Jurnal-el Badan Bahasa (e-Jurnal Badan Pengembangan dan Pembinaan Bahasa - Kementerian Pendidikan dan Kebudayaan)
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ANALISIS WACANA LIRIK LAGU DAERAH KUTAI “BUAH BOLOK” DAN “NASI BAKEPOR”
Get PDFSong is a means of conveying one's expression. This paper will describe the grammatical aspects and lexical aspects in the lyrics of the song "Buah Bolok" and "Nasi Bakepor". Descriptive qualitative method is used in this paper. Discourse analysis in this song covers both grammatical and lexical aspects. Grammatical aspects of referring, recovering, percolating, and sequencing. The classical aspects of repetition, synonymy, collocation, hyponimi, and antonymia
Hambatan dalam upaya pengembangan BIPA di luar negeri
Get PDFLaw Number 24 Year 2009 gives a mandate to National Agency of Language Cultivation and Development, Ministry of Education and Culture through the Centre for Language Strategy and Diplomacy Development to increase function of Indonesian language as an international language. The mandate is then realized by the Centre by launching a program deploying Indonesian language teachers to 23 countries. As part of its evaluation, this research aims to identify obstacles in developing Indonesian as a Foreign Language (IFL) abroad particularly during the program from 2015 to 2017. This research used a descriptive qualitative method through document analysis. The data were obtained from 95 assignment reports by the Indonesian as a Foreign Language (IFL) teachers assigned by the Centre for Language Strategy and Diplomacy Development. The results show that there are eight aspects of obstacles found. The aspects are learning standard, students, teachers, infrastructures, institutions, environments, administration abroad, and inter-agency coordination
CERITA RAKYAT PASER DAN BERAU DALAM TINJAUAN EKOLOGI SASTRA (The Paser’s and Berau’s Folklores in Ecocriticism Review)
Get PDFSastra berhubungan erat dengan lingkungan hidup manusia, demikian juga dengan cerita rakyat yang ada di Paser dan Berau yang didominasi cerita berlatar alam. Penelitian ini berusaha menemukan; unsur ekologi yang terdapat dalam cerita rakyat Paser dan Berau, fungsi dan peran unsur ekologi tersebut, dan nilai-nilai kearifan terhadap unsur ekologi yang ada. Penelitian ini berbentuk deskriptif kualitatif dengan pendekatan ekologi sastra dan folklor. Cerita yang dikaji diambil sebagai sampel dengan pertimbangan telah mewakili latar ekologi yang ada dalam kumpulan cerita rakyat Paser dan Berau. Hasil penelitian menunjukkan bahwa unsur ekologi tidak dapat dipisahkan dari kehidupan masyarakat Paser dan Berau. Hal tersebut tergambar dari unsur-unsur ekologis yang diangkat dalam cerita-cerita rakyatnya. Hal ini ditunjukkan oleh munculnya istilah-istilah atau kosakata khas yang mengacu pada nama-nama flora, fauna, dan konsep atau tradisi yang memperkuat pesan cerita yaitu, pentingnya hubungan yang harmonis antara manusia dan alam. Dalam ketiga cerita ditemukan nilai-nilai kearifan yang berhubungan dengan perlakuan terhadap alam, yaitu; hal-hal yang pantang dilakukan saat berada di hutan, pemanfaatan hasil alam dan hutan yang berkelanjutan serta tidak eksploitatif.(Literature is closely related to the human environment, as well as folklore in the Paser and Berau areas which are dominated by stories set in nature. This study tried to find; the ecological elements contained in Paser’s and Berau’s folklores, the functions and roles of these ecological elements, and the values of wisdom on the existing ecological elements. This research is a qualitative descriptive study with a literary ecology and folklore approach. The stories studied were taken as samples with the consideration that they represented the ecological setting in the collection of Paser’s and Berau’s folklores. The results of the study show that forests cannot be separated from the lives of the people of Paser and Berau. This is reflected in the ecological elements that they adopt in their folklores. This is indicated by the emergence of distinctive terms or vocabulary that refers to the names of plants, animals, and concepts or traditions. The concept or traditions that reinforce the message of the story is a harmonious relationship between humans and nature. In the three stories found wisdom values related to the treatment of nature, namely; things that abstain from being in the forest, the use of natural and forest products that are sustainable and not exploitative.
