University of Zagreb
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Anatomija jedne velikaške porodice: Rauchovi
Get PDFThe author presents her research on the noble Rauch de Nyék family history since 17th century until the present day, with a focus on 19th century. The aim of the book is to fill at least a part of the void in the Croatian history–writing concerning the nobility, especially in the period after 1918. This book tries to reconstruct the history of an aristocratic family and integrate it into the vertical of Croatian tradition. Therefore, the author is not concentrated solely on political activity and economic basis of the said family, but presents the reader with various elements of their everyday life, from family life to visual presentation and symbols to their living spaces and death culture. A separate chapter is devoted to wome
Oblici diskurzivnog otpora u Luuandi José Luandina Vieire
Get PDFO livro dos contos Luuanda do escritor angolano José Luandino Vieira foi escolhido para o presente trabalho com o objetivo de analisar os mecanismos discursivos de resistência na literatura angolana. A imposição de valores portugueses ao todos os aspetos da sociedade angolana encorajou José Luandino Vieira a modificar um dos valores impostos – a língua portuguesa. Tendo em conta a tradição e património angolano, o escritor recorreu às línguas indígenas, mais particularmente, à língua quimbunda, ao lado da língua portuguesa criando, assim, desvios na língua – uma criação original. As alterações linguísticas são mais notáveis na área do léxico e sintaxe, ocupando assim a posição central na análise da obra Luuanda.Zbirka priča Luuanda angolskog autora José Luandina Vieire odabrana je za temu ovoga rada kako bi se analizirali diskurzivni oblici otpora u angolskoj književnosti. Nametanje portugalskih vrijednosti na sve aspekte angolskog društva potaknulo je José Luandina Vieiru da izmijeni jednu od nametnutih vrijednosti – portugalski jezik. Uzevši u obzir angolsku tradiciju i baštinu, pisac se, u stvaranju vlastitog originalnog izričaja, poslužio domorodačkim jezicima – točnije jezikom Kimbundu – tako stvarajući odstupanja u standardnom obliku
portugalskog jezika. Jezične promjene najviše se mogu primijetiti na području leksika i sintakse, time zauzimajući središnju poziciju u analizi djela Luuanda
The role of implicit and explicit aggression in explaining tendency towards hostility emotion and workplace deviance
Get PDFOvim istraživanjem ispitana je distinkcija između implicitnih i eksplicitnih procesa te mogućnost predviđanja radnih ponašanja na temelju implicitne ličnosti. Provedena je dodatna validacija implicitnih mjera agresivnosti, Testa uvjetnog rezoniranja za agresivnost (CRT-A) te Testa implicitnih asocijacija za agresivnost (IAT-A), za predviđanje čestine doživljavanja emocije hostilnosti vezano za posao te sklonosti nepoželjnim organizacijski ponašanjima. U kontekstu ove validacije ispitana je i mogućnost implicitnih mjera da predvide kriterijska ponašanja povrh eksplicitne mjere agresivnosti, BAQ-a. Također, ispitan je međuodnos čestine doživljavanja emocije hostilnosti i sklonosti nepoželjnim organizacijskim ponašanjima. Istraživanje je provedeno na 360 zaposlenih osoba, te je uključivalo primjenu CRT-A i IAT-A testova, mjera samoprocjene za eksplicitnu agresivnost i hostilnost, te procjene suradnika sudionika za sklonost sudionika nepoželjnim organizacijskim ponašanjima. CRT-A test pokazao se povezanim s čestinom doživljavanja emocija hostilnosti te s sklonošću nepoželjnim organizacijskim ponašanjima, dok IAT-A test nije demonstrirao povezanost s ovim varijablama. Također, pronađeni su slabi dokazi o inkrementalnoj valjanosti CRT-A testa nad eksplicitnom mjerom agresivnosti u predviđanju čestine doživljavanja emocije hostilnosti i nepoželjnog organizacijskog ponašanja. Konačno, čestina doživljavanja emocije hostilnosti nije se pokazala povezanom s sklonošću nepoželjnim organizacijskim ponašanjima.In this study, we examined the distinction between implicit and explicit processes and the ability to predict workplace behaviours with implicit personality. Additional validation of implicit aggression measures, CRT-A and IAT-A was conducted, with the goal of assessing their ability to predict frequency of experiencing hostility emotions in relation