Atavisme: Jurnal Ilmiah Kajian Sastra
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Pendekatan Sastra Bandingan Feminis Atas Variasi Gubah Ulang Agni Pariksha Sita dalam Tiga Sajak Indonesia
Full text linkBabak Agni Pariksha (percobaan api atas Sita) di dalam kisah Ramayana telah menginspirasi banyak sastrawan Indonesia di dalam menghasilkan karya-karya sastra. Selama ini kajian mengenai karya yang terinspirasi oleh Agni Pariksha sudah banyak dilakukan, tetapi belum ada yang menggunakan pendekatan sastra bandingan feminis. Di samping itu, masih terdapat keraguan mengenai keterlibatan laki-laki di dalam feminisme dan/atau kritik terhadap sistem patriarki. Penelitian ini menggunakan pendekatan sastra bandingan feminis terhadap tiga sajak: Asmaradana karya Subagio Sastrowardoyo, Sita Sihir karya Sapardi Djoko Damono, dan Sepucuk Surat Sita Sebelum Labuh Pati karya Soni Farid Maulana. Pembacaan cermat dan analisis isi dilakukan atas ketiga sajak untuk menyibak makna laten bernuansa feminisme sembari dibandingkan dengan kisah asli Ramayana. Penelitian ini menghasilkan temuan bahwa ketiga sajak mengkritik representasi ideal dari konstruksi relasi gender heteroseksual di dalam sistem patriarki yang terbangun dari kisah Ramayana. Temuan ini memberikan bukti bahwa laki-laki pun dapat mengajukan kritik terhadap sistem patriarki dari posisi mereka sebagai laki-laki dan sekaligus mengartikulasikan pandangan mereka yang koheren dengan gerakan feminisme[A Comparative Feminist Approach on the Variety of Re-writing Sitas Agni Pariksha in Three Indonesian Poems] Agni Pariksha (Sitas Fire Ordeal) in Ramayana has inspired many Indonesian writers. Previous studies on the writings inspired by Agni Pariksha in Indonesian literature have never used feminist comparative literature approach. Moreover, there have been doubts on the involvement of men in feminism and/or in criticizing patriarchy. This study used feminist comparative literature approach on three Indonesian poems: Asmaradana by Subagio Sastrowardoyo, Sita Sihir by Sapardi Djoko Damono, and Sepucuk Surat Sita Sebelum Labuh Pati by Soni Farid Maulana. These poems were close read and analyzed using content analysis to reveal their potential profeminism messages whilst also compared to the story of Ramayana. This study found that the three poems criticize the ideal representation of heterosexual gender relation construction in the patriarchal system based on the story of Ramayana. The findings suggest that men are able to give criticism towards the patriarchal system from their subject position as men while at the same time also articulate their pro-feminism stance.Keywords: Agni Pariksha; feminist comparative literature; existentialist feminism; subject question;subject in situationBabak Agni Pariksha (percobaan api atas Sita) di dalam kisah Ramayana telah menginspirasi banyak sastrawan Indonesia di dalam menghasilkan karya-karya sastra. Selama ini kajian mengenai karya yang terinspirasi oleh Agni Pariksha sudah banyak dilakukan, tetapi belum ada yang menggunakan pendekatan sastra bandingan feminis. Di samping itu, masih terdapat keraguan mengenai keterlibatan laki-laki di dalam feminisme dan/atau kritik terhadap sistem patriarki. Penelitian ini menggunakan pendekatan sastra bandingan feminis terhadap tiga sajak: “Asmaradana” karya Subagio Sastrowardoyo, “Sita Sihir” karya Sapardi Djoko Damono, dan “Sepucuk Surat Sita Sebelum Labuh Pati” karya Soni Farid Maulana. Pembacaan cermat dan analisis isi dilakukan atas ketiga sajak untuk menyibak makna laten bernuansa feminisme sembari dibandingkan dengan kisah asli Ramayana. Penelitian ini menghasilkan temuan bahwa ketiga sajak mengkritik representasi ideal dari konstruksi relasi gender heteroseksual di dalam sistem patriarki yang terbangun dari kisah Ramayana. Temuan ini memberikan bukti bahwa laki-laki pun dapat mengajukan kritik terhadap sistem patriarki dari posisi mereka sebagai laki-laki dan sekaligus mengartikulasikan pandangan mereka yang koheren dengan gerakan feminisme[A Comparative Feminist Approach on the Variety of Re-writing Sita’s Agni Pariksha in Three Indonesian Poems] Agni Pariksha (Sita’s Fire Ordeal) in Ramayana has inspired many Indonesian writers. Previous studies on the writings inspired by Agni Pariksha in Indonesian literature have never used feminist comparative literature approach. Moreover, there have been doubts on the involvement of men in feminism and/or in criticizing patriarchy. This study