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    The Inquiry of Thing and Heidegger's Transcendence of Anthropocentrism

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    物之追问,引导了海德格尔思想的转向和变革。通过对物之追问历史的梳理与辨析,海德格尔揭示了植根于人类中心主义的西方传统形而上学与科学技术对物的遮蔽。在反思和批判传统的物的观念基础上,海德格尔展开了自己的物之追问,相继从艺术作品对物的解蔽以及物与世界相互依存的角度,阐明了物何以为物以及物对于人的重要意义。通过物之追问,海德格尔提出"天地神人"四方的整体存在论以及人栖居于世界的命题,实现了对人类中心主义的超越。The inquiry of thing guides the turn and transformation of Heidegger's thought. By means of carding and discrimination of the history of the inquiry of thing, Heidegger reveals the shelter of thing by western traditional metaphysics and science technology which rooted in anthropocentrism. On the basis of reflection and critique of the traditional concept of thing, Heidegger develops his inquiry of thing, from the angle of artwork's demasking of thing and interdependence of thing and world, illustrates what is thing and its important meaning for man. By means of inquiring thing, Heidegger presents the whole existence theory of"Heaven, Earth, God and Man"and the proposition of man living in the world, therefore realizes the transcendence of anthropocentrism

    On Mao Dun’s Narrow Sense of Mythology

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    茅盾的狭义的神话观具体表现在将神话限定为“初民”的知识积累;强调神话与传说的区别;反对广义神话观等方面。茅盾的狭义神话观对神话研究具有方法论上的指导意义;对民间文学体裁学建设具有重要价值。 Mao Dun’s narrow senses of myth are embodied in three aspects:mythology is the accumulation of knowledge by the primitive people;the difference between mythology and legends is emphasized;and he didn’t agree on the broad sense of myths and so on.Mao Dun’s narrow senses of myth have methodological significance for mythological research,and the great value to the construction of folk literature genre.广西民族文化保护与传承研究中心建设经费资助课

    Dispersal and Reunion: European-Chinese Literature in a Globalized Age

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    20世纪末迅猛发展起来的经济全球化潮流深刻影响并改写了世界华文文学的版图,欧华文学同时在欧洲历史文化传统的同源性推进了欧洲一体化的进程中,亦有其自为的表现,在根本上改变了欧华文学给人以"零散化"的印象,更在深层次上反映出作家群体主体精神结构的"在地"风貌、叙事行为的多世代融合、离散叙事书写"传统"的突破与聚合,呈现出特有的"欧洲风"。 The trend of a globalized economy, rapidly developed at the end of the twentieth century, has profoundly re-written the territory of world literature in Chinese and, in the process of European integration advanced by the homology of European historical and cultural traditions, European-Chinese literature has staged its own performance, radically changing its fragmentary impression, reflecting the‘on the ground’ features of the subject spiritual structure of the writers' groups on a deeper level, the multi-generational integration of narrative behaviours and the profound reunion of a break with the tradition of the dispersal narrative writing, thus revealing a unique European style.国家社科基金重大招标项目“百年海外华文文学研究”,项目编号:11&ZD11

    The Community Sense of the Chinese Nation in Contemporary Women' s Literature of Minority Ethnic Groups: A Case Study on the Works by the Women Winners of Junma Award

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    中华民族的优秀传统文化是中华民族的根基和灵魂,也是中华民族精神共同体意识最基本的文化基因。当代少数民族女性文学是中华文化意识的重要载体与媒介。历届获少数民族文学创作“骏马奖”的女作家作品,既具有本民族的文化特质,又呈现着中华文化相同的文化符号、共同的文化理念、共有的行为规范,展示了当代多民族文学中不同族群经验和多元文学传统所构成的气象万千的中华文化,为促进民族文化向心力的形成、建设共享现代文化、构建中华民族共有的精神家园意识发挥着重要的作用。 The splendid traditional Chinese culture is the root and soul of the Chinese nation and the primary cultur- al gene of the community sense of the Chinese nation. The contemporary women' s literature of minority ethnic groups is the carrier and medium of the Chinese cultural sense. The works by women writers who have won the Junma Award of minority ethnic group literature show both the cultural characteristics of their own ethnic groups and the common cultur- al symbols, cultural ideas and behavioral norms of Chinese culture. They reflect the variable Chinese culture composed of the various experiences of ethnic groups and the diversified literature traditions in contemporary ethnic literature. They play significant roles in promoting the formation of the centripetal force of national culture, building shared mod- em culture, and constructing the spiritual community sense of the Chinese nation.国家社会科学基金项目(15BZW190

    "Illness" Experience and "Dispersion" Depiction --Post-1980-born XIONG Yan's Poetry