KATEGORI FATIS DALAM BAHASA SASAK (Phatic Category in Sasak Language)
Get PDFPermasalahan dalam penelitian ini adalah bagaimana bentuk kategori fatis, fungsi kategori fatis dalam komunikasi, dan distribusi kategori fatis dalam kalimat. Tujuan penelitian ini adalah untuk mengungkap bentuk dan fungsi kategori fatis dalam komunikasi serta distribusi kategori fatis dalam kalimat. Metode yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif. Sumber data penelitian adalah film Sasak yang berjudul “Kanak Pondok” yang terdiri atas sembilan episode dengan judul yang berbeda-beda. Kajian teori yang digunakan adalah kategori fatis, bentuk kategori fatis, dan fungsi kategori fatis. Berdasarkan hasil penelitian ditemukan tujuh belas data, yaitu “lah”, “aro”, “keh”, “woi”, “nah”, “eh”, “dong”, “yaok”, “jak”, “wah”, “pak”, “anih”, “segerah”, “lillah”, “allahuakbar”, “assalamu’alaikum”, dan “astagfirullah”. Terdapat tiga bentuk kategori fatis yang ditemukan, yaitu partikel, kata, dan frasa fatis. Bentuk kategori fatis tersebut memiliki fungsi yang berbeda-beda ketika digunakan dalam komunikasi, seperti menyatakan sebuah kekesalan, ketidakpercayaan, penekanan terhadap sesuatu, memulai pembicaraan, mengukuhkan suatu pembicaraan agar tetap berlangsung, penolakan, menekankan kesalahan mitra tutur, keheranan, pembuktian, ketidakmungkinan, kesungguhan, dan kekagetan. Dalam distribusinya dalam kalimat, kategori fatis menempati posisi di awal, di tengah, dan di akhir kalimat.(The problem in this research is how the form of the phatic category, function of the phatic category in communication, and distribution of the phatic category in sentences. The study aims to describe the phatic category in Sasak language, function of phatic category in Sasak language, and distribution of phatic category in Sasak language. The method used in this study is a qualitative descriptive. The data source is Sasak film entitled “Kanak Pondok” and the data taken from nine episodes with different titles. Based on the results of the study, there are seventeen data, which are “lah”, “aro”, “keh”, “woi”, “nah”, “eh”, “dong”, “yaok”, “jak”, “wah”, “pak”, “anih”, “segerah”, “lillah”, “allahuakbar”, “assalamu’alaikum”, and “astagfirullah”. There are three forms of phatic category, they are particles, word, and phrases phatic. The phatic categories have different functions when used in communication, such as said pique, distrust, emphasis on something, start a conversation, maintain the conversation, rejected, emphasize the partner mistakes, amazement, proof, impossibility, sincerity, and shock. The distribution of phatic categories was in the beginning, middle, and the end of the sentence.
