Jurnal-el Badan Bahasa (e-Jurnal Badan Pengembangan dan Pembinaan Bahasa - Kementerian Pendidikan dan Kebudayaan)
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Verba Aktivitas Bajalan berjalan dan Verba Peristiwa Transisional Ranjah Tabrak dalam Bahasa Banjar
Get PDFThis study discusses bajalan walkactivity verb and verb transitional events transisional ranjah "hit" in the language of Banjarese. Issues discussed included how to form verbs bajalan activity "walk" and verb transitional events ranjah "hit" in banjar.This study aims to describe the activities bajalan verb "walk" and verb transitional events ranjah "hit" in the language banjarese. The method used in this study was descriptive qualitative method. Techniques used in the data acquisition techniques involved capably refer free. There are three action steps based methods and techniques, namely the collection, analysis and presentation of data. Data were collected from 2016 1 Januari s.d. March 1, 2016 in the village of Bakarung, Hulu Sungai Selatan, South Kalimantan Province. based on the results penenelitian bajalan activity verb "walk" in the language of Banjarese show in terms of function predicate position, in terms of the meaning of declared activities subject intentionally, and syntax can be used as a messenger or imperative word. While Verb transitional events ranjah "hit" in the language banjarese show in terms of function predicate position, in terms of meaning describes the displacement state of the subject inadvertently, in terms of syntax can not be used as a sentence order, or imperative
ANALISIS TERJEMAHAN IF CLAUSA (KLAUSA IF) STUDI KASUS TERJEMAHAN NOVEL THE LOST SYMBOL DARI BAHASA INGGRIS KE DALAM BAHASA INDONESIA
Get PDFThis research is about An Analysis of If Clause, A Case Study in Dan Browns The Lost Symbol and Its translation into Bahasa Indonesia by Inggrit Dwijani Nimpoeno. The purpose of this study was to identify some methods that is used by translator to translate if clause from English into Bahasa Indonesia and to describe translation techniques used by translator. The research method used in this research is qualitative descriptive. Applying Newmark translation method to identify the data which is drawn in a diagram called V diagram. In this translation, there are two emphasizes those are source and target languages. The research result shows that among 240 if clause found data present that translator use several methods such as word for word translation for 134 (55,84%) if clause data, free translation for 83 (34,58%) data, and literal translation for 23 (9,58%) data. The most used translation oriented to source language that is word for word translation
MANUSIA DAN PEMAKNAAN RUANG KOTA DALAM ANTOLOGI CERPEN SALOME DAN ORANG-ORANG BALIKPAPAN
Get PDFThis paper discusses the importance of city space for humans who live in it in the anthology of Salome and Orang-Orang Balikpapan. It uses sociological theory of literature and a theory of urban space. This study analyzes the position of humans in urban space and the importance of urban space for humans who live in it. Human position is displayed in various socio-economic classes. Therefore, relations between people in those various socio-economic classes will also be analyzed. It shows that the journey of human beings maintaining their existence in the city space brings together humans to other humans with various social, economic, and cultural backgrounds. Humans who migrate to urban spaces find attention and empathy from the others so that they can find new family and homes. The defense of their existence that is full of competition can cause other humans to develop empathy. In urban space, humans do not only buy and sale things, demand rights, and carry out obligations, but also can still show empathy to the others. Empathy demonstrated through attention to the development of others, especially children, is also a form of empathy that is very beneficial to the others. Short stories in Salome and Orang-Orang Balikpapan show humans in the urban space who maintain their social values in their intense competition maintaining their existence.