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    "病痛"体验是时间与生命留存于身体中的感知"心像","病痛"书写直指时间与生命一体的诗性内核。80后诗人熊焱关于时间与生命的"病痛"体验,表现着个人、时间、生命三个维度的孤独本质,他由"病痛"时刻与状态完成的诗歌表现出强烈的孤独诗感。时间与生命的"离散"书写,完成了熊焱个体对时间与生命的解释与意义探寻。"Illness" experience is the bodily "heart - felt image" retained by time and life, so illness depiction points to the poetic core of time and life. Post-1980-born XIONG Yan' s illness experience in regard to time and life displays solitude nature in three dimensions, concerning individuality, time and life. His poems about illness moment and completion display a strong poetic solitude. XIONG Yan's dispersion depiction about time and life proclaims his interpretation and pursuit to their significance.2011国家哲学社会科学基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(项目编号:11BZW096)的阶段性成

    超验本体与意识的回声——2014年以来“相思湖诗群”创作研究

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    "相思湖诗群"作为一个诗歌群体,长期以来在中国当代诗坛产生了重要的影响。随着诗学观念的日益成熟,2014年以来其又迎来了全新的创作高潮,摆脱了以往不论在内容、形式还是在传统经验上的种种束缚,由语言激动的快感追求逐渐向冷静的哲思、智性转变,形成了极具超验眼光的书写意识,为当下诗歌写作生态提供了重要的可能性的审美范式。广西民族文化保护与传承研究中心”建设经费资助项目; 广西区哲学社会科学规划课题“新世纪以来的广西诗歌研究”(15BZW005); 国家哲学社会科学基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(11BZW096

    Beauty is the Rhyme of the Indivisible Entirety

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    存在元能的自旋生,旋出整生韵象,为美本质的一般模型。它分生出自然、生命与生态元能的自旋生,以成美本质的基本模型。它分生出一切元能的自旋生,以成所有美本质模型。在美本质一般模型的统摄下,天的整生韵象,走向人的整生韵象,经由天人耦合的整生韵象之中介,走向生态圈的整生韵象,于历史的中和里,发展了美本质。在无机自然向有机自然的通发中,存在元能超然自旋生,天成了整生韵象,圈转了整生韵象,天旋了整生韵象,完发了自然整生韵象,完生了美本质。整生韵象,还在情象、意象、趣像的三位一体中,趋向天籁化,以成美的理想本质。 There is a spin of Yuanneng for the rhyme of the indivisible entirety,which is a general model of the essence of beauty.It is divided into the spin of the nature,life and ecological Yuanneng,to form the basic model of the essence of beauty.It is divided into all the spins of the Yuanneng,to become the model of all beauty.Under the unified image of the general model of the essence of beauty,the indivisible entirety rhyme of the heaven moves toward the indivisible entirety rhyme of human beings,and through the intermediary of the indivisible entirety rhyme image coupled with the heavens and the humans,to the indivisible entirety rhyme of the ecological circle,in the neutralization of history to develop the essence of beauty.In the natural circulation of inorganic nature to organic nature,there is a metaphysical Yuanneng spin to make the sky become a whole-life rhyme,which turns the indivisible entirety rhyme image,and the heavens rotates the whole rhyme image,to complete the natural indivisible entirety rhyme image,and thus leads to the essence of beauty.The indivisible entirety rhyme image,in the trinity of emotion,imagery and fun image,tends to be heavenly,to become the ideal essence of beauty

    访谈类电视节目口语化趋势分析

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    随着大众传媒的不断发展,访谈类电视节目的语言在坚持标准化、规范化的同时,逐渐向多元化、口语化发展,这既是大众传媒对时代精神的感悟,也是其适应广大受众群体需求的回馈。为此,本文就近年访谈类广播电视节目的主持口语化趋势及其表现形式进行简要分析,在此基础上对节目主持口语化的传播影响力展开讨论,并为其提升节目质量和影响力提供参考性意见

    “网生代”综艺节目的狂欢与隐忧——以《火星情报局》为例

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    近年来,网络综艺节目大热。《火星情报局》作为"现象级"纯网综艺具有可贵的原创性。以《火星情报局》为例,通过对节目中人物角色设置、节目形式、节目内容创新性的研究,分析网络综艺节目的发展前景及存在问题,并对此类节目未来的走向提出几点建议。广西高校中青年教师基础提升项目“新媒体视阈下视频内容跨屏传播研究”(项目编号:2017KY0154)阶段性成

    On the Ideological Construction of Lao People's Revolutionary Party

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    老挝人民革命党是老挝唯一的政党和执政党,其意识形态建设过程中的理论资源来源于越南、原苏联和中国;其基本经验是始终忠于和坚持马列主义,始终重视党的自身建设,始终忠于国家和人民的利益;2016年老挝人民革命党十大召开以来,把凯山·丰威汉思想作为党的指导思想,积极探索把马列主义与本国相结合的意识形态建设之路。Lao People's Revolutionary Party is the only political party and ruling party in Lao. Its ideology emerged from Vietnam, the former Soviet Union and China. The par ty loyal and stick to Marxism–Leninism, attaching importance to self-construction, and always beingloyal to the interests of the nation and people. From the 10th LPRP Congress in 2016 forword, the party has established the Kaysone Phomvihane Thought as theguiding ideology,actively explore the ideological construction path which incorporate the Marxism–Leninism with the domestic situation in Lao

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