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Shakespeare's "The Merchant of Venice" through anti-Semitism prism in three performances: Burgtheater Vienna (1943), Yugoslav Drama Theater Belgrade (2004) and Venice Ghetto (2016)
Get PDFU radu će biti razmatrana percepcija drame Vilijama Šekspira “Mletački trgovac” u tri pozorišne izvedbe koje se razlikuju kako prema svom datovanju tako i prema mjestu izvođenja, istorijskim, te društveno-političkim okolnostima u kojima nastaju. Kroz analizu ovih izvedbi predstava u Dvorskom pozorištu u Beču (1943), Jugoslovenskom dramskom pozorištu u Beogradu (2004) i u Venecijanskom getu (2016) možemo da uočimo na koji je način originalni Šeksprov tekst bio instrumentalizovan u različitim istorijskim trenucima i pod različitim istorijskim okolnostima u službi razmatranja tada aktuelnih pitanja. Razmotrićemo u kojoj je mjeri “Mletački trgovac” zaista antisemitistički i na koji je način nacistička politika iskoristila taj potencijal antisemitizma u ovoj drami u svoju korist, te kako su druge dvije izvedbe novijeg datuma za zadatak imale upravo suprotno: da sruše stereotipe o Jevrejima i iskažu bunt protiv istog tog antisemitizma.The paper will discuss the perception of William Shakespeare's play "The Merchant of Venice" in three theatrical performances that differ according to their date and place of performance, and the historical and socio-political circumstances in which they were created. Through the analysis of these performances of plays in the Burgtheater in Vienna (1943), the Yugoslav Drama Theater in Belgrade (2004) and in the Venice Ghetto (2016), we can see how Shakespeare's original text was instrumentalized in different historical moments and under different historical circumstances into the service of considering current issues at that time. We will consider to what extent "The Merchant of Venice" is truly anti-Semitic and how the Nazi policy used the potential of anti-Semitism in this drama to its advantage, and how the other two recent performances had the exact opposite task: to break stereotypes about Jews and express rebellion against the same anti-Semitism
The future of Holocaust remembrence: postmemory in "East-west street" by Philippe Sands
Get PDFPredmet rada jeste analiza romana “East-West Street: On the Origins of Genocide and Crimes Against Humanity” Filipa Sendsa, objavljenog 2016. godine, s fokusom na način s kojim se on suočava s prošlošću koju nije direktno iskusio ali i o kojoj ništa ne zna. Naime, Sends je unuk Jevrejina, predstavnik takozvane „treće generacije”, koji je iskusio samo tišinu svoje porodice o događajima iz Drugog svetskog rata. Cilj je rada utvrditi kako prošlost utiče na građenje identiteta pojedinca. U prvom delu rada, akcenat je stavljen na svedočenja sinova nacista suprotstavljena Sendsovom svedočenju. U drugom delu rada, ističe se Sendsovo kombinovanje mikro i makroistorije. Bez binarnog suprotstavljanja istorije i sećanja, u radu se analiziraju složeniji i izazovniji odnosi između njih. Kako na radove dece preživelih možemo gledati kao na opipljivu evidenciju o njihovoj sopstvenoj potrazi za identitetom, zaključuje se da Sends uzima Nirnberško suđenje (iako postoji opširan dijapazon mikroistorija u romanu) kao prekretnu tačku, jer je ono povelo pitanje da li je važnije da se štiti pojedinac ili grupa i da li je moguće da identitet gradimo van grupe kojoj pripadamo.The subject of the paper is the analysis of the novel “East-West Street: On the Origins of Genocide and Crimes Against Humanity” by Philippe Sands, published in 2016, and how he conveys the history, specifically, the one related to the Holocaust, through literature. Since Sands is the grandson of a Jew, he is a representative of the so-called “third generation” writers, and his novel can be symbolically called a work of post-memory. In the first part of the paper, emphasis is placed on the testimonies of the sons of the Nazis as opposed to Sands’ own testimony. In the second part of the paper, the author’s combination of micro and macro histories is examined. Without binary opposing history and memory, the paper analyzes more complex and challenging relations between them. As the works of child survivors can be seen as tangible evidence of their own search for identity, the novel is also analyzed as Sands's search for his own identity. It is concluded that, despite the plethora of personal histories present in the novel, Sands takes the Nuremberg Trials as a turning point because the trial raised the question of whether it is more important to protect an individual or a group, and whether it is possible to build an identity, outside the group we belong to. In doing so, Sands combines his own personal history what an official one.Istraživanje sprovedeno u radu finansiralo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije (Ugovor o realizaciji i finansiranju naučnoistraživačkog rada NIO u 2022. godini broj 451 -03-68/2022 14/ 200198)
