CNS Czasopisma Naukowe w Sieci
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Duchowa radość serca. Uwagi o wątkach pasyjnych w emblematach w dziełach luterańskich duchownych
No full textThe aim of this article is to examine selected themes related to the Passion of Christ as they appear in emblems produced within Lutheran circles. The discussion encompasses both motifs known from early works of religious emblematics (e.g. Emblemata Sacra by Daniel Cramer, 1617, 1622, 1624), as well as the verbal and visual structures found in edifying literature – particularly in prayer books and hymnals illustrated with emblems – which gained considerable popularity in the second half of the 17th century and the early decades of the 18th century. Among the prints belonging to the latter group – extensively represented, yet still understudied – this analysis considers not only compositions published in works widely circulated within the Lutheran world at the time, such as those by Heinrich Müller and Johannes Lassenius, as well as picturae that have remained unexamined or marginalised in scholarly discourse to date, including those found in the writings of authors such as Wolfgang Christoph Dessler, Georg Fidicen, Christian Gottlieb Kern, Johannes Quirsfeld, and Georg Christian Woytt. The primary focus is directed towards interpretative efforts to contextualise the content within prevailing trends in Protestant theology and piety of the period. Sources of inspiration, strategies for constructing meaning, and methods used to engage viewers directly also emerge as important areas of inquiry. To affirm the place and role of the analysed verbal and visual compositions in the formation of Evangelical communities, selected examples of their implementation in church interiors – primarily from the southern Baltic region (the Duchy of Pomerania, Gdańsk, and Ducal Prussia) – are highlighted
Między konstruktywizmem a surrealizmem. Nadia Léger i „L’Art Contemporain”
No full textThe publishing project “L’Art Contemporain – Sztuka Współczesna” (1929–1930) is typically examined in the context of the critical work of avant-garde poet Jan Brzękowski, while the role of the painter Nadia Léger (then known as Wanda Chodasiewicz-Grabowska), the initiator and editor of the periodical, is often marginalised. The artist was responsible for selecting the works to be reproduced – a role that had a crucial impact on the character of the magazine, as did the publication of theoretical texts by her colleagues. This article seeks to adopt a reverse perspective and examine “L’Art Contemporain” through Léger’s eyes – as a platform from which she not only led the editorial team, but also helped shape the magazine’s identity. Léger’s editorial activity also had a significant impact on her own painting. The performative turn in the humanities provides a compelling framework for understanding her artistic stance. It draws attention to the agency of the artist – her capacity to actively reshape reality. Both transformation and the presence of an active (performative) subject – not a passive observer, but an initiator and creator acting in collaboration with others – are regarded as positive values from this perspective. Léger’s distinctive versatility is evident in her works published in “L’Art Contemporain – Sztuka Współczesna” over the course of just two years. During this time, the artist moved freely between constructivist and surrealist tendencies, both of which coexisted within the pages of the magazine, which was often described as eclectic
Architektoniczne zmagania. Wrocławskie Muzeum Architektury w XXI w. – plany rozbudowy i modernizacji oraz ich geneza
No full textThe article examines the 21st-century plans for the expansion and modernisation of the Museum of Architecture in Wrocław. It outlines the origins of the institution and the process of adapting the former Bernardine complex for museum and exhibition purposes. The paper also addresses the causes of the museum’s spatial limitations and presents two 21st-century concepts for its expansion. The main objectives of the research are to describe the formation of the institution and to present its prospects for development, taking into account contemporary challenges faced by museums and the role of their buildings within the urban fabric
Sacred poetry represented in Angelus Silesius’ Cherubinischer Wandersmann
No full textThe 17th-century concept of sacra poesis combined biblical foundations with ancient theories of divine poetic inspiration. This paper begins by exploring the biblical origins of this concept, which can be found, among other places, in the writings of the Prophets. Then, it discusses the theological and poetological implications of sacra poesis. Rooted in the theological concept of the Logos, as developed by the Church Fathers and later by medieval Logos mystics, poetry was seen as a medium through which transcendence could be revealed, allowing the presence of God to manifest in verse. In 1675, Angelus Silesius (Johannes Scheffler) dedicated his Cherubinischer Wandersmann to “the Eternal Wisdom — God,” from Whom came the “small drops” of “His Sea [of wisdom],” as he called his epigrams. The Silesian poet created a special design for his Cherubinischer Wandersmann to enable the circulation of the Logos by delivering the Word of God through poetry and directing it back to Him during the act of reading. This study examines Scheffler’s poetic sequence, focusing on epigrams that develop the image of the Logos to illustrate the poetological impact of this theological idea
