Peitho. Examina Antiqua
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Soul, Triangle and Virtue. On the Figure of Implicit Comparison in Plato’s Meno
No full textPlato’s dialogues can be regarded as the most important documents of the extraordinary mimetic power of visual writing, i.e., writing capable of “showing” and “drawing images” by using words only. Thanks to the great lesson of the Attic theater, Plato makes his readers see: when reading the dialogues, they see not only the characters talking but owing to the visual power of mimetic writing, they also see that which the characters are actually talking about. There are numerous rhetorical devices employed by Plato the writer that make this visual rendering of philosophy possible. In this text, I would like to bring an example from the Meno that illustrates the visual power of an implicit comparison. By “implicit comparison”, I mean the special kind of comparison that is not presented explicitly and fully in the text but that the text merely evokes and that, once evoked, contributes to determining the formation of the image.Plato’s dialogues can be regarded as the most important documents of the extraordinary mimetic power of visual writing, i.e., writing capable of “showing” and “drawing images” by using words only. Thanks to the great lesson of the Attic theater, Plato makes his readers see: when reading the dialogues, they see not only the characters talking but owing to the visual power of mimetic writing, they also see that which the characters are actually talking about. There are numerous rhetorical devices employed by Plato the writer that make this visual rendering of philosophy possible. In this text, I would like to bring an example from the Meno that illustrates the visual power of an implicit comparison. By “implicit comparison”, I mean the special kind of comparison that is not presented explicitly and fully in the text but that the text merely evokes and that, once evoked, contributes to determining the formation of the image
Thales on Water
No full textThe paper attempts to reconstruct Thales’ argument about water, which is rightly considered to be the core of his philosophy of nature. It consists of two separate arguments – one biological and the other physical – which ascribe to water two different functions: in the first case, it is a source of life on the earth or, in another version, a source of life of the earth in its entirety; in the second case, it is something that supports the earth in its stationary position in the cosmos. These two arguments indicate that Thales’ notion of water was meant to answer more than just one question about nature. This, in turn, might justify the use of the concept of arche, which Aristotle attributed to the Ionian philosophers, even though Thales had obviously never used the term. The concept may somehow accurately render Thales’ more general view of water. It should be noted, however, that if the term arche can be applied to Thales’ views, then it is only in the sense related to the “coming-to-be”. Thales’ arguments did not apply – contrary to what some doxographers said and what certain scholars still maintain – to the question of the end, or perishing of physical things, the problem taken up only by later Ionians. To put it differently, Thales never claimed that the physical things which die or undergo destruction change into water
Melissus and the Problem of the Void: Apology and/or Misapprehension of the Parmenidean Monism?
No full textWith respect to Parmenides’ thought Melissus was regarded as a dissident thinker already in antiquity. His polemical introduction of the concept of void and the relative idea of infinite Being seemed particularly controversial. The aim of the present paper is to examine the origins of the Melissian understanding of void in order to trace its philosophical genesis to the criticism of the Atomist Leucippus. According to the philosopher from Abdera, the Eleatic fundamental principles had to conform to the obviousness of bodies’ motion, which is why the Eleatic not-Being had to be understood as void. Melissus took issue with this view and criticized the idea of the void’s reality by means of a methodical argument. In the course of doing so, the philosopher from Samos distorted the original Parmenidean ontology, which is why his theories were often criticized severely as theoretically weak.With respect to Parmenides’ thought Melissus was regarded as a dissident thinker already in antiquity. His polemical introduction of the concept of void and the relative idea of infinite Being seemed particularly controversial. The aim of the present paper is to examine the origins of the Melissian understanding of void in order to trace its philosophical genesis to the criticism of the Atomist Leucippus. According to the philosopher from Abdera, the Eleatic fundamental principles had to conform to the obviousness of bodies’ motion, which is why the Eleatic not-Being had to be understood as void. Melissus took issue with this view and criticized the idea of the void’s reality by means of a methodical argument. In the course of doing so, the philosopher from Samos distorted the original Parmenidean ontology, which is why his theories were often criticized severely as theoretically weak
