Proceedings UIN Sunan Ampel Surabaya
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Klasifikasi Emosi Tokoh Upin dalam Film Upin&Ipin Versi Arab (Kajian Psikologi Sastra David Krech)
No full textPenelitian ini bertujuan untuk mengkaji dan mengklasifikasikan emosi tokoh Upin dalam film Upin & Ipin berdasarkan pendekatan psikologi sastra dengan menggunakan teori klasifikasi emosi yang dikemukakan oleh David Krech. Klasifikasi emosi tersebut yaitu konsep rasa bersalah, rasa bersalah yang dipendam, menghukum diri sendiri, rasa malu, kesedihan, kebencian dan cinta. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data berupa observasi terhadap adegan-adegan yang menampilkan ekspresi emosional tokoh Upin, baik melalui dialog, intonasi suara, maupun ekspresi visual. Hasil penelitian menunjukkan bahwa tokoh Upin menampilkan beragam emosi yang ditransmisikan secara efektif meskipun melalui adaptasi bahasa Arab, yang semuanya dapat diklasifikasikan sesuai dengan teori David Krech mengenai komponen emosi: fisiologis, perilaku, dan kognitif. Klasifikasi emosi menurut David Krech memperlihatkan bahwa unsur emosi Upin dalam versi Arab tetap utuh secara struktur psikologis, namun mengalami pergeseran nuansa dalam penyampaiannya. Temuan ini menunjukkan bahwa emosi tokoh dalam film animasi dapat melintasi batas budaya, namun tetap perlu dikaji secara kritis dalam konteks psikologi sastra. Kata Kunci:Klasifikasi Emosi, Upin, Psikologi Sastra, David Krech
Analisis Tindak Tutur Lokusi Pada Film Kartun Talabu Al-Ilmi Dalam Kanal Youtube Sukardi Hasanudin
No full textStudi ini menyelidiki perwujudan tindak tutur lokusi dalam film kartun edukatif Tholabul ‘Ilmi yang disiarkan melalui kanal YouTube Sukardi Hasanudin. Tujuan penelitian adalah mengidentifikasi serta mendeskripsikan pola-pola tuturan lokusi yang digunakan sebagai instrumen komunikasi dalam konteks pembelajaran digital. Dengan menggunakan metode deskriptif kualitatif dan teknik simak-catat, data dianalisis melalui pendekatan pragmatik yang berfokus pada makna literal dari setiap tuturan. Hasil penelitian mengungkapkan lima kategori tindak tutur lokusi yang dominan: mengajak, memberitahukan, menjelaskan, menanyakan, dan mengingatkan, berdasarkan sepuluh data tuturan yang dikaji. Temuan ini menunjukkan bahwa konten edukatif digital tidak hanya menyampaikan informasi, tetapi juga membangun interaksi komunikatif yang efektif melalui ragam tuturan lokusi. Penelitian ini memberikan kontribusi bagi pengembangan kajian pragmatik, khususnya dalam analisis tindak tutur di media audiovisual, serta dapat menjadi acuan bagi penelitian sejenis di platform pembelajaran digital lainnya. Kata kunci: pragmatik; tindak tutur; lokusi; YouTube; film kartun
Analisis Stilistika Dan Makna Syair Al-I’tiraf Karya Abu Nawas Dalam Pendekatan Semiotika
No full textSya’ir Al- I’tiraf karya Abu Nawas merupakan salah satu karya sastra klasik yang terdiri dari 6 bait dan banyak memiliki nilai estetika dan makna mendalam, syai’r ini juga dikenal luas karena ungkapan penyesalan dan pengakuan dosa, kecerdikan gaya Bahasa yang digunakan Abu Nawas untuk menyampaikan pesan-pesan teologis dan filosofis yang mendalam yang dapat dipahami dalam konteks sosisal dan budaya sehingga perlu dikaji lebih mendalam. Penelitian ini bertujuan untuk menganalisi unsur stilistika dan makna mendalam melalui pendekatan perspektif semiotika. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan analisis semiotik Riffatere, yang mengajak pembaca untuk menjelajahi relasi antara tanda dan makna yang dihasilkan dalam sya’ir ini. Hasil penelitian ini menunjukkan bahwa sya’ir Al-I’tiraf karya Abu Nawas memiliki kekayaan stilistika yang cukup signifikan dengan penggunaan majas, citraan, dan pemilihan kata tidak hanya berfungsi sebagai penghias Bahasa dalam sya’ir, tetapi juga mengandung simbol-simbol yang melambangkan pengakuan dosa dan permohonan ampun, dan harapan dari Tuhan, sehingga menciptakan jaringan makna yang kompleks dan relavan dengan pengalaman spiritual individu. Penelitian sya’ir Al-I’tiraf karya Abu Nawas ini tidak hanya menyampaikan pesan pencarian ampunan, tetapi juga berkontribusi untuk memahami lebihdalam karya sastra klasik islam dan relevansinya dalam konteks modern.
