Jurnal-el Badan Bahasa (e-Jurnal Badan Pengembangan dan Pembinaan Bahasa - Kementerian Pendidikan dan Kebudayaan)
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PERJUANGAN KESETARAAN GENDER TOKOH INTAN DALAM NOVEL ALUN SAMUDRA RASA KARYA ARDINI PANGASTUTI BN (Struggle of Intan Character for Gender Equality in Novel Alun Samudra Rasa by Ardini Pangastuti Bn)
Get PDFPermasalahan kaum perempuan disebabkan oleh berbagai hal seperti hak dalam pengambilan keputusan, menunjukkan eksistensinya di ruang publik, hak memperoleh kesempatan bekerja, hak memperoleh pendidikan, serta masih banyak hal-hal yang membatasi ruang gerak perempuan untuk menunjukkan eksistensi dirinya. Penelitian ini bertujuan untuk mengungkapkan Perjuangan kesetaraan gender yang dialami oleh perempuan tergambar dalam karya sastra, Novel Alun Samudra Rasa mengangkat tentang perjuangan kesetaraan gender antara tokoh perempuan dan laki-laki. Penelitian ini menggunakan teori Feminisme. Teori Feminisme digunakan untuk mengkaji bagaimana bentuk perjuangan kesetaraan gender tokoh utama perempuan dalam novel tersebut. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif analisis. Sumber data penelitain berupa novel Alun Samudra Rasa karya Ardini Pangastuti Bn. Data penelitian berupa kata, frasa, kalimat dan wacana. Hasil penelitian ini menunjukkan bahwa bentuk perjuangan kesetaraan gender yang ditemukan dalam novel yaitu peran publik dan produktif, kebebasan bagi perempuan dalam menentukan pilihan, ketegaran dalam menghadapi permasalahan hidup, dan perjuangan dalam menuntut keadilan hak-hak perempuan.(Women's problems are caused by various things such as rights in decision making, showing their existence in the public sphere, the right to get the opportunity to work, the right to education, and many things that limit women's movement to show their existence. This study aims to reveal the struggle for gender equality experienced by women illustrated in literary works, Novel Alun Samudra Rasa about the struggle for gender equality between female and male leaders. This research uses the theory of feminism. The theory of feminism is used to examine the form of the struggle for gender equality of the main female characters in the novel. The method used in this study is qualitative descriptive analysis. The research data source was Alun Samudra Rasa novel by Ardini Pangastuti Bn. Research data in the form of words, phrases, sentences and discourses. The results of this study indicate that the form of gender equality struggle found in the novel is the role of public and productive, freedom for women in making choices, determination in facing life problems, and struggle in demanding justice for women's rights.
TEATER TUTUR BAPANDUNG DALAM MASYARAKAT BANJAR
Get PDFThe problem discusses in this study is how does the form of narrative theater bapandung (monologue) in Banjar society. The aim of this study is to reveal the form of narrative theater bapandung (monologue) in Banjar society. Banjar society in South Kalimantan has lots of oral traditions, one of them is narrative theater bapandung. A man is called story teller because of his cleverness telling a story in monologue way and playing several characters, that man is called pamandungan. The story in bapandung has lots of jokes played by pamandungan or the performance player. This study uses descriptive qualitative method. It is a method to get information about narrative theater bapandung in Banjar society deeply. The result shows about the description of narrative theater bapandung in Banjar society.