Prodicus at the Crossroads. Once Again on the Antilogy
No full textThe aim of this paper is to analyze the tale of Heracles at the Crossroads, attributed to Prodicus by Socrates in Xenophon’s Memorabilia, through the notion of antilogy. The apologue has got an antilogic structure that is immediately outlined in the description of the situation in which the young Heracles finds himself. But the text, seemingly antilogic, does not develop itself according to one of the most important rules of antilogies, i.e., the epistemic parity of two speeches, since it appears to be completely in favor of just one of the theses. Prodicus would have had no interest in writing a text that did not demonstrate his rhetorical and linguistic abilities. According to this perspective, Xenophon’s version of Heracles at the Crossroads does not seem to be the original version by Prodicus, as can be seen by analyzing its structure and properties.The aim of this paper is to analyze the tale of Heracles at the Crossroads, attributed to Prodicus by Socrates in Xenophon’s Memorabilia, through the notion of antilogy. The apologue has got an antilogic structure that is immediately outlined in the description of the situation in which the young Heracles finds himself. But the text, seemingly antilogic, does not develop itself according to one of the most important rules of antilogies, i.e., the epistemic parity of two speeches, since it appears to be completely in favor of just one of the theses. Prodicus would have had no interest in writing a text that did not demonstrate his rhetorical and linguistic abilities. According to this perspective, Xenophon’s version of Heracles at the Crossroads does not seem to be the original version by Prodicus, as can be seen by analyzing its structure and properties
The Refutation of Gorgias: Notes on a Contradiction
Full text linkThis paper claims that Socrates’ refutation of Gorgias in the eponymous dialogue is designed not to find out the truth about the nature of the art of rhetoric itself but to refute the master of rhetoric himself. I try to justify this claim by displaying some major contradictions between the conclusions reached at with Gorgias and those reached at with Polus. When these contradictions are taken into account, the discussion with Polus is to be seen as reflecting the genuine Socratic position about rhetoric, whereas the discussion with Gorgias seems only to be devised as a dexterity in refutation
Aristotle and Tarski
No full textAlfred Tarski frequently declared that his semantic definition of truth was inspired by Aristotle’s views. The present paper discusses this issue in the context of Marian Wesoły’s criticism of the thesis that there is an affinity between Tarski’s views and those of Aristotle. The article concludes with an inquiry into whether Aristotle’s definition of truthfulness can be identified with the correspondence theory of truth. Alfred Tarski frequently declared that his semantic definition of truth was inspired by Aristotle’s views. The present paper discusses this issue in the context of Marian Wesoły’s criticism of the thesis that there is an affinity between Tarski’s views and those of Aristotle. The article concludes with an inquiry into whether Aristotle’s definition of truthfulness can be identified with the correspondence theory of truth
Argument and Performance: Alcibiades’ Behavior in the Symposium and Plato’s Analysis in the Laws
No full textArgument and literary form, and how they both relate to each other, are crucial aspects of any interpretation of the Platonic dialogues. Plato the author and Plato the philosopher always work hand in hand in that Plato the author tries to serve Plato the philosopher. It is, therefore, an appropriate principle for approaching the study of Plato’s philosophy to take into account the literary aspects of the dialogues and to ask how Plato’s literary art of writing could possibly support his philosophical message and, for instance, to consider what this relation means in the context of the debate about developementalism versus unitarianism in Plato’s philosophy. In the present paper , I argue that the performance of the characters plays an important role in this context. I discuss various passages in the Laws which analyse the weakness of the will and I compare what Plato says there with the performance of Alcibiades in the Symposium. I conclude that the passages in the Laws can be read as a kind of commentary on Alcibiades’ behavior and I consider what this relation means in the context of the debate about developementalism versus unitarianism in Plato’s philosophyArgument and literary form, and how they both relate to each other, are crucial aspects