Emerita (E-Journal)
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Los tópicos helenísticos en la elegía latina
No full textA study of Greek (fundamentally HelIenistic) erotic topics in Latin elegy. The work is divided into three parts; one devoted to Propertius I I, of programmatical character, as is well known, another to the Amores of Ovid and a third one to Propertius I 3.No disponible
EINAI, ΦΥΣΙΣ, ΛΟΓΟΣ, ΑΛΗΘΕΙΗ
No full textAlready in indoeuropean *es an “empty plereme” with the only function of supporting the expression of extense morphemes (nominal phrase). That is why comparative linguistic has been unable to reconstruct the primitive “concrete meanings” of this root. As to the value of “existence” attributed to the absolute use of the copula, it is unadmissible in Greek times: the concept of existence comes on later. Ide. *es means “being manifest” or “appearing” either it functions as copula or as an absolute form. From here originates an ontological meaning.
On the other hand ϕύω and the names derivated from this root have reached sometime ontologization. But in other case they keep their concrete meaning. The word λόγς has a similar evolution, because its meaning of “telling” or “expounding” refers to the thin in itself, not to the subjectivity.No disponible
Grafías latinas y grafías romances: a propósito de los materiales «ortográficos» en el último tomo de la edición crítica de la vulgata
No full textThe study of orthographic variants as exemplified by the Benedictines of St. Jerome in vol. XIII of their critical edition of the Vulgate is of particular interest to Hispanists for the phonetic traits suggested by MSS written hispane and hispanissime, and of general interest because it challenges the connotation of certain graphs considered by editors of early Romance texts as learned and opens up the problem of the interpretation of Latin abbreviations in vernacular context.No disponible
I. Ediciones y técnica filológica – II. Lingüística — III. Literatura, historia y filosofía – IV. Varia
No full textLa canción rodia de la golondrina y la cerámica de Tera
No full textThe song of the Swallow, attested by Athenaeus, which Rhodian children sung while collecting from house to house, is important for Greek religion and poetry. It has a choral part and then another part sung by the exarchon, who is identified as the swallow.
Probably the song is related to a ritual where the “swallow”, which arrives in Spring, unites in “hieros gramos” with a woman of the country. The song has preserved, in ludic from, elements of a song of “welcome” as well as of a “paraclausithyron”: its erotic charter is without any doubt. The song is compared with similar songs in Greece and the author proposes, for the fresco of the swallow and several vessels decorated with swallows found in Tera, a relation with a cult of the swallow, from which the song would proceed in last instauce.No disponible
La estructura del Ayax de Sófocles
No full textThe author of this paper analyzes on detail the structure of the Sophocelan Ajax. His last methodological aim is to show the intimate relationship between literary form and content. So, for a deep understanding of a literary work, it is necessary a previous exact analysis of the formal structure.No disponible