The life of Jews during the occupation in the novel "Sarah's Key" by Tatiana de Rosnay
Get PDFRad se bavi pitanjem života Jevreja tokom Okupacije u Francuskoj u Drugom svetskom ratu u romanu “Sarin ključ” autorke Tatijane de Rone. Najpre je prikazano sa čim se sve susreće jedna jevrejska porodica, ali i svi Jevreji na svakodnevnom nivou - na koji su način morali da se razlikuju od drugih i zbog toga i stradaju. Potom se razmatraju likovi koji su predstavljeni kao pripadnici jevrejske populacije, kao i racija Val d’hiv, i život Jevreja u logoru, tj. šta je ono sa čim su se susretali, na šta su bili osuđeni i kako su se sa svim nosili. Na kraju ćemo se osvrnuti i na simbole koji su prisutni u romanu, koji nose neku skrivenu poruku, a koja je u ovom delu rada otkrivena kroz primere i objašnjenja.The research deals with the issue of the life of Jews during the Occupation in France in the Second World War in the novel "Sarah's Key" by the author Tatiana de Rosnay. First of all, it is shown what a Jewish family faces, but also all Jews on a daily level - in what way they had to be different from others and because of that they suffer. Then the characters are represented as members of the Jewish population, as well as the Val d'Hiv raid, and the life of Jews in the camp, i.e. what they faced, what they were condemned to and how they dealt with everything. In the end, we will look at the symbols that are present in the novel, which carry a hidden message, and which is revealed in this part of the work through examples and explanations
Pristup dramskom delu Laure Papo: tekst i njegova značenja
Get PDFEl tema central de este trabajo es la obra dramática de Laura Papo Bohoreta, presentada a través
del análisis de las piezas de costumbres y los dramas sociales. En la misma se destacan el proceso
de emancipación de los personajes femeninos, por una parte, la necesidad de preservar la
tradición, por la otra. Dos procesos que la autora conjuga en su obra dramática sea a través de
los conflictos entre las generaciones sea de las convergencias entre las mismas.Tomamos
ejemplos textuales poniendolos en relación con su particular forma de hacer teatro, donde raras
veces se distancian lo que en la teoría tetral llamamos texto dramático y texto espectacular.Laura Papo Bohoreta's theatre, presented through the analysis of plays of the Sephardic tradition and social dramas, is the central topic of this work. On the one hand, we focus on the process of emancipation of the female characters, on the other, we highlight the need to preserve tradition. Two processes that the author combines in her dramatic work, either through conflicts between generations or through convergences between them. We present some of her texts as an example of her way of considering theatre, where we find no gap between the dramatic text and the performance.Pozorište Laure Papo Bohorete, predstavljeno kroz analizu drama sefardske tradicije i društvenih drama, centralna je tema ovog rada. S jedne strane, fokusiramo se na proces emancipacije ženskih likova, as druge ističemo potrebu očuvanja tradicije. Dva procesa koja autorka kombinuje u svom dramskom stvaralaštvu, bilo kroz sukobe među generacijama, bilo kroz njihove konvergencije. Neke od njenih tekstova predstavljamo kao primer njenog načina promišljanja pozorišta, gde ne nalazimo jaz između dramskog teksta i predstave.Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25]
Holocaust, memory, culture. (1)
Get PDFKao jedan od naučnih rezultata koji je proizašao iz Studija Holokausta koje se organizuju na Univerzitetu u Kragujevcu u organizaciji Centra za studije sećanja, je zbornik pod nazivom "Holokaust, sećanje, kultura" koji je okupio 22 studentska rada. Publikovani radovi nastali su u okviru različitih kurseva po izboru studenata i pod mentorstvom predmetnih profesora. Zbornikom je iskazana zahvalnost polaznicima kurseva koji su prepoznali značaj izučavanja Holokausta kako u evropskom tako i u nacionalnom prostoru.As one of the scientific results that emerged from the Holocaust Studies organized at the University of Kragujevac in the organization of the Center for Memory Studies is a collection entitled "Holocaust, memory, culture" which gathered 22 student papers. The published works were created within the