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Perceptions of Jews in the Bosnian Franciscan literary tradition: from anti-judaism to anti-semitism?
Get PDFKnjiževni opus bosanskih franjevaca višestruko je zanimljiv s imagološkoga stajališta: i s
obzirom na autopredodžbe i s obzirom na heteropredožbe, koje su konstruirane s polazišta važnosti vjeroispovijesti kao elementa identiteta zajednice. U radu se analizom imagotipskog potencijala religijskih i etničkih podjela rekonstruiraju prijepori između kršćanstva i judaizma, ali i lingvistički elementi, narodni običaji i savremena zbilja. Na ishodištu bosanske franjevačke književnosti, na početku 17. stoljeća, stoji Divković, koji, kako je to često u predmodernoj kulturi, povezuje vjersko drugo s etničkim drugim. Tu tradiciju nastavljaju i osamnaestostoljetni franjevački ljetopisci (Lastrić, Benić i Bogdanović) dok kod Martića, Jukića i Kneževića, koji su zakoračili u preporodno doba hrvatskog ilirizma, možemo pratiti različite normativne implikacije međuodnosa političkog, etničkog, rasnog i religijskog identiteta. Budući da su bosanski franjevci tog vremena pripadnici crkvene i intelektualne elite među katoličkim stanovništvom u Bosni, imagotipski iskazi o Jevrejima u njihovom opusu odraz su kako kršćanskog naslijeđa kroz povijest tako i evropocentričnog pogleda na Druge. Stoga rekonstruiranje imaginarija bosanskih franjevaca o Drugom i Drugačijem ujedno je i rekonstruiranje geneze narativa o Drugom, odnosno društvenih i vjerskih stereotipa i predrasuda te kontinuiteta govorenja o sebi govorom o Drugačijem.The literary opus of the Bosnian Franciscans is interesting in many ways from the imagological point of view: both concerning self-perceptions and hetero-perceptions, which were constructed based on the importance of religion as an element of community identity. Analyzing the imagotype potential of religious and ethnic divisions, the paper reconstructs the controversies between Christianity and Judaism, as well as linguistic elements, folk customs, and contemporary reality. At the source of the Bosnian Franciscan literature, at the beginning of the 17th century, we find Divković, who, as is often the case in pre-modern culture, relates the religious Other to the ethnic Other. This tradition is continued by the 19th century’s Franciscan chroniclers (Lastrić, Benić, and Bogdanović), while Martić, Jukić, and Knežević, who stepped into the era of the rebirth of Croatian Illyrianism, we can trace various normative implications of the relationship between political, ethnic, racial and religious identity. Since the Bosnian Franciscans of that time, we remember the ecclesiastical and intellectual elite among the Catholic population in Bosnia, the imagotypical statements about Jews in their works reflect both the Christian heritage through history and the Eurocentric view of the Others. Therefore, reconstructing the Bosnian Franciscans’ perceptions and ideas about the Other and the Different is, at the same time, reconstructing the genesis of the narrative about the Other, i.e., social and religious stereotypes and prejudices, as well as the continuity of talking about oneself by talking about the Different.Link: [http://dhs.ff.untz.ba/index.php/home/issue/view/25
To be silent or to speak: pedagogical aspects of the Holocaust-discourse
