CNS Czasopisma Naukowe w Sieci
Not a member yet
16863 research outputs found
Sort by
Головні вектори мотивів номінації сучасних урбонімів Києва та Скоп'є у світлі зіставного аналізу
No full textThe article analyzes the urban toponymy of Kyiv and Skopje from the perspective of the motivational principles underlying the formation of urban place names. These principles are manifested in the processes of renaming existing urban entities and naming new ones—such as streets, squares, avenues, embankments, lanes, bridges, parks, and others—during the period from 1990 to 2025. The contrastive study is based on more than 3,800 onyms. Similar geopolitical and socio-cultural factors in the histories of the Ukrainian and Macedonian peoples in the late 20th and early 21st centuries have resulted in a fundamental similarity in the transformation of the two national urbanonymicons of Kyiv and Skopje. Within this transformation, four main vectors of motivational principles for the creation of urban place names can be clearly distinguished: 1. Political subjectivity; 2. Historical and cultural demarcation; 3. Spatial characterization; 4. Allusiveness (aestheticization). Among the notable features of Kyiv’s urbanonymicon is its complete decommunization and derussification. In contrast, the continued use of numerals for urban objects, as along with the neutralization of ideologically marked entities from the totalitarian period, is a characteristic feature of Skopje’s urbanonymicon.Стаття присвячена аналізу корпусів убрононімії Києва та Скопʼє з погляду мотиваційних принципів утворення урбонімів, які проявились у процесі перейменувань наявних та найменувань нових урбообʼєктів: вулиць, площ, проспектів, набережних, провулків, мостів, парків тощо в роках 1990–2025. Контрастивне дослідження проведено на базі більш ніж 3800 онімних одиниць. Подібні геополітичні та суспільно-культурні чинники в історії українського та македонського народів кін. ХХ – поч. ХХІ ст. зумовили базову подібність трансформації двох національних урбоніміконів Києва та Скопʼє, серед яких чітко виділяються чотири головні вектори мотиваційних принципів утворення урбононімів: 1. Політична субʼєктність; 2. Історично-культурна демаркація; 3. Просторова характеристика; 4. Алюзійність (естетизація). До характерних особливостей урбонімікона віднесено абсолютну декомунізацію та деросіянізацію київського урбононімікона. Відповідно специфікою функціонування скопійського урбонімікона є збереження в ролі найменувань урбообʼєктів числових нумерацій, а також факт нейтралізації ідеологічно маркованих утворень тоталітарного періоду
Die Greiffenberger Chronik von Wolfgang Silber (um 1603) als früher schlesischer Repräsentant der Textsorte „städtische Chronik“ – eine textlinguistische Analyse
No full textThe study focuses on the handwritten Greiffenberg Chronicle, composed around 1603 by the Protestant pastor Wolfgang Silber, which is regarded as the oldest extant representative of the text type “urban chronicle” for the respective city. Its aim is to identify the external and internal textual features of this chronicle within the framework of a text-linguistic analysis, in order to subsequently compare them with further representatives of the text type from the same reference area, the Lower Silesian district of Löwenberg, and to determine the factors underlying the change of this text type
Apuntes sobre transculturización y transculturalidad desde la perspectiva del Contrapunteo de Fernando Ortiz
No full textThe aim of this paper is to highlight the importance and influence of Fernando Ortiz’ Contrapunteo cubano del tabaco y el azúcar 1940 for current discussions on transculturality, cultural hybridism and creolization, especially. Through a comparative approach certain differences and similarities between Ortiz’ approach and other contemporary authors such as Á. Rama, N. García Canclini, P. Burke, W. Welsch and É. Glissant are underlined. It is asserted that Ortiz’ classical anthropological survey constitutes another contribution of an Antillean-Caribbean intellectual corpus whose importance should be better appreciated. Althought the emphasis in Ortiz’ book is on the Cuban society of his days, his broad transcultural perspective still has, in the present times, high relevance
Mediación intralingüística y emocional en las presentaciones orales de hablantes de herencia de español
No full textInterlinguistic and intercultural mediation is one of the most studied areas in the context of migrant languages, whereas, when it comes to second-generation individuals, the problem of intercultural and intralinguistic mediation is not paid adecquate attention. This article studies the forms of mediation of 88 academic oral presentations of heritage speakers of Spanish in exclusive classes where there is no compelling need to mediate one’s own identity. The forms of mediation are analyzed qualitatively and quantitatively. The results show that intralinguistic mediation is frequent among heritage speakers of different backgrounds in university settings. The most important contribution will be linked to the typology and frequency of these discursive incises.La mediación interlingüística e intercultural es uno de los ámbitos más estudiados en el contexto de las lenguas de migración, mientras que, cuando se trata de individuos de segunda generación, el problema de la mediación intercultural e intralingüística no siempre se focaliza en modo adecuado. Este artículo estudia las formas de mediación de 88 presentaciones orales académicas de hablantes de herencia (en adelante, HH) de español en clases exclusivas en las que no existe una necesidad imperiosa de mediar la propia identidad. Se analizan cualitativa y cuantitativamente las formas de mediación. Los resultados muestran que la mediación intralingüística es frecuente entre HH de diferentes proveniencias en el ámbito universitario. El aporte más importante se ligará a la tipología y a la frecuencia de estos incisos discursivos
Cómo aplicar la mediación a una clase de LE y no morir en el intento. Adolfo Sánchez Cuadrado (coord.), “Mediación en el aprendizaje de lenguas: estrategias y recursos”, Madrid, Anaya, 2022, 224 pp.