ANALISIS ELABORATION LIKELIHOOD MODEL DALAM KALIMAT PERSUASI KAMPANYE PRESIDEN 2019 DI FACEBOOK
Get PDFFacebook is a tool for effective and efficient persuasion with fast time and relatively inexpensive cost for campaigns. This research aims to reveal some types of sentence persuasion, through the elaboration analysis of likelihood model on Facebook This research uses qualitative content analysis methods. Qualitative content analysis is a systematic analysis to analyze the content of messages and to process messages that can not be separated from the interests of the message maker. The data the authors take in this study is data contained on Facebook from February to April 2019. The Data in this study is a sentence that has a persuasion message on Facebook. The data sources used in this research are sourced from direct observation on social media Facebook which is then researcher Screenshoot. Data analysis is conducted through observation, grouping, identifying, analyzing data, and concluding research analysis results. Based on the results of the study, there are several types of persuasion sentences, namely: (1) A strong persuasion sentence, which is a strong persuasion sentence has an explicit call to action, usually accompanied by data and facts; (2) A neutral persuasion sentence, which is a persuasion sentence whose contents do not change our attitude or behavior to a friend who has a different choice than ours; (3) A weak persuasion sentence, i.e. a persuasion sentence done implicitly (expressed) or indirectly; and (4) A side persuasion sentence, which is a sentence influenced by things like the repetition of a highly credible spokesman to convince others
KONSEPTUALISASI PANCASILA DALAM METAFORA BAHASA INDONESIA: SEBUAH KAJIAN AWAL (Conseptualization of Pancasila in Indonesian Metaphor: An Early Study)
Get PDFPancasila merupakan ideologi Indonesia dan menjadi dasar, pandangan hidup, dan falsafah dalam kehidupan bermasyarakat. Namun, pemahaman dan penghayatan pada Pancasila dinilai sudah mulai menurun dalam berbagai kehidupan.Berdasarkan realita itu, penelitian ini mengkaji pemetaan konseptualisasi Pancasila akhir-akhir ini dalam media massa cetak dengan perspektif metafora konseptual. Penelitian ini berjenis deskriptif kualitatif dalam linguistik yang berusaha melihat masyarakat menggunakan bahasa secara nyata dalam sebuah wacana untuk mengetahui konseptualisasi dari ide dan emosi yang abstrak. Dari artikel tentang Pancasila dalam media massa cetak yang dikumpulkan dengan metode simak dan teknik catat, metafora tentang Pancasila diidentifikasi dan dianalisis dengan teori metafora konseptual melalui metode padan referensial .Hasil analisis menunjukkan adanya korespondensi antara ranah sumber dengan ranah target. Pancasila dikonseptualkan dengan sesuatu yang lain berdasarkan fungsi, kekuatan, ciri, sifat, dan pengalaman manusia. Berdasarkan perspektif metafora konseptual, Pancasila dipetakan atas “Pancasila Adalah Rumah”, “Pancasila Adalah Wadah Kosong”, “Pancasila Adalah Benteng”, “Pancasila Adalah Pakaian”, dan “Pancasila Adalah Keabadian”.(Pancasila is an Indonesian ideology and becomes the basis, outlook on life and philosophy in social life. However, understanding and appreciation of Pancasila is considered to have begun to decline in various lives. Based on that reality, this study examines the recent Pancasila conceptualization mapping in print mass media with a conceptual metaphor perspective. This research is a qualitative descriptive type in linguistics that seeks to see people use real language in a discourse to find out the conceptualization of abstract ideas and emotions. From articles on Pancasila in the printed mass media that were collected by listening methods and note techniques, metaphors about Pancasila were identified and analyzed with conceptual metaphor theory through the referential equivalent method. The results of the analysis showed a correspondence between the source and target domains. Pancasila is conceptualized with something else based on the functions, strengths, characteristics, traits, and human experience. Based on the conceptual metaphorical perspective, Pancasila is mapped on “Pancasila Is House”, “Pancasila Is Empty Container”, “Pancasila Is Fortress”, “Pancasila Is Clothing”, and “Pancasila Is Evenence”.