Get PDFIdejna osnova rada jeste pokušaj sagledavanja Holokausta kao kulturološko-sociološko-pedagoškog fenomena kroz inovativno sagledavanja Holokausta ne samo kao istorijskog događaja već i kao diskursa koji u sebi sakriva i otkriva protivrečnosti i istine. U radu će biti date naznake šire i uže slike Holokausta kao zločina, narativa, događaja, diskursa, uz akcenat na domete moći, istorijskih, ideoloških, političkih, obrazovnih činilaca koji se mogu povezati sa temom Holokausta. Osim fokusa na obrazovanje o Holokaustu, važno je istaći kako je govor o Holokaustu potreban i moguć ne samo na školskim časovima već i kroz druge medijume, odnosno kroz različite vrste umetnosti - pogotovo kroz samu književnost. Posmatrajući kao celinu, holokaust-diskurs ukazuje na nemogućnost totalizujućih narativnih struktura, on vodi disperziji koja kao svoj temelj iznova postavlja pitanje o (jevrejskom) subjektu i istoriji kao takvoj zarad razotkrivanja nasilja nad celokupnim humanizmom. Njegova jedina pedagoška rehabilitacija krije se u govoru o neponovljivom zločinu i neponovljivosti zločina kao takvog.The paper To be silent or to speak: pedagogical aspects of the holocaust-discourse focuses on the attempt to perceive the Holocaust as a cultural-sociological-pedagogical phenomenon through an innovative perception of the Holocaust not only as a historical event but also as a discourse that hides and reveals contradictions and truths. The paper will give indications of the Holocaust as a crime, narrative, event, and discourse, with an emphasis on the scope of power, and historical, ideological, political, and educational factors that can be connected with the topic of the Holocaust. Apart from the focus on education about the Holocaust, it is important to point out that talking about the Holocaust is necessary and possible not only in school classes but also through other media, that is, through different types of art - especially through literature itself. Viewed as a whole, the Holocaust-discourse points to the impossibility of totalizing narrative structures, it leads to a dispersion that, as its foundation, raises again the question of the (Jewish) subject and history as such for the sake of exposing violence on the whole of humanism. His pedagogical rehabilitation is hidden in the necessary speech about unrepeatable crime.Istraživanje sprovedeno u radu finansiralo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije (Ugovor o realizaciji i finansiranju naučnoistraživačkog rada NIO u 2022. godini broj 451 -03-68/2022 14/ 200198)
Discursive representations of the Holocaust: the work of Anselm Kiefer
Get PDFRad obrađuje pitanje uloge i odgovornosti umetnika pri (vizuelnom) predstavljanju Holokausta, uzimajući kao relevantan primer stvaralaštvo nemačkog slikara Anselma Kifera, koji se smatra jednim od najvažnijih umetnika koji se bave ovom temom i pripada širem miljeu posleratnih nemačkih intelektualaca koji su se borili da prevaziđu sramnu prošlost svoje zemlje. Oslanjajući se na teorijske okvire kolektivnog pamćenja (Albvaš 1985) i uzimajući u obzir društvenu ulogu umetnosti i bavljenje najrazličitijim fenomenima i socijalnim pitanjima kroz istu, dalje se u radu umetničko stvaralaštvo posmatra kao mesto sećanja (Nora 1996, 2007), jer su umetnička dela: 1) „opredmećenost” prošlosti, 2) bivaju posmatrana i kao reprezentacije određenog društva ili perioda, a 3) simboličko značenje utkano je od strane umetnika koji kroz svoj rad trajno komunicira sa recipijentima van vremenskih i geografskih granica.The paper deals with the question of the role and responsibility of the artist in the (visual) representation of the Holocaust, taking as a relevant example the work of the German painter Anselm Kieffer, who is considered one of the most important artists dealing with this subject and belongs to the wider milieu of post-war German intellectuals who struggled to overcome the shameful the past of your country. Relying on the theoretical framework of collective memory (Halbwachs 1985) and considering the social role of art and dealing with various phenomena and social issues through it, further in the work artistic creation is viewed as a place of memory (Nora 1996, 2007), because works of art are: 1) the "objectification" of the past, 2) they are also seen as representations of a certain society or period, and 3) the symbolic meaning is woven by the artist who through his work permanently communicates with recipients beyond time and geographical boundaries
