Emerita (E-Journal)
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    La heteróclisis lE *so/ *to y el pronombre hetita -aš, -an

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    A new proposal on the elusive origin of the *so / *to suppletivisme can rest on some facts: 1) post-anatolian genesis (Hittite ša-aš, ta-aš have to be explained as prototonic particle *so or *to+enclitic pronoun derived from a *(H1)e- stem); 2) the alternation *so / *to reflects a basic opposition animate nominative vs. rest of cases (and not simply animate vs. inanimate reference or similar). The primitive prototonic particle *to was reinterpreted in post-anatolian period as an anaphoric element referred to a non-subject antecedent. Such an anaphoric would have a non-subject syntactic use too. When it was needed an emphatic anaphoric subject, the prototonic particle *so was employed with this aim (a favourable scenario would be clauses with subject change).no disponibl

    Nuevas incursiones en el léxico de Teodoro Prisciano. Formas verbales "técnicas" y tardías

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    This article analyses the verbs which were testified since the post-classic and late periods and were used by Theodorus Priscianus, to determine their contributions to late Latin lexicon. It revises the chronology, specially the innovations, philological processes (prefixation, sufixation or composition), presence in relevant works of others fields (Christian, grammatical, legislative) and distribution in semantic fields (pathology, therapeutic or pharmacology).No disponible

    Adjetivos modificados con per- y prae- en Tácito

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    Throughout Latinity it is a common opinion the intensive force of some preverbs like per- or prae-, when they form modified adjectives (seuerus-perseuerus). This paper tries to analyse such type of adjectives in the works of Tacitus. After explaining the origin of these formations (seemingly proceeding from the sermo plebeius), and their different phases of creation in Latin literature, we review aH the forms found in Tacitus (eight with per- and seventeen with prae-), in order to examine their superlative force, their uis intentiua).No disponible

    Casarse en latín. Determinación de la diátesis léxica matrimonial

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    This paper tries to establish the relations between two intertwined aspects of the complex world of Roman marriage: the social aspect and the linguistic hone. The Roman marriage appears to be based on an interplay of relations between the bride' s father, the bride and the bridegroom, all of them depending on one economical element: the dowry. The different verbal lexemes used in Latin show the different types of marriage and the point of view they are looked upon from.No disponible

    Los escolios D del manuscrito Ω-1-12 del Escorial

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    This paper is a short study of the scholia called "D" to the text of Iliad, found in eleventh century parchemin now in the Spanish Royal Library of El Escorial.No disponible

    Dos propuestas de crítica textual sobre el Idilio II de Teócrito

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    This paper proposes to consider the verse 61, which is wrongly placed and usually deemed spurious, as a transposition of a third refrain which would appear between the verses 138-9, 144-5, 148-9, 153-4, 158-9 Gow. The article analyses the structure of the poem, the sense of the verse, its grammatical fitness, its transmission. As far as regards verse 164, I propose to read πόθον (the variant admitted by Gow, Legrand and others, in agreement with the papyrus 3 KP, against the lections πόθον of the other testimonies and πάθος of the Vat. gr. 38) as ποτόν (cf. v. 58), which seems to be more adequate to the Simaitha's position; according to that, there would be no final change of attitude in the character.No disponible

    La retórica aristotélica y la oratoria de su tiempo (sobre el ejemplo de Lisias III)

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    Aristotle's Rhetoric is a descriptive text to a greater extent than normally recognised and so our understanding of Aristotle can be improved with the analysis of speeches previous to him; as a case study, the third speech of Lysias has been chosen. The argumentation of judicial speeches previous to Aristotle was built with enthymemes whose first premises are based on emotions and characters explaining human behaviour; therefore the first purpose of Rhetoric 11.2-11 (about emotions) and 11.2-17 (about characters) was to supply the orators with first premises. In those speeches the emotions of the audience were stirred up by enthymemes; therefore Aristotle accepted that the orator could use emotions in this rational and logic way. Nevertheless he condemned the arousing of emotions by direct and irrational requests, a procedure found in the judicial speeches. This way the apparent contradictory treatment of emotions in Aristotle's Rhetoric can be solved.No disponible

    Antecedentes y función literaria del sueño de Eneas y Andrómaca: Verg., Aen . II 268-295 y Sen., Troad . 438-488

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    Traditionally it is said that the source of Seneca's tragedies is Euripides. The coincidence with the subjects corroborates it. However, the nearness between tragedy and epic, the Trojan cycle that the first Latin writers of tragedy take for themselves, and, above all, the poetics of artistic effect based on the narrative structure and the lexical and syntactic patterns show that, at least in this passage, Seneca's source is Vergil, who is also the receiver and transmitter of ancient epic and the Greek and Roman tragedy.No disponible

    David's Double Victory according to Josephus

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    The Bible preserves two versions of the story of David's double victory, first over an Ammonite-Syrian coalition and then over a Syrian force, i.e. Samuel 10 and 1 Chronicles 19. This article studies a third version of David's two victories, namely, that of Josephus in Ant. VII 121-129, comparing this in detail with its Biblical source texts as represented by MT, 4QSama, Codex Vaticanus and the Lucianic (or Antiochene) MSS of the LXX, and the Targums. The article devotes special attention to such questions as the text-form(s) of the sources available to Josephus, his various modifications of their data and the effects of these, and the messages his version might be intended to convey to his double audience, i. e. (Roman) Gentiles and fellow Jews.No disponible

    "Gerioneidas". Desarrollo literario griego en contacto con el Próximo Oriente

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    A comparison between the literary development of the myth of Geryon through several ancient Greek poets and ancient Near East sagas about Ninurta reveals curious parallelisms which could be useful for eventual reconstructions.La comparación entre el desarrollo literario del mito de Gerión según varios poetas griegos antiguos y antiguas sagas del Cercano Oriente acerca de Ninurta revela paralelismos curiosos que podrían resultar útiles para eventuales reconstrucciones. [traducción para esta versión electrónica

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