EKSPRESI AMIR HAMZAH DAN CHAIRIL ANWAR DALAM PUISI-PUISI PERCINTAAN (The Expression of Amir Hamzah and Chairil Anwar in Romantic-Poetry)
Get PDFPenelitian ini bertujuan untuk mengkaji konsep kekasih dalam puisi Amir Hamzah “Dalam Matamu” dan puisi Chairil Anwar “Sajak Putih” serta konsep pengkhianatan kekasih dalam puisi “Kusangka” karya Amir Hamzah dan puisi “Penerimaan” karya Chairil Anwar. Penelitian ini menggunakan jenis penelitian kualitatif dengan menggunakan metode studi kasus. Data penelitian diperoleh dengan observasi dan studi dokumen. Analisis data dilakukan dengan cara membandingkan puisi hipogram Amir Hamzah dan puisi transformasi Chairil Anwar. Hasil penelitian menunjukkan bahwa konsep kekasih dalam karya Amir Hamzah dan Chairil Anwar dipandang sebagai pembawa kebahagiaan, ketenteraman, keindahan, harapan, dan kemesraan dalam suasana romantis. Namun ekspresi kedua penyair berbeda. Penyair pertama cenderung demokratis karena memandang kekasih itu sebagai ibunya, sedangkan penyair kedua cenderung individualistis karena memandang kekasih sebagai urusan pribadi. Kemudian, dalam memandang pengkhianatan kekasih, Amir Hamzah menganggapnya sebagai sesuatu yang membawa kekecewaan, kehancuran hati, dan rasa was-was sehingga sulit untuk dimaafkan, sedangkan Chairil Anwar memandangnya sebagai sesuatu yang realistis, harus diterima karena itu kenyataan hidup.(This study aims to examine the concept of lovers in the poem “Dalam Matamu” written by Amir Hamzah and “Sajak Putih” written by Chairil Anwar and the concept of betrayal of lovers in Amir Hamzah’s "Kusangka" and Chairil Anwar's "Penerimaan" poems. This study used a type of qualitative research using a case study method. Source data was obtained by observation and study of documents. Data analysis were conducted by comparing the poetry of Amir Hamzah and Chairil Anwar. The results showed that the concept of lover in the work of Amir Hamzah and Chairil Anwar was seen as a bearer of happiness, peace, beauty, hope, and intimacy in romantic situations. But, the expression of the two poets are different. The first poet tends to be democratic because he views the lover as his mother, while the second poet tends to be individualistic because he views lover as a private matter. Then, in view of betrayal of lovers, Amir Hamzah considers it as something that brings disappointment, heartbreak, and anxiety so that it is difficult to be forgiven, while Chairil Anwar sees it as something realistic, but should be accepted because it is a fact of life.
JENIS, BENTUK, DAN MAKNA KALIMAT PERINTAH DALAM KISDAP “SATIPIS APAM BARABAI” KARYA IDA KOMALASARI
Get PDFThis study discusses the types and forms of command sentences in the kangdap Banjar base kambang Banjar 'Satipis Apam Barabai' and the meaning of the command sentence in the Banjar kisdap kambang Banjar bases' Satipis Apam Barabai. 'Satipis Apam Barabai' and the meaning of the command sentence in the floating kisdap kangdap Banjar base 'Satipis Apam Barabai.' The research method uses descriptive qualitative methods with content analysis techniques. The data in this study are in the form of utterances containing command sentences contained in Kambang rampai kisdap basa Banjar “Satipis Apam Barabai” by Hj. Ida Komalasari. The data source in this study is Kambang rampai kisdap basa Banjar “Satipis Apam Barabai” by Hj. Ida Komalasari was published by the first printed Artikata publisher in December 2018 with a 112-page book thickness. The results showed the types of command sentences contained in the floating kisdap Banjar Satipis Apam Barabai bases there are four types, namely strict command sentences, ordinary command sentences, fine command sentences, and prohibited command sentences. The command sentence that is in the Banjar base kisdap ‘Satipis Apam Barabai’ means to rule, order, ask, and forbid
Penggunaan Umpatan Thelo, Jidor, Sikem, Sikak sebagai Wujud Marah dan Ekspresi Budaya Warga Temanggung