Graphic novels about the Holocaust
No full textOva publikacija je deo izložbe „Grafička novela u edukaciji o Holokaustu” koja je organizovana uz program „Od Racije do Aušvica - Novi Sad grad kulture sećanja” realizovanog u okviru manifestacije „Novi Sad Evropska prestonica kulture 2022”.This publication is part of the exhibition “Ester - Graphic novels in Holocaust education” organized alongside Terraforming’s program “From the Novi Sad Raid to Auschwitz - Novi Sad the Capital of the Remembrance Culture”, realised as part of the Novi Sad - European Capital of Culture 2022
Die Novisader Zeitung „Jevrejske novine“ (Jüdische Zeitung) als Quelle für die Geschichte der Juden in der Woiwodina
No full textJevrejska zajednica u Vojvodini je između dva svetska rata bila prilično brojna (posebno u Novom Sadu), a njeni pripadnici su mahom činili lokalnu društvenu elitu. Obrazovani i imućni, vojvođanski Jevreji su imali i relativno razvijenu štampu. Među brojnim jevrejskim listovima, nalazile su se i novosadske "Jevrejske novine" - specifične po tome što su objavljivane i na srpskom jeziku. Ovaj prilog sadrži članke iz "Jevrejskih novina" koje su izlazile u Novom Sadu u godinama koje su prethodile Drugom svetskom ratu. Oni predstavljaju mali, ali dragoceni istorijski izvor koji svedoči o svakodnevnom životu pripadnika jevrejske zajednice u Vojvodini, ali i o delatnosti njihovih različitih organizacija - pre svega cionističke provenijencije.Die jüdische Gemeinschaft in der Woiwodina war zwischen den zwei Weltkriegen, besonders in Novi Sad, ziemlich zahlreich, und die Mitglieder bildeten meistens die lokale gesellschaftliche Elite. Gebildet und wohlhabend hatten die Juden aus der Woiwodina auch eine relativ gut entwickelte Presse. Unter den zahlreichen jüdischen Blättern war auch die Zeitung Jevrejske novine aus Novi Sad - sie war spezifisch, weil sie auch in serbischer Sprache veröffentlicht wurde. Dieser Beitrag enthält Artikel aus Jevrejske novine, die jahrelang in Novi Sad vor dem Zweiten Weltkrieg veröffentlicht wurden Sie stellt eine kleine, aber bedeutende historische Quelle dar, welche vom Alltagsleben der Mitglieder der jüdischen Gemeinschaft in der Woiwodina zeugt, sowie von der Tätigkeit von verschiedenen Organisationen - vor allem von zionistischer Provenienz
Yearbook of the Historical Archive of the City of Novi Sad
No full textU okviru sadržaja ovog godišnjaka, tema broja su „Jevreji“. Tim povodom u godišnjaku su predstavljena tri rada i troje autora, koji govore o tome: Hardi Đura - sa radom „Recepcija jevrejske zajednice u istoriografiji Novog Sada i delu Vase Stajića“; Koljanin Dragica - sa radom „Suočavanje sa predrasudama prema Jevrejima: „’Ritualno ubistvo’ u Bačkom Petrovom Selu 1928, godine“; i Bjelica Slobodan - sa radom „Novosadske 'Jevrejske novine' kao izvor za istoriju vojvođanskih Jevreja“. Svaki rad, pored sažetka na srpskom jeziku, ima i rezime na nemačkom jeziku.Within this yearbook, the theme of the issue is "Jews". On this occasion, three works and three authors are presented in the yearbook, who discuss it: Hardi Đura - with the work "Reception of the Jewish community in the historiography of Novi Sad and the work of Vasa Stajić"; Koljanin Dragica - with the work "Confronting prejudice against Jews: 'Ritual murder' in Bački Petrovo Selo in 1928"; and Bjelica Slobodan - with the work "Novi Sad 'Jevrejske novine' as a source for the history of Vojvodina Jews". Each paper has a summary in Serbian and German.Deo "Godišnjaka Istorijskog arhiva grada Novog Sada" posvećen Jevrejima (part of the "Yearbook of the Historical Archive of the City of Novi Sad" dedicated to Jews)
Three new books by Aaron Albahari
