Universidade Lusófona: Revistas científico-culturais
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    La muséologie sociale, un bouclier contre l’effondrement sociétal ?

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    En mars 2025, j’ai terminé la traduction en français du livre Museums and Societal Collapse: The Museum as Lifeboat du muséologue canadien Robert R. Janes. Sa publication ne saurait tarder. J’ai réalisé ce travail pour aider le monde francophone des musées à faire face à l’effondrement sociétal qui, malheureusement, frappe déjà à nos portes. Le livre décrit ce collapse en cinq temps – financier, puis commercial, politique et social, et enfin culturel – est appréhendé d’ici quelques décennies. Grâce à la confiance que leur porte la société, les musées représentent une puissante force apte à amortir le déclin et l’effondrement des sociétés qu’ils desservent. Pour ce faire, ils doivent renoncer à la sacrosainte neutralité et au tribalisme professionnel, et utiliser plutôt leurs compétences socialisantes, faisant place à la découverte, au changement, à l’excellence des récits inédits qu’ils proposeront. Les quelque 104 000 musées dans le monde forment la plus grande franchise sans but lucratif sur Terre. S’ils mettaient en commun une partie de leurs ressources et agissaient de façon concertée, l’impulsion qui en résulterait sera peut-être indispensable pour stimuler justice sociale, égalité mondiale et bien-être planétaire.    Mots-clés : effondrement ; société; sociomuséologie ; changement 

    Reformulando os museus Heimat: uma análise museológica da participação e pertença das comunidades locais - incluindo casos de estudo

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    Heimat museums – small, community-driven museums prevalent in rural Germany – represent one of the most widespread, yet under-recognized, forms of museums in the country. They serve as sites of memory and local identity. Despite their widespread presence, they remain statistically invisible and are often excluded from international museological discourse. Heimat museums challenge traditional professional museum hierarchies and offer distinctive contributions to current debates about museums’ social roles. This article, based on museum fieldwork carried out during a 2025 research seminar at the University of Tübingen, explores how these institutions operate at the intersection of memory work, volunteerism, and local identity-making. It places Heimat museums in dialogue with alternative museologies, particularly Social Museology, and analyzes how they reflect or diverge from the values embedded in the 2022 ICOM definition of museums. Drawing on student case studies and seminar discussions, we show that while Heimat museums may fall short of professional standards, they enact modes of participation, inclusivity, and enjoyment that align with new expectations. We argue that their informal, community-based character both complicates and enriches the evolving global understanding of what museums are and what they can be. Keywords: Heimat museums, Wild museums, Museum analysis, Social museology, Volunteer-based museumsOs museus Heimat – pequenos museus de base comunitária, predominantes em zonas rurais da Alemanha – representam uma das formas de museus mais difundidas, embora pouco reconhecidas, no país. Funcionam como locais de memória e de construção de identidade local. Apesar da sua presença generalizada, permanecem invisíveis nas estatísticas e são frequentemente excluídos do discurso museológico internacional. Os museus Heimat desafiam as hierarquias profissionais tradicionais dos museus e oferecem contributos singulares para os debates atuais sobre os papéis sociais dos museus. Este artigo, baseado num trabalho de campo realizado durante um seminário de investigação em 2025 na Universidade de Tübingen, explora de que forma estas instituições operam na interseção entre a memória, o voluntariado e a construção de identidades locais. Coloca os museus Heimat em diálogo com museologias alternativas, particularmente a Museologia Social, e analisa como refletem ou divergem dos valores consagrados na definição de museu adotada pelo ICOM em 2022. A partir de estudos de caso realizados por estudantes e das discussões no seminário, demonstramos que, embora os museus Heimat possam não cumprir os padrões profissionais, concretizam formas de participação, inclusão e fruição que estão em sintonia com novas expectativas. Argumentamos que o seu caráter informal e enraizado nas comunidades complica, mas também enriquece, a compreensão global e em evolução do que são os museus e do que podem vir a ser. Palavras-chave: Museus Heimat, Museus selvagens, Análise museológica, Museologia social, Museus baseados em voluntariad

