Atavisme: Jurnal Ilmiah Kajian Sastra
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Fungsi Ehabla Pada Masyarakat Sentani, Papua
No full textEhabla is one of oral poetry in Sentani, Papua that is almost extinct. It is sung spontaneously, without background of notes and memorization. The singer prepares plot and theme that will be elaborated in the performance, Ehabla can be transcribed into 4 lines that is dominated by repetition and parallelism. The first line is repeated in the third line, the second line is repeated in the fourth line. Essentially, the third and the fourth lines are the repetition of the first and the second lines. The repetition is enriched by synonym and reduplication. Ehabla that expresses the socio-cultural life of Sentani people can be used as media of (1) education (pedagogical system) that teaches hard work, cooperation, pride, respecting tradition, proud of birthplace, respecting natural environment; (2) reflection of Sentani people's idealization on ideal village, ideal society, and ideal leaders; (3) legitimacy of traditions; (4) forcing and watching; (5) sharpening the emotion of religion and belief; and (6) entertainment. For Sentani people who live in some remote areas in some islands, the singing and function of ehabla are still responded even though its socialization is not positively responded by the young generation. For Sentani people who live near the city, the singing and function of ehabla are not again responded by both old and young generation. This is caused by the influence of new traditions, technology, and globalization. The only function that is still alive is the function of entertainment
Jejak Praktik Militerisme dalam Puisi Indonesia
No full textThe existence of military in a country does not automatically mean militarism. However, during the New Order era, militarism was used to dominate political life and became a power shield as an excuse to maintain national stability. The military practice could be seen, among other things in Indonesian literary works, particularly in Wiji Thukul's, Rendra's, Eka Budianta's, and K.H. A. Mustafa Bisri's writing as a reflection of his period. These poems depict military action in the New Order power such as in the land reform case, workers protest, and the 27th of July incident. Military action has become a violent pattern to silence these unpleasant incidents. Some critical activists experienced these violent actions such as terror, kidnapping, and torturing
Pantun Anak Ayam oleh Ajip Rosidi
No full textPantun Anak Ayam oleh Ajip Rosidi. Jakarta: Pustaka Jaya, 2006. Halman 40 diresensi oleh Umar Junus, Malaysi
Memahami Drama Jaka Tarub Karya Akhudiat
No full textDrama is one of literature genres that shows significant progress. This paper is driven by the lack of drama scripts, particularly those of local scriptwriters who brought about local distinctiveness. Jaka Tarub is one of Akhudiat's works which won the drama script writing contest in Dewan Kesenian Jakarta (DKJ) in 1974. The aims of this paper are to discover Akhudiat's profile as a writer, along with his creative process, as well as the structure of Jaka Tarub as a drama. The drama of Jaka Tarub is interesting to study because the plot is unique and the central figures are deconstructed, thus it is no longer the same as that of before. As a writer, Akhudiat has given today's style and taste into the drama
Matriarki dan Hidden Women dalam Syair Damarwulan
No full textThe story of Damarwulan was a popular story. The reception toward this story was various. Syair, hikayat, legendriya, serat, and performance found at Javanist. Toe Syair of Damarwulan ML 176 appears many characteristics. The reading of this syair discovered much suspicious about the position of Queen of Majapahit, Kenconowungu. This paper explores matriarchal and hidden women into Syair Damarwulan. This paper used feminist perspective to explore matriarchal and hidden women. This paper has concluded that the process of matriarchal was always followed by hidden women. Relation of Queen Kenconowungu Menakjinggo and Damarwulan was one of several evidence. The presence of Damarwulan as a hero and image of idol man was the end • of process hidden wome