Aisthema (E-Journal, Pontificia Facoltà Teologica dell'Italia Meridionale)
Not a member yet
115 research outputs found
Sort by
Due testi sulla moda: "Il Fotografo di moda e il vestito" e "Il Milanese"
Full text linkTwo texts on fashion: "The fashion photographer and the dress" and "Il Milanese"Due testi sulla Moda: "Il fotografo di moda e il vestito" e "Il Milanese
Da Brodovitch al Gucci Style: Considerazioni su stile aristocratico, lusso e riscatto edonista
Full text linkThe essay aims to offer some conceptual elements for understanding the question of style applied to fashion and contemporary imaginary. Starting from some theoretical and sociological authors such John Clark and Pierre Bourdieu, this essay intends to highlight the paradoxes and “dialectical overturns” that occurred in the course of different episodes of modern culture and postmodern culture: from the aristocratic taste of the photographer and art director of the first half of the twentieth century Alexey Brodovitch, to neo-baroque linked in last years to the excess of the style of some particularly successful brands and fashion designers, who have expressed with their production, in a paradoxical way, the demand for social revenge by young generations through the ostentation of luxury.Il saggio intende offrire alcuni spunti di riflessione a partire dalla questione dello stile applicata alla moda e all’immaginario contemporaneo. Facendo riferimento ad alcuni contributi teorici e sociologici celebri come quelli di John Clarke e Pierre Bourdieu, si intende mettere in evidenza i paradossi e i “capovolgimenti dialettici” avvenuti nel corso di differenti episodi della cultura moderna e postmoderna: dal gusto aristocratico dello stile di un fotografo e art director della prima metà del Novecento come Alexey Brodovitch, alla visione neobarocca legata all’eccesso di alcuni brand e fashion designer particolarmente fortunati degli ultimi anni, che hanno espresso con la loro produzione, in maniera paradossale, la rivendicazione di riscatto sociale da parte delle giovani generazioni attraverso l’ostentazione del lusso
Trendsetters and imagination: Adam Smith’s views on change in Fashion
Full text linkThis paper presents a reconstruction and interpretation of the process of change in Adam Smith’s philosophy basing on the example of changes in fashion. I shall focus on the role of imagination, as well as on the role of the wealthy in the process. I shall analyse how sympathy, respect and cognitive errors result in looking up to and mimicking the great. Something introduced by a small number of people becomes fashionable, as others follow. However, the processes of change will be regarded as an effect of individual behaviour and decisions that affect the society.Il presente saggio presenta una ricostruzione e una interpretazione del processo di modifica della filosofia di Adam Smith, basandosi sull'esempio del cambiamento della moda. Mi concentrerò sul ruolo dell'immaginazione, così come sul ruolo della ricchezza nel processo, per poi analizzare come la simpatia, il rispetto e gli errori cognitivi portano a guardare e imitare i "grandi". Se qualcosa introdotto da un piccolo numero di persone diventa di moda, gli altri seguono. Tuttavia, i processi di cambiamento saranno considerati come un effetto del comportamento individuale e delle decisioni che influenzano la società
Le voci non si perdono: A Michele Sovente tra le pieghe della memoria
Full text linkun Acrostico e una Lirica di Clotilde Punzo, una Nota conclusiva di Pasquale Giustiniani, un testo poetico di Michele Soventeun Acrostico e una Lirica di Clotilde Punzo, una Nota conclusiva di Pasquale Giustiniani, un testo poetico di Michele Sovent
La sintesi teologica di fra’ Tommaso d’Aquino di fronte alla divina bellezza
Full text linkSeminario di studio: Pulchritudinum pulchritudoSeminario di studio: Pulchritudinum pulchritud
L’immagine visibile di un Dio che può essere: Michel Henry e Richard Kearney in dialogo
Full text linkThis article attempts an exploration of Michel Henry’s I Am the Truth and Richard Kearney’s The God Who May Be, as each appropriate the Husserlian critique of Kantian epistemology. Although Henry and Kearney both develop a Christian theology rooted in this Husserlian inheritance, their explication of the truths Christianity asserts is strikingly different. It is the assertion of this essay that this difference is primarily a textual one; or, to put it another way, it is conditioned first by their scriptural gaze.Cet article se propose de reprendre le contenu de Michel Henry, C’est moi, la vérité et Richard Kearney The God Who May Be, dans lesquels les auteurs analysent la critique husserlienne de l’épistémologie kantienne. Bien que Henry et Kearney tous les deux développent une théologie chrétienne enracinée dans cet héritage husserlien, leur explication des vérités affirmées du Christianisme est très différente. Pour nous, la différence entre eux est de type textuel, c’est à dire qu’elle dépend de l’analyse qu’ils font de la Sainte Écriture
Il gregoriano tedesco: Fede e sentimento in Lutero
Full text linkThe article examines Luther’s action to reform the field of music. Particular attention is paid to the relationship between faith and feeling. So pervasive was Luther’s musicalrevolution that we can rightly speak of German Gregorian, the mark of modern German nation, but also of a deep laceration inside Christianity. At the end of the XVIIIth Century, this will be one of the reproaches that Novalis will move to Luther.L’articolo prende in esame l’azione riformatrice di Lutero in ambito musicale, con particolare attenzione al rapporto tra fede e sentimento. Tanto pervasiva è stata la rivoluzione musicale di Lutero che si può parlare a buon diritto di gregoriano tedesco, contrassegno sì della moderna nazione tedesca, ma anche di una profonda lacerazione nel cuore del cristianesimo. Alla fine del Settecento, sarà questo uno dei rimproveri che Novalis muoverà a Lutero
Dentro ogni cosa mostrare Dio: Chiesa e artisti insieme per educare alla fede: tematiche, indicazioni, prospettive nel magistero contemporaneo
Full text linkThe title of these pages concerns not the sacred and the art, as it is usually noted in the literature about it, but the Church and the artists, joined in the pedagogic effort, to which the pastoral guide-line, shared with the italian bishops, are strengthly aiming in the last years. As a matter of fact the pedagogic effort is a relationship, therefore it involves many persons, such as the ecclesiastical community and the artists, invited to make an alliance of cooperation and reciprocal training. Actually the couple sacred/art pertains to a very complicated relationship which was for ages the reason of misunderstandings even terminological: art itself has been considered as sacred, religious, spiritual and so on the semantics around these concepts has been clarified only through great efforts, with the contribution of the Council and the Popes of the second period of the twentieth century. In this work we refer to the contribute of this magistery.Le titre de ces pages ne remet pas en question le sacré et l’art, comme c'est généralement enregistré dans les publications consacrées à ce sujet, mais l’Eglise et les artistes, tous les deux, au cours des dernières années, notamment au sein du ministère de l’éducation partagée par les évêques italiens.En fait, l’engagement à l'éducation est une relation, et en tant que telle implique des personnes qui ont un profil personnel, exactement comme la communauté ecclésiale et les artistes invités à se resserrer et de se conformer à une alliance de coopération et de formation mutuelle. La combinaison de sacré/art se réfère à une relation très complexe et articulé entre ces deux réalités, qui a donné lieu – pendant des décennies – même une mauvaise compréhension de la terminologie, où l’art a été décliné à l’occasion comme sacré, ou comme religieuse ou spirituelle, et ainsi de suite, toutes les expressions, ceux dont la sémantique a autorisé qu'avec grande difficulté, grâce aussi à la contribution du Concile et à celle des papes du XXe siècle, dont ici on fait référence particulière.The title of these pages concerns not the sacred and the art, as it is usually noted in the literature about it, but the Church and the artists, joined in the pedagogic effort, to which the pastoral guide-line, shared with the italian bishops, are strengthly aiming in the last years. As a matter of fact the pedagogic effort is a relationship, therefore it involves many persons, such as the ecclesiastical community and the artists, invited to make an alliance of cooperation and reciprocal training. Actually the couple sacred/art pertains to a very complicated relationship which was for ages the reason of misunderstandings even terminological: art itself has been considered as sacred, religious, spiritual and so on the semantics around these concepts has been clarified only through great efforts, with the contribution of the Council and the Popes of the second period of the twentieth century. In this work we refer to the contribute of this magistery
Pascal, un moderno agostiniano
Full text linkThis article aims to investigate Pascal version of augustinism, often considered from the partisan hermeneutic as anachronistic entrenchment in religious medievalism, which, precisely because of its outdated nature, and so extraordinarily inexhaustible kind of Augustine's thought is revealed to be profoundly modern. Pascal, in fact, saddened by the sight of an existent floundering like a reed in the wind of conflicting religious and cultural needs of his time, including the renewed forms of heresy and the prevailing libertinism, don’t see in Augustine the image of a peaceful ancient Holy, donr’ find in him refuge in a past reassuring, but of those recovers the dramatic elements, the attention to the suffering of man torn by the dichotomous alternatives, desperately dispersing in bad of living, which both philosophers indicate the return at interioritas, at the heart that is not without (R)right. This research has highlighted the oversimplification of the combination of Pascal at Augustine only by the way of religious, because, after all, is the problematicity and the problematization of the religious that comes from Augustine to Pascal and, dealing with crisis ofvalue of ‘600, will arrive to have unexpected effects.Cet article vise à étudier la version pascalienne de l'augustinisme, souvent compris par l'herméneutique partisane comme anachronique retranchement dans médiévisme religieuse, qui, cependant, précisément en raison de sa nature obsolète, et de la nature extraordinairement inépuisable de la pensée d'Augustin se révèle profondément moderne. Pascal, en fait, attristé par la vue d'un existant qui bouge comme un roseau dans le vent des questions religieuses et culturelles contradictoires de son temps, entre les formes renouvelées de l'hérésie et le libertinage en vigueur, ne voit pas en Augustin l’image pacifique d’un Saint loin, ne trouve pas en lui refuge dans un passérassurant, mais de ces récupère les éléments dramatiques, l’attention à l’inquiétude de l’homme déchiré par les alternatives dichotomiques, qui se perd désespérément dans les sorcellerie de l'existence, qui les deux penseurs indiquent le retour all'interioritas, à ce cœur qui n'est pas sans (R)raison. Cette recherche a mis en évidence le réductionnisme de la combinaison de Pascal à Augustin seulement pour la religion, parce que, après tout, est la problématique et la problématisation du religieux qui vient d'Augustin à Pascal, face à la crise des valeurs 600, arrivera à avoir effets inattendus
Bellezza e persona
Full text linkSeminario di studio: Pulchritudinum pulchritudoSeminario di studio: Pulchritudinum pulchritud