used feminist comparative literature approach on three Indonesian poems: “Asmaradana” by Subagio Sastrowardoyo, “Sita Sihir” by Sapardi Djoko Damono, and “Sepucuk Surat Sita Sebelum Labuh Pati” by Soni Farid Maulana. These poems were close read and analyzed using content analysis to reveal their potential profeminism messages whilst also compared to the story of Ramayana. This study found that the three poems criticize the ideal representation of heterosexual gender relation construction in the patriarchal system based on the story of Ramayana. The findings suggest that men are able to give criticism towards the patriarchal system from their subject position as men while at the same time also articulate their pro-feminism stance.Keywords: Agni Pariksha; feminist comparative literature; existentialist feminism; subject question;subject in situatio
The Portrayal of Gender and Race in Cars Trilogy
Full text linkAs the most commercially successful animated film, Cars trilogy, produced by Pixar Animation Studios, are opted to be analysed due to its impact on formulating perception of gender and race. Considering that intolerance and gender-based injustice still happens within our society, any discussion about gender and race portrayal, particularly through films, becomes urgent. The study aims at investigating how gender and race are portrayed in Cars trilogy. Gender portrayal is analysed through Beauvoir’s concept of immanence and transcendence and Finklea’s themes about masculinities. The portrayal of race is investigated using McLaren’s critical multiculturalism. The study uses the descriptive analytical interpretative method. The data analyzed are the characters, dialogue, and plot. The result shows that men and women are portrayed as equal but the stereotypes are still visible. Men are portrayed not only brave but also confident. Males’ romantic interest is manifested in heterosexual desire and male bosses are driven by profit. Women can be successful in racing if she dares to intervene the bureaucracy or is given opportunity by men. Different accent of English is seen as less capable and white characters are not always portrayed unproblematic
Dinamika Budaya dalam Novel Lanang Karya Yonathan Rahardjo
No full textThis study aims to reveal the cultural ecology represented in Yonathan Rahardjo’s novel Lanang. This novel was chosen because it is full of representations of cultural ecology in the millen-nial era. The discussion of cultural ecology cannot be separated from the relationship between culture, humans, and the environment. This study uses a cultural ecology approach. The data are textual units containing the discourse of cultural ecology. The results of this study indicate that there are dynamics in cultural ecology described through human actions in need fulfillment, namely traditionally and modernly. Selecting one of these methods will give birth to inequality to the environment. Both methods must go hand in hand to achieve the ideal cultural ecology.Penelitian ini bertujuan untuk mengungkap ekologi budaya yang terdapat di dalam novel Lanang karya Yonathan Rahardjo. Novel ini dipilih karena sarat akan representasi ekologi budaya di era milenial ini. Pembahasan ekologi budaya tidak dapat dilepaskan dari hubungan antara budaya, manusia, dan lingkungan. Penelitian ini menggunakan pendekatan ekologi budaya. Data penilitian berupa dialog atau monolog yang mengandung wacana mengenai ekologi budaya. Hasil penelitian ini menunjukan ada dua cara yang dilakukan manusia dalam pemenuhan kebutuhan, yaitu kebudayaan tradisional dan modern. Pemilihan salah satu cara tersebut akan melahirkan ketimpangan, khususnya terkait dengan lingkungan. Kedua kebudayaan tersebut harus berjalan beriringan untuk mencapai ekologi budaya yang ideal
Revitalisasi Tembang Teks Sastra Bali Tradisional dalam Ranah Ritual dan Digital