STRATEGI PENARASIAN DAN PEMOSISIAN SUBJEK PEREMPUAN DALAM MEREKA BILANG, SAYA MONYET! KARYA DJENAR MAESA AYU: PERSPEKTIF POSFEMINISME (Narration Strategic and Woman's Positioning as Subject on Mereka Bilang, Saya Monyet! Karya Djenar Maesa Ayu: Postfeminism's Perspective)
Get PDFPenelitian ini membahas 6 (enam) cerita pendek dalam kumpulan cerita pendek Mereka Bilang, Saya Monyet! karya Djenar Maesa Ayu melalui perspektif posfeminisme. Tujuan penelitian adalah mengungkap strategi penarasian perempuan yang dilakukan oleh Djenar Maesa Ayu. Untuk mencapai tujuan, penelitian dilakukan dalam beberapa tahap, yaitu penentuan objek penelitian dan kerangka teori, pengumpulan dan analisis data, dan simpulan. Objek penelitian ini terdiri dari 6 (enam) cerita pendek karya Djenar Maesa Ayu, antara lain Mereka Bilang, Saya Monyet!, Lintah, Durian, Melukis Jendela, Wong Asu, dan Namanya…. Melalui cerita pendek tersebut, data kemudian dianalisis menggunakan metode analisis wacana kritis dengan menafsirkan seluruh perangkat kebahasaan dan menghubungkannya dengan perspektif posfeminisme. Selain merelasikan dengan perspektif posfeminisme, teori sudut pandang menurut Tzevetan Todorov akan digunakan untuk mengungkap strategi penarasian perempuan yang dilakukan oleh Djenar Maesa Ayu. Hasil penelitian menunjukkan bahwa perempuan seakan-akan menjadi objek dalam ruang dominasi patriarki, melainkan sejatinya menjadi sentral subjek yang melakukan resistensi terhadap wacana dominan (patriartki) melalui penyebutan laki-laki dengan nama kepala hewan yang disesuaikan dengan sifat dan perilakunya, antara lain Si Kepala Gajah, Si Kepala Sapi, Si Kepala Anjing. Selain itu, wujud resistensi perempuan dilakukan juga melalui penyayatan pipi dan pemotongan pusat keperkasaan (kuasa) laki-laki (penis). Penarasian dalam cerita pendek karya Djenar Maesa Ayu menunjukkan sindiran (satire) bagi bahwa laki-laki tidak lebih cerdas dari perempuan yang disebut monyet.(This study discusses six short stories in the anthology of Djenar Maesa Ayu's work entitled Mereka Bilang, Saya Monyet! through a post feminism perspective. The problem in this study relates to the narration of women as victims in the patriarchal space. The aim of the study was to reveal the narration of women, the position of female subjects, and the discourse embedded in the short stories. To achieve the goal, this research was conducted in several stages, such as choosing object of research and the theoretical framework, collecting data, analysis, and conclusions. The object of this study consist of six short stories by Djenar Maesa Ayu, including "Mereka Bilang, Saya Monyet! "Lintah", "Durian", "Melukis Jendela", "Wong Asu", and "Namanya ....". Data is collected through in-depth reading and quoting words, phrases, sentences, paragraphs, and dialogues which are then described analytically. The data is then analyzed by interpreting all linguistic tools and connecting them with the postfeminism perspective. The results showed that women were narrated as if they were objects in the space of patriarchal domination, but instead they became a central subject who carried out resistance to patriarchal discourse by giving calls in the form of names of animal heads according to the nature and behavior of men, including Si Kepala Gajah, Si Kepala Sapi, dan Si Kepala Anjing. Other resistance carried out by women, through slashing the cheek and cutting penis, the symbol of man’s power. The narration in the short story of Djenar Maesa Ayu's works shows satire that men is not smarter than women whose called monkeys by them.
METAFORA PERJALANAN DALAM KUMPULAN PUISI SERAH KARYA ERIS RISNANDAR
Get PDFPeneliltian ini mengungkap metafora perjalanan yang ada dalam buku kumpulan puisi Serah karya Eris Risnandar. Penelitian ini menggunakan analisis metafora dan analisis simbol dengan memanfaatkan teori hermeneutika Paul Ricoeur. Hasil penelitian terhadap delapan dari 45 puisi dalam buku Serah yang berjudul “Dina Beus”, “Hayang Balik”, “Sabot Ngadagoan”, “Sabot Ngangkleung”, “Di Lampu Merah”, “Sorangeun”, “Réa Tapak”, dan “Mun Seug” menggambarkan pentingnya metafora perjalanan yang menjadi roh keseluruhan isi dan makna puisi sang penyair. Selain itu, melalui metafora perjalanan, satu puisi dan puisi lainnya dalam buku Eris tersebut memiliki hubungan dan ada pada satu napas yang sama
CINDERELLA COMPLEX PADA TEEN LIT “EIFFEL I’M IN LOVE” KARYA RAHMANIA ARUNITA DAN “FAIRISH” KARYA ESTI KINASIH
No full textCinderella compleks merupakan kecenderungan psikologis [pada perempuan], yang secara konsisten mengalami ketergantungan dan selalu berharap pada perlindungan [dari laki-laki]. Penelitian ini ditujukan untuk mengungkap Cinderella complex yang terinternalisasi pada tokoh perempuan dalam dua teen lit Indonesia yang berjudul Eiffel I’m in Love karya Rahmania Arunita dan Fairish karya Esti Kinasih. Telaah menggunakan pendekatan kritik sastra feminis dan metode deskriptif kualitatif. Konsep teoretis yang diapropriasi adalah psikologi sastra mengenai Cinderella complex dari Dowling, yang dikaitkan dengan gagasan-gagasan posfeminis. Hasil kajian menunjukkan bahwa pemicu Cinderella complex pada para tokoh perempuan adalah kepribadian yang belum matang, pola pengasuhan otoriter dalam keluarga, dan konsep diri yang rendah. Bentuk Cinderella complex yang terungkap dalam dua novel remaja tersebut di antaranya tokoh perempuan tergantung pada tokoh laki-laki dan mempertahankan sifat manja dan lemah yang diatribusikan sebagai karakter feminin. Dampaknya, tidak terbentuk kemandirian dan kemampuan tokoh perempuan untuk menyelesaikan permasalahan