framework of various courses chosen by the students and under the mentorship of subject professors. Through the collection, we expressed gratitude to the participants of the courses who recognized the importance of studying the Holocaust in European and national areas.Prema Predgovoru publikacija sadrži studentske radove nastale u okviru različitih kurseva Centra za studije sećanja Univerziteta u Kragujevcu akademske 2021/2022. godine (according to the Preface, the publication contains student works created within the framework of various courses of the Center for Memory Studies of the University of Kragujevac in the academic year 2021/2022).Zbornik je rezultat istraživanja u okviru Studija Holokausta koje se pod pokrovitelјstvom Claims Conference (Conference on Jewish Material Claims Against Germany) izvode na Univerzitetu u Kragujevcu (the collection of papers is the result of research within Holocaust Studies, which are conducted at the University of Kragujevac under the support of the Claims Conference (Conference on Jewish Material Claims Against Germany)
Holokaust i etika turizma: memorijalna mesta u naracijama o odgovornosti
Get PDFThe issue of Holocaust tourism might be a quite sensitive, but nevertheless very important topic in the domain of Holocaust remembrance. As tourism is often associated with leisure activities, it is quite challenging to put tourism into darker contexts of history and death. Also, different people coming to the Holocaust-related places with different motives make the issue of designing educational tours even more complex. This paper will try to expose questions related to dark tourism, Holocaust tourism, and auratic memorial places, and discuss ethical approaches to the Holocaust memory at the beginning of the 21st century. The text argues for the tourist experience as a memorable and educational tool with an active transformational potential, which will turn the visitor into a witness who further contributes to the survival of the legacy of the Holocaust in the future.Pitanje turizma Holokausta može biti prilično osetljiva, ali ipak veoma važna tema u domenu sećanja na Holokaust. Kako se turizam često povezuje sa aktivnostima u slobodno vreme,
prilično je izazovno staviti turizam u mračnije kontekste istorije i smrti. Takođe, različiti ljudi
koji dolaze na mesta vezana za Holokaust sa različitim motivima čine pitanje osmišljavanja
edukativnih tura još složenijim. Ovaj rad će pokušati da razotkrije pitanja koja se odnose na
mračni turizam, holokaust turizam, auratična memorijalna mesta, kao i da prodiskutuje etičke
pristupe sećanju na Holokaust na početku 21. veka. U tekstu se zagovara turističko iskustvo
kao nezaboravno i edukativno sredstvo sa aktivnim transformacionim potencijalom koje
će posetioca pretvoriti u svedoka koji dodatno doprinosi opstanku nasleđa Holokausta u
budućnosti.Thematic section "The Ever-Emerging Memory: Holocaust at the Crossroads of Media, Ethics, and Consumerism" (Tematski odeljak "Iznova pojavljujuće sećanje: Holokaust na raskrsnici između medija, etike i konzumerizma")
Conservation, restoration and constructive rehabilitation of the entrance gate at the Borak Jewish cemetery in Sarajevo
Get PDFStaro Jevrejsko groblje na Borku, prema dostupnim pisanim podacima potiče iz 1630. godine. Groblje je situirano neposredno iznad tranzitne saobraćajnice sagrađene ranih 90-tih godina XX vijeka (prije početka Zimskih olimpijskih igara Sarajevo 1984.), čija trasa se poklapa sa trasom nekadašnje uskotračne pruge Sarajevo-Višegrad. Groblje je izgrađeno na padini i zauzima površinu od 31.160 m2, a na ukupno sedam parcela nalazi se preko 3850 nadgrobnika, četiri spomen-obilježja podignuta u spomen žrtvama fašističkog terora, te nekoliko kenotafa. U groblju je 1962. godine, po projektu arhitekte Zlatka Ugljena, izgrađena aškenaska kosturnica podignuta nakon ekshumacije starog i novog aškenaskog groblja izvršene 1950. godine. Groblje je prestalo biti aktivno, tj. u njemu se više ne vrši sahranjivanje od 1966. godine. Godine 1923/1924. je u sjeverozapadnom dijelu groblja podignuta kapela (Ciduk Adin) po rješenju ing. Scheidinga, a u periodu od 1926-1930. godine izvršeno je podizanje kamene ograde oko grobljanskog kompleksa, te u istom periodu izgrađene su i tri ulazne kapije: glavna na sjevernoj i dvije pomoćne na južnoj, odnosno jugozapadnoj strani groblja. Grobljanska cjelina Jevrejskog groblja u Sarajevu, na lokalitetu Borak, u dijelu grada Kovačići-debelo Brdo, proglašena je 2004. godine nacionalnim spomenikom Bosne i Hercegovine (Objavljeno u “Službenom glasniku BiH”, broj 14/05), a Rješenjem Zemaljskog