Full text linkThere has been a concern that textual singing tradition (kidung) may disappear along with the advancement of information and communication technology. This paper aims to examine the metamorphosis of kidung from the ritual realm to the digital domain which is the basis of today's electronic mass media. Data were collected with ethnographic method and interviews with enthusiasts and audiences of kidung as well as with managing of electronic mass media. Recording method was used to record the interactive kidung programme in Radio and TV. The data were examined by transformation media and globalization theory. The study began with a description of the metamorphosis of kidung from the ritual realm to digital, enthusiasts and audiences, as well as the future of the kidung cultural heritage in the digital era. The result shows that the transformation of kidung from the ritual to the digital domain is a revitalization process that makes this tradition increasingly lively, not vanishing as it has been feared. In addition, the tradition of the kidung which was originally dominated by the older generation, has also been able to attract younger generation who present it through digital-based social media such as Facebook and YouTube so that it can be enjoyed by Balinese diaspora
Tubuh, Subjek Seksual, dan Kekuasaan dalam Novel Telembuk: Dangdut dan Kisah Cinta yang Keparat Karya Kedung Darma Romansha
Full text linkWomen's bodies as sexual objects are always in power relations. In Telembuk Dangdut dan Kisah Cinta yang Keparat, the characters of Diva and Mak Dayem are the representations of women's bodies as well as sexual objects in the power relation circle. This study aims to illustrate how women (Diva and Mak Dayem) compete with power by trying to make their bodies as sexual subjects in the novel Telembuk. The theory used in this study was the Power of Discourse theory proposed by Michel Foucault. According to the type of data, this study was a qualitative research. The data source was Kedung Darma Romansha’s novel Telembuk: Dangdut dan Kisah Cinta yang Keparat published in 2017. This study used discursive formation method to analyse the data. The results of this study were 1) the metaphysical body becomes the strategy of telembuk women to utter anti-power, 2) telembuk as a woman strategy to be a sexual subject
Dave's Journey in Searching for a Family's Love in Dave Pelzer's Novel The Lost Boy
No full textThis study aims to discover the reasons why Dave did the journey and the process that he had been through in order to find family love in Dave Pelzer’s The Lost Boy (2009). There are two main points analyzed by the writer: the setting and characterization of the main character of the novel, Dave. To accomplish this study, the writer applied New Criticism theory by closely reading the novel to examine the formal elements such as setting and characterization. Through this study, the writer found that Dave’s experience traumatizes and makes him hard to trust other people. The setting that appears in the novel has an important role in changing his characterization in the end of the story.
Unsur Budaya Material dalam Novel Entrok Karya Okky Madasari
Full text linkThis research aims to classify and describe the material culture elements contained in Okky Madasari’s novel Entrok. The research problem includes the classification of material culture elements which only exist in Indonesia, and most of them are related to Javanese culture. This research was a qualitative descriptive research. The data were in the form of words and phrases obtained from Okky Madasari’s Entrok. The result showed that there were six elements of material culture. The most commonly found material culture element was food, the second was house, the third was clothes, and the least found were vehicle, daily equipment, and art tool. The use of material culture elements in literary works, such as novel, not only improves the aesthetic value of the work, but also can be used as a media of education, so that the literary work enthusiasts can recognize better and are able to preserve the cultures in Indonesia.This research aims to classify the term of material culture containing in the Entrok novel written by Okky Madasari. This research also provided an analysis related to the underlying reason for the cultural terms which are included in the category of the terms of material culture. In particular, the discussed problems in the present research involve the terms of material culture which only exist in Indonesia and mostly related to the Javanese culture. This research is qualitative descriptive research. The result shows that there are six categories of material culture terms consisting of food, house, clothes, transportation, daily equipment, and art instruments. The findings reveal 53 terms dividing into: (1) 25 food terms, (2) 10 houses terms, (3) 9 clothes terms, (4) 3 transportation terms, (5) 3 daily equipment terms, and (6) 3 art instruments terms. These terms are material culture terms representing the characteristic of Indonesian culture