No full textCzas, ulice i lustra — „Cléo od piątej do siódmej” Agnès Vardy
No full textThis article focuses on the analysis of Agnès Varda’s Cléo from 5 to 7, mainly examining three elements—time, places and the motif of mirrors. The text discusses relations between these layers and how these problems affect the main character. An important element of the text is also confronting the film’s reception. The analysis also focuses on the film’s relations with the poetic of the French New Wave (similar aesthetics, but also many differences with the works of e.g. Godard and Truffaut).
However, the most important thing seems to be examining the connection between the main character and the city
Nowy Francuski Ekstremizm — próba definicji, charakterystyka, przedstawiciele
No full textThe author describes the New French Extremity, a trend of French transgressive films initiated in the 1990s. In his text, the author, on the basis of critical and film texts and previous publications, attempts to create a unified definition. NFE films are characterized by distancing the viewer, brutality and graphic portrayal of violence. The most common themes are the body and violence. The author draws attention to the inspiration of B-grade cinema, horror films and the inextricable artistic setting
„Dobrze słyszeliście, jestem Żydem z krwi i kości” — tożsamość Żydów z byłego ZSRR i ich filmowe wizerunki na przykładzie „Koktajlu mazeł tow”
No full textToday, about 90% of Jews in Germany are estimated to be migrants from the former USSR. However, among movie protagonists, it is difficult to find the so-called Jewish “quota refugees” who arrived in Germany in the 1990s. A few examples of feature films include Russendisko (2012, dir. Oliver Ziegenbalg), Kaddish für einen Freund (2012, dir. Leo Khasin), and the acclaimed and award-winning Masel Tov Cocktail (2020, dir. Arkadij Khaet, Mickey Paatzsch). The latter is the focus of this articel. Its purpose is to examine how Jewish migrants from the former Soviet Union are portrayed. Are the protagonists clearly coded as Jews, or do they align with perceptions of Russians? How does this affect their perception as the “Other”? Equally important is the question of German-Jewish identity, which today, in many cases, no longer consolidates around the memory of the Holocaust. Therefore, it is crucial to place the analysis of Masel Tov Cocktail in a sociocultural context to determine how it fits into the discussion of Jewish identity in a unified Germany
Kino ekscesu werbalnego
No full textIn the article I introduce the category of “verbal excess” and its typology. For me, these are all those formal solutions regarding language in film that are original, unusual and in some way violating the classic pattern of how dialogues function in cinema. I illustrate the text with appropriate film examples
Digitally signed art objects and their community-driven infrastructures in the light of Fluxus’ event scores
No full textIn this article, I will elaborate on the unique aesthetics of digitally signed art objects, exploring their relationship with the infrastructures and communities that support them, as well as the cultural practices they nurture. I will provide historical context by comparing these aspects to the collaborative nature of the Fluxus movement. Many theorists have already drawn parallels between the Fluxus movement’s emphasis on collaboration, distributed authorship, and audience engagement and contemporary digital art practices, e.g., Christiane Paul and Owen Smith. I aim to explore the differences between the communities that emerge from Fluxus’ collaborative practices and those shaped by the infrastructure-driven crypto art scene. My main argument is that the latter fosters a distinct type of community and practice intertwined with market and mass media dynamics, resulting in unique memetic qualities and a shift from distributed to decentralized authorship