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Shabbat shiron and other little Jewish things
Get PDFOvaj Širon, na hebrejskom Knjiga pesama, je napravljena kako bi vam pomogla da se upoznate sa osnovama jevrejske kulture i tradicije, i/ili da produbite svoje jevrejsko znanje. Možete koristiti Širon kao knjigu, izvor, pesmaricu, ili na bilo koji drugi način koji vam donosi značenje i radost. Delovi ovog Širona sadrže tekstove koji se smatraju svetim tekstovima u jevrejskoj tradiciji. Zbog toga, naš jedini zahtev je da se prema ovoj knjizi odnosite sa poštovanjem i da je koristite na prikladan način - verujemo da će te to umeti. Ovaj temat donosi sledeće sadržaje: Obroci tokom Šabata: pesme i blagoslovi /Pesme za Šabat / Pesme na hebrejskom / Ostale pesme / Druge male jevrejske stvari: Jevrejski praznici / Jevrejski simboli / Jevrejski životni ciklus.This Shiron, or Book of Songs in Hebrew, is designed to help you become familiar with Jewish culture and tradition, and/or deepen your Jewish knowledge. You can use Shiron as a book, resource, songbook, or any other way that brings you meaning and joy. Parts of this Shiron contain texts that are considered sacred texts in Jewish tradition. Therefore, we only request that you treat this book with respect and use it appropriately - we trust that you will be able to do so. This topic provides the following content: Shabbat Meals: Songs and Blessings / Songs for Shabbat / Songs in Hebrew / Other Songs / Other Small Jewish Things: Jewish Holidays / Jewish Symbols / Jewish Life Cycle.Štamapnje ovog primerka Širona omogućila je Jevrejska opština Beograd i
organizacija JCC Global u sklopu projekta "Former Yugoslavia Hub"
Umetničko predstavljanje Babjeg Jara kao metafore Holokausta mecima
No full textProfessor Louise O. Vasvári spoke about the issue of studying the Holocaust in Hungary, taking into account the female perspective. She was holding a lecture on Hungarian-speaking women’s Holocaust life writing. The second lecturer was Dávid Szőke, from the University of Szeged. His presentation was Memorialisation as an artistic counter-strategy to the antigypsy gaze in Igor Krikunov’s "The leader". He deals with the topic of the Holocaust through the prism of literature. The last lecture, titled "The artistic representation of Baby Yar as the metaphor for Holocaust by bullets", was given by Márta Goldmann, professor and Holocaust expert. She was talking about the massacre in Babin Jar from a slightly different angle.Profesorka Louise O. Vasvari govorila je o pitanju proučavanja Holokausta u Mađarskoj, uzimajući u obzir žensku perspektivu. Održala je predavanje o pisanju života žena o Holokaustu koje govore mađarski. Drugi predavač je bio David Szoke, sa Univerziteta u Segedinu. Njegovo izlaganje je bilo "Memorijalizacija kao umetnička kontra-strategija anticiganskom pogledu u 'Vođi' Igora Krikunova" i obrađuje temu Holokausta kroz prizmu književnosti. Poslednje predavanje pod nazivom "Umetnički prikaz Babjeg Jara kao metafore Holokausta mecima" održala je Marta Goldman, profesor i stručnjak za Holokaust. Ona je o masakru u Babjem Jaru govorila iz malo drugačijeg ugla.Događaj u organizaciji ShoahLab: Laboratorija za izučavanje Holokausta IFDT (ShoahLab event: IFDT Holocaust Research Laboratory).Predavanje održano 26. oktobra 2022. godine preko Zoom platforme od 17 časova, (the lecture was held on October 26, 2022, via the Zoom platform from 5 p.m.).Trajanje 1:59:36 minuta (duration 1:59:36 minutes)YouTube link [https://www.youtube.com/watch?v=zMwCgWdctLE&list=PLxYbh6oD_DS2QDilhLI_NziJWYyq8mfac&index=5
The Voice of B'nai B'rith "Gavro Schwartz" Croatia, no. 25, January 2022
Get PDFOvo je Glasnik lože B'nai B'rith (BB), udruge koja sa sjedištem u Zagrebu djeluje u Hrvatskoj kao jedna od mnogih osnovnih jedinica velike obitelji svjetske nevladine organizacije B'nai B'rith, što na hebrejskom znači "Sinovi zavjeta". Glasnik donosi vijesti o aktivnostima židovskih zajednica, kako u Hrvatskoj tako i u Izraelu i Europi. Namjera izdavača je da glasnik izlazi četiri puta godišnje. Izlazi samo u elektronskom obliku. U ovom broju su predstavljeni tekstovi: Darko Fischer: Riječ dugogodišnjeg urednika "BB Glasnika"... Paula Rem: Uz dvadeset peti broj "BB Glasnika"... Narcisa Potežica: O "Nemogućoj misiji" i Hanni Szenes... Ilan Mor: Hannah Szenes – pjesnikinja i padobrankinja... Anna Maria Gruenfelder: Iznimna sudbina austrijskog emigranta u Zagrebu: Glazbenik Fritz Lunzer (1896–1970) – Uspješna karijera u Austriji i Jugoslaviji... Darko Fischer: Židovske teme na kulturnoj sceni Zagreba... Paula Rem: Darko Fischer – kako su me spasili...This is the Voice of the Lodge B'nai B'rith (BB), an association based in Zagreb that operates in Croatia as one of the many basic units of the large family of the world NGO B'nai B'rith, which in Hebrew means "Sons of the Covenant". The newsletter brings news about the activities of Jewish communities, both in Croatia and in Israel and Europe. The publisher's intention is for the newsletter to be published four times a year. It is published only in electronic form. This issue presents the following texts: Darko Fischer: Introduction of the long time editor of "The Voice of BB"... Paula Rem: Editorial to the 25th issue of "The Voice of BB"... Narcisa Potežica: "Mission Impossible" and Hannah Szenes... Paula Rem: Poetry of Hannah Szenes: Words as Tools for Fighting against Evil... Ilan Mor: Hannah Szenes – A Poet and a Parachuter... Anna Maria Gruenfelder: Eine Ausnahme unter den österreichischen Emigrantenschicksalen: Der Musiker Fritz Lunzer (1896–1970) – geehrt in der Zweiten Republik und im kommunistischen Jugoslawie... Darko Fischer: Cultural Events with Jewish Themes in Zagreb... Paula Rem: Darko Fischer – How I was saved...Časopis“ Glasnik lože B'nai B'rith“, Hrvatska dostupan je na Internet stranici [https://bnaibrith.hr/hr].Magazine „Voice of the Lodge B'nai B'rith“, Croatia is available on the website [https://bnaibrith.hr/en]
List of the Jews who were shot on Ledine on September 17, 1941
Get PDFOvde dati spisak Jevreja streljanih na Ledinama 17.9.1941. sačinjen je prema knjizi "Logor Banjica: logoraši: knjige zatočenika koncentracionog logora Beograd-Banjica: (1941-1944)", PRVI TOM, knjiga 1, strane 077-092. U spisku su data imena streljanih Jevreja na lokaciji "Trostruki surduk" na Ledinama. Uz navođenje svakog imena i prezimena streljanog, dati su i podaci o zanimanju, godini i mestu rođenja, imena oca i majke, bračno stanje, za oženjene imena supruge, i dece (ako ih ima), adresa i mesto stanovanja, odrednica da je ’Jevrejin’, datum dolaska u logor Banjicu, i datum odvođenja iz logora na streljanje. Za 187 upisanih kao mesto odvođenja naveden je "Jevrejski logor Zemun" (što su bile Ledine), dok za četvoro koji su odvedeni toga dana na streljanje nije upisana ova odrednica, najverovatnije propustom. Do ovih podataka se došlo posle rata, izjavama svedoka sa lokacije streljanja (Ledine) i eshumacijom 240 tela, što odgovara broju od 191 streljanog Jevreja i 49 komunista, broju koji je dat i na spisku iz Banjičkog logora. Redni broj ispred svakog imena je dat identično po numeraciji iz knjige.The list of Jews shot at Ledine on September 17, 1941, given here is based on the book "Banjica camp: inmates: books of prisoners of the Belgrade-Banjica concentration camp: (1941-1944)", VOLUME ONE, book 1, pages 077-092. In the list, the names of the Jews shot at the "Trostruki Surduk" location in Ledine are given. The list includes each name and surname of the shot person, data of occupation, year and place of birth, father's and mother's names, marital status, for married names of wife and children (if any), address and place of residence are given, specifying as Jews nationality, the date of arrival in the Banjica camp, and the date of being taken from the camp to be shot. For 187 registered persons "Jewish camp Zemun" (which was Ledine) was mentioned as the place of execution, while for four who were taken to be shot that day, these data were not registered, most likely by mistake. These data were obtained after the war, through the statements of witnesses from the location of the shootings (Ledine) and the exhumation of 240 bodies, which corresponds to the number of 191 Jews and 49 communists who were shot, the number also given on the list from the Banjic camp. The serial number next to each name is given identically according to the numbering from the book.Spisak uredio i postavio na sajt "Makabijada" Raka Levi (the list was edited and posted on the "Makabijada" website by Raka Levi), link: [http://www.makabijada.com/MEM/Ledine%20zrtve.htm
Sefardski Jevreji između verskog, etničkog i nacionalnog identiteta
Get PDFEven our era of fluid and overlapping identities has not ended the age-old tension between different aspects and perceptions of Jewish identity. Is the principal determinant of Jewish identity a person’s relationship to "Judaism", or should Jewishness be perceived primarily as an ethnic culture and identity? After all, the term Iudaismos (Judaism) is not a Jewish one; it was coined by the ancient Greeks to designate the laws and customs of the people of the Israelite state of Judah. The pre-modern Hebrew language did not even have a word for "religion". Classical rabbinic texts generally do not speak of "Jews", but rather of the collective "Israel", whose redemption would be communal and occur in history, within this world. However, during their long Diaspora, the overwhelming majority of Jews lived in one of the two hemispheres, Christian or Islamic, and in both, they were recognized as an ethnic-confessional entity, with rare ruptures between the two components of this syntagm. Rupture in one of these components was usually accompanied by the rupture in the other. However, the Hispano-Christian "crusade" against Judaism (led mainly by local clerics, theologians, and preachers), led to the near-destruction of Castilian and Aragonese aljamas from 1391 to 1415, and to the concomitant problem of judeoconversos, subverted the validity of this syntagm. For the first time, the religion and ethnicity of tens of thousands of people once known - and still widely regarded - as Jews were at odds. The New Christians were Jewish in terms of their social and economic relations, their ethnic culture, and their social reputation; yet their religious identity was at least theoretically identical to that of the majority population. The Expulsion sought to end the Jewish subversion of the assimilation of New Christians into their new faith, but the "problem" endured well into our own days. In subsequent centuries, while the overwhelming majority of their Ottoman brethren reembraced the securities of the double but mostly indivisible ethno-confessional identity, the Conversos played a major role in shifts and changes in the ways that Jews and Christians understood the relation between religion, society, and state. In the two Serbian revolutions of the early nineteenth century, followed by the Greek and Bulgarian uprisings, the Ottoman Jewish rabbinic elite (including such figures as Ribbi Yehuda Bivas and Ribbi Yehuda Alkalay) led a revolutionary change of Jewish identity, creating the Jewish national idea and the Zionist movement.Čak ni naša era fluidnih i preklapajućih identiteta nije okončala vekovnu napetost između različitih aspekata i percepcija jevrejskog identiteta. Da li je glavna odrednica jevrejskog identiteta odnos osobe prema "judaizmu", ili bi jevrejstvo trebalo posmatrati prvenstveno kao etničku kulturu i identitet? Na kraju krajeva, izraz Iudaismos (judaizam) nije jevrejski; skovali su ga stari Grci da označi zakone i običaje naroda izraelske države Jude. Predmoderni hebrejski jezik nije imao čak ni reč za "religiju". Klasični rabinski tekstovi uglavnom ne govore o "Jevrejima", već o kolektivnom "Izraelu", čije bi iskupljenje bilo zajedničko i dogodilo se u istoriji, unutar ovog sveta. Međutim, tokom svoje duge dijaspore, ogromna većina Jevreja je živela na jednoj od dve hemisfere, hrišćanskoj ili islamskoj, i u obe su bili prepoznati kao etničko-konfesionalni entitet, sa retkim prekidima između dve komponente ove sintagme. Ruptura jedne od ovih komponenti obično je bila praćena rupturom druge. Međutim, hispano-hrišćanski "krstaški rat" protiv judaizma (predvođen uglavnom lokalnim klericima, teolozima i propovednicima), koji je skoro doveo do uništenja kastiljanskih i aragonskih aljama od 1391. do 1415. i do pratećeg problema judeokonversosa, srušio je valjanost ove sintagme. Po prvi put, religija i etnička pripadnost desetina hiljada ljudi koji su nekada bili poznati - i još uvek široko cenjeni kao Jevreji, bili su u suprotnosti. Novi hrišćani su bili Jevreji u smislu njihovih društvenih i ekonomskih odnosa, njihove etničke kulture i društvenog ugleda; ipak je njihov verski identitet bio barem teoretski identičan onom većinskog stanovništva. Progon je