zavoda za zaštitu spomenika kulture i prirodnih rijetkosti Sarajevo br. 955/51 od dana 12. novembra 1951. godine, objekat je bio stavljen pod zaštitu države.According to the available written data, the old Jewish cemetery in Borak dates back to 1630. The cemetery is located directly above the transit road built in the early 90s of the 20th century (before the start of the Sarajevo Winter Olympics in 1984), whose route coincides with the former Sarajevo-Višegrad narrow-gauge railway route. The cemetery was built on a slope and occupies an area of 31,160 m2, and on a total of seven plots there are over 3,850 tombstones, four memorials erected in memory of the victims of fascist terror, and several cenotaphs. In 1962, according to the project of architect Zlatko Ugljen, an Ashkenazi ossuary was built in the cemetery after the exhumation of the old and new Ashkenazi cemeteries in 1950. The cemetery has ceased to be active, i.e. burials have been no longer carried out since 1966. In 1923/1924. a chapel (Ciduk Adin) was built in the northwestern part of the cemetery according to the decision of ing. Scheiding, and in the period from 1926-1930. The cemetery complex of the Jewish cemetery in Sarajevo was declared a national monument of Bosnia and Herzegovina in 2004. By the Decision of the National Institute for Protection of Cultural Monuments and Natural Rarities in Sarajevo on November 12, 1951, the building was placed under state protection.Ovaj studija je objavljena kao prilog "Jevrejskog glasa" br. 90, 2023. godine (this study was published as a contribution to "Jewish Voice" no. 90, 2023)
Виртуальный музей "Ясеновац: лагерь смерти - земля живых". Представление проекта
No full textVirtuelni muzej „Jasenovac: logor smrti - zemlja živih”, multimedijalni je projekat nastao iz potrebe da se na sveobuhvatan način pristupi fenomenu sistema koncentracionih i logora smrti Jasenovac, kako sa istorijske i činjeničke strane tako i sa umetničke. Namera autora je da se ovim putem razvija i neguje kultura sećanja kao deo sistema vrednosti zasnovanog na humanosti, poštovanju života i prava svakog čoveka kroz objektivan i utemeljen pristup ovoj, verovatno najbolnijoj, temi naše nacionalne istorije. Projekat „Virtuelni muzej Jasenovac”, za sada, čine tri različita, međusobno povezana, segmenta koja, svaki na svoj način, svedoče o jasenovačkom logoru i njegovim žrtvama. Veb-portal, mobilna aplikacija i interaktivna instalacija „Gvozdena knjiga” predstavljaju tri narativna izraza muzeja gde se na višedimenzionalni način pristupa kompleksnim temama stradanja i zločina, čime se doprinosi njihovom celovitijem sagledavanju i shvatanju.The virtual museum "Jasenovac: death camp - the Land of the living" is a multimedia project born from the need to comprehensively approach the phenomenon of the Jasenovac concentration and death camp system, both from the historical and factual side, as well as from the artistic side. The author intends to develop and nurture a culture of memory as part of a value system based on humanity, and respect for the life and rights of every human being through an objective and grounded approach to this, probably the most painful, topic of our national history. The "Virtual Museum Jasenovac" project, for now, consists of three different, interconnected, segments that, each in its way, bear witness to the Jasenovac camp and its victims. The web portal, the mobile application and the interactive installation "The Iron Book" represent three narrative expressions of the museum, where the complex themes of suffering and crime are approached in a multidimensional way, thus contributing to their more complete perception and understanding.Виртуальный музей "Ясеновац: лагерь смерти – земля живых" это мультимедийный проект,
созданный вследствие потребности всеобъемлющего подхода к возникновению система концентрационных и лагерей смерти Ясеновац, как с исторической и фактической точки зрения,
так и с художественной. Цель авторов развитие и хранение культуры памяти как части системы ценностей, базирующихся на гумманности, уважении жизни и права каждого человека иметь доступ к этой, наверное, самой болезненной теме нашей национальной истории с объективной и обоснованной точки зрения. Проект "Виртуальный музей Ясеновац" в настоящее время состоит из трех различиных и взаимосвязанных сегментов, каждый из которых по-своему свидетельствуют о
ясеновацком лагере и его жертвах. Веб-портал, мобильное приложение и интерактивная исталляция "Железная книга" представляют собой три повествовательных способа выражения