Kata kunci: Sya’ir Al-I’tiraf, Abu Nawas, semiotika Riffarterre, sastra klasik islam, makna mendalam, pengakuan dosa, spiritual
Analisis Perbandingan Kaidah dan Struktur Huruf Khat Naskhi dan Khat Masyriqi (Studi Komparatif Antar Khat)
No full textKaligrafi Arab merupakan salah satu warisan budaya islam yang memiliki nilai estetika dan siritual yang tinggi. Dari berbagai jenis khat yang berkembang, khat naskhi dikenal sebagai gaya tulusan klasik yang menonjolkan keterbacaan, keteraturan serta proporsi huruf yang seimbang. Sementara itu khat Masyriqi merupakan gaya tulisan kontemporer yang digagas oleh Anwar Syamsuddin, kaligrafer asal Lumajang, Jawa Timur, dengan ciri khas bentuk huruf yang dinamis, ekspresif dan bernuansa modern. Penelitian ini bertujuan untuk membandingkan kaidah serta struktur hurufantara khat Naskhi dan khat Masyriqi guna memahami perbedaan karakteristik antar keduanya dalam perkembangan kaligrafi Arab. Metode yang digunakan adalah kualitatif deskriptif dengan pendekatan komparatif simetris, melalui studi literatur, wawancara, dan analisis visual terhadap kaidah kedua khat. Hasil penelitian menunjukkan bahwa khat naskhi ditulis secara horizontal menggunakan pena dengan kemiringan 45 derajat dan berorientasi pada keteraturan serta keterbacaan, sedangkan khat Masyriqi ditulis secara vertikal menggunakan kuas bulat runcing atau pena khat miring, dengan bentuk huruf yang lebih bebas dan artistik. Dengan demikian kedua khat ini memiliki peran berbeda: Naskhi sebagai khat klasik formal, dan khat Masyriqi sebagai inovasi estetika kontemporer dalam seni kaligrafi islam.Kata kunci: kaligrafi Arab; khat Naskhi; khat Masyriqi; struktur huruf; seni kontemporer
A Pragmatic Study of Directive Speech Acts Used by Characters in War for the Planet of the Apes Movie Script
No full textThis study aims to examine the use of directive speech acts in the movie script “War for the Planet of the Apes”, analyze their frequency, and identify the contextual factors that influence the speakers’ use of these acts. Using a qualitative research method with a descriptive approach, this study has found 57 data containing directive speech acts to be categorized into seven different types based on Searle (1979), including command, suggestion, request, invitation, begging, forbidding, and warning. The type of directive speech act that appears the most is command (49.1%), which shows that the script of “War for the Planet of the Apes" is very thick with military style and authority. The least frequent type is forbidding (3.5%), reflecting that this movie script focuses more on positive directives than negative ones. This research contributes to pragmatic studies by showing that directive speech acts play a significant role in creating screenplays and offer scriptwriters insight into how to create inviting narratives through linguistic strategies
Exploring Language Styles Through Main Characters in The Animated Film Rebellious
No full textThis study explains the use of language styles in the animated film Rebellious: Mission Royal Rescue (2024) directed by Alex Tsitsilin and produced by Magic Frame Pictures. Rebellious is a comedy, adventure, and romantic animated film released in 2024. It uses Janet Martin Joos' theory, namely intimate, casual, consultative, formal, and frozen. The purpose of this study is to systematically identify and classify language styles based on Janet Martin Joos' theory, analyze the frequency of occurrence to determine which type is most dominant, and show the use of language style variations in various social and emotional situations between characters. The research method used is descriptive qualitative, with data in the form of character dialogues in the film. This study shows that the main characters in Rebellious: Mission Royal Rescue use three of the five language styles according to Martin Joos' theory, namely consultative, casual, and intimate. The casual style is the most dominant, with 30 dialogues between the main characters and supporting characters. The consultative style also appears with 16 data, often used in situations involving the rescue of the kidnapped princess. Whereas the intimate style appears 4 times in emotional conversations between main characters who have a close relationship
Women Empowerment Depicted in the Novel Afterlives by Abdulrazak Gurnah
No full textAfterlives is a historical fiction novel by Abdulrazak Gurnah. This novel also delivers how the people in Tanzania live during the circumstances of war that is ongoing under German colonization. This study focuses especially with how women cope up during those difficult time and how they live under the gender stereotypes of what they should do and should not do, with Afiya as the focus. This study aims to describe how Afiya lives as a woman with the gender stereotype during that era within the lens of feminism. With the women empowerment concept, Afiya acts on how she wants to and not let anyone’s opinion getting into her choices. The data is collected from the narrative story inside the novel. The researcher identified the data and further used the qualitative descriptive through the lens of feminism to analyze the data. With the concept of women empowerment, this study reveals that Afiya manages to get what she wants in education, social, and also psychological and breakthrough the gender stereotypes in Tanzania during that era