Ketegaran Konstruksi Katek dan Variannya dalam Bahasa Melayu Palembang
Get PDFThis research is a morphosemantic study that observes the power of form and meaning from katek lingual unit and its variants, i.e. dak katek, katek idak, katek-katek, tek-katek, dak katek-katek, and dak katek idak, that derived from Palembang-Malay language. This research category is qualitative, based its analysis upon the equivalences between adaptations of linguistic, social, and meaning. This equivalence concept is applied to notice the form and meaning of communication from local language users, in this case is Palembang language speech-act in their utterances. The technique used in collecting data is note taking and interview. The data analysis method used is analytical method, prevalently used in syncronical linguistics research. Data analysis used is method of equivalent with corresponding comparative linking technique and differentiating comparative linking technique. Research result showed that for Palembang people, the derivative of dak katek, katek idak, katek-katek, tek-katek, dak katek-katek, and dak katek idak which came from the same root, that is katek which means ‘nothing’, experienced development and reinforcement of meaning in accordance with the given language phenomenon. These derivatives experienced meaning adaptation based on the pace of the social changing of the users. ABSTRAKPenelitian ini merupakan kajian morfosemantik yang melihat daya bentuk dan makna satuan lingual katek dan variannya, yaitu dak katek, katek idak, katek-katek, tek katek, dak katek-katek, dan dak katek idak, yang berasal dari bahasa Melayu Palembang. Kategori penelitian ini adalah kualitatif yang mendasarkan kajiannnya pada kesepadanan antara adaptasi linguistik, sosial, dan makna. Konsep kesepadanan diterapkan untuk melihat bentuk dan makna komunikasi pengguna bahasa tempatan, dalam hal ini adalah tindak tutur bahasa Palembang. Teknik yang digunakan dalam pengumpulan data adalah teknik catat dan wawancara. Dalam analisis data digunakan metode padan dengan teknik hubung banding menyamakan dan teknik hubung banding membedakan. Hasil penelitian menunjukkan bahwa bagi masyarakat Palembang, bentukan dak katek, katek idak, katek-katek, tek katek, dak katek-katek, dan dak katek idak yang berasal dari akar kata yang sama, yakni katek yang bermakna ‘tidak ada’ mengalami perkembangan dan penguatan makna sesuai dengan fenomena bahasa yang ada. Bentukan tersebut mengalami adaptasi makna berdasarkan laju perubahan sosial penggunanya
KOMIK RAMAYANA KARYA R.A. KOSASIH: SIKLUS KEHIDUPAN SPRITUAL SRI RAMA DAN DEWI SINTA
Get PDFUnlike the Mahabharata story that featured the “gray” characters, the story of Ramayana is more revealing the “black and white” characters. Through out hundreds of pages, readers witness the action of Sri Rama, Lakshmana and Hanoman in an effort to free the Goddess Sinta from Ravana‟s in solence. The story of Sri Rama is very important because it has a high value, especially in the ethical teachings that in all parts of the story that is internalized. Mean while, the go alof this study is to reconstruct the spiritual life cycle of Sri Rama and Sinta Dewi.To achieve that goal is used methods or semiotic approach. Its application of this semiotic and the theory of functional model such as actants with its chart (narrative syntax) of Greimas. Mean while, the result is that the comic Ramayan are veals the problems of humanity (truth, courage, and chastity), crime (which madegiant), as human well as the teaching of ethics (human relation ship with God and man's relationship with the/other creatures). Ramayana comic masterpiece by R.A. Kosasih is presented as a whole and trim, as well as unique, both in narrative and in the comic depscription techniques
TOKOH DAN PENOKOHAN DALAM TIGA CERITA PENDEK KALIMANTAN TIMUR: ANALISIS TEORI STRUKTURAL
No full textThe purpose of this study is to describe intrinsic elements of character and characterization using structural analysis in three short stories of East Kalimantan. It discusses about (1) forms of the story, (2) character and characterization distributions, and (3) characters’ personality in "Selamat Tinggal Jakarta", "Pembualan", and "Pilihan Galuh" short stories. This research uses descriptive-qualitative method. It applies the theory of intrinsic structuralism. In addition, descriptive analysis techniques are used to describe the data. Analytical technique is also used to determine the meaning of the story content. The results of this study show different idealism of the characters in those short stories. Those characteristics and attitudes reveal characters’ relationships in an integrated and mutually supportive unit
LE PETIT PRINCE KARYA ANTOINE DE SAINT-EXUPERY DALAM TANGGAPAN DAN HORIZON HARAPAN PEMBACA (Le Petit Prince of Antoine de Saint-Exupéry in Readers’ Response and Horizon Hope)