to one's job and one's tendency towards workplace deviance. Also, the ability of implicit measures to predict criterion behaviours over and above explicit aggression measure, BAQ, was examined. Participants were at least part-time employees (N=360), who completed CRT-A and IAT-A test, self-reported explicit aggression and hostility and collected workplace deviance appraisals from their co-workers. CRT-A test demonstrated a relation with frequency of experiencing hostility emotion and the tendency towards workplace deviance, while IAT-A test did not show a relationship with criterion behaviours. Furthermore, weak evidence of CRT-A's incremental validity over explicit aggression measure in predicting hostility and workplace deviance was found. Finally, hostility was shown to be unrelated to workplace deviance
Interkulturne studije i ogledi: međuknjiževna čitanja, mentorstva
Get PDFOsim metodologijskog uvoda i teorijsko-povijesnih nagovora na nove pristupe, autor u prvom poglavlju knjige Prolegomena, nagovori problematizira pitanje kanonskih autora "u regiji", sukladno svom pristupu razrješava pitanja bosanske književnosti, ali otvara i nove mogućnosti interkulturnoga proučavanja južnoslavenskih književnosti, posebno u kontekstu odnosa (inozemne) slavistike i interdisciplinarnosti. Drugo poglavlje, Nomadi i голубушке, antipodi govori o narativima ljubavi i prijateljstva u autora tzv. dvojne pripadnosti, tumači aspekte modernizacije u Andrićevu djelu, razvrgava tradicionalnu antipodnu vezu Andrića i Krleže te u ključu razvijenoga modernizma (avangarde) uspostavlja novu antipodnu konstelaciju Krleže i Crnjanskoga. I treće poglavlje Intelektualci umjetnici, međukulturni pisci - u aspektu njihove ratne lirike, odnosno u semantici prostora Panonije ‒ nastavlja istraživanje u ključu nove antipodne konstrukcije, da bi se zaključilo velikim poredbenim istraživanjem lika intelektualca-umjetnika u južnoslavenskim književnostima, razlaganjem Šalamunova pjesništva, kao i afirmacijom svojevrsnih međuknjiževnih pisaca poput Mirka Kovača, Josipa Ostija i drugih hrvatskih i raznih priseljenih pisaca u Sloveniji. Četvrto poglavlje Interkulturne monografije, mentorstva donosi deset ogleda o doktoratima vrlo velikoga raspona u temama, od multimedijalnosti Džumhurova putopisa i prostorne dimenzije opusa Irfana Horozovića, interkulturne konstelacije opusa Meše Selimovića, sarajevske ratne priče, preko usustavljenja tipologije stranaca i reprezentacije prošlosti u slovenskoj književnosti, pretraživanja hrvatske književnosti na internetskim stranicama srednjoeuropskih zemalja te afirmacije humora u romanima razdoblja tranzicije, do interkulturne studije o demonima južnoslavenske avangarde te rasprave o poetici žrtvovanja u bugarskoj tzv. septembarskoj književnosti itd. (Josip Užarević
Dinamo - to smo mi! : antropološki ogledi o Dinamu i njegovim navijačima
Get PDFDjelo Dinamo – to smo mi! Antropološki ogledi o Dinamu i njegovim navijačima je, sukladno naslovu, antropološka studija o nogometnom klubu Dinamo iz Zagreba i njegovim navijačima, ali, s obzirom na kontekst koji daje, također i studija o hrvatskom društvu i sportu te njihovim transformacijama od 1950-ih do danas, s posebnim naglaskom na razdoblje nakon 1990. godine. Polazeći od spora koji Dinamovi navijači imaju s klubom, autor razmatra različita pitanja antropologije sporta, poput onih fundamentalnih kao što su razlozi za popularnost sporta i ljudsko uživanje u njegovu prakticiranju, do partikularnih, čega primjer mogu biti studije slučaja koje razmatraju specifične oblike udruživanja Dinamovih navijača. Središnje je pitanje, što je vidljivo po broju posvećenih poglavlja, za autora ono društvene moći i kontrole, odnosno otpora, koji institucionalnom ugrožavanju vlastite skupine i kulture pružaju navijači Dinama, u ovom djelu tretirani kao marginalizirana društvena i supkulturna skupina
Information and Communication Technology in Rehabilitation of Hearing Impaired Children