Korespondencja braci Francisca i Juana Verdugo w latach 30. i 40. XVII wieku
No full textThis article analyzes the correspondence of brothers Francisco and Juan Verdugo from the second quarter of the 17th century, conducted in Spanish. The study seeks to shed light on the nature of fraternal relations in the period under examination, which were seriously disrupted as a result of property disputes in the 1630s. In addition, a thematic analysis of the letters from the 1640s will be carried out, focusing on military and political events, family ties, and mutual support between the brothers
Karniowska ordynacja małżeńska z 1561 roku jako przykład recepcji reformacji terytorialnej na Śląsku
No full textThe subject of the article is the analysis of the marriage ordinance of the Duchy of Karniów (1561), which at that time was part of Silesia. This is a normative document. This ordinance provides the Reformation definition of marriage and describes the principles of marital union. The uniqueness of the ordinance is concentrated in its third part, which describes the organization of matrimonial courts in this principality under the rule of Georg Friedrich Hohenzollern von Ansbach. The ordination was written by his Karniów officials, who also signed it and sent it to Evangelical parish pastors to be read from the pulpits
Maria Palmer i Clar, Pere Rosselló Bover (eds.), Literatura catalana contemporània: canvi i continuïtat. VI Jornada LITCAT de grups de recerca celebrada a la Universitat de les Illes Balears el dia 13 de maig de 2022, Barcelona, Institut d’Estudis Catalans, 2023, 256 pp.
No full textJeden fragment, dwa języki, trzy poziomy — glottodydaktyczne eksperymenty po obu stronach Atlantyku z powieścią „Prawiek i inne czasy” Olgi Tokarczuk
No full textUsing unabridged literary texts in foreign language teaching is often perceived as risky. This article, however, argues that such risks are worth taking, especially when supported by well-designed materials and thoughtful classroom strategies. The paper presents a scenario for literary workshops based on the opening chapter of Olga Tokarczuk’s novel Prawiek i inne czasy (Primeval and Other Times), conducted in Polish and Portuguese, in both Poland and abroad, across three language proficiency levels. The author reflects on the international resonance of Tokarczuk’s work, the methodological challenges it presents, and the dynamics of applying the same text in diverse educational contexts
„Język a Kultura” w świetle cytowań w Google Scholar
No full textThe article examines—on the basis of Google Scholar data—the citation record of Język a Kultura (Language and Culture) on the thirtieth anniversary of its existence. The analyzed material (27 volumes, 574 papers) covers the years 1991–2017. By 2019, papers published in Język a Kultura had been cited 3741 times (+210 citations of entire volumes). The ten most frequently cited articles account for 841 citations (22% of the total). Of the 574 papers, 236 (41%) had not been cited at all. The Hirsch index for Język a Kultura was 29. The three most frequently cited texts are: “Pod stawy lingwistycznych badań nad stereotypem” [Foundations of linguistic research on stereotypes] by J. Bartmiński, “Problem funkcji języka i tekstu w świetle teorii aktów mowy” [The problem of the functions of language and text in the light of speech act theory] by R. Grzegorczykowa, and “Językowy obraz świata i kultura. Projekt koncepcji badawczej” (The linguistic worldview and culture: A research proposal) by J. Anusiewicz, A. Dąbrowska, and M. Fleischer. The three most frequently cited volumes are: Stereotyp jako przedmiot lingwistyki [Stereotype as an Object of Linguistics] (vol. 12), Językowy obraz świata i kultura [The Linguistic Worldview and Culture] (vol. 13), and Funkcje języka i wypowiedzi [Functions of Language and Speech] (vol. 4). Articles and volumes that were not available online, or were accessible only in limited form, received comparatively fewer citations
Jak być liberalnym realistą politycznym? Filozofia polityczna Bronisława Łagowskiego
No full textThe present article offers a rational reconstruction of the political philosophy of Bronisław Łagowski with special reference to the relationship between the realist and liberal elements thereof. To this end, the philosophical foundations of Łagowski’s thought as well as a recurrent historical theme of his writings, namely a pro tanto defense of the Polish People’s Republic, have been analyzed. As has been demonstrated, Łagowski’s philosophy comprises a consistent synthesis of political realism and liberalism whereby both ingredients are melded on an equal footing