Get PDFPenelitian ini bertujuan untuk mendeskripsikan tanggapan pembaca terhadap novel Le Petit Prince, menguraikan horizon harapan pembaca terhadap novel Le Petit Prince, dan memaparkan faktor-faktor penyebab perbedaan tanggapan dan horizon harapan pembaca. Penelitian ini termasuk jenis penelitian deskriptif kualitatif. Ada dua sumber data yaitu sumber data primer dan sekunder. Sumber data primer mengacu pada objek penelitian, yaitu novel Le Petit Prince, sedangkan data sekunder berupa teks-teks yang memuat tanggapan pembaca novel Le Petit Prince yang terdiri atas 20 orang yang terdapat pada media massacetak dan elektronik, termasuk internet. Instrumen penelitian berupa tabel-tabel isian yang mengaitkan pembaca, tanggapan pembaca, dan horizon harapan. Data dikumpulkan dengan cara observasi dan data dianalisis dengan menggunakan teknik deskriptif kualitatif. Hasil penelitian dirumuskan dalam tiga poin. Pertama, seluruh pembaca menanggapi atau menilai positif unsur tema, alur, tokoh, latar, sudut pandang, gaya bahasa, teknik penceritaan, bahasa, dan isi novel Le Petit Prince. Kedua, harapan sebagian besar pembaca sebelum membaca novel Le Petit Prince sesuai dengan kenyataan ke sembilan unsur di dalam novel LePetit Prince sehingga pembaca dapat dengan mudah menerima dan memberikan pujian pada novel tersebut. Ketiga, faktor penyebab perbedaan tanggapan dan horizon harapan pembaca selain perbedaan stressing unsur yang ditanggapi juga karena perbedaan pengetahuan tentang sastra, pengetahuan tentang kehidupan dan pengalaman membaca karya sastra.(This study aims to describe the readers’ responses to the novel Le Petit Prince, the readers' horizon of hope for the novel Le Petit Prince, and the factors that cause differences in responses and readers' expectation horizons. This study included a type of qualitative descriptive study. There are two data sources, namely primary and secondary data sources. The primary data source refers to the object of the research, the Le Petit Prince novel, while the secondary data is in the form of texts that contain the readers' responses of Le Petit Prince's novels consisting of 20 people, which are contained in print and electronic mass media including the internet. The research instrument is in the form of tables that link readers, readers' responses, and expectation horizons. Data is collected by means of observations and data analyzed using qualitative descriptive techniques. The results of the research are as follows. First, all readers respond or positively assess the elements of the theme, plot, character, setting, point of view, language style, storytelling techniques, language, and contents of the Le Petit Prince novel. Second, the hope of most readers before reading the Le Petit Prince novel is in accordance with the reality of the nine elements in the novel Le Petit Prince so that readers can easily receive and give praise to the novel. Third, the factors that cause differences in responses and readers' expectation horizons in addition to differences in elemental stressing are also responded to because of differences in knowledge about literature, knowledge of life and the experience of reading literature.)
SIKAP BAHASA REMAJA URBAN TERHADAP BAHASA INDONESIA DI ERA MILENIAL (The Language Attitude of Urban Teenagers Towards Indonesian in The Millennial Era)
Get PDFPermasalahan dalam tulisan ini adalah bagaimana sikap remaja terhadap bahasa Indonesia di era milenial? Tujuannya adalah untuk mendeskripsikan sikap bahasa remaja terhadap bahasa Indonesia di era milenial. Subjek dalam penelitian ini adalah remaja yang rentang usianya antara 15 sampai 20 tahun. Metode pengambilan data menggunakan angket sikap bahasa dengan menggunakan tiga ciri sikap bahasa menurut Gavin dan Mathiot sebagai acuan. Hasil penelitian menunjukkan bahwa para remaja yang tinggal di wilayah urban memiliki kecenderungan sikap bahasa yang negatif terhadap bahasa Indonesia. Hal tersebut terlihat dari rasa bangga mereka yang sangat kurang terhadap bahasa Indonesia. Demikian juga dengan indikator pada kesetiaan dan kesadaran akan norma kaidah dalam bahasa Indonesia menunjukkan sikap yang cenderung negatif. Selain itu, sikap bahasa yang negatif juga terlihat dari diksi yang mereka gunakan ketika berbicara maupun ketika mengunggah status di media sosial. (The problem in this paper is how do teenagers behave in Indonesian language in the millennial era? The aim is to describe the adolescent language attitude towards Indonesian in the millennial era. The subjects in this study were adolescents who’s age ranged between 15 to 20 years old. Language attitude questionnaire with three characteristics of language attitude by Gavin and Mathiot as references, is using as data retrieval method. The results of the study show that teenagers living in urban areas have a negative language attitudes tendency towards Indonesian. This can be seen from their very lack of pride in Indonesian. Likewise, the indicators of loyalty and awareness of rules of norms in the Indonesian language show a negative attitude. In addition, negative language attitudes can also be seen from the diction they use when speaking or uploading status on social media.