Get PDFZa informacijsko-komunikacijsku tehnologiju možemo reći da ima veliku i rastuću ulogu u današnjem društvu. Zbog toga se u ovom radu razmatra informacijsko-komunikacijska tehnologija u rehabilitaciji i edukaciji djece s oštećenjem sluha. Sluh je važan u ostvarivanju komunikacije i reagiranju na opasnosti i upozorenja iz okoline te moguća oštećenja sluha utječu na razvoj govornog jezika. Važnost rane identifikacije i rehabilitacije postoji, ali se ističe i utjecaj koji IKT ima na djecu te kako im pomaže u razvoj brojnih kompetencija. U ovom radu opisuje se i uporaba informacijsko-komunikacijske tehnologije u rehabilitaciji i edukaciji djece s oštećenjem sluha.Prikazuju se alati i programi razvijeni s ciljem razvoja govornog jezika, poboljšanja artikulacije i izgovora te učenju novih pojmova i koncepata. U eksperimentalnom dijelu rada prikazana je primjena, odnosno uporaba informacijsko-komunikacijske tehnologije u radu s djecom s oštećenim sluhom. Istraživanje je provedeno u Poliklinici za rehabilitaciju slušanja i govora SUVAG, a ciljevi istraživanja bili su ispitati: 1) učinkovitost i važnost uporabe informacijsko-komunikacijske tehnologije u radu i rehabilitaciji djece s oštećenim sluhom, 2) učinkovitost uporabe informacijsko-komunikacijske tehnologije u razvoju predvještina čitanja, odnosno fonološke svjesnosti kod djece s oštećenim sluhom te 3) jesu li djeca s oštećenim sluhom zainteresiranija, aktivnija i angažiranija na samom satu rehabilitacije ako se u njega uvede informacijsko-komunikacijska tehnologija. Dobiveni rezultati pokazuju da postoji potreba za uvođenjem informacijsko-komunikacijskih tehnologija u proces rehabilitacije i edukacije djece s oštećenjem sluha. Djeci je IKT zanimljiva, motivirajuća i njezinom uporabom dolazi do poboljšanja određenih vještina fonološke svjesnosti.Information and communication technology has a significant and growing role in today's society. Therefore, this paper is about information and communication technology in rehabilitation and education of children with hearing impairment. Hearing is important for communication as well as for responding to dangers and warnings from the environment. Possible hearing loss affects development of the spoken language. Early identification and rehabilitation of children with hearing impairment is important, but the impact of the ICT on children and how it helps them in development of numerous competences is real. This paper describes the use of information and communication technology in rehabilitation and education of children with hearing impairment. Tools and programs are developed with the aim of developing the spoken language, improving articulation and pronunciation and learning new words and concepts. Furthermore, in the experimental part of the paper, the use of information and communication technology in the rehabilitation of children with hearing impairment is presented. The research was conducted at Polyclinic for the Rehabilitation of Listening and Speech SUVAG, and research goals were to determine: 1) the effectiveness and importance of the use of information and communication technology in the work and rehabilitation of children with hearing impaired, 2) efficiency of the use of information and communication technology in the development of phonological awareness in children with hearing impairment and 3) whether children with hearing impairment are more interested, more active and engaged in the rehabilitation if information technology is used. The results of this research show that there is a need for information and communication technologies in the process of rehabilitation and education of children with hearing impairment. To the children, ICT is interesting, motivating, and their use improves some phonological awareness skills
City as a Sign of Cultural Identity in European Cinema after 1970: Examples from Southeastern Europe
Get PDFOvaj se doktorski rad bavi gradom i njegovim identitetom, prikazanim u filmskim
primjerima europske kinematografije. Grad je u kontinuitetu podložan interpretaciji i
reinterpretaciji, a film taj koji svjedoči o razvoju grada, njegovim promjenama i utjecaju na
stanovnike.
Cilj ovoga doktorskog rada jest probuditi povijesno razumijevanje filmske
interpretacije grada i identiteta gradske sredine, osobito u kinematografijama na prostorima
bivše Jugoslavije koje su dosad bile vrlo malo obuhvaćene istraživanjima. Analize filmskoga
grada ujedinjuju povijest umjetnosti, arhitekturu, antropologiju, urbane i društvene studije, a
filmski se pejzaž proteže daleko iza ekrana da bi se preispitalo kako prepričavamo svoj
identitet u svojim pejzažima i kako definiramo svoj domet u globalnoj filmskoj zajednici.