nastojao da okonča jevrejsku subverziju asimilacije novih hrišćana u njihovu novu veru, ali je "problem" opstao sve do naših dana. U narednim vekovima, dok je ogromna većina njihove osmanske braće ponovo prihvatila sigurnost dvostrukog, ali uglavnom nedeljivog etnokonfesionalnog identiteta, Konversosi su igrali glavnu ulogu u smenama i promenama u načinu na koji su Jevreji i hrišćani razumevali odnos između religije, društva i države. U dve srpske revolucije ranog devetnaestog veka, praćene grčkim i bugarskim ustankom, otomanska jevrejska rabinska elita (uključujući ličnosti kao što su Ribi Jehuda Bivas i Ribbi Jehuda AlkalaJ) predvodila je revolucionarnu promenu jevrejskog identiteta, stvarajući jevrejsku nacionalnu ideju i cionistički pokret.Sekretari konferencije Avišag Ben-Šalom, dr Vuk Dautović. Organizovano u saradnji sa Centrom za ladino kulturu Moše David Gaon Univerziteta Ben-Gurion u Negevu, Centrom za studije jevrejske umetnosti i kulture i Centrom za vizuelnu kulturu Balkana Filozofskog fakulteta Univerziteta u Beogradu, Centrom za sabetajsku sefardsku kulturu u Istanbulu i Jevrejskim kulturnim centrom Oneg Šabat u Beogradu.Conference secretary Avishag Ben-Shalom, Dr Vuk Dautović. Organized in conjunction with the Moshe David Gaon Center for Ladino Culture of the Ben-Gurion University of the Negev, the Center for Studies of Jewish Art and Culture and the Center for Visual Culture of the Balkans at the University of Belgrade’s Faculty of Philosophy, the Center for Sabbatean Sephardic Culture in Istanbul and Jewish Cultural Center Oneg Šabat in Belgrade
Mother, sister in trilogy "Family circus" ("Garden, ashes", "Hourglass", "Early sorrows")
Get PDFOsnovna namera rada je da prikaže likove majke i sestre u trilogiji „Porodični cirkus” Danila Kiša. Ova trilogija sadrži romane: „Bašta, pepeo“ (Bašta, pepeo), „Peščanik“ (Peščanik) i „Rani jadi“ (Rani jadi). Cilj nam je da pokažemo da je lik sestre, iako nije detaljno prikazan u trilogiji kao lik oca, važan jer odražava detinjstvo njenog brata Andreasa Sema. Zato se opisi sestrinog lika i izgleda najbolje vide u delima „Bašta, pepeo“ i „Rane tuge“. Možemo zaključiti da ona predstavlja saputnicu kroz sve faze života svog brata. Iako drugačija od njega, Ana Sem podržava svog mlađeg brata i sa njim deli sve nedaće koje su ih zadesile tokom Holokausta. S druge strane, majka je prikazana kao lik suprotan ocu, lišen mana. Osim toga, nema osećaja frustracije u odnosu majke i sina, kao prisutnih prema ocu, ali i sestri koja deli njegove karakteristike. Dakle, analiza trilogije ima za cilj da pokaže privrženost majci i perspektivu osobe koja nije Jevrejka, ali oseća posledice antisemitizma i Holokausta koje je pretrpela njena porodica.The main intention of the work is to show the characters mother and sister in the trilogy "Family circus" by Danilo Kiš. This trilogy contains novels: "Garden, ashes" (Bašta, pepeo), "Hourglass" (Peščanik), and "Early sorrows" (Rani jadi). We aim to show that the character of the sister, although not shown in detail in the trilogy like the figure of the father, is important because it reflects the childhood of his brother Andreas Sam. That is why the descriptions of the sister's character and appearance are best seen in the works "Garden, ashes" and "Early sorrows". We can conclude that she represents a companion through all stages of her brother's life. Although different from him, Ana Sam supports her younger brother and shares with him all the hardships that befell them during the Holocaust. On the other hand, the mother is portrayed as a character opposite to the father, devoid of flaws. In addition, there is no feeling of frustration in the relationship between mother and son, like those present towards the father, but also the sister who shares his characteristics. Thus, the analysis of the trilogy has the goal to demonstrate the attachment to the mother and the perspective of a person who is not a Jew but feels the consequences of anti-Semitism and the Holocaust suffered by her family.Pod pokrovitelјstvom "Claims Conference ( Conference on Jewish Material Claims Against Germany)", Centar za studije sećanja Univerziteta u Kragujevcu - čiji je osnivač i rukovodilac prof. dr Katarina Melić - akademske 2021/2022. godine je dalekosežno pokrenuo Studije Holokausta. Jedan od realizovanih kurseva, "Istražni diskurs u književnosti" (prof. dr Dragan Bošković) održan je u zimskom semestru akademske 2021/2022. godine, i problemski je bio usredsređen na stvaralački opus Danila Kiša. Osim preispitivanja karaktera i smisla istražnog diskursa - elementarnog mehanizma epistemologije, naracije i poetike - glavna intencija kursa bila je analitičko percipiranje literarnih predstava Holokausta i antisemitizma u Kišovom delu, a kao jedan od rezultata rada na kursu bio je prezentacija Kišovih junaka-žrtava Holokausta. Tako su polaznici kursa izdvojili junake (likove-žrtve) iz "Porodičnog cirkusa", "Grobnice za Borisa Davidoviča", Kišovih drama i televizijske emisije "Goli život". Ispitujući (ili: oblikujući) njihove identitete, studenti su posebnu pažnju posvetili antisemitističkom belegu na njima, kao i njihovim tragičnim stradanjima. Uočivši simboličnu važnost realizovanih prezentacija, koje oslikavaju žrtve Holokausta u Kišovom opusu, došlo se na ideju preinačavanja power-point prezentacija u formu tekstova, i to tekstova nalik „ličnim kartama”. U želјi da sagledamo posledice Holokausta, kao i da predstavimo identitete žrtava i da čujemo njihov glas, tekstovi koji slede predstavlјaju omaž mrtvima - onima koji tek mogu da budu mrtvi onda kada progovore kroz literaturu, kroz diskurs. Progovorom kroz literaturu i kroz ove tekstove, mrtvi se samopotvrđuju kao žrtve, a tako i kao „besmrtni”. Stoga, ovaj temat - "Spomen-muzej žrtava Holokausta u opusu Danila Kiša" - prilog je narativnom otelotvorenju Kišovih žrtava koje, kako bi to rekao Pol Riker, „vape za odmazdom i prizivaju priču”. Ovaj mali tematski blok je, dakle, njihova i naša „odmazda”, njihova i naša „priča”. Ovaj tekst je jedan od šest tekstova čiji su autori doktorandi Filološko-umetničkog fakulteta Univerziteta u Kragujevcu, i ovo su prvi tekstovi ovakvog tipa u celokupnoj istoriji kišologije. O likovima-žrtvama Holokausta dati su uvidi u formi taksativno navedenih biografskih informacija, dok je posebna pažnja posvećena antisemitizmu i to u odelјku svakog teksta, naslovlјenom: „Znakovi i posledice antisemitizma/Holokausta”.Sponsored by "Claims Conference (Conference on Jewish Material Claims Against Germany"), the Centre for the Study of Memory of the University of Kragujevac - whose founder and the head is prof. Katarina Melić, PhD, full professor - has, during the academic year of 2021/2022, issued forth the Holocaust Studies. One of the realized courses, "Investigative Discourse in Literature" (prof. Dragan Bošković, PhD, full professor) was held in the winter semester of the academic year of 2021/2022 and was focused on the creative work of Danilo Kiš through a problem-solving approach. Apart from re-examining the character and meaning of investigative discourse - the elementary mechanism of epistemology, narration and poetics - analytical perception of literary representations of the Holocaust and antisemitism in Kiš’s work represented the primary intention of the course, and one of the results of course activities was the presentation of Kiš’s characters-victims of the Holocaust. Thus, the attendees of the course sought to single out the heroes (characters-victims) from the "Family Circus", "A Tomb for Boris Davidovich", Kiš’s plays and the television show "Naked Life". Examining (or: shaping) their identities, the students paid special attention to the antisemitic mark on them, as well as their tragic sufferings. Having noticed the symbolic significance of the completed presentations, while concurrently depicting the victims of the Holocaust in Kiš’s oeuvre, there emerged an idea to transform power-point presentations into the form of manuscripts, and not just any, but manuscripts similar to “identity cards”. In order to appreciate the consequences of the Holocaust, as well as to present the identities of the victims and hear their voices, the following manuscripts represent a homage to the dead - to those who may be dead only after they have spoken through literature, through discourse. By speaking through literature and through these manuscripts, the dead assert themselves as victims, and thus as “immortals”. Therefore, this thematic issue - "The Memorial Museum of the Holocaust Victims in the Oeuvre of Danilo Kiš" - constitutes a contribution to the narrative embodiment of Kiš’s victims who, as Paul Ricoeur would say, “cry out for retribution and invoke a story”. This small-scale thematic issue is, hence, their and our “retribution”, their and our “story”. This is one of six manuscripts whose authors are PhD students at the Faculty of Philology and Arts, University of Kragujevac, and these are the first manuscripts of this type in the entire history of Kišology. Insights into the characters-victims of the Holocaust are provided in the form of exhaustive specifications of biographical information, paying special attention to antisemitism in a particular section of each manuscript, entitled: „Signs and Consequences of Antisemitism/Holocaust”
The poetics of the testimony of the saved: from megilas to the big story
Get PDFPredmet rada je analiza žanrovskih odlika heterogenog korpusa svedočanstava o Holokaustu nastalih neposredno na tlu nacističkih logora i onih oblikovanih sa veće vremenske distance od proživlјenih iskustava, sačuvanih u vidu dokumenata ili transkribovanih razgovora. Istraženu građu čine Svici iz Aušvica (Megilas Oyshvits, 1973), razgovori Gideona Grejfa/Gideon Greif, najznačajnijeg istoričara Holokausta, sa
preživelim članovima „Radnih odreda” i dela Prima Levija/Primo Levi, takođe preživelog zaroblјenika logora „Aušvic”. Analiza navedenih morfološki i metodološki različitih svedočanstava (svitaka, dnevničkih beležaka, razgovora, autobiografsko-memoarskih zapisa, tekstova na linimalnoj poziciji romana, eseja i naučne studije) dovodi do zaklјučka o njihovom doprinosu usložnjavanju žanrovskog sistema književno-naučnih
vrsta i dekonstruisanju nekih elementarnih postavki u vezi sa faktografijom kao „polom” istine i nauke u njima.The subject of the paper is the analysis of genre features of the heterogeneous corpus of Holocaust testimonies created directly in the Nazi Concentration Camps and those formed from a greater time distance from lived experiences, preserved in the form of documents or transcribed conversations. The research material consists of Megilas Oyshvits (1973), conversations of Gideon Greif, the most important historian of the Holocaust, with surviving members of the “Sonderkommandos” and the work of Primo Levi, also a surviving prisoner of the Auschwitz camp. The analysis of the mentioned morphologically and methodologically different testimonies (megilas, diary notes, conversations, autobiographical-memoir records, texts on the linear position of novels, essays and scientific studies) leads to the conclusion of their contribution to complicating the genre system of literary-scientific types and deconstructing some elementary settings. Connection with factography as the “pole” of truth and science in them
Bosnian Sephards in the works of Laura Papo Bohoreta
Get PDFU ovom radu bavit ćemo se djelom Laure Papo Bohoreta, sefardske spisateljice koja je živjela i stvarala u prvoj polovici 20. stoljeća. S obzirom da su sva njena djela pisana na maternjem jevrejskošpanskom jezikom, ovim radom cilj nam je ukazati na specifičnosti njenog stvaralaštva kako bismo ga približili široj čitalačkoj publici. Naročito nam je cilj istaknuti njenu prosvjetiteljsku ulogu, te ulogu čuvarice tradicije, kulture i jezika na kojem je stvarala i koji je baštinila. Posebno važan segment na kojem se bazira njeno ukupno stvaralaštvo je uloga žene u ondašnjem društvu. Ovim radom ukazat ćemo kako je Laura Papo, kroz svoje ženske likove i njihovu borbu, popločala put kojim žene Sefartkinje postižu svoj intelektualni razvoj i proces afirmiranja žene izvan njenog doma.In this paper, we will look into the work of Laura Papo Bohoreta, a Sephardic author who lived and
created in the first half of the twentieth century. Given that all her works are written in her native Jewish-Spanish language, our goal in this work is to point out the specifics of her creativity, to bring it closer to a wider readership. We especially aim to emphasize her enlightening role, and the role of guardian of tradition, culture, and language which she created and inherited. A particularly important segment on which her overall creativity is based is the role of women in society at that time. With this work, we will show how Laura Papo, through her female characters and their struggle, paved the way for Sephardic women to achieve their intellectual development and the process of affirming a woman outside her home.Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25]
The Voice of B’nai B’rith "Gavro Schwartz": Magazine of Jewish Culture, Civilization and History, no. 28, November 2022
Get PDFČasopis "Glasnik B’nai B’rith" pokrenut je 2016. godine kao digitalni časopis s fokusom na židovsku kulturu, civilizaciju, povijest, kao i aktivnosti židovskih zajednica i pojedinaca te udruge B’nai B’rith u Hrvatskoj. Časopis izlazi četiri puta godišnje u dvojezičnom formatu, na hrvatskom i engleskom jeziku, a svi su brojevi dostupni su online. Svrha časopisa je ukazati na doprinos židovstva u razvoju hrvatske te europske kulture i civilizacije, povezati židovsku i opću javnost, kao i osigurati kontinuitet komunikacije između židovskih zajednica u Hrvatskoj i inozemstvu. Današnji suradnici uključuju judaiste, izraeliste, povjesničare, teoretičare umjetnosti i stručnjake za različita područja iz Hrvatske, Austrije, Indije, Izraela, Amerike, Poljske, Brazila i drugih zemalja. Tema ovog broja posvećena sinagogama jugoistočne Evrope.The "Voice of B’nai B’rith" was started in 2016 as a digital magazine focusing on Jewish culture, civilization, and history, as well as the activities of Jewish communities and individuals and the B’nai B’rith association in Croatia. The magazine is published four times a year in bilingual format, in Croatian and English, and all issues are available online. The main objective is to point out the contribution of Judaism to the development of Croatian and European culture and civilization, to connect the Jewish and general public, as well as to ensure the continuity of communication between Jewish communities in Croatia and abroad. Today’s contributors include scholars from areas of Jewish Studies, Israeli Studies, historians, art theorists and experts in various fields from Croatia, Austria, India, Israel, America, Poland, Brazil and other countries. The theme of this issue is synagogues of South-Eastern Europe.Časopis "Glasnik B'nai B'rith", Hrvatska dostupan je na Internet stranici [https://www.bnaibrith.hr/ hr/].The Magazine "The Voice of B’nai B’rith", Croatia is available on the website [https://www.bnaibrith.hr/ hr/].Tema broja: Sinagoge jugoistočne Evrope (the theme of this issue: Synagogues of South-Eastern Europe).Fotografija s naslovne strane: Jevrejska opština Subotica (cover photo: Jewish Community Subotica)
The fate of the archives of Jewish communities during the second world war - following the lead of the registry books
Get PDFPočetni pljačkaški rasizam Nezavisne Države Hrvatske koji je ubrzo rezultirao gotovo potpunim istrebljenjem jevrejske zajednice praćen je veoma studioznim prikupljanjem arhiva jevrejskih opština i njihovim prebacivanjem u Zagreb. Ove arhive prebačene u, najpre, zagrebački Nadrabinat, odnosno Jevrejsku opštinu Zagreb, a kasnije najverovatnije zagrebački Kaptol, prema postojećoj korespondenciji u potpunosti su sačuvane. Nažalost, posle rata izvršen je povrat samo matičnih knjiga, a sva ostala arhiva, kao i predmeti iz sinagoga, nestala je bez traga. U radu se prati put ovih arhiva od momenta popisivanja, preko premeštanja u Zagreb do povrata u prvobitna mesta nastanka ili nadležne arhive nakon oslobođenja.The documents presented in this paper point to the conclusion that the archives
of Jewish communities, and probably also the inventories of synagogues, were not
primarily destroyed by the Ustasha regime. There are certainly some exceptions and
the archives and inventory of Jewish communities and synagogues in some cities
were immediately destroyed at the very beginning of the war. A written trace of the
further fate of non-destroyed material exists only for register books and, partially,
other archival material. The eventual discovery of the post-war handover
documentation (if it exists at all) could perhaps shed light on the fate of the rest of the
archival material, as well as the liturgical objects.Ovaj rad je nagrađen 2020. godine na Književnom konkursu Saveza jevrejskih opština Srbije od strane žirija u sastavu dr Milan Ristović, književni kritičar Bogdan A. Popović i književnik i profesor Filip David (this article was awarded in 2020 at the Literary Competition of the Association of Jewish Communities of Serbia)