    Dizeres Iniciais

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    Opening RemarksDizeres Iniciai

    UMA PSICOLOGIA DA TEOLOGIA DA MULHER

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    O presente artigo estabelece diálogo entre a Psicologia Junguiana e a Bíblia enquanto Literatura. Buscamos, por meio do método sintético construtivo de Carl Gustav Jung e da Antropologia Bíblica, desvelar um fragmento da alma da mulher e da psicologia da Igreja para rememorar o essencial acerca desta instituição: sua identificação com o gênero feminino. De modo que, ao longo deste trabalho, poderemos notar que é impossível falar de Teologia ou de Evangelho sem identificar como se constitui a Psicologia Feminina. Assim, apresentamos uma Psicologia para a Teologia da Mulher

    EM REDOR DO FOGO, SEMPRE O AMOR: : A produção escrita de Maria Micaela de São Bernardo (XVIII) e a espiritualidade de Bernardo de Claraval

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    O presente artigo visa explorar, antes de mais, a produção escrita de Maria Micaela de São Bernardo, freira setecentista do Mosteiro de São Dinis e de São Bernardo de Odivelas. Analogamente ao que sucedera com diversa documentação produzida por penas femininas em contexto monástico, também a obra de Maria Micaela permaneceu até então votada ao silêncio dos arquivos, conservando-se inédita e, assim, pouco estudada e sistematizada. Dando a ver o legado espiritual e intelectual desta autora mística cisterciense, demonstrar-se-á a influência de Bernardo de Claraval na mesma

    Enhancing the Learning of Students with Specific Learning Disabilities in Resource Rooms: An Educational Game to Teach the Concepts of Expansion and Contraction

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    The purpose of this study is to demonstrate how resource rooms for the concepts of "expansion" and "contraction" may be enhanced with educational games. The study focuses on how the game's included features might affect social skills and cognitive development of students and highlights the game arrangements for students with specific learning disabilities. For educational equity and social justice pedagogy for all science learners, it is crucial to support students with specific learning disabilities in their study of science. A new educational material for resource rooms to teaching and learning is designed, based on effective educational game features. Playing the Carpet game can improve knowledge of expansion and contraction concepts and increase awareness of real-world applications of these concepts. Creating specific educational materials helps to clarify how science education teachers can improve a resource rooms for students with specific learning disabilities. It is highly possible that the game can be readily modified with only minor adjustments for any other educational level, nation, or set of conditions. Future studies should create comparable sample games and share them with stakeholders (such as science teachers, physics teachers, special education teachers, and science/physics academicians) because this study proposes to design the game of the "expansion” and “contraction” concepts

    Capa e Folha de Rosto

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    International Journal of Games and Social Impact, 3(1) Cover and Front Matte

    The Interface as Artwork: Creating Interactive Installations Based on Encounter and Somatic Experience

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    This media-rich article emphasises the role of the body in aesthetic experience, using a related conceptual framework to explore interfaces in digital art. We introduce two interactive installations, ON/CONTACT and EN/GLOBE, which invite audiences to experience the interface as a site of encounter. To frame the concept of the interface as a device that transcends functional control, we draw on the theoretical work of David Rokeby, a contemporary Canadian artist. In doing so, we demonstrate how our multimodal installations – which engage vision, audition and haptics – encourage participants to interact and express themselves, highlighting the interface’s potential as an agent of exploration rather than mere functional subordination

    Recensão a The environmental impact of overpopulation

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    Review of The Environmental Impact of OverpopulationReseña de El Impacto Ambiental de la Sobrerpoblación    Recensão a The Environmental Impact of Overpopulation

    Capa e Editorial

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    Opening remarksPalabras de aperturaDizeres iniciai

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    Universidade Lusófona: Revistas científico-culturais
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