of any interpretation of the Platonic dialogues. Plato the author and Plato the philosopher always work hand in hand in that Plato the author tries to serve Plato the philosopher. It is, therefore, an appropriate principle for approaching the study of Plato’s philosophy to take into account the literary aspects of the dialogues and to ask how Plato’s literary art of writing could possibly support his philosophical message and, for instance, to consider what this relation means in the context of the debate about developementalism versus unitarianism in Plato’s philosophy. In the present paper , I argue that the performance of the characters plays an important role in this context. I discuss various passages in the Laws which analyse the weakness of the will and I compare what Plato says there with the performance of Alcibiades in the Symposium. I conclude that the passages in the Laws can be read as a kind of commentary on Alcibiades’ behavior and I consider what this relation means in the context of the debate about developementalism versus unitarianism in Plato’s philosophy
On the Epistemic Value of Eros. The Relationship Between Socrates and Alcibiades
Full text linkSeveral key lines concerning the relationship between Socrates and Alcibiades, extracted from the Symposium and the Alcibiades 1, are discussed for the purpose of detecting the epistemic value that Plato attributed to eros in his new model of education. As result of this analysis, I argue for the philosophical significance of the relationship between Socrates and Alcibiades as a clear example – even when failed – of the epistemic role of eros in the dialogically extended knowledge
Aristotle’s πόλις: The Political Community as a Common Project
No full textAt the beginning of Book I of the Nicomachean Ethics, Aristotle says that “the good is the same for an individual as for a city”. The good in question is εὐδαιμονία – the highest good achievable for human beings. In Book X, we learn that contemplative activity (θεωρητική) meets best the requirements set for eudaimonia. Even if we agree that contemplative activity is the good for an individual, how should we understand the claim that contemplation is also the good for a city? I start by reminding readers that for Aristotle the Nicomachean Ethics is essentially a political enquiry and should be read together with his Politics. I focus on the teleological character of his political philosophy and the interlinking of the concepts of the good (τἀγαθόν), nature (φύσις), form (τὸ εἶδος, τὸ τί ἐστι, ἡ μορφή), end (τέλος, τὸ οὗ ἕνεκα) and function (ἔργον). Then, I look at Aristotle’s two closely-connected statements that polis exists by nature and that men are political animals. Having taken into account Aristotle’s opinion regarding the imperfection of this world, which is exemplified by the vulnerability of human lives to fortune, luck and accidents, I conclude that Alasdair MacIntyre’s concept of the political community as a common project explains well how contemplation could be the end of polis. Only very few individuals can achieve the highest good and they can do it only if they have the support of the political community. But all the inhabitants of a polis structured towards achieving the highest good benefit from living in a well-ordered community whose constitution reflects the objective hierarchy of goods.At the beginning of Book I of the Nicomachean Ethics, Aristotle says that “the good is the same for an individual as for a city”. The good in question is εὐδαιμονία – the highest good achievable for human beings. In Book X, we learn that contemplative activity (θεωρητική) meets best the requirements set for eudaimonia. Even if we agree that contemplative activity is the good for an individual, how should we understand the claim that contemplation is also the good for a city? I start by reminding readers that for Aristotle the Nicomachean Ethics is essentially a political enquiry and should be read together with his Politics. I focus on the teleological character of his political philosophy and the interlinking of the concepts of the good (τἀγαθόν), nature (φύσις), form (τὸ εἶδος, τὸ τί ἐστι, ἡ μορφή), end (τέλος, τὸ οὗ ἕνεκα) and function (ἔργον). Then, I look at Aristotle’s two closely-connected statements that polis exists by nature and that men are political animals. Having taken into account Aristotle’s opinion regarding the imperfection of this world, which is exemplified by the vulnerability of human lives to fortune, luck and accidents, I conclude that Alasdair MacIntyre’s concept of the political community as a common project explains well how contemplation could be the end of polis. Only very few individuals can achieve the highest good and they can do it only if they have the support of the political community. But all the inhabitants of a polis structured towards achieving the highest good benefit from living in a well-ordered community whose constitution reflects the objective hierarchy of goods