CNS Czasopisma Naukowe w Sieci
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“I wanted to win!”: Art is thinking. Jurkiewicz’s not-yet-conceptualism?
No full textThe article is devoted to the process of intellectualization and conceptualization of art of the 1960s and 1970s in Poland from the perspective of cognitive science. The subject of the study is the case of one of the most colourful figures of the Polish neo-avantgarde – Zdzislaw Jurkiewicz, associated with Wroclaw; an extraordinary artist combining features of a strongly emotional personality with a distanced and, in effect, almost speculative art. In the text, I reflect on the definitional heteronomies of the term “conceptualism”, relating them to the first gestures attributed to it in the history of art by Seth Siegelaub in his New York gallery, and juxtapose this understanding with the way of thinking of an uncompromising conceptualist, the creator of his own idea of continuity in art. Breaking the paradigmatic understanding of mimeticism in favour of an extremely rational postulate that was an American variant of European concrete art: “What you see is what you see”, became the overriding guideline of Jurkiewicz’s “calculated” artistic pursuits – painting and drawing. In the article I put forward the thesis that they resulted in a binary mixture of ultra-realism and conceptualism, in which the orthodox understanding of the primacy of the idea did not depreciate the work – the object. The article also reveals the results of research into the genesis of the inspiration immortalized in Jurkiewicz’s archive by artists such as Nicolas de Staël, Paul Klee, Auguste Herbin, Pierre Soulages, Willem de Kooning, Alphonse Mazurkiewicz and Jan Stanislawski, but also by writers and poets like Jorge Luis Borges and Andre Breton. The fascination with environmental art and American land art, the transgression of the topography of the so-called place of art, the expansion of the territory to include thought, but also the cosmos – observed through telescopes constructed by Jurkiewicz himself – became a milestone of the most radical, and at the same time most significantly developing perspective, processes taking place in the area of art in the second half of the 20th century. Well-known in Europe and the U.S., Zdzisław Jurkiewicz’s unique work, attitude and concepts undoubtedly had a significant impact on the area
Gród Krzywoustego? Poszukiwanie mitu fundacyjnego i piastowska legitymizacja na przykładzie organizacji obchodów 840-lecia Jeleniej Góry w 1948 r
No full textThe commemoration of 840 years of Jelenia Góra, organized in 1948, were a propaganda event based on narratives created at that time, concerning the history of those territories, in particular – the legacy of Piast dynasty. Such narration about the past was possible not only because of the communist vision of the past forced top-down on the society, but also thanks to stories about the origins of the medieval settlement which emerged at grass-roots level. This paper presents research on the vision of the past dissem- inated in 1945–1948 through popular science publications – such releases contributed to making Duke Bolesław III Wrymouth (in the eyes of the Jelenia Góra citizens) the founder of the town, and to establishing the Silesian Piasts as the element legitimizing the post-war Polish settlement and the Polishness of those lands.The commemoration of 840 years of Jelenia Góra, organized in 1948, were a propaganda event based on narratives created at that time, concerning the history of those territories, in particular – the legacy of Piast dynasty. Such narration about the past was possible not only because of the communist vision of the past forced top-down on the society, but also thanks to stories about the origins of the medieval settlement which emerged at grass-roots level. This paper presents research on the vision of the past dissem- inated in 1945–1948 through popular science publications – such releases contributed to making Duke Bolesław III Wrymouth (in the eyes of the Jelenia Góra citizens) the founder of the town, and to establishing the Silesian Piasts as the element legitimizing the post-war Polish settlement and the Polishness of those lands
Manfred Spata, Historische Ansichten von Glatz. Bilder einer böhmisch-schlesischen Stadt. Historyczne widoki Kłodzka. Obrazy czesko-śląskiego miasta, tłum. Edward Borowski, Görlitz: Senfkorn Verlag Alfred Theisen, 2022, ss. 180, ill.
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Historia w przestrzeni publicznej w Polsce
No full textThe article presents the short outline of history of public history in the USA and in Poland, referring to Barbara Franco’s definition that it is history for the public, by the public, with the public, and about the public. Emphasizing the role of the public, it focuses on these four aspects, addressing issues of the relationship between the past, the public and other stakeholders, and relating them to the ways of dealing with history that respond to changing external conditions, that take into account local specificities, but at the same time are a universal experience
Mariusz Patelski, “Czujni strażnicy demokracji” ludowej. Urząd cenzury w województwie opolskim 1950–1990 [Vigilant Guards of People’s Democracy. The Censorship Office in the Opole Voivodeship 1950–1990], Opole: Wydawnictwo Uniwersytetu Opolskiego, 2019, pp. 426
No full textPrzejmowanie zbiorów artystycznych, archiwalnych i bibliotecznych śląskich krzyżowców z czerwoną gwiazdą podczas postępowania kasacyjnego w świetle „Akt Büschinga”
No full textThe paper consists of a source edition of documents pertaining the cassation of the St. Matthias convent of Knights of the Cross with the Red Star in Wrocław and its subordinate commanderies of St. Michael in Świdnica and of Saints Peter and Paul in Ziębice. All three were appropriated by the Prussian state based on the secularisation edict of 1810. The edition was complemented by a historical commentary introducing the readers to the character of the sources and including a concise description of their contents. The presented files provide information primarily on the cassation proceedings. Moreover, they note works of art (paintings and drawings) and handicraft as well as abundant library and sheet music collections, which following the secularisation were included into the collections of the University of Wrocław