Get PDFThis study aims to describe the utterances of thelo, jidor, sikem, and sikak as typical curses of Temanggung Regency, Central Java. This study chose Temanggung Regency as the location for data collection aimed at revealing the meaning of thelo swear, jidor, sikem, sikak in citizens' communication behavior. This study uses qualitative methods to maximize data collection by interview and observation. From the results of the study, researchers found the form of swear in Temanggung, which is in the form of words and inscriptions in the form of phrases. There are two purposes for using the utterances of thelo, jidor, sikem, sikak. First, as a form of anger or resistance to crime, anomalies, or kazaliman that afflict the citizens of Temanggung. When someone commits a crime on one of the residents, the citizen spontaneously pronounces thelo, jidor, sikem, or sikak based on his crime rate. Second, as a cultural expression to express pleasure, admiration, surprise, and wonder. The thelo, jidor, sikem, or sikak speeches are not spoken for committing a crime, instead as a form of protest against crime. When someone steals, people usually say thelo, jidor, sikem or sikak for the incident. ABSTRAKPenelitian ini bertujuan mendeskripsikan ujaran thelo, jidor, sikem, dan sikak sebagai umpatan khas Kabupaten Temanggung, Jawa Tengah. Penelitian ini memilih Kabupaten Temanggung sebagai lokasi pengambilan data ini bertujuan untuk mengungkap makna umpatan thelo, jidor, sikem, sikak dalam perilaku komunikasi warga. Penelitian ini menggunakan metode kualitatif untuk memaksimalkan pengumpulan data dengan wawancara dan observasi. Dari hasil penelitian, peneliti menemukan bentuk umpatan di Temanggung, yaitu berupa kata dan makian berbentuk frasa. Ada dua tujuan penggunaan ujaran thelo, jidor, sikem, sikak. Pertama, sebagai bentuk marah atau perlawanan atas kejahatan, anomali, atau kazaliman yang menimpa warga Temanggung. Ketika ada orang melakukan kejahatan pada salah satu warga, maka warga secara spontanitas mengucapkan thelo, jidor, sikem, atau sikak berdasarkan tingkat kejahatannya. Kedua, sebagai ekpresi budaya untuk mengekspresikan rasa senang, kagum, terkejut, dan heran. Ujaran thelo, jidor, sikem, atau sikak tidak diucapkan untuk melakukan kejahatan, justru sebagai bentuk protes terhadap kejahatan. Ketika ada orang mencuri, maka warga biasa mengucap thelo, jidor, sikem, atau sikak atas kejadian tersebut
ANALISIS PSIKOLOGI REMAJA DALAM ANTOLOGI KARYA SASTRA SUARA-SUARA BANGKU SEKOLAH
Get PDFAbstrakAntologi Suara-Suara Bangku Sekolah adalah antologi hasil literasi sekolah melalui kegiatan Kantor Bahasa Banten bekerja sama dengan SMAN 5 Kota Cilegon. Cerpen dan puisi siswa SMAN 5 Kota Cilegon merupakan hasil karya literasi sastra yang memuat karya sesuai dengan psikologi remaja. Rumusan masalah penelitian adalah bagaimanakah analisis psikologi sastra dalam antologi karya sastra Suara-Suara Bangku Sekolah. Tujuan penelitian adalah mendeskripsikan psikologi remaja dalam Antologi karya sastra Suara-Suara Bangku Sekolah oleh SMAN 5 Cilegon. Metode yang digunakan adalah metode kualitatif. Teori yang digunakan adalah teori psikologi sastra. Hasil penelitian adalah puisi remaja dalam kumpulan puisi Suara-Suara Bangku Sekolah karya literasi SMAN 5 Kota Cilegon berisi tentang perkembangan psikologi remaja yang memiliki tema dan amanat berkaitan empati sosial, hubungan sosial, kasih sayang keluarga, refleksi diri, dan kepedulian sosial. Kelima tema tersebut menunjukkan bahwa siswa SMN 5 Kota Cilegon memiliki perkembangan psikologi remaja yang sesuai dengan perkembangan remaja seusia mereka yang berkembang dengan baik.Kata kunci: puisi, psikologi sastra AbstractAnthology of School School Sounds by SMAN 5 Cilegon is the anthology of the results of school literacy through the Banten Language Office activities in collaboration with high schools. High school students' short stories and poems are literary works that contain works in accordance with adolescent psychology. The formulation of the research problem is how the analysis of literary psychology in the anthology of the works of the Suara Bangku Sekolah by SMAN 5 Cilegon. The purpose of this research is to describe adolescent psychology in the Anthology of the work of the Suara Bangku Sekolah by of SMAN 5 Cilegon. The method used is a qualitative method. The theory used is the theory of literary psychology. The results of the study are teenage poems in the collection of School Sounds by the students of SMAN 5 Cilegon literacy students, which contain the development of adolescent psychology that has themes and mandates relating to social empathy, social relationships, family love, self-reflection, and social care. The five themes show that students of SMAN 5 Cilegon have adolescent psychology development that is in accordance with the development of adolescents their age who are developing well. Password: poetry, psychology of literature