Get PDFU prezentaciji za Zoom Šabat, održanoj 22. jula 2022. godine gost je bio Aron Albahari, koji je govorio o temama i sadržaju njegove nove tri knjige: “Menora kao simbol antičkog i modernog Izraela”, “Jevreji i jevrejski hramovi Elefantine i Leontopolisa u antičkom Egiptu” i “Kanaan...Erec Izrael... Judeja... Palestina... Izrael”.In the presentation for Zoom Shabbat, held on July 22, 2022, the guest was Aaron Albahari, who spoke about the topics and content of his new three books: "The Menorah as a Symbol of Ancient and Modern Israel", "Jews and the Jewish Temples of Elephantine and Leontopolis in ancient Egypt" and "Canaan...Eretz Israel... Judea... Palestine... Israel".Predavanje održano 22. jula 2022. godine preko Zoom platforme (Zoom Šabat) sa početkom u 19.30 časova.The lecture was held on July 22, 2022, via the Zoom platform (Zoom Shabbat) starting at 7:30 p.m.Trajanje 1:22:04 minuta (duration 1:22:04 minutes)
On the traces of the Jews of Novi Sad: a virtual tour
No full textVirtuelni edukativni obilazak jevrejskog Novog Sada „Tragovima novosadskih Jevreja“. Tokom obilaska „obišli smo“ jevrejsko groblje, sinagogu, Miletićevu ulicu, zadužbinu Jelene Kon i Kej žrtava Racije. Obilazak je vodila profesorka Marija Vasić. Marija Vasić je rođena i odrasla u Novom Sadu. Diplomirala je na filozofskom fakultetu na katedri za sociologiju i filozofiju 2001. godine. Poslednjih 20 godina radi kao profesorka sociologije u Gimnaziji "Jovan Jovanović Zmaj" u Novom Sadu. Bavi se kulturom sećanja. Napisala je dve knjige kratkih priča o Novosadskoj raciji "Kada Bog zažmuri" i "Pismo na šinama". Virtuelni obilazak jevrejskog nasleđa i istorije Holokausta u Srbiji je deo projekta organizacije Haver Srbija "Koraci prošlosti, sadašnjosti i budućnosti" koji je podržan od strane The International Holocaust Remembrance Alliance (IHRA).Virtual educational tour of Jewish Novi Sad "On the traces of Novi Sad Jews". During the tour, we "visited" the Jewish cemetery, the synagogue, Miletićeva Street, and the endowment of Jelena Kon and Kay of the Novi Sad Raid victims. Professor Marija Vasić was the tour guide. Marija Vasić was born and grew up in Novi Sad. She graduated from the Faculty of Philosophy at the Department of Sociology and Philosophy in 2001. For the last 20 years, she has been working as a professor of sociology at the "Jovan Jovanović Zmaj" Gymnasium in Novi Sad. It deals with the culture of memory. She wrote two books of short stories about the Novi Sad raid, "When God Turns a Blind Eye" and "Letter on the Rails". The virtual tour of the Jewish heritage and history of the Holocaust in Serbia is part of the Haver Serbia project "Steps of the Past, Present and Future" which is supported by The International Holocaust Remembrance Alliance (IHRA).Trajanje 1:16:55 minuta (duration 1:16:55 minutes).YouTube link: [https://www.youtube.com/watch?v=IughIpw8sHQ
Anti-semitism and European protection mechanisms
No full textAutor se o radu bavi predstavlјanjem slučajeva zločina mržnje izvršenih prema pripadnicima jevrejskog naroda. Na taj način želi da ukaže na njihov težak položaj kroz različite istorijske epohe. Nakon toga analizira međunarodne dokumente na nivou Evrope koje imaju za cilј (ne)posrednu zaštitu jevrejskog naroda. Poslednji deo rada posvećen je prikazu najznačajnijih slučajeva pred Evropskim sudom za lјudska prava u kojima se sud bavio povredom člana 10. Evropske konvencije o zaštiti lјudskih prava i osnovnih sloboda u vezi negiranjem zločina počinjenih prema Jevrejima.The author deals with the presentation of cases of hate crimes committed against members of the Jewish people. In this way, he wants to point out their difficult position through different historical epochs. After that, international documents at the European level are analyzed, which have the goal of (in)direct protection of the Jewish people. The last part of the paper is dedicated to the presentation of the most significant cases before the European Court of Human Rights in which the court dealt with Article 10 of the European Convention for the Protection of Human Rights and Fundamental Freedoms regarding the denial of crimes against Jews
Srem 1942
Get PDFVrata Srema širom su se otvorila pred nastupajućim nemačkim trupama. U pohodu na Beograd, nemačka vojska je angažovala sremsko stanovništvo nemačkog porekla, uglavnom pripadnike Kulturbunda, za razoružavanje pripadnika Vojske Kraljevine Jugoslavije, dok je ostalo nemačko stanovništvo dočekalo „oslobođenje“ organizujući javne manifestacije u okviru kojih su pozdravljali nemačku vojsku visoko uzdignutim rukama, u svečanim nemačkim narodnim nošnjama, mašući zastavama sa kukastim krstovima. Istovremeno, pripadnici ustaškog pokreta su, uz podršku pristalica Hrvatske seljačke stranke i Vlatka Mačeka, preuzimali vlast na teritorijama preko kojih su nemačke trupe prošle u svom pohodu na Beograd. Osnivanjem Velike župe Vuka sa sedištem u Vukovaru, 26. juna 1941. godine, vlasti Nezavisne Države Hrvatske su i formalno uspostavile vlast na teritoriji okupiranog Srema. Od ukupno deset sremskih srezova, Nemcima su pripala četiri sreska načelnika, od sedmorice gradonačelnika - trojica su bili Nemci, od sto pedeset šestoro opštinskih načelnika - sedamdeset petoro bilo je iz redova nemačkog naroda. Nemački narod u Sremu je time gotovo ravnopravno učestvovao i delio vlast sa Hrvatima u administraciji Nezavisne Države Hrvatske, a samim tim i odgovornost za brojne zločine počinjene nad srpskim, jevrejskim, romskim i ostalim narodima u Sremu. Leto 1942. godine sa pravom se u Sremu smatra krvavim. Ustaška vlast je kroz delovanje Pokretnog prekog suda usmerenog prvenstvenoka Srbima i, sporednim akcijama, ka Romima i Jevrejima, krenula u najozbiljnije i najkrvavije čišćenje ove teritorije od „nepoćudnih“ pojedinaca i porodica.The gates of Srem opened wide before the advancing German troops. In the campaign against Belgrade, the German army hired the population of Srem of German origin, mainly members of the Kulturbund, to disarm members of the Army of the Kingdom of Yugoslavia, while the rest of the German population welcomed “liberation” by organizing public events in which they greeted the German army with their hands raised high, in solemn in German folk costumes, waving flags with swastikas. At the same time, members of the Ustasha movement, with the support of supporters of the Croatian Peasant Party and Vlatko Maček, took over the territories through which German troops passed in their march to Belgrade. With the establishment of the Great County of Vuka, based in Vukovar, on the 26th of June 1941, the authorities of the Independent State of Croatia formally established authority on the territory of occupied Srem. Out of a total of ten Srem counties, four county chiefs went to the Germans, out of seven mayors - three were Germans, and out of one hundred and fifty-six municipal chiefs - seventy-five were from the ranks of the German people. The German people in Srem thus participated almost equally and shared power with the Croats in the administration of the Independent State of Croatia, and therefore took responsibility for numerous crimes committed against the Serbian, Jewish, Roma and other peoples in Srem. The summer of 1942 is rightfully considered bloody in Srem. The Ustasha’s government, through the action of the Mobile High Court, directed primarily towards Serbs and, with secondary actions, towards the Roma and the Jews, embarked on the most serious and bloody cleansing of this territory from “reluctant” individuals and families.Sadržaj: Bojan Arbutina „Akcija Viktora Tomića u Sremu u leto 1942.“; Radovan Sremac „Sudbine iz 1942. godine“