музея, в котором многомерным способом подходят к комплексным темам страдания и злодеяний, и таким образом вносит свой вклад в их более целостное видение и понимание
Media representation of the Jewish community of Bosnia and Herzegovina: content analysis of Bosnian daily newspapers (2005-2021)
Get PDFRad je imao za cilj ispitati obilježja izvještavanja bosanskohercegovačkih dnevnih novina o jevrejskoj zajednici Bosne i Hercegovine za period 2005-2021. Korištena je metoda analize sadržaja relevantnih novinarskih poruka (N=1173), kako bi se ustanovila učestalost njihova pojavljivanja, načini pozicioniranja i formatiranja, dominantne tematske oblasti, distribucija glasova i sveukupni ton. Rezultati analize upućuju na proturječna obilježja praksi medijskog tretmana bosanskohercegovačke jevrejske zajednice, ograničenu mogućnost za ostvarivanje „simboličkog kontakta“ s manjinskom zajednicom i afirmativni kontekst predstavljanja. Za razliku od dosadašnjih radova, koji su većinom sekundarno proučavali ove prakse u kraćim vremenskim intervalima, provedeno istraživanje pruža konkretne rezultate, izvedene na osnovu sagledavanja djelatnosti medijskih organizacija tokom 16-godišnjeg perioda, a koji omogućavaju bolje razumijevanje procesa novinarskog praćenja manjinskih grupa u multietničkim državama obilježenim historijom nasilnih konflikta. Ukazuje se na relevantnost konceptualizacije novinarstva kao performativne prakse koja sudjeluje u procesu (re)definiranja simboličkih granica između različitih društvenih grupa.The study aimed to examine the characteristics of Bosnian daily newspaper coverage of the Bosnia and Herzegovina Jewish community for the period 2005-2021. Content analysis of relevant journalistic messages (N=1173) was employed to examine the frequency of their appearance, positioning and formatting patterns, dominant thematic fields, distribution of voices, and overall tone. The results of the analysis point to the contradictory features of media coverage of the Bosnian Jewish community, the limited possibility of achieving "symbolic contact" with the minority community, and the affirmative context of presentation. The study yields empirically grounded insights that allow a better understanding of the process of journalistic coverage of minority groups in multi-ethnic states marked by a history of violent conflicts. The study highlights the relevance of the theoretical knowledge of journalism as a performative practice that participates in the process of (re)defining symbolic boundaries between different social groups.Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25]
The life path of Javer Effendi Baruch during the Austro-Hungarian administration
Get PDFAutorka na osnovu dostupne arhivske građe i periodike rekonstruiše životnu priču Javera efendije Barucha, jednog od najuglednijih i najimućnijih sarajevskih građana, u vrijeme austrougarske uprave Bosnom i Hercegovinom. Ličnost Javera ef. Barucha nije temeljno istraživana u dosadašnjoj istoriografiji. Poznato je da je Baruch društveni ugled stekao još u vrijeme osmanske uprave. Nakon dolaska Austro-Ugarske u Bosnu i Hercegovinu on ne samo da je uspio da očuva i učvrsti svoju društvenu poziciju, nego je stekao i zavidno bogatstvo. Cilj ovog rada je da predstavi nesvakidašnji životni put jednog sarajevskog Sefarda. U radu se analizira njegov životni put od liferanta za vojne potrebe, zakupnika carine, sarajevskog gradskog zastupnika, pa do osuđenika za uvredu veličanstva. Na osnovu dostupne istorijske građe propituje se postojanje promjena u odnosu tadašnje uprave i društva prema Javer efendiji Baruchu nakon 1887. godine.Based on available archival material and periodicals, the author reconstructs the life story of Javer Effendi Baruch, one of the most respected and wealthy citizens of Sarajevo, during the Austro-Hungarian administration of Bosnia and Herzegovina. The personality of Javer Eff. Baruch has not been thoroughly researched in the historiography so far. It is known that Baruch gained a social reputation during Ottoman
rule. After the arrival of Austria-Hungary in Bosnia and Herzegovina, he not only managed to preserve and strengthen his social position but also acquired enviable wealth. This paper aims to present the unusual life path of a Sephardic from Sarajevo. The paper analyzes his life path from a supplier for military needs, a customs tenant, a Sarajevo city councillor, to a convict for insulting majesty. Based on the available historical materials, the existence of changes in the relationship between the then
administration and society towards Javer Effendi Baruch after 1887 is examined.Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25