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Characters from "Rani jadi" (except Eduard Sam, mother and sister)
Get PDFSvrha rada je da predstavi sve likove (osim Eduarda Sama, majke i sestre) iz knjige „Rani jadi“ Danila Kiša, prvog romana njegove porodične trilogije/cirkusa. U romanu je primarni fokus na Andreasu Semu i njegovim sećanjima koja nam govore više o njegovom detinjstvu, ratnom periodu i njegovom ocu. Uz lik Andreasa Sema, glavni aspekt naše analize je njegov najbolji prijatelj, pas Dingo. Budući da je većina proučavanih likova jevrejskog porekla, nastojali smo da ukažemo na društvenu i privatnu sferu života svakog lika ponaosob, kao i da uključimo podatke o prisustvu antisemitizma u slučajevima kada je to bilo navedeno ili nagovešteno.The purpose of the paper is to present all characters (except Eduard Sam, mother and sister) from Danilo Kis' "Rani jadi", the first novel in his family trilogy/circus. In the novel, the primary focus is on Andreas Sam and his memories which tell us more about his childhood, the war period and his father. Along with the character of Andreas Sam, the main aspect of our analysis is his best friend, Dingo the dog. Since most of the studied characters are of Jewish origin, we sought to point out the social and private spheres of each character's life individually, as well as include information on the presence of anti-Semitism in cases where it was stated or hinted at.Pod pokrovitelјstvom "Claims Conference ( Conference on Jewish Material Claims Against Germany)", Centar za studije sećanja Univerziteta u Kragujevcu - čiji je osnivač i rukovodilac prof. dr Katarina Melić - akademske 2021/2022. godine je dalekosežno pokrenuo Studije Holokausta. Jedan od realizovanih kurseva, "Istražni diskurs u književnosti" (prof. dr Dragan Bošković) održan je u zimskom semestru akademske 2021/2022. godine, i problemski je bio usredsređen na stvaralački opus Danila Kiša. Osim preispitivanja karaktera i smisla istražnog diskursa - elementarnog mehanizma epistemologije, naracije i poetike - glavna intencija kursa bila je analitičko percipiranje literarnih predstava Holokausta i antisemitizma u Kišovom delu, a kao jedan od rezultata rada na kursu bio je prezentacija Kišovih junaka-žrtava Holokausta. Tako su polaznici kursa izdvojili junake (likove-žrtve) iz "Porodičnog cirkusa", "Grobnice za Borisa Davidoviča", Kišovih drama i televizijske emisije "Goli život". Ispitujući (ili: oblikujući) njihove identitete, studenti su posebnu pažnju posvetili antisemitističkom belegu na njima, kao i njihovim tragičnim stradanjima. Uočivši simboličnu važnost realizovanih prezentacija, koje oslikavaju žrtve Holokausta u Kišovom opusu, došlo se na ideju preinačavanja power-point prezentacija u formu tekstova, i to tekstova nalik „ličnim kartama”. U želјi da sagledamo posledice Holokausta, kao i da predstavimo identitete žrtava i da čujemo njihov glas, tekstovi koji slede predstavlјaju omaž mrtvima - onima koji tek mogu da budu mrtvi onda kada progovore kroz literaturu, kroz diskurs. Progovorom kroz literaturu i kroz ove tekstove, mrtvi se samopotvrđuju kao žrtve, a tako i kao „besmrtni”. Stoga, ovaj temat - "Spomen-muzej žrtava Holokausta u opusu Danila Kiša" - prilog je narativnom otelotvorenju Kišovih žrtava koje, kako bi to rekao Pol Riker, „vape za odmazdom i prizivaju priču”. Ovaj mali tematski blok je, dakle, njihova i naša „odmazda”, njihova i naša „priča”. Ovaj tekst je jedan od šest tekstova čiji su autori doktorandi Filološko-umetničkog fakulteta Univerziteta u Kragujevcu, i ovo su prvi tekstovi ovakvog tipa u celokupnoj istoriji kišologije. O likovima-žrtvama Holokausta dati su uvidi u formi taksativno navedenih biografskih informacija, dok je posebna pažnja posvećena antisemitizmu i to u odelјku svakog teksta, naslovlјenom: „Znakovi i posledice antisemitizma/Holokausta”.Sponsored by "Claims Conference (Conference on Jewish Material Claims Against Germany"), the Centre for the Study of Memory of the University of Kragujevac - whose founder and the head is prof. Katarina Melić, PhD, full professor - has, during the academic year of 2021/2022, issued forth the Holocaust Studies. One of the realized courses, "Investigative Discourse in Literature" (prof. Dragan Bošković, PhD, full professor) was held in the winter semester of the academic year of 2021/2022 and was focused on the creative work of Danilo Kiš through a problem-solving approach. Apart from re-examining the character and meaning of investigative discourse - the elementary mechanism of epistemology, narration and poetics - analytical perception of literary representations of the Holocaust and antisemitism in Kiš’s work represented the primary intention of the course, and one of the results of course activities was the presentation of Kiš’s characters-victims of the Holocaust. Thus, the attendees of the course sought to single out the heroes (characters-victims) from the "Family Circus", "A Tomb for Boris Davidovich", Kiš’s plays and the television show "Naked Life". Examining (or: shaping) their identities, the students paid special attention to the antisemitic mark on them, as well as their tragic sufferings. Having noticed the symbolic significance of the completed presentations, while concurrently depicting the victims of the Holocaust in Kiš’s oeuvre, there emerged an idea to transform power-point presentations into the form of manuscripts, and not just any, but manuscripts similar to “identity cards”.
In order to appreciate the consequences of the Holocaust, as well as to present the identities of the victims and hear their voices, the following manuscripts represent a homage to the dead - to those who may be dead only after they have spoken through literature, through discourse. By speaking through literature and through these manuscripts, the dead assert themselves as victims, and thus as “immortals”. Therefore, this thematic issue - "The Memorial Museum of the Holocaust Victims in the Oeuvre of Danilo Kiš" - constitutes a contribution to the narrative embodiment of Kiš’s victims who, as Paul Ricoeur would say, “cry out for retribution and invoke a story”. This small-scale thematic issue is, hence, their and our “retribution”, their and our “story”. This is one of six manuscripts whose authors are PhD students at the Faculty of Philology and Arts, University of Kragujevac, and these are the first manuscripts of this type in the entire history of Kišology. Insights into the characters-victims of the Holocaust are provided in the form of exhaustive specifications of biographical information, paying special attention to antisemitism in a particular section of each manuscript, entitled: „Signs and Consequences of Antisemitism/Holocaust”
Characters from the dramas of Danilo Kiš
Get PDFOsnovni cilj rada bio je predstavljanje likova iz dramskih dela Danila Kiša. Korišćene drame su „Noć i magla“, prvi put objavljena 1968. godine, „Papagaj“ 1970. godine, kao i „Drveni sanduk Tomaša Vulfa“, pisan za televiziju. 1974. i na kraju „Mehanički lavovi“ iz 1980. Rad nastaje kao rezultat analize glavnih likova navedenih drama isključivo kroz sliku njihovog jevrejskog identiteta, Holokausta i posledica koje je imao na celokupno biće likova, formirajući tako biografiju u njihovu čast. Jasno je da većina Kišovih jevrejskih dramskih likova pati od psihičke traume nakon Holokausta i da većina žudi da sačuva svoje uspomene kroz sećanje. Rad je takođe rezultat istraživanja sprovedenog na kursu koji je bio deo Centra za studije sećanja.The main aim of the paper was the representation of characters found in the dramatic works of Danilo Kiš. The dramas used include "Night and Mist" (Noć i Magla), first published in 1968, "Parrot" (Papagaj) in 1970, as well as "The Wooden Coffin of Thomas Wolfe" (Drveni sanduk Tomasa Vulfa), written for television in 1974, and finally "Mechanical Lions" (Mehanički lavovi), from 1980. The paper comes as a result of analyzing the main characters of the aforementioned dramas solely through the image of their Jewish identity, the Holocaust and the aftermath the same had on the overall being of the characters, thus forming a biography in their honour. It is clear that most of Kiš's Jewish dramatic characters suffer from psychological trauma after the Holocaust and most are yearning to preserve their memories through remembrance. The paper is also the result of research conducted in the course which was part of a Center for the Studies of Remembrance.Pod pokrovitelјstvom "Claims Conference ( Conference on Jewish Material Claims Against Germany)", Centar za studije sećanja Univerziteta u Kragujevcu - čiji je osnivač i rukovodilac prof. dr Katarina Melić - akademske 2021/2022. godine je dalekosežno pokrenuo Studije Holokausta. Jedan od realizovanih kurseva, "Istražni diskurs u književnosti" (prof. dr Dragan Bošković) održan je u zimskom semestru akademske 2021/2022. godine, i problemski je bio usredsređen na stvaralački opus Danila Kiša. Osim preispitivanja karaktera i smisla istražnog diskursa - elementarnog mehanizma epistemologije, naracije i poetike - glavna intencija kursa bila je analitičko percipiranje literarnih predstava Holokausta i antisemitizma u Kišovom delu, a kao jedan od rezultata rada na kursu bio je prezentacija Kišovih junaka-žrtava Holokausta. Tako su polaznici kursa izdvojili junake (likove-žrtve) iz "Porodičnog cirkusa", "Grobnice za Borisa Davidoviča", Kišovih drama i televizijske emisije "Goli život". Ispitujući (ili: oblikujući) njihove identitete, studenti su posebnu pažnju posvetili antisemitističkom belegu na njima, kao i njihovim tragičnim stradanjima. Uočivši simboličnu važnost realizovanih prezentacija, koje oslikavaju žrtve Holokausta u Kišovom opusu, došlo se na ideju preinačavanja power-point prezentacija u formu tekstova, i to tekstova nalik „ličnim kartama”. U želјi da sagledamo posledice Holokausta, kao i da predstavimo identitete žrtava i da čujemo njihov glas, tekstovi koji slede predstavlјaju omaž mrtvima - onima koji tek mogu da budu mrtvi onda kada progovore kroz literaturu, kroz diskurs. Progovorom kroz literaturu i kroz ove tekstove, mrtvi se samopotvrđuju kao žrtve, a tako i kao „besmrtni”. Stoga, ovaj temat - "Spomen-muzej žrtava Holokausta u opusu Danila Kiša" - prilog je narativnom otelotvorenju Kišovih žrtava koje, kako bi to rekao Pol Riker, „vape za odmazdom i prizivaju priču”. Ovaj mali tematski blok je, dakle, njihova i naša „odmazda”, njihova i naša „priča”. Ovaj tekst je jedan od šest tekstova čiji su autori doktorandi Filološko-umetničkog fakulteta Univerziteta u Kragujevcu, i ovo su prvi tekstovi ovakvog tipa u celokupnoj istoriji kišologije. O likovima-žrtvama Holokausta dati su uvidi u formi taksativno navedenih biografskih informacija, dok je posebna pažnja posvećena antisemitizmu i to u odelјku svakog teksta, naslovlјenom: „Znakovi i posledice antisemitizma/Holokausta”.Sponsored by "Claims Conference (Conference on Jewish Material Claims Against Germany"), the Centre for the Study of Memory of the University of Kragujevac - whose founder and the head is prof. Katarina Melić, PhD, full professor - has, during the academic year of 2021/2022, issued forth the Holocaust Studies. One of the realized courses, "Investigative Discourse in Literature" (prof. Dragan Bošković, PhD, full professor) was held in the winter semester of the academic year of 2021/2022 and was focused on the creative work of Danilo Kiš through a problem-solving approach. Apart from re-examining the character and meaning of investigative discourse - the elementary mechanism of epistemology, narration and poetics - analytical perception of literary representations of the Holocaust and antisemitism in Kiš’s work represented the primary intention of the course, and one of the results of course activities was the presentation of Kiš’s characters-victims of the Holocaust. Thus, the attendees of the course sought to single out the heroes (characters-victims) from the "Family Circus", "A Tomb for Boris Davidovich", Kiš’s plays and the television show "Naked Life". Examining (or: shaping) their identities, the students paid special attention to the antisemitic mark on them, as well as their tragic sufferings. Having noticed the symbolic significance of the completed presentations, while concurrently depicting the victims of the Holocaust in Kiš’s oeuvre, there emerged an idea to transform power-point presentations into the form of manuscripts, and not just any, but manuscripts similar to “identity cards”. In order to appreciate the consequences of the Holocaust, as well as to present the identities of the victims and hear their voices, the following manuscripts represent a homage to the dead - to those who may be dead only after they have spoken through literature, through discourse. By speaking through literature and through these manuscripts, the dead assert themselves as victims, and thus as “immortals”. Therefore, this thematic issue - "The Memorial Museum of the Holocaust Victims in the Oeuvre of Danilo Kiš" - constitutes a contribution to the narrative embodiment of Kiš’s victims who, as Paul Ricoeur would say, “cry out for retribution and invoke a story”. This small-scale thematic issue is, hence, their and our “retribution”, their and our “story”. This is one of six manuscripts whose authors are PhD students at the Faculty of Philology and Arts, University of Kragujevac, and these are the first manuscripts of this type in the entire history of Kišology. Insights into the characters-victims of the Holocaust are provided in the form of exhaustive specifications of biographical information, paying special attention to antisemitism in a particular section of each manuscript, entitled: „Signs and Consequences of Antisemitism/Holocaust”
Characters from "A tomb for Boris Davidovich"
Get PDFCilj ovog kratkog prikaza je da predstavi primer dve biografije likova iz romana „Grob za Borisa Davidoviča“ autora Danila Kiša: Hane Kšiževske i Baruha Davida Nojmana i kako istorija ima tendenciju da se ponavlja i pokaže kako antisemitizam funkcioniše sa svojim okrutnim mehanizmom i logikom, imun na pravdu, nevinost, pol, vreme i mesto. Pisac Danilo Kiš dao je uvid u živote dvoje pojedinaca, njihove jedinstvene umove, uverenja, potencijale i borbu protiv velikog monstruma zvanog antisemitizam. Hana i Baruh su dve snažne i neustrašive osobe koje su bez opravdanog razloga korišćene kao žrtvena jagnjad za mržnju i dirljivo podsećanje na sve strahote koje je antisemitizam izazivao vekovima.The goal of this short display is to represent the example of two character biographies from а novel "A tomb for Boris Davidovich" by author Danilo Kiš: Hana Kšiževska and Baruh David Nojman and how history has a tendency to repeat itself and show how Anti-Semitism operates with its cruel mechanism and logic, immune to justice, innocence, gender, time and place. The writer Danilo Kiš gave a glimpse into the lives of two individuals, their unique minds, beliefs, potentials, struggles and fights against the big monster called anti-Semitism. The abovementioned Hana and Baruh are two strong-minded and fearless individuals who were used as sacrificial lambs for hatred without proper cause and a touching reminder of all the horrors that anti-Semitism caused for centuries.Pod pokrovitelјstvom "Claims Conference ( Conference on Jewish Material Claims Against Germany)", Centar za studije sećanja Univerziteta u Kragujevcu - čiji je osnivač i rukovodilac prof. dr Katarina Melić - akademske 2021/2022. godine je dalekosežno pokrenuo Studije Holokausta. Jedan od realizovanih kurseva, "Istražni diskurs u književnosti" (prof. dr Dragan Bošković) održan je u zimskom semestru akademske 2021/2022. godine, i problemski je bio usredsređen na stvaralački opus Danila Kiša. Osim preispitivanja karaktera i smisla istražnog diskursa - elementarnog mehanizma epistemologije, naracije i poetike - glavna intencija kursa bila je analitičko percipiranje literarnih predstava Holokausta i antisemitizma u Kišovom delu, a kao jedan od rezultata rada na kursu bio je prezentacija Kišovih junaka-žrtava Holokausta. Tako su polaznici kursa izdvojili junake (likove-žrtve) iz "Porodičnog cirkusa", "Grobnice za Borisa Davidoviča", Kišovih drama i televizijske emisije "Goli život". Ispitujući (ili: oblikujući) njihove identitete, studenti su posebnu pažnju posvetili antisemitističkom belegu na njima, kao i njihovim tragičnim stradanjima. Uočivši simboličnu važnost realizovanih prezentacija, koje oslikavaju žrtve Holokausta u Kišovom opusu, došlo se na ideju preinačavanja power-point prezentacija u formu tekstova, i to tekstova nalik „ličnim kartama”. U želјi da sagledamo posledice Holokausta, kao i da predstavimo identitete žrtava i da čujemo njihov glas, tekstovi koji slede predstavlјaju omaž mrtvima - onima koji tek mogu da budu mrtvi onda kada progovore kroz literaturu, kroz diskurs. Progovorom kroz literaturu i kroz ove tekstove, mrtvi se samopotvrđuju kao žrtve, a tako i kao „besmrtni”. Stoga, ovaj temat - "Spomen-muzej žrtava Holokausta u opusu Danila Kiša" - prilog je narativnom otelotvorenju Kišovih žrtava koje, kako bi to rekao Pol Riker, „vape za odmazdom i prizivaju priču”. Ovaj mali tematski blok je, dakle, njihova i naša „odmazda”, njihova i naša „priča”. Ovaj tekst je jedan od šest tekstova čiji su autori doktorandi Filološko-umetničkog fakulteta Univerziteta u Kragujevcu, i ovo su prvi tekstovi ovakvog tipa u celokupnoj istoriji kišologije. O likovima-žrtvama Holokausta dati su uvidi u formi taksativno navedenih biografskih informacija, dok je posebna pažnja posvećena antisemitizmu i to u odelјku svakog teksta, naslovlјenom: „Znakovi i posledice antisemitizma/Holokausta”.Sponsored by "Claims Conference (Conference on Jewish Material Claims Against Germany"), the Centre for the Study of Memory of the University of Kragujevac - whose founder and the head is prof. Katarina Melić, PhD, full professor - has, during the academic year of 2021/2022, issued forth the Holocaust Studies. One of the realized courses, "Investigative Discourse in Literature" (prof. Dragan Bošković, PhD, full professor) was held in the winter semester of the academic year of 2021/2022 and was focused on the creative work of Danilo Kiš through a problem-solving approach. Apart from re-examining the character and meaning of investigative discourse - the elementary mechanism of epistemology, narration and poetics - analytical perception of literary representations of the Holocaust and antisemitism in Kiš’s work represented the primary intention of the course, and one of the results of course activities was the presentation of Kiš’s characters-victims of the Holocaust. Thus, the attendees of the course sought to single out the heroes (characters-victims) from the "Family Circus", "A Tomb for Boris Davidovich", Kiš’s plays and the television show "Naked Life". Examining (or: shaping) their identities, the students paid special attention to the antisemitic mark on them, as well as their tragic sufferings. Having noticed the symbolic significance of the completed presentations, while concurrently depicting the victims of the Holocaust in Kiš’s oeuvre, there emerged an idea to transform power-point presentations into the form of manuscripts, and not just any, but manuscripts similar to “identity cards”. In order to appreciate the consequences of the Holocaust, as well as to present the identities of the victims and hear their voices, the following manuscripts represent a homage to the dead - to those who may be dead only after they have spoken through literature, through discourse. By speaking through literature and through these manuscripts, the dead assert themselves as victims, and thus as “immortals”. Therefore, this thematic issue - "The Memorial Museum of the Holocaust Victims in the Oeuvre of Danilo Kiš" - constitutes a contribution to the narrative embodiment of Kiš’s victims who, as Paul Ricoeur would say, “cry out for retribution and invoke a story”. This small-scale thematic issue is, hence, their and our “retribution”, their and our “story”. This is one of six manuscripts whose authors are PhD students at the Faculty of Philology and Arts, University of Kragujevac, and these are the first manuscripts of this type in the entire history of Kišology. Insights into the characters-victims of the Holocaust are provided in the form of exhaustive specifications of biographical information, paying special attention to antisemitism in a particular section of each manuscript, entitled: „Signs and Consequences of Antisemitism/Holocaust”
The Jewish tradition of Tula: local texts and practices
Get PDFJevrejski verski život u Tuli ima prilično dugu istoriju, koja datira još od 1830-ih, kada su jevrejski regruti stigli u tu oblast da služe u fabrici oružja. Ova disertacija je posvećena sveobuhvatnom proučavanju upravo te jevrejske zajednice u Tuli. U svom radu, na osnovu tekstova lokalne zajednice i dokumentarnih izvora, rekonstruišem tzv. „istorijski portret” zajednice, identifikujući obeležja kulturnih tekstova, svakodnevnih i iz verske prakse. Tokom istraživanja prikupljeni su intervjui koji su mi omogućili da sistematizujem podatke o poreklu jevrejskih porodica, razlozima njihovog preseljenja u Tulu, istoriji zajednice, posebnostima jevrejskih porodica, njihovih života, prikriveni judaizam i odnose Jevreja sa nejevrejima. Postoje i priče o povratku u jevrejsku kulturu ljudi koji su bili odsečeni od nje. Dobijeni podaci su nam omogućili da drugačije sagledamo diskusiju u okviru judaističkih studija o tome da li je kultura sovjetskih i postsovjetskih Jevreja „suptilna“, lišena većine kulturnih obeležja, i da damo sopstveni odgovor na ovo pitanje.Jewish religious life in Tula has quite a long history, dating back to the 1830s when Jewish conscripts arrived in the area to serve in the arms factory. This dissertation is dedicated to a comprehensive study of that particular Jewish community in Tula. In my work, based on the texts of the local community and documentary sources, I reconstruct the so-called "historical portrait" of the community, identifying features of cultural texts, every day and from religious practice. During the research, interviews were collected that allowed me to systematize data on the origins of Jewish families, the reasons for their relocation to Tula, the history of the community, the uniqueness of Jewish families, their lives, hidden Judaism and the relations of Jews with non-Jews. There are also stories of the return to Jewish culture of people who were cut off from it. The obtained data allowed us to look at the discussion within Judaic studies differently about whether the culture of Soviet and post-Soviet Jews is "subtle", and devoid of most cultural features, and to give our answer to this question.Završni kvalifikacioni rad, Ruski državni humanistički univerzitet, smer "Filologija" "Folkloristika i mitologija" (final qualifying thesis, Russian State Humanitarian University, Departement "Philology" "Folklore and Mythology")
Ričard I. Koen, Mirjam Rajner, "Samuel Hiršenberg, 1865-1908: poljski jevrejski umetnik u nemirima", Litman biblioteka jevrejske civilizacije, London 2022, 360 str.
Get PDFBiografistyka naukowa to niedoceniany gatunek wśród rozpraw akademickich, choć jest jednym z najtrudniejszych. Wymaga bowiem kunsztownej, interdyscyplinarnej metodologii łączącej osobiste, niekiedy intymne, przekazy źródłowe i informacje z historią działalności danej osoby wpisaną w szerszy kontekst dziejowy, społeczny i kulturowy, często także zróżnicowany geograficznie. Mimo to biografie naukowe traktowane są z reguły jako opracowania pomocnicze do tzw. poważnych monografii opisujących złożone idee, zjawiska i problemy badawcze.Naučna biografija je potcenjen žanr među akademskim disertacijama, iako je jedan od najtežih. To zahteva razrađenu, interdisciplinarnu metodologiju koja kombinuje lične, ponekad intimne, izvore i informacije sa istorijom aktivnosti date osobe u širem istorijskom, društvenom i kulturnom kontekstu, često i geografski raznolikom. Uprkos tome, naučne biografije se obično tretiraju kao pomoćne studije tzv ozbiljne monografije koje opisuju složene ideje, pojave i probleme istraživanja
March 11, 1943: bulletin of the Jewish community in the Republic of Macedonia, No. 31, 2022 (5782)
No full textБилтенот на Еврејската заедница во Република Македонија се вика „11. март 1943 година“ во спомен на 7.200 македонски Евреи кои загинаа во концентрациониот логор „Треблинка“, како жртви на фашизмот, националната и верската нетрпеливост. Тоа беа наши познаници, пријатели, деца на улица, сонувачи кои не го живееја својот сон, само затоа што беа Евреи. Како преживеани од Холокаустот и членови на еврејската заедница, им должиме на нашите предци и на нашите деца да го пренесеме овој спомен и нашата традиција. Затоа преку овој Билтен се сеќаваме на суровиот и непремостлив 11 март 1943 година, ја чуваме еврејската традиција, култура и фолклор. Овој информатор зборува за настани поврзани со јудаизмот во нашите простори и пошироко, достигнувања на нашите членови, научни содржини, празници и многу други интересни еврејски теми.Glasilo jevrejske zajednice u Republici Makedoniji nosi ime „11. mart 1943.“ u znak sećanja na 7.200 Jevreja Makedonije koji su stradali u koncentracionom logoru „Treblinka“, kao žrtve fašizma, nacionalne i verske netrpeljivosti. To su bili naši poznanici, prijatelji, deca na ulici, sanjari koji nisu doživeli svoj san, samo zato što su bili Jevreji. Kao preživeli Holokausta i članovi Jevrejske zajednice, dužni smo našim precima i našoj deci da prenosimo ovo sećanje i našu tradiciju. Zbog toga kroz ovaj Bilten pamtimo okrutni i neprebolni 11. mart 1943. čuvamo jevrejsku tradiciju, kulturu i folklor. Ovaj informator govori o događajima koji su vezani za jevrejstvo na našim prostorima i šire, dostignućima naših članova, naučnim sadržajima, praznicima i mnogim drugim interesantnim jevrejskim temama.The newsletter of the Jewish community in the Republic of Macedonia is called "11. March 1943" in memory of the 7,200 Macedonian Jews who perished in the "Treblinka" concentration camp, as victims of fascism, and national and religious intolerance. These were our neighbours, friends, children on the street, and dreamers who did not experience their dreams, just because they were Jews. As Holocaust survivors and members of the Jewish community, we owe it to our ancestors and our children to pass on this memory and our tradition. That is why through this Bulletin we remember the cruel and insurmountable March 11, 1943, we preserve Jewish tradition, culture and folklore. This informer talks about events related to Judaism in our region and beyond, achievements of our members, scientific content, holidays and many other interesting Jewish topics.Od br. 1 (1997) do br. 19 (2011) naziv je 11-ТИ март`43: билтен на Еврејската заедница во Република Македонија; brojevi 20 (2012) i 21 (2013) nose naziv 11 Март 1943; brojevi 22 (2014) i 23 (2015) nose naziv La Mangrana; br. 24 (2016) i 25 (2016) nose naziv 11 Март 1943; brojevi 26 (2018) do 29 (2020) nose naziv 11 Март 1943: гласило на Еврејската заедница во Република Македонија (from no. 1 (1997) to no. 19 (2011), the title is 11-TI March'43: Bulletin of the Jewish Community in the Republic of Macedonia; numbers 20 (2012) and 21 (2013) are entitled March 11, 1943; numbers 22 (2014) and 23 (2015) have title La Mangrana; no. 24 (2016) and 25 (2016) are entitled March 11, 1943; numbers 26 (2018) to 29 (2020) are entitled March 11, 1943: bulletin of the Jewish community in the Republic of Macedonia)
Narrative Re/Definition of Jewish-Bosnian Intracultural Identity
Get PDFJevrejska kulturna tradicija, koja je u okviru bosanskohercegovačkog habitusa prolazila faze - od asimiliranja, konkretiziranja, aktiviziranja pa do stapanja - predstavlja paradigmu intrakulturnih procesa u složenom bosanskohercegovačkom društvu. Ti procesi dešavaju se kroz različite interakcije, koje nije zaobišla ovdašnja književnost, a reprezentativne su i u jednom dijelu književnog opusa Isaka Samokovlije. Zasnivajući se na teorijskim polazištima interkulturne interpretacije i psihoanalize rad propituje Samokovlijine pripovijetke u kojima likovi djeluju kroz potisnuto vlastito naspram stranog. To je posebno izraženo u pričama „Od proljeća do proljeća“ te „Plava Jevrejka“.The Jewish cultural tradition, which within the framework of the Bosnian habitus went through stages - from assimilation, concretization, activation, and even fusion - represents a paradigm of intracultural processes in the complex Bosnian society. These processes take place through various interactions, which have not been bypassed by local literature, and are representative of one part of the literary oeuvre of Isak Samokovlija. Based on the theoretical starting points of intercultural interpretation and psychoanalysis, the work questions Samokovlija's short stories in which the characters act through the suppressed own versus the foreign. This is especially expressed in the stories “Od proljeća do proljeća” (From Spring to Spring) and “Plava Jevrejka” (The Blue Jewess).Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25]
Moral witness: contemporary poetics of memoirs
Get PDFMonografija "Moralni svedok: savremena poetika memoara" motivisana je najpre praksom pisanja i "čitanja" ovog žanra koja je, od sredine dvadesetog veka do naše savremenosti, pokazala najmanje dve klјučne promene u imanentnoj poetici memoarske proze koje nisu obuhvaćene rečničkim definicijama: prva se tiče izmene u samom sadržaju jer se od memoara bivših zaroblјenika nacističkih logora javlјa proza koja je i u pogledu kognitivnih parametara, i u domenu sva tri tipa intencija - autorske, čitaočeve, samog teksta - prevazišla postojeće "okvire"; drugu promenu uočavamo od pojave proze Kristijane F. (Felšerinov) koja ocrtava
nov tip memoariste - bivšeg zavisnika i težište pripovedanja u još većoj meri prenosi sa događaja na "doživlјaj". Oba tipa memoarske proze imaju genezu, dugu tradiciju i permanentnu aktuelnost…The monograph "Moral witness: contemporary poetics of memoirs" is primarily motivated by the practice of writing and "reading" of this genre, which, from the mid-twentieth century to the present day, has shown at least two key changes in the immanent poetics of memoir prose that are not covered by dictionary definitions: the first concerns changes in the content itself, because the memoirs of former prisoners of Nazi camps produced prose that, both in terms of cognitive parameters and in the domain of all three types of intentions - the author's, the reader's, the text itself - overcame the existing "frames"; another change can be observed from the appearance of the prose of Christiana F. (Felsherinov), who outlines a new type of memoirist - a former addict and shifts the focus of the narration to an even greater extent from the event to the "experience". Both types of memoir prose have a genesis, a long tradition, and permanent relevance..
The characters from the documentary film "Bare existence"
Get PDF"Goli život" je televizijska serija čiji su autori Danilo Kiš i Aleksandar Mandić. Snimlјena je u martu 1989. godine u Izraelu. Prvi i jedini put, sedam meseci pre smrti, Danilo Kiš se pojavlјuje pred kamerama u ulozi televizijskog pripovedača koji predstavlјa sudbine dve Jevrejke, Ženi Lebl i Eve Nahir Panić. Kroz njihove živote prelama se na uzbudlјiv način istorija naših prostora od 30-ih do 60-ih godina našeg veka, siromaštvo, komunizam, rat, Služba državne bezbednosti (UDBA), iselјenje, itd. Serija Goli život je prikazana u februaru 1990. godine, šest meseci posle Kišove smrti kao poslednji televizijski program koji su zajedno mogli da gledaju svi građani ondašnje Jugoslavije. Serija se sastoji iz četiri epizode.The topic of this work will primarily be the characters from the documentary film "Bare existence" directed by Aleksandar Mandić. The scenario for the film was written by Danilo Kiš himself. It was filmed in March 1989. in Israel. For the first and only time, Danilo Kiš appears in front of the camera in the role of a television narrator who represents the destinies of two Jews, Jovanka Ženi Lebl and Eva Nahir Panić, seven months before his death. Through their lives, the history of our region from the 1930s to the 1960s, poverty, communism, war, the State Security Service (UDBA), emigration, etc. are narrated in an exciting way. The series "Bare existence" premiered in February 1990., six months after Kiš's death, as the last television program that all citizens of the former Yugoslavia could watch together. The series consists of four episodes.Pod pokrovitelјstvom "Claims Conference ( Conference on Jewish Material Claims Against Germany)", Centar za studije sećanja Univerziteta u Kragujevcu - čiji je osnivač i rukovodilac prof. dr Katarina Melić - akademske 2021/2022. godine je dalekosežno pokrenuo Studije Holokausta. Jedan od realizovanih kurseva, "Istražni diskurs u književnosti" (prof. dr Dragan Bošković) održan je u zimskom semestru akademske 2021/2022. godine, i problemski je bio usredsređen na stvaralački opus Danila Kiša. Osim preispitivanja karaktera i smisla istražnog diskursa - elementarnog mehanizma epistemologije, naracije i poetike - glavna intencija kursa bila je analitičko percipiranje literarnih predstava Holokausta i antisemitizma u Kišovom delu, a kao jedan od rezultata rada na kursu bio je prezentacija Kišovih junaka-žrtava Holokausta. Tako su polaznici kursa izdvojili junake (likove-žrtve) iz "Porodičnog cirkusa", "Grobnice za Borisa Davidoviča", Kišovih drama i televizijske emisije "Goli život". Ispitujući (ili: oblikujući) njihove identitete, studenti su posebnu pažnju posvetili antisemitističkom belegu na njima, kao i njihovim tragičnim stradanjima. Uočivši simboličnu važnost realizovanih prezentacija, koje oslikavaju žrtve Holokausta u Kišovom opusu, došlo se na ideju preinačavanja power-point prezentacija u formu tekstova, i to tekstova nalik „ličnim kartama”. U želјi da sagledamo posledice Holokausta, kao i da predstavimo identitete žrtava i da čujemo njihov glas, tekstovi koji slede predstavlјaju omaž mrtvima - onima koji tek mogu da budu mrtvi onda kada progovore kroz literaturu, kroz diskurs. Progovorom kroz literaturu i kroz ove tekstove, mrtvi se samopotvrđuju kao žrtve, a tako i kao „besmrtni”. Stoga, ovaj temat - "Spomen-muzej žrtava Holokausta u opusu Danila Kiša" - prilog je narativnom otelotvorenju Kišovih žrtava koje, kako bi to rekao Pol Riker, „vape za odmazdom i prizivaju priču”. Ovaj mali tematski blok je, dakle, njihova i naša „odmazda”, njihova i naša „priča”. Ovaj tekst je jedan od šest tekstova čiji su autori doktorandi Filološko-umetničkog fakulteta Univerziteta u Kragujevcu, i ovo su prvi tekstovi ovakvog tipa u celokupnoj istoriji kišologije. O likovima-žrtvama Holokausta dati su uvidi u formi taksativno navedenih biografskih informacija, dok je posebna pažnja posvećena antisemitizmu i to u odelјku svakog teksta, naslovlјenom: „Znakovi i posledice antisemitizma/Holokausta”.Sponsored by "Claims Conference (Conference on Jewish Material Claims Against Germany"), the Centre for the Study of Memory of the University of Kragujevac - whose founder and the head is prof. Katarina Melić, PhD, full professor - has, during the academic year of 2021/2022, issued forth the Holocaust Studies. One of the realized courses, "Investigative Discourse in Literature" (prof. Dragan Bošković, PhD, full professor) was held in the winter semester of the academic year of 2021/2022 and was focused on the creative work of Danilo Kiš through a problem-solving approach. Apart from re-examining the character and meaning of investigative discourse - the elementary mechanism of epistemology, narration and poetics - analytical perception of literary representations of the Holocaust and antisemitism in Kiš’s work represented the primary intention of the course, and one of the results of course activities was the presentation of Kiš’s characters-victims of the Holocaust. Thus, the attendees of the course sought to single out the heroes (characters-victims) from the "Family Circus", "A Tomb for Boris Davidovich", Kiš’s plays and the television show "Naked Life". Examining (or: shaping) their identities, the students paid special attention to the antisemitic mark on them, as well as their tragic sufferings. Having noticed the symbolic significance of the completed presentations, while concurrently depicting the victims of the Holocaust in Kiš’s oeuvre, there emerged an idea to transform power-point presentations into the form of manuscripts, and not just any, but manuscripts similar to “identity cards”. In order to appreciate the consequences of the Holocaust, as well as to present the identities of the victims and hear their voices, the following manuscripts represent a homage to the dead - to those who may be dead only after they have spoken through literature, through discourse. By speaking through literature and through these manuscripts, the dead assert themselves as victims, and thus as “immortals”. Therefore, this thematic issue - "The Memorial Museum of the Holocaust Victims in the Oeuvre of Danilo Kiš" - constitutes a contribution to the narrative embodiment of Kiš’s victims who, as Paul Ricoeur would say, “cry out for retribution and invoke a story”. This small-scale thematic issue is, hence, their and our “retribution”, their and our “story”. This is one of six manuscripts whose authors are PhD students at the Faculty of Philology and Arts, University of Kragujevac, and these are the first manuscripts of this type in the entire history of Kišology. Insights into the characters-victims of the Holocaust are provided in the form of exhaustive specifications of biographical information, paying special attention to antisemitism in a particular section of each manuscript, entitled: „Signs and Consequences of Antisemitism/Holocaust”
Eva Fischer in our surroundings: memories
Get PDFU Hrvatskoj je ovih meseci ime Eve Fišer dospelo u javnost kao velika vest. Naime, zamenica gradonačelnika Daruvara, pre oko godinu i nešto dana, naišla je na podatak da je Eva Fišer rođena u Daruvaru i rešila da se to obeleži u njihovom gradu. Nedavno je u gradskom muzeju organizovana biografska izložba o Evi Fišer, a postavku mahom čine fotografije iz njenog privatnog života, fotokopije ličnih dokumenata i memorabilije. Iako kažu da je Daruvar, spletom okolnosti, tek sada otkriva, planira se i prva izložba slika Eve Fišer, po prvi put u Hrvatskoj. Međutim, ako znamo da je ona upravo ovde, u Banatu, u gradu Vršcu odrasla, završila osnovnu školu i gimnaziju, te da je nekoliko godina živela u Beogradu (1938 - 1941), onda svakako zavređuje da o njoj govorimo i kao o našoj sugrađanki. Tim više kada znamo i ko je bio Evin otac! Dr Leopold Fišer, dugi niz godina obavljao je dužnost glavnog rabina, predvodivši verski život jevrejske zajednice u Vršcu. Bio je upamćen kao vrsni erudita i teolog. Uređivao je “Jevrejski Almanah”, zvanično glasilo Saveza rabina Kraljevine SHS (Jugoslavije), koji je izlazio u Vršcu u vreme njegovog službovanja.In Croatia, Eva Fischer's name has appeared to the public as big news these months. Namely, the deputy mayor of Daruvar, about a year and a half ago, got the information that Eva Fischer was born in Daruvar and decides to commemorate it in their town. Recently, a biographical exhibition about Eva Fischer was organized in the city museum, which mainly consists of photographs from her private life, photocopies of personal documents and memorabilia. Although they say that Daruvar, due to a combination of circumstances, just now discover these facts, the first exhibition of Eva Fischer's paintings is also planned, for the first time in Croatia. However, if we know that she grew up right here, in Banat, in the city of Vršac, completed elementary school and high school and that she lived in Belgrade for several years (1938-1941), then she certainly deserves to be mentioned as our citizen. Even more when we know who Eva's father was! Dr Leopold Fischer, for many years, served as chief rabbi, leading the religious life of the Jewish community in Vršac. He was remembered as an excellent scholar and theologist. He edited the "Jewish Almanac", the official magazine of the Federation of Rabbis of the Kingdom of SHS (Yugoslavia), which was published in Vršac during his service