Lexical Analysis in News Articles to Show Media Framing Charles Leclerc's 2024 Wins: A Corpus Study
No full textThis study examines how the media framed Charles Leclerc’s victory in the 2024 Grand Prix season. Using a descriptive qualitative method, the researchers identified Entman’s (1993) framing in the news media. The data consist of twenty-one news articles collected from news media and analyzed using corpus linguistic tools to identify high-frequency lexical items and collocation patterns. The findings show that sports media covering Charles Leclerc’s victory at the 2024 Grand Prix used three perspectives: positive, negative, and neutral, and from four point of Entman framing, the media highlighted more than just Charles Leclerc's skill and Ferrari's technical strength, but also emphasized elements of luck, the dynamics of the race, and hisopponents' mistakes, creating a complex picture of success. In addition, the media discourse reflected a mixture of admiration and criticism, describing the victory as the result of perseverance and teamwork while also suggesting areas for improvement in consistency and strategy
A Literature review on Why Animals Cannot Acquire Human Language
No full textThe objective of this study is to comprehend the underlying factors that preclude the acquisition of human language by animals. To this end, a comprehensive review of experiments conducted on parrots and anthropoid apes has been undertaken. The research employs a qualitative approach, underpinned by a literature review method, with a focus on the cognitive and neurological functions of animals in the context of communication. The primary data have been sourced from a range of previous studies, including but not limited to: Irene Pepperberg’s long-term experiment with the African grey parrot Alex; the Gua project by Robert Yerkes; and the research conducted by the Kellogg family, as well as William Henry Furness III’s research on chimpanzees and orangutans. The findings demonstrate that while certain animals possess the capacity to imitate human sounds, respond to verbal commands, and comprehend specific concepts, their communication cannot be categorised as language. It has been demonstrated that parrots such as Alex and Cosmo have the capacity to associate words with objects and express simple intentions. However, their ability remains constrained by imitation and associative learning. In a similar manner, anthropoid apes such as Gua exhibited marked intelligence and responsiveness. However, due to anatomical and neurological limitations, they were unable to produce human-like speech. In conclusion, it can be posited that language is a complex result of human cognitive evolution that involves symbolic thinking, abstract reasoning, and social awareness. While animals may communicate with apparent efficacy, they lack the neurological and anatomical systems that are the hallmark of true language. The present findings indicate that language functions not only as a medium for communication but also as a distinctive manifestation of human consciousness and thought
Slang Words in "Deadpool & Wolverine (2024)" Movie: A Sociolinguistic Study
No full textThis study investigates the discussion of slang found in the movie Deadpool & Wolverine (2024) from a sociolinguistic perspective. This study aims to classify and explain the types of slang according to the theory of Keith Allan and Kate Burridge (2006) used by the actors inthis film. This study also uses a qualitative descriptive approach with data collected from the film's dialogue and divides it into types of slang according to Allan and Burridge's theory. This analysis also refers to Labov's (1972) sociolinguistic theory, which emphasizes therelationship between language and social context. These findings prove that slang in this film is not only a form of communication using informal language but also a tool for expressing solidarity and building character identity. The use of slang also reflects culturaltrends that show how language also functions as a form of familiarity within a group. Additionally, the use of slang in Deadpool & Wolverine (2024) greatly influences the humor and tone of the film. The characters, especially Deadpool, often use slang to convey sarcasm,irony, and humor, increasing audience engagement and reinforcing the film's distinctive conversational style