Krytyczny potencjał filmu „Parasite” ujętego jako horror społeczny
Get PDFThe paper interprets Bong Joon-ho’s 2019 film Parasite as a social horror. Such an aproach stems partially from the many discussions about Parasite as a work of social critique. I view the house of the rich family — the Parks —as an object central to the narrative. Both the Parks’ house and the whole world around it are structured in layers that organize the life of all the characters. The layers are interpreted as material (the house, the city), social (lower and higher strata) and symbolic (material layers symbolize social stratifi cation). Moving between the layers is defi ned as haunting. I claim that if Parasite is a form of social critique, then it is not aimed at any particular “layer” of society as such (e.g. the rich), but at the layered structure as a whole. In the second part of the paper this analysis is used to view Parasite against various stages of Modernity and their corresponding forms of ideology.Artykuł poddaje analizie film Parasite (reż. Joon-ho Bong, Korea Południowa 2019), starając się interpretować go jako horror społeczny. Kontekstem takiego ujęcia są dyskusje na temat społeczno-krytycznego wydźwięku samego obrazu. Rdzeniem zaś proponowanej interpretacji jest zwrócenie uwagi na rolę domu jako obiektu, wokół którego toczy się cała opowieść, oraz uwarstwienia jako dominującej struktury. Przy tym warstwy są tu rozumiane na trzy sposoby: materialny (piętra domu, poziomy miasta), społeczny (wyższa i niższa warstwa społeczna) i symboliczny (materialna warstwa jako symbol usytuowania społecznego). Przemieszczanie się między warstwami autor tekstu określa jako nawiedzanie. Argumentuje, że jeśli traktować Parasite jako formę krytyki społecznej, to trzeba przyznać, że nie dotyczy ona żadnej konkretnej warstwy jako takiej (na przykład bogatych państwa Parków), a samej warstwowej struktury. W drugiej części tekstu analiza Parasite zostaje zestawiona z fazami nowoczesności i formami ideologicznymi
O okolicznościach wyłączających podleganie ubezpieczeniom społecznym obywateli państw obcych na tle poglądów judykatury (art. 5 ust. 2 ustawy o systemie ubezpieczeń społecznych)
Get PDFThe paper analyzes and assesses the views of the Supreme Court formulated in relation to Article 5 Section 2 of the Social Insurance System Act, which regulates the situations that exclude citizens of foreign countries from the scope of the Act. A broader assessment was made of the position of the Supreme Court according to which the provision of Article 5 Section 2 of the System Act excludes two groups of citizens of foreign countries from being subject to the Polish social insurance — firstly: foreigners whose stay in the territory of the Republic of Poland is not permanent, and secondly: citizens of foreign countries who are employed in the “diplomatic” posts mentioned therein. Also assessed were the views ascribing to the concept of “permanent character of stay” used in this provision a specific meaning in the context of social insurance, determined by the situation constituting the title to social insurance, as well as the view pointing to the need for dynamic interpretation of the phrase “not of permanent character”. The above views of the Supreme Court were assessed from the point of view of the normative meaning of the provision of Article 5 Section 2 for the legal regulation of the Act and expectations as to the wording and interpretation of the provisions determining the scope of the normative act. The assessment of these views also took into account the impact of the principle of personalism on the shaping of social security systems, the evolution of the social insurance legal regulation in this respect, as well as the manner in which the issue of social insurance was resolved in the Constitution of the Republic of Poland and the essence of insurance protection.W opracowaniu dokonano analizy i oceny poglądów Sądu Najwyższego (SN) sformułowanych na tle art. 5 ust. 2 ustawy o systemie ubezpieczeń społecznych określającego, kiedy obywatele państw obcych wyłączeni są spod zakresu obowiązywania tej ustawy. Szerszej ocenie poddano stanowisko SN, zgodnie z którym przepis art. 5 ust. 2 ustawy systemowej wyłącza z podlegania polskim ubezpieczeniom społecznym dwie grupy obywateli państw obcych — po pierwsze: obcokrajowców, których pobyt na obszarze Rzeczypospolitej Polskiej (RP) nie ma charakteru stałego i po drugie: obywateli państw obcych, którzy są zatrudnieni w placówkach „dyplomatycznych” w nim wymienionych, a także pogląd, przypisujący użytemu w tym przepisie pojęciu pobyt o charakterze stałym swoiste, autonomiczne na gruncie ubezpieczeń społecznych znaczenie, determinowane sytuacją stanowiącą tytuł do ubezpieczenia społecznego, jak i stanowisko, wskazujące na potrzebę dynamicznej, operatywnej interpretacji zwrotu „nie ma charakteru stałego”. Oceny wskazanych wyżej poglądów SN dokonano z punktu widzenia znaczenia normatywnego przepisu art. 5 ust. 2 dla regulacji ustawy i oczekiwań co do brzmienia i wykładni przepisów wyznaczających zakres podmiotowy aktu normatywnego. Przy ocenie tych poglądów wzięto również pod uwagę wpływ zasady personalizmu na kształtowanie systemów zabezpieczenia społecznego, ewolucję regulacji prawnej ubezpieczeń społecznych w tym zakresie a także sposób rozstrzygnięcia o ubezpieczeniu społecznym w Konstytucji RP jak i istotę ochrony ubezpieczeniowej
Similarity of graphic features in family, professional and accidental handwritten records
Get PDFThis publication concerns the problem of similarities appearing in the records of different persons, and it presents this issue in practical terms based on examples covering handwriting samples taken from members of the same family, persons pursuing the same profession, or unrelated persons. Its objective is not only to emphasise the existence of this phenomenon and its importance for opinion-making in a handwriting expert opinion process regarding the author of a handwritten transcript, but also an attempt to identify the handwriting features in which these analogies occur