PERANTI KONJUNGSI DALAM “18 KISAH ORANG BANJAR” KARYA SUPIANI
Get PDFThis paper discusses the use of Indonesian language and Banjar language conjunctions in “18 Banjarese Stories”. The purpose of this study is to describe the use of Indonesian language and Banjar language conjunction devices in “18 Banjar Stories”. This research is a qualitative descriptive study. This research uses an observation method. The data collection techniques are note taking and analyzed with distributional method. The data are sentences or discourse quotation containing conjunction device in “18 Banjar Stories”. The data source of this study is taken from the book of “18 Stories of Banjar people by Supiani, S.Pd. published by Hemat Amuntai, consist of 77 pages in 2016. The results show that the use of conjunction device found in Banjar language are as follows: comparison conjunction devices “as if” (tunang kaya), and “like” (kaya), temporal conjunction devices, “after” (imbah), “then” (lalu), after that (imbahnitu), additive conjunction devices “other than” (salain nangitu), “and” (lawan), adversative conjunction devices (contrast) “but” (tapi), conditional conjunction device “because” (sabab) and exemplifying conjunction device “if” (mun). Meanwhile, the use of Indonesian conjunction devices found in the book “18 Banjar Stories” are additive conjunction device “and” (dan), corrective conjunction device “or” (atau), and temporal conjunction devices “after” (setelah), “then” (lalu), and “next time” (kemudian).Key word: conjunction, discourse, Banjar Language
KETOPRAK DOR SEBAGAI WARISAN BUDAYA JAWA PERANTAUAN DI SUMATERA UTARA
Get PDFKetoprak dor is a product of local indigenous culture of North Sumatra. This theater is derived from the existing Ketoprak art in Java. Ketoprak brought from Java is adapted and tailored to the local culture. Ketoprak dor was originally born in Simalungun, then developed in Tanah Deli as Tebingtinggi, Deliserdang, Medan, Binjai, Langkat, former East Sumatra and the peninsula. Based on this, the authors conducted a series of studies on the content and form of theater that never surfaced among Java, North Sumatra overseas. This study authors do since mid- 2009 until November 2013. Overview semiotic writers do to memermudah tracking and the description of Ketoprak dor in the province of North Sumatra Overview semiotic writers do to facilitate the tracking and the description of Ketoprak dor in the province of North Sumatra. Through this approach the authors to describe the content and form of Ketoprak dor. Therefore, this approach not only in terms of analyzing Ketoprak dor text (literature) but also contextually (the show). Of research by the author mentions, bam Ketoprak offerings is actually still survive and exist. However, the show is no longer the ancient times as often when there are weddings, circumcision and the celebration of 17's who often perceive kethoprak dor, now seen occasionally, now seen occasionally. Ketoprak dor is actually no longer belong only to Java, but it has belonged to the Malays Deli. The Javanese are easily adaptable plus the Malays who will receive large capital openness into the acculturation process
MERAK, IKAN DAN SINGANDARUNG: CITRA SASTRA MASA PERALIHAN HINDU – ISLAM DI LOMBOK
No full textAbstrak: Artikel ini bertujuan untuk mendiskusikan bagaimana citra sastra petualangan turut berperan penting pada masa peralihan Hindu–Islam dalam struktur masyarakat Lombok. Salah satu contoh karya sastra peralihan yang masyhur di tengah masyarakat Lombok adalah teks Puspakrema. Sedangkan di dunia kesusasteraan Melayu, Hikayat Indraputra populer pada masa peralihan Hindu–Islam sejak abad ke-15. Kedua karya sastra ini termasuk ke dalam genre sastra petualangan Nusantara. Pendekatan sastra bandingan digunakan oleh peneliti untuk menemukan berbagai persamaan dan perbedaan baik struktur maupun motif cerita dalam kedua karya sastra ini. Secara umum, persamaan keduanya sebagai karya sastra petualangan adalah perjalanan tokoh utama demi mencapai tujuan kebaikan bagi sesamanya. Persamaan juga terlihat pada unsur-unsur cerita seperti penggunaan ikan dan burung merak sebagai simbol universal dalam kesusastraan Nusantara. Adapun perbedaan-perbedaan yang ada dalam kedua karya sastra ini seperti adanya tokoh Singandarung atau singa bersayap yang berasal dari tradisi Hindu‑Bali dalam Puspakrema. menunjukkan kesusastraan Islam yang memiliki unsur kesusasteraan Hindu Bali tetap populer di kalangan masyarakat Sasak sebagai bagian dari identitas dan kekayaan khazanah kesusastraan di Lombok.--Abstract: This article aims to discuss how adventurous literary images play an important role in the Hindu-Islamic transition in the structure of Lombok's society. One of the famous classical literature in Lombok is the text of Puspakrema. Whereas in the Malay literary world, Hikayat Indraputra was popular during the Hindu-Islamic transition since the 15th century. Both of these literary works belong to the archipelago adventure literary genre. The comparative literary approach is used by researcher to find various similarities and differences in both the structure and motives of stories in these two literary works. In general, the similarity of the two as adventurous literary works is the journey of the main character in order to achieve the goal of kindness for each other. Similarities can also be seen in story elements such as the use of fish and peacocks as universal symbols in Nusantara literature. As for the differences that exist in these two literary works such as the presence of Singandarung figures or winged lion originating from the Balinese Hindu tradition in Puspakrema shows that Islamic literature has elements of Balinese Hindu literature remains popular among the Sasak people as part of the identity and wealth of literary treasures on Lombok