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Continuity, causality and determinism in mathematical physics : from the late 18th until the early 20th century
Get PDFIt is commonly thought that before the introduction of quantum mechanics, determinism was a straightforward consequence of the laws of mechanics. However, around the nineteenth century, many physicists, for various reasons, did not regard determinism as a provable feature of physics. This is not to say that physicists in this period were not committed to determinism; there were some physicists who argued for fundamental indeterminism, but most were committed to determinism in some sense. However, for them, determinism was often not a provable feature of physical theory, but rather an a priori principle or a methodological presupposition.
Determinism was strongly connected with principles of causality and continuity and the principle of sufficient reason; this thesis examines the relevance of these principles in the history of physics. Moreover, the history of determinism in this period shows that there were essential changes in the relation between mathematics and physics: whereas in the eighteenth century, there were metaphysical arguments which lent support to differential calculus, by the early twentieth century the development of rigorous foundations of differential calculus led to concerns about its applicability in physics.
The thesis consists of six papers. In the first paper, "On the origins and foundations of Laplacian determinism", I argue that Laplace, who is usually pointed out as the first major proