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Rezeption der jüdischen Gemeinschaft in der Historiographie von Novi Sad und im Werk von Vasa Stajić
No full textIstorija Jevreja u Novom Sadu traje koliko i novovekovno naselje Petrovaradinski šanac ili Srpska varoš koje će sredinom XVIII veka postati slobodni kraljevski grad Novi Sad. Jevreji su u brojnim sferama života dali veliki doprinos razvoju Novog Sada, od ekonomije do zdravstva, od nauke do umetnosti i arhitekture. Prošlost njihove zajednice je danas naučnoj javnosti poznata zahvaljujući pre svega radovima Mirka Rada i Josifa Majora, odnosno Pavla Šosbergera. Cilj ovog rada je da se istraži i prikaže recepcija jevrejske zajednice u istoriografiji Novog Sada, prvenstveno u monografskim delima posvećenim istoriji ovog urbanog mesta. Među istoričarima Novog Sada, izdvaja se, međutim, obiman i svestran rad Vase Stajića (1878-1947). Stajić je skromno zapisao da će prvenstveno istraživati istoriju srpskog naroda, ali zapravo rezultati njegovog rada do danas su neizostavni materijal za poznavanje prošlosti svih zajednica u ovom multinacionalnom gradu. Novosadski Jevreji takođe nisu bili izuzetak. Stajić donosi obilje informacija o ovoj zajednici koji se koriste i danas.Die Geschichte der Juden in Novi Sad dauert so lange wie die neuzeitliche Siedlung Peterwardeiner Schanze oder Ratzenstadt, welche Mitte des 18. Jahrhunderts zur königlichen Freistadt Novi Sad ernannt wurde. Die Juden haben in vielen Lebensbereichen einen großen Beitrag zur Entwicklung der Stadt geleistet, sowohl in Wirtschaft und Gesundheitswesen als auch in Wissenschaft und in Kunst und Architektur. Die Vergangenheit ihrer Gemeinschaft ist heute der wissenschaftlichen Öffentlichkeit vor allem durch die Arbeiten von Mirko Rado, Josif Major und Pavle Šosberger bekannt. Das Ziel der Arbeit ist, die Rezeption der jüdischen Gemeinschaft in der Historiographie von Novi Sad zu erforschen und darzustellen, in erster Linie in den Monographien, welche der Geschichte dieser Stadt gewidmet sind. Unter den Historikern von Novi Sad ist das umfangreiche und vielseitige Schaffen von Vasa Stajić (1878-1974) hervorzuheben. Er hat bescheiden geschrieben, dass er vor allem die Geschichte des serbischen Volkes erforschen wird. Die Ergebnisse seiner Arbeit sind aber bis heute noch ein unumgänglicher Ausgangspunkt als Material für das Kennenlernen der Vergangenheit von allen Gemeinschaften in dieser multinationalen Stadt. Die Novisader Juden waren auch keine Ausnahme. Stajić bietet eine Menge von Informationen über diese Gemeinschaft, welche auch heute noch genutzt werden. Als Patriot und Antifaschist hat er seine Einstellung gegenüber den Juden anscheinend als Zeuge ihrer Leiden im Holocaust während des Zweiten Weltkriegs geändert
The reflection of the past and poetics of postmemory
Get PDFU radu ćemo se prevashodno baviti poetikom postmemorije u romanu "Izgubljeni" Danijela Mendelsona, kao i načinima na koji se putem pomenute postmemorije ostvaruje refleksija prošlosti (konkretno Holokausta) kod samog autora romana i drugih likova. Takođe, bavićemo se sledećim aspektima postmemorije kao takve: narativom povratka, seksualnim ponižavanjem žrtava (pornografskom dimenzijom odnosa izvršilac/žrtva), porodičnom romansom Holokausta, postmemorijom u svrhu potrage za identitetom kao konceptom postmemorije predstavljene kroz motive hrane i kuhinje. Analizom se želi doći do zaključka da su životi potomaka nastradalih u Holokaustu (kao i onih preživelih) ponekad u velikoj meri pod uticajem sećanja i trauma njihovih najbližih kao i da se vrlo često upuštaju u potragu kako bi došli do željenih odgovora i uspeli da uspostave kakav-takav mir sa prošlošću.The work will primarily deal with the poetics of post-memory in the novel "The Lost: A Search for Six of Six Million" by Daniel Mendelsohn as well as how the aforementioned post-memory is used to instil the reflection of the past (specifically of the Holocaust) in the mind of the very author and the other characters. In the paper we dealt with the following aspects of post-memory as such: the narrative of return, photography, the sexual humiliation of the victims (the pornographic dimension of the perpetrator/victim relationship), the Holocaust family romance, post-memory in the service of identity purposes and the concept of post-memory through the motifs of kitchen and food. As the secondary literature, we will make use of Marianne Hirsch's work "The Generation of Post memory: Writing and Visual Culture After the Holocaust". The analysis has shown that the lives of the descendants of those who perished in the Holocaust (or those who suffered through it) are sometimes in great measure shaped by remembrance and trauma of the ancestors: what is more, those descendants are often prone to make a journey in order to find the answers and make a peace with the past
Serbian-Jewish Singing Society - concert "Peace, Love, Hope"
No full textKoncertni program je kolaž duhovne, tradicionalne i moderne muzike, na srpskom, hebrejskom, ladinu, jidišu, engleskom, nemačkom, latinskom, španskom, staroslovenskom, hrvatskom jeziku, slavi praznike i gradi interkulturni dijalog, prijateljstvo, preplitanje tradicija, donosi toplinu, svetlost i mirise praznika, poziva na mir i ljubav. Divne kompozicije izvode se uz zvuke klavira (Đorđe Perović), harmonike (Miloš Punišić), klarineta (Duško Stamenković), gitare (Zoran Veljković), udaraljki (Dušan Petrović) i violine (Jelena Pejanović), pod dirigentskom palicom Bojane Radivojević. Solističke numere izvode Jelena Škorić,Đorđe Nenić, Dine Sajeh. Koncert su podržali gradski Sekretarijat za kulturu, Ministarstvo kulture, Ambasada Španije, Informatika i drugi, a organizator je Srpsko-jevrejsko pevačko društvo.The concert program is a collage of spiritual, traditional and modern music, in Serbian, Hebrew, Ladin, Yiddish, English, German, Latin, Spanish, and Croatian, celebrates holidays and builds intercultural dialogue, friendship, interweaving of traditions, brings warmth, light and smells of holidays, calls for peace and love. Wonderful compositions are performed with the sounds of piano (Đorđe Perović), accordion (Miloš Punišić), clarinet (Duško Stamenković), guitar (Zoran Veljković), percussion (Dušan Petrović) and violin (Jelena Pejanović), under the conductor's baton of Bojana Radivojević. Solo numbers are performed by Jelena Škorić, Đorđe Nenić, and Dina Sajeh. The concert was supported by the city Secretariat for Culture, the Ministry of Culture, the Embassy of Spain, Informatics and others, and the organizer is the Serbian-Jewish Singing Society.Interkulturno praznično muzičko, humanitarno veče posvećeno Hanuki, božićima, novoj godini - Pozorište na Terazijama, 12. decembar 2022 (Intercultural festivity musical, humanitarian evening dedicated to Hanukkah, Christmas, New Year - Theater on Terazije, December 12, 2022).Trajanje 1:40:12 minuta (duration 1:40:12 minutes).YouTube link: [https://www.youtube.com/watch?v=IgzNZO7J1RU
Jews in Rijeka and Liburnian Istria in the light of fascist anti-Semitism (1938-1943) [book presentation]
No full textU okviru niza događaja posvećenih pitanju proučavanja Holokausta u susednim zemljama, ShoahLab je oranizovao predavanje pod naslovom „Hrvatska i Holokaust“. U prvom delu predavanja istoričar Lovro Kralj je govorio o pitanju proučavanja Holokausta u Hrvatskoj, i pružio kratki istoriografski pregled razvoja istraživanja fašizma, Holokausta i drugih genocida u Hrvatskoj. Predavanje je takođe identifikovalo zanemarene teme te trendove u modernoj istoriografiji koji nisu primenjeni na temi Holokausta u regiji. U drugom delu predavanja istoričarka Sanja Simper predstavila je svoju knjigu „Židovi u Rijeci i liburnijskoj Istri u svjetlu fašističkog anti-semitizma (1938.-1943.)“. Knjiga je rezultat temeljnog arhivskog istraživanja i govori o položaju i stradanju Jevreja iz Rijeke i Kvarnera pod italijanskom fašističkom vlašću.As part of a series of events devoted to the issue of studying the Holocaust in neighbouring countries, ShoahLab organized a lecture entitled "Croatia and the Holocaust." In the first part of the lecture, historian Lovro Kralj spoke about the issue of studying the Holocaust in Croatia and provided a brief historiographical overview of the development of research into fascism, the Holocaust and other genocides in Croatia. The lecture also identified neglected topics and trends in modern historiography that were not applied to the topic of the Holocaust in the region. In the second part of the lecture, historian Sanja Simper presented her book "Jews in Rijeka and Liburnian Istria in the Light of Fascist Anti-Semitism (1938-1943)". The book is the result of thorough archival research and talks about the position and suffering of Jews from Rijeka and Kvarner under Italian fascist rule.Događaj u organizaciji ShoahLab: Laboratorija za izučavanje Holokausta IFDT (ShoahLab event: IFDT Holocaust Research Laboratory).Predavanje održano 27. septembra 2022. godine preko Zoom platforme od 17 do 19 časova, (the lecture was held on September 27, 2022, via the Zoom platform from 5 to 7 p.m.).Trajanje 1:53:53 minuta (duration 1:53:53 minutes)YouTube link [https://www.youtube.com/watch?v=3Ij9SJYL3FI&list=PLxYbh6oD_DS2QDilhLI_NziJWYyq8mfac&index=6&t=106s
From the ring to the painting
No full textU Muzeju naivne umetnosti „Ilijanum“ Šid, povodom Dana evropske baštine priređena je izložba pod naslovom „Od prstena do slike: jevrejska zajednica u Šidu kroz prizmu arheologije, istorije i istorije umetnosti”, autora Radovana Sremca. Ovo je druga izložba postavljena u muzeju „Ilijanum“ i od autora Radovana Sremca, koja za temu ima jevrejski sadržaj. Prva je bila 2019. godine pod naslovom „Nit koja nas veže“. Muzej naivne umetnosti „Ilijanum“ Šid je osnovan kao legat Ilije Bašičevića Bosilja, jednog od najznačajnijih svetskih naivnih i samoukih umetnika. Prema njegovoj želji legat je smešten u kući jevrejske porodice Vinterštajn koja je stradala u Holokaustu i u čijem je dvorištu do 1942. godine bila i sinagoga. To je razlog zbog kojeg su domaćini izložbe odlučili da se u ovogodišnju manifestaciju Dani evropske baštine uključe sa ovim sadržajem odajući time počast svojim „domaćinima“, porodici Vinterštajn, kao i celoj zajednici kojoj su oni pripadali.In the Museum of Naive Art "Ilianum" Šid, on the occasion of European Heritage Day, an exhibition entitled "From a ring to a painting: the Jewish community in Šid through the prism of archaeology, history and art history" was organized by Radovan Sremac. This is the second exhibition in the "Ilijanum" museum by the author Radovan Sremac, which has Jewish content. The first exhibition "The thread that binds us" was in 2019. The Museum of naive art "Ilijanum" Šid was founded as a legacy of Ilija Bašičević Bosilj, one of the world's most important naive and self-taught artists. According to his wishes, the legacy was placed in the house of the Jewish family Winterstein, who perished in the Holocaust. In their yard, there was a synagogue until 1942. This is the reason why the hosts of the exhibition decided to include this content in this year's European Heritage Days event commemorating their "hosts", the Winterstein family, and the entire community to which they belonged.Prilog o otvaranju izložbe emitovan na Kopernikus televiziji TV K::CN (report on the opening of the exhibition broadcast on Copernicus television, TV K::CN). Link: [https://www.youtube.com/watch?v=QGZPgbUWdN8].Trajanje 3:57 minuta (duration 3:57 minutes)
The Jews and the making of the atomic bomb
Get PDFTokom Holokausta neki Jevreji su uspeli da emigriraju u SAD. Većina Jevreja nemačkih naučnika ostalo je bez posla, bez laboratorijskih objekata ili čak drzavljanstva. Morali su da traže utočište u drugim evropskim zemljama - kao npr. Engleskoj. Mnogi od njih su se nastanili u Sjedinjenim Državama. Sličnu sudbinu imali su i naučnici Jevreji u drugim srednjeevropskim zemljama koje je Nemačka okupirala - kao što je Austrija. Nekoliko ovih izbeglica bili su vrhunski svetski fizičari, a američka vlada je mnoge zaposlila da rade na Projektu Manhattan - vojnom istraživačkom projektu za izgradnju prve atomske bombe. Ove izbeglice su imale ključne uloge u uspehu projekta, uključujući Hansa Bethea, Lea Szilarda i Josepha Rotblata.During the Holocaust, some Jews managed to immigrate to the USA. Most of the Jewish German scientists were left without jobs, laboratory facilities or even citizenship. They had to seek refuge in other European countries - such as England. Many of them settled in the United States. Jewish scientists in other Central European countries occupied by Germany - such as Austria - had a similar fate. Several of these refugees were the world's top physicists, and the US government employed many to work on the Manhattan Project - a military research project to build the first atomic bomb. These refugees played key roles in the success of the project, including Hans Bethe, Leo Szilard and Joseph Rothblatt.Predavanje održano 4. novembra 2022. godine preko Zoom platforme (Zoom Šabat) sa početkom u 19.30 časova.The lecture was held on November 4, 2022, via the Zoom platform (Zoom Shabbat) starting at 7:30 p.m
"Aryan paragraph" and theories of race in Serbia during the World War II
Get PDFNa osnovu građe Istorijskog arhiva Šumadije i na osnovu relevantnih srpskih izvora i literature u ovom preglednom radu prikazan je uporedni istorijat „Arijevskog paragrafa” i antisemitskih normativnih akata na teritoriji nacističke Nemačke i Srbije uoči i za vreme Drugog svetskog rata. U radu se, takođe, prikazuje i istorijat rasnih teorija na ovom području, te kako je došlo do toga da srpski intelektualci, bliski kolaboracionističkom režimu, Srbe smatraju „arijevskom rasom”. Pokazaće se da je kolaboracionistička državna administracija, pod pritiskom okupacionih snaga Nemačke, uvodila antisemitske zakone i druge propise, slične nemačkim antisemitskim zakonima i uredbama, poput Arijevskog sertifikata, kojima su inspirisani segregacija, progoni i ubistva Jevreja i Roma (Cigana) na tlu Srbije. Srpski civilni/kulturni plan nastao u okviru Ministarstva prosvete Vlade Milana Nedića u svom biološkom delu produkt je ideologije srpskih konzervativaca, desničara i nacional-šovinista koji su smatrali da Srbija mora da uredi svoj takozvani „biološki prostor” i da izvede „pažljivu zaštitu svoje krvi”. Po mišljenju nekih srpskih rasista, Srbi su superiorni u odnosu na druge narode koji su živeli na tlu Kraljevine.Based on the material of the Historical Archive of Sumadija and on the basis of relevant Serbian sources and literature, this paper is a comparative history of the "Aryan paragraph" and anti-Semitic normative act, on the territory of Nazi Germany and Serbia before and during the Second World War. The paper also presents the history of racial theories in this area, and how it came about that Serbian intellectuals close to the collaborationist regime consider Serbs to be an "Aryan race" It will be shown that the collaborationist state administration, under pressure from the German occupation forces, introduced anti-Semitic laws and other regulations, similar to German anti-Semitic laws and regulations, such as the Aryan certificate, which inspired the segregation, persecution and murder of Jews and Romani (Gypsies) in Serbia. The Serbian civil/cultural plan created within the Ministry of Education of the government of Milan Nedic in its biological part is a product of the ideology of Serbian conservatives, rightists and national chauvinists who believed that Serbia must regulate its so-called "biological space" and perform "careful protection of its blood". In their opinion, Serbs are superior to other peoples who lived on the territory of the Kingdom of Yugoslavia because of their racial origins prone to statehood
Under the yellow ribbon
Get PDF„Posle 70 godina pred čitaocima ponovo se našlo svedočanstvo dr Andreja Deaka naslovljeno „Pod žutom trakom“. Dugo, nepravedno, zaboravljeno i zapostavljeno čekalo je da ponovo nađe svoj put do čitalačke publike, da živom rečju i ličnim svedočanstvom dočara sve one strahote kroz koje je sam autor sa svojom porodicom prošao u godinama okupacije 1941-44. godine. Izdanje koje se pred čitaocima našlo danas posvećeno je 80-to godišnjici krvave tragedije - Racije u južnoj Bačkoj. Događaj koji će nesumnjivo udariti trajan pečat u životima desetina hiljada žitelja Bačke, događaj koje je ugasio na hiljade života onih čija je jedina krivica bila što su bili drugačije vere, nacije i ličnih uverenja. I sam autor sa svojom porodicom prošao je Golgotu Racije i samo pukim slučajem sačuvao je život. Tragedija i iskustvo koje će trajno biti utisnuto u njegovu svest i koje će oblikovati sećanja preneta u ovu knjigu…”"After 70 years, the testimony of Dr Andrej Deak titled "Under the Yellow Tape" was again in front of the readers. It has been waiting for a long, unfair, forgotten and neglected time to find its way to the readership again, to convey with living words and personal testimony all the horrors that the author and his family went through during the years of occupation in 1941-44. This edition is dedicated to the 80th anniversary of the bloody tragedy - the Raid in southern Bačka. It will undoubtedly leave a lasting mark on the lives of tens of thousands of residents of Bačka, an event that extinguished thousands of lives of those whose only fault was that they were of a different religion, nation and personal beliefs. The author and his family went through the Golgotha. A tragedy and an experience that will forever be in his consciousness and that will shape the memories conveyed in this book..."Publikacija je štampana u okviru projekta „Zastave naših očeva“ koje je finansijski podržalo Ministarstvo za rad, zapošljavanje, boračka i socijalna pitanja - Sektor za boračko-invalidsku zaštitu (the publication was printed as part of the "Flags of our Fathers" project, which was financially supported by the Ministry of Labour, Employment, Veterans and Social Affairs - Sector for Veterans and Disability Protection)
How to narrate the Holocaust (on film)? From history to communication
No full textIako se svaki medij susreće sa problemima u predstavljanju Holokausta, stav Žaka Ransijera da je istorija filma istorija moći stvaranja istorije ispravno nam ukazuje na to da filmska umetnost donosi poseban etički i umetnički izazov predstavljanja genocida. Ova studija predstaviće istoriju pripovedanja Holokausta na osi četiri ključna pojma post-Holokaust diskursa: istorija, sećanje, predstavljanje i komunikacija. U segmentu koji se odnosi na istoriju biće reči o tome šta je zapravo Holokaust; u segmentu posvećenom sećanju o tome čiji je Holokaust, ko treba ili ko sme da govori o njemu; u delu rada o predstavljanju, reč je o glavnim dosadašnjim izazovima pitanja „Kako pripovedati Holokaust?” i tome zašto i dalje, skoro 80 godina kasnije, govorimo o Holokaustu; konačno, kroz segment o komunikaciji ukazaćemo na pristup analizi narativa i diskursa o Holokaustu čiji je cilj bolje razumevanje samih narativa i motiva za njihovo nastajanje. Tumačenje ovih diskursa sprovedeno je kroz kulturalnu analizu i predstavljanje filmskih ostvarenja Noć i magla, Alana Renea (Alain Resnais), filma Šoa Kloda Lancmana (Claude Lanzmann), CBS-ove i NBS-jeve TV miniserije Holokaust i adaptacija Dnevnika Ane Frank.Although all media forms meet unique problems in (re)presenting the Holocaust, Jacques Ransier's view that film history is the history of the power to create history rightly indicates that film art faces special ethical and artistic challenges in representing the Shoah. This study will present the history of the Holocaust narrative on the axis of four key concepts of post-Holocaust discourse: history, memory, representation, and communication. The history segment focuses on what the Holocaust is; in the segment concerning memory we will discuss the issue of “who does it belong, who should or should not talk about it”; in the part about representation, our discussion will consider the main challenges of the question “How to speak about the Holocaust?” and why we are still talking about the Holocaust, almost 80 years after the event. Finally, through the segment referring to communications,
we will point out the approach for the analysis of narratives and discourses about the Holocaust, the goal of which is a better understanding of the narratives themselves and the motives for their creation. The interpretation of
these discourses will be conducted through cultural analysis and presentation of examples from key film achievements on the topic of the Holocaust: Night and Fog, Alan Resnai, Claude Lanzmann’s Shoah, CBS and NBS TV series Holocaust and adaptations of The Diary of Anne Frank
Trauma drugih!? Jugoslovenski filmovi o Holokaustu iz 1960-ih godina
Get PDFThe aim of this paper is to map the reconfiguration and displacement of the emerging trauma of the Holocaust in the cinematic narratives of SFR Yugoslavia. The analysis of three nearly forgotten Yugoslav films of the 1960s - Killer on Leave (Mörder auf Urlaub/Ubica na odsustvu/Ubica je došao iz prošlosti, 1965, Boško Bošković), Witness Out of Hell (Bittere Kräuter/Gorke trave, 1966, Žika Mitrović) and Smoke (Dim, 1967, Slobodan Kosovalić) - follows Kansteiner’s thesis about the changes of Holocaust memorial narratives in the films shown on German television in the 1970s. Accordingly, I claim that the analyzed films position the trauma of the Holocaust as a crime committed by others, over there, and then in the past. Further, they broaden the trauma to accommodate the diversified roles of victims, perpetrators, witnesses and bystanders, and help the Germans (and other Europeans as well) come to terms with the Nazi criminal legacy and their own role. The co-productional terms allow the films to balance the memory of the Holocaust as both anti-fascist (East Germany) and cosmopolitan, multidirectional (West Germany) within the real Yugoslav/German symbolic narrative space and its intrinsic poetics (e.g., memorialization and sacralization).Cilj ovog rada je da mapira rekonfiguraciju i izmeštanje traume Holokausta u nastajanju u kinematografskim narativima SFR Jugoslavije. Analiza tri skoro zaboravljena jugoslovenska filma iz 1960-ih godina - Ubica na odsustvu (1965, Boško Bošković), Svedok iz pakla (1966, Mitrović) i Dim (1967, Slobodan Kosovalić) - prati Kanštajnerovu tezu o promenama memorijalnih narativa Holokausta u filmovima prikazivanim na nemačkoj televiziji 1970-ih godina. Shodno tome, tvrdim da analizirani filmovi traumu Holokausta pozicioniraju kao zločin koji su počinili drugi, negde, a zatim u prošlosti. Dalje, oni proširuju traumu da bi se prilagodili raznovrsnim ulogama žrtava, počinilaca, svedoka i posmatrača, i pomažu Nemcima (i drugim Evropljanima) da se pomire sa nacističkim zločinačkim nasleđem i sopstvenom ulogom. Koprodukcijski termini omogućavaju filmovima da uravnoteže sećanje na Holokaust, kao i antifašističko (Istočna Nemačka) i kosmopolitsko, višesmerno (Zapadna Nemačka) u okviru stvarnog jugoslovenskog/nemačkog simboličkog narativnog prostora i njegove unutrašnje poetike (na primer, memorijalizacija i sakralizacija).Thematic section "The Ever-Emerging Memory: Holocaust at the Crossroads of Media, Ethics, and Consumerism" (Tematski odeljak "Iznova pojavljujuće sećanje: Holokaust na raskrsnici između medija, etike i konzumerizma")