Qasmi and scores of other played their role in Column writing and portrayed Lahori Culture with all its alpha and omega. The most prominent figure amongst these renowned columnists is Mustansar Hussain Tarar who depicted Lahorite culture not only in his columns but also in every walk of Urdu literature he strived for. While doing this he hardly missed any aspect of Lahori Culture and as such all credit goes to him. The be all and end all of discussion is that Column writing has been an interesting field of Urdu literature which attracts the reader in keeping abreast of day to day situations, happenings, occurrences and news in a light manner which would otherwise have been very dry, boring and unattractive. By employing this art in literature readers have be enabled to learn about every bit of useful knowledge about culture and civic life of Lahore
مجید امجد کی نظم میں مقامیت کے عناصر
No full textMajeedAmjad was a genuine poet of Urdu literature in Indus valley. His poem are decorated with native sprit. He painted the landscape of Punjab in his poems. Poems of MajeedAmjad reveals a story of trees, rivers, animals, birds, mountains and historical sites of Punjab. His poetry with portrayal sense espoused metaphorically the varying signs of plants, flowers and birds in their cultural nuance. He also highlights the life of native people in his poems. This article covers all aspects portrayed in Majeed Amjad's poetry
Critical Study of the Children's Literature of Urdu Written By A.S.Muslim
No full textAllama Abul Imtiaz Abdul Sattar Muslim (A.S. Muslim) is known as the famous creator of children's literature in Urdu. The creative tradition of children's literature is not new but poets like Nazir Akbar Abadi have ignited this tradition by creating literature especially for children since the classical era of Urdu poetry. Later, two important students of Ghalib, Hali and Ismail Mirathi, played their important in this tradition. In modern times, the name of Sufi Tabassum is especially important in this regard. A.S. Muslim as a creative writer of children literature, wrote on every important subject including religion, nationality, science and ethics, and nurtured the knowledge of the children of the nation through his poems. This article presents an analytical study of children's literature written by A.S. Muslim
جنوبی پنجاب کے مرثیے میں مقامی رنگ
No full textThe South Punjab is one of the most ancient lands on the earth. Its inhabitants have been religion loving since time immemorial. Despite the ups and downs of time, this area upheld its superiority of spiritual and cultural traditions. The Siraiki Language has the honor to be the first language to introduce the art of elegy writing in the south Punjab. The genre of elegy belongs to the social life of the people. Majority of the masses was well familiar with this local language. Hence, with the passage of time, many words of the Urdu Language became the part of Siraiki. Then regular elegy started in Urdu. These elegies contain elevated social attitudes and golden rituals of the south Punjab. We find the rituals of the Muslim families and their culture in these elegies as well. The elegists of this area have also mentioned the seasons, supplications, and Flowers in their elegies. This Article evaluates the regional and cultural shade in the elegies of the south Punjab
اردو میں منظوم پہیلی کی روایت
No full textThe tradition of the Poetic Puzzle پہیلی began with Amir Khusrau, the oldest Urdu poet. This genre has been popular on the social level for brainstorming, but no literary example found by any poet of southern or northern India until the eighteenth century, when Muhammad Rafi Sauda created some Poetic Puzzles. After that, InshaUllah Khan Insha, Rangeen, Zafar, Momin, Muhammad Hussain Azad, Munir Shikohabadi, TajammulRasool Khan and Sufi Tabassum contributed to this genre. But the cultural revolutions have eliminated many other ideologies, the Poetic Puzzle has also become a story of the history. This article attempts to determine the cultural value of this genre by examining its tradition
میونخ میں علامہ اقبال کی تخلیقی اُمنگ
No full textMunich has been the cultural capital of the Europe in general and Germany in particular. Allma Mohammad Iqbal's stay in Munich is well known for his research work about Metaphysical elements in the poetry of Persia. This research paper highlights Iqbal's creative aspirations in the cultural atmosphere of Munich rather than of his research work. This paper introduces one of Iqbal's poem, that has been written by his own hand writing in Munich and is a rare and authentic literary source. This research paper also explores the various dimensions arguments surroundings the poem at above. It also highlights the significance of this poem in German culture