Reprezentacija i simbolične konstrukcije identiteta grada proučavani su i raznim disciplinama
– od sociologije i antropologije do geografije, ali tek sporadično u filmologiji. Analizom
europske kinematografije, želim upozoriti na promjene prostora u gradovima i promjene
među stanovnicima, s naglaskom na kinematografije bivše Jugoslavije, a u tom kontekstu
želim upozoriti i na to kako su urbana kinematografija u ovim zemljama te društvena,
politička i povijesna zbivanja utjecali na promjenu arhitekture, a samim time i na promjenu
identiteta stanovnika ovih gradova. Analizirani su filmovi koji su promovirali nove vizure i
drugačije estetske kodove, djela koja su unijela izvjesne promjene u europski film i u
prezentaciju grada kao jednoga živog organizma te čiji su urbani prostori konstantno podložni
promjenama. Glavni cilj jest prikazati kako su društveno-političke, ali i ideološke promjene
utjecale na arhitekturu i urbani pejzaž u europskom kontekstu te koliko se te promjene
razlikuju ili podudaraju u različitim gradovima, nastalim u sličnom društvenom, povijesnom i
geografskom kontekstu.
Urbani identiteti sastoje se od naracija koje imaju vlastitu strukturu i koje različito
koriste prošle i sadašnje povijesti. Iako se mogu proizvesti umjetno, nikad se ne fiksiraju i
kontinuirano se mijenjaju tijekom vremena. Otvaranjem pitanja o tome kakvi se urbani
narativi odvijaju u filmovima europske kinematografije, bolje će se razumjeti, nadam se,
načini na koje percipiramo urbane prostore i bavimo se njima, kao i njihova mjesta u
postjugoslavenskom filmu.This doctoral dissertation deals with the city and its identity, with focus on the as
shown in European cinematography. The city is, in continuity, subject to interpretation and
reinterpretation, and a film that testifies about the development of the city, its changes and its
impact on the inhabitants. The aim of this doctoral dissertation is to awaken a historical
understanding of the film's interpretation of the city and the identity of the city's environment,
especially in the cinemas in Southeastern Europe and the countries from former Yugoslavia,
which have so far been limited to research. The analysis of the movie city unites art history,
architecture, anthropology, urban and social studies, and the film landscape extends far
behind the screen to reconsider how we recount their identity in their landscapes and how we
define their reach in the global film community. Since its beginnings, cinema has been the
product of the dominant urban psyche, since its phenomenon is related to the modern city and
to this day greatly affects our perception and understanding of the city space. The film image
is a mental reminder, a cognitive map, a creative projection, and while the city as a "social
picture" is studied in various disciplines, the film begins to address the relationship between
the real, that is, what the camera caught and the reel, the screen image. The recognition of the
city in the film as an archetypal place for reviewing the visual and tactile experience, the
shape and style, the perception, consciousness and significance of the film picture and the
film text are determined by the space, and that space is modeled, designed.
The relationship between the city and film and art in general, is always on the line
between reality and fiction - it is a fabrication, a result of a complex imagination that is a
mixture of personal and collective memories, something learned and something that has been
experienced. Walter Benjamin, Henri Lefebvre and Georg Simmel explore how modernity
manifests the urban experience in western culture and how the city shows the transformation
of everyday people to the very consciousness of man. The film is associated with particular
theories of space (Lefebvre, Michel de Certeau, etc.), where the focus shifted to the
representations or images of the city, and the role of symbolic practices in the production of
meaning or "places" of the city. All the cinematographies in its development have "their"
cities that are directly or indirectly a subject, but also the main protagonists - Paris, Berlin,
London, Manchester, New York, Shanghai, as well as a vision of the city through an
indefinite number of science-fiction and film noir films, films of italian neorealism, the
french poetic realism, film-dedications, omnibuses. Cinematic landscape allows
characterization of author’s work, making it easy recognizable, such as long shots from New York in Woody Allen's films or the artistic representations of Madrid in Pedro Almodóvar's
work. The city is undeniably designed cinematic form, just as the movie owes its full nature
of the historical development of the city. Not only does the city have a new role in the
political economy of the film industry, but it also changes the landscape and it's cultural
centers become direct inspiration for filmmakers, creating a new model of narrative and
cinematic space. In the major European centers filmmakers represent new politicized concept
of urban space that occurs in parallel with the development of urban theory and political
practice after 1968. Filmmakers explore and capture the cities in crisis at the same time
questioning the tradition of film art and popular genres. In the 70s, movie plays a huge role in
the presentation of images and narratives of a city in transition, showing the landscape of
urban decay and de-industrialization at the same time carrying a new reality. A dozen cities
will be analyzed through representative films from the late sixties to the 21. century. Through
four chapters in this analysis will be shown how much symbolic potential is in the cityscape
in the creation and re-creation of the identity of space and personal identity of citizens
through the film, creating a new identity after the great social changes, particularly in
Southeastern Europe and the former Yugoslavia as a separate unit of many identities.
Through the analysis of the history of urban area, urban landscapes, architecture, social
practices in urban areas, will be shown the process of identity formation film art, because
these identities are subjective and dynamic categories that are constantly constructed and
reconstructed. The identities are not waiting to be discovered; they are mental constructions.
In geography, the concept has always showed visual potential. Cinematic landscape helps in
understanding the construction of the material and subjective in the movies. Landscape is
seen as part of the psyche of a character or as a part of cinematic realism.
The main goal is to show how socio-political, but also ideological changes affect
architecture and urban landscape in the European context, and how much these differences
differ or coincide in different cities, created in a similar social, historical and geographical
context. With the analysis of European cinematography I want to warn about the changes in
the space in cities and the changes among the inhabitants, with the emphasis on the cinemas
in former Yugoslavia. In four chapters are analyzed films that have promoted new visions
and aesthetic codes, works that have made some changes to the European film and the
presentation of the city as a living organism, and whose urban spaces are constantly subject to
change. The capitals on the Balkans, especially in the countries from former Yugoslavia are
the spaces that first reflected these changes because the geographic, historical and social context is similar. Urban identities are artificially constructed by cultural and political elites,
and these identities simultaneously present different forms of conflict - cultural, inter-ethnic,
intra-ethnic, class conflict. Cinema allows us to look at the city as a prism that focuses on
urbanism and architecture, but also on national identity and statehood. In the thesis are
analyzed films about Sarajevo, Belgrade, Zagreb and Skopje, and the main aim was to show
their filmmaking and different levels of engagement in the presentation of the city, as well as
the everyday practices of inhabitants who shape urban landscapes. Cinematic urbanism in the
Balkan films has been characterized mainly during the last three decades, which will be
discussed in the last chapter of the paper. Prior to this, the historical and theoretical models of
urban studies will be described, which will serve as a basis for final analysis of the shape of
the Balkan film. Especially after 1990s and after the beginning of the new millennium, the
films deal with post-war, post-traumatic and conflicting society and endless transition by
creating a new urban class and new citizens, destroying the city's symbols, but also dealing
with alternative cultures and movements as a starter and a vibrant urbanity reminder. The
quest for an individual is reduced to coping with the new sociopolitical circumstances and the
new city. In the case of the countries of the former Yugoslavia, the restructuring of space,
iconography and identity begins in the urban landscape. The nationalist abstractions that
previously existed under the official rhetoric of socialism and the mask of architectural
urbanism became dominant factors in the shaping of the urban landscape.
The main criterion in the selection of Balkan films is to present different examples
and different levels of engagement in the representation of the city, and the main question is
whether there were any recurring features and themes in these films. Urban identities consist
of narrations that have their own structure and which use different past and present history.
Though they can be artificially manufactured, they are never fixed and are continually
changing over time. By opening up the question of how urban narratives take place in
European cinematography, we will better understand the ways we perceive and deal with
urban spaces as well as their places in the Balkan film.
The film not only puts the urban agenda first, but also advocates a return to flânerie in
general, aimed at transforming and re-representing modernity in different contexts and
cultures. The urban should become a fundamental part of the cinematographic discourse and
the urban film can become a key genre in the contemporary Balkan and Southeastern
European film as an analytical instrument and a response to the limitations in most of the existing film studies and, the most important, inter-, multi- and transdisciplinary frameworks
that shape current debates about the city
Sarkofazi u ranosrednjovjekovnoj Dalmaciji
Get PDFGovoreći o
razdoblju predromanike u Dalmaciji, sarkofazi predstavljaju jednu posebnu skupinu
spomenika. Isključivo se radi o kamenim sarkofazima, a njihova posebnost najviše proizlazi
iz niskog kvantitativnog stanja tj. iz ukupnog broja tih spomenika koji se mogu datirati u
razdoblje ranog srednjeg vijeka. Ovaj rad predstavlja sintezu dosadašnjih spoznaja o
predromaničkim sarkofazima u bizantskoj Dalmaciji te služi kao svojevrsni nastavak i
nadopuna na poglavlje o sarkofazima iz knjige Željka Rapanića Predromaničko doba u
Dalmaciji objavljenoj 1987. godine. Iako brojčano slabiji u odnosu na ostalu
predromaničku skulpturu, u sarkofazima možemo vidjeti posebnost predromaničke skulpture u Dalmaciji