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اُردو افسانے میں مہاجرین کے بنیادی انسانی حقوق کی عکاسی
No full textFundamental Rights are essential human rights that are offered to every citizen irrespective of caste, race, and creed, place of birth, religion or gender. Urdu short stories writers have written many short stories on basic human rights since the beginning of Urdu short stories. While many other people do not get fundamental rights, migrants also face the same problem. Mighrants have to sacrifice their land, property and lives of their beloved ones during migration. The Urdu short story writers who protested against the violation of the fundamental rights of migrants with their pen are covered in this paper
اشفاق احمد اور بانو قدسیہ کے ڈراموں میں فنی وفکری مماثلتیں
No full textThe tradition of drama as a genre in Urdu literature is not very old. It originated almost two hundred years ago. Along with several playwrights, Ashfaq Ahmed and Bano Qudsia played a key role in the promotion and development of this genre. They wrote a good deal of plays for radio, stage and TV. As both dramatists lived together as husband and wife for a considerably long period of their lives, it was natural that there was mutual harmony between their temperaments, dispositions, and outlooks. This article gives a brief overview of common elements present in the plays of both playwrights
منٹو اور عصمت چغتائی کی افسانہ نگاری- تقابلی مطالعہ
No full textFrom the beginning of Urdu Short story writing to the publication of "Angare", the effects of Sajjad Haider Yaldaram's romanticism and Munshi Prem Chand's realism on Urdu Short Stories are evident. In 1936, the Progressive movement appeared on the horizon of Urdu literature. This influenced all the writers of that period. Earlier, with the publication of "Angare", new experiments in Urdu short stories at the thematic, technic and stylistic level had begun. This is the period in which Saadat Hassan Manto was stepping into the literary world through translation. Manto had a high level of political awareness as well as literary Understanding. He was a strong believer in humans humanity. Among Manto's contemporaries, Ismat Chughtai, the feminine voice of Urdu fiction, is of special importance. There are some similarities between Manto and Ismat Chughtai, for example, both wrote on sex. Both were prosecuted for their Short Stories. This article is a comparative study of Manto and Ismat Chughtai's short stories and their characters
ترقی پسند دور کے ناول اور المیہ
No full textReading novel is a philosophical hobby. It triggers cognitive domains and imaginative powers. Characters play a vital role in this regard. Post Colonial Novels are filled with tragic characters. Tragedy is basiically a state of mind and the Psychology of a person can be well judged on the basis of tragedy. Tragic characters get our focus on the drawbacks of our society, and try to bring a positive change in it. Author is basically the reflection of society, so he critically analyse the societal, cultural and psychological aspects of the society. With the help of tragic characters, the novel writers bring in freshness, and excitement in the content, and resultantly, the tragic characters can be seen in various forms. Societal changes have caused change in the trend of novels as well.Though tragic novels are not trending in the contemporary era, but as tragic characters are concern, they will remain always be part of novels in Literature
حکیم نظامی گنجوی کی منظوم افسانہ نگاری کےبرصغیرکے ادب پر اثرات: تجزیاتی مطالعہ
No full textNizami Ganjavi (c. 1141–1209) is a great romantic epic poet of Persian language. He was born in Ganja city now in Republic of Azerbaijan. At that time the whole Persian speaking area was part of Seljuk Empire, which existed from 1037 to 1194 A.D. having Iranian city Nishapur as the capital of the empire. Nizami is famous for his poetical work named as The Khamsa or Panj Ganj, which literally means 'Five Treasures'. It includes five masnavis. Due to his great knowledge in several other fields, he was given the title of Hakim (sage). His Panj Ganj became so popular in the literary world that several poets of Indian Subcontinent worte masnavis imitating his style. Persian poets like Amir Khusrau and Nurad-Din Abdur-Rahman Jami and Allama Muhammad Iqbal wrote Persian masnavis. It has also been observed that the Masnavis written in Punjabi like Saif al Malook, Shireen Farhad, Heer Ranjha etc. are also written while copying the style of Nizami’s Masnavis. Recenlty, UNESCO celebrated the 880th anniversary of the great Nizami Ganjavi with the support of the Ministry of Culture of the Republic of Azerbaijan at the UNESCO Headquarters, Paris. This celebration emphasized Nizami’s contribution to the literature and especially to the heritage of Persian language
ماورائے حقیقت کا ادبی و نفسیاتی پس منظر اور تکنیک
No full textSurrealism was one of the modern trends and techniques used in literature, in early 20th century, priorly used in Art of Painting. This technique has a great impact of Freud’s “Theory of Psychoanalysis”. In western fiction and then in Urdu fiction writings, this technique was being used to achieve the reality of psychology of humans, their desires, thinking and fantasies which a human cannot express publically due to the restrictions of society, and should be expressed at individual level without any restrictions. Surrealism has some techniques Dreamy, Ambiguity and Soliloquy to express the hidden realities of human unconsciousness, to express the hidden realities of human unconsciousness
ڈاکٹر تبسم کاشمیری: تحقیقی خمیر میں گندھی ہوئی تنقید
No full textDr. Tabassum Kashmiri is the leading critic of the present age. They do not belong to any particular school of thought. He has done commendable work on classical and modern literature. He has not written any formal book on the subject of criticism, but his critical views are evident from his other books. It is clear from his research and critical articles scattered in various magazines and journals that he does not limit his research and criticism by associating himself with any one school of thought. In this article, while discussing the research and critical work of Dr. Tabsum Kashmiri, his research and critical views have been clarified
اردو تذکرہ نگاری 1835ء کے بعد
No full textDr. Haneef Naqvi fulfilled a research obligation by writing a book
entitled shoara.e.urdu k tazkiray(nikaat ushuara se gulshan.e. be khaar
tak).This book covers tazkirahs written up to 1835.The question arises to
whether there was any work on the tazkirahs written after 1835 or not.The
answer is that the research work has been done on this very topic and two
Ph.D dissertations were written in two different universities of india by
two research scholars, As these dissertations have been published with
the same title i.e Urdu Tazkira nigari 1835 kay ba'd. so in this research
article efforts have been made to enlighten its importance and bring it to
light that these two different works actually encircles the same scope of
research.although they have had different technicalities, sources and style
to narrate.This article will narrate the difference and similarities in the
reseach methodology, research tools and style of narration
ادب اور سوشل میڈیا، ایک جائزہ
No full textOur life is connected with social media.Parts of our life which were
considered private and sacred are now viral, such an impactful technology
has impacted literature as well. In this article I have seen changes of this
new medium on international scale and try to illustrate impact on Pakistan
ظفر اقبال کی غزل: فنی امتیازات
No full textZafar Iqbal is probably late twentieth century's only most disputed
poet who has helped cracking two groups in Urdu poetry. At one point he
has managed to influence one segment of poets through his powerful
poetry, but has also garnered blame for misguiding a number of poets. He
has changed meanings of Urdu words and diction and come up with new
meanings and new poetic streams of thought. Hence at one instance he
reconstructed both poetic and linguistics trends in Urdu Poetry. Even after
being trained in classic Urdu literature, and the use of new words, new
idioms, and new structure of verses, his most popular poetry retains its
eastern influence. His verses contain words that seem to have no
connection with one another. In fact, he attempts to create a strange yet
pleasant arrangement of words that may not give traditional meaning but
still appeal to its readers and the poet himself. Zafar Iqbal has drawn on
the canvas of Urdu poetry with new bold creative shades. His works seems
to give different impressions from one another to the reader. This is no
surprise because Zafar Iqbal is a poet who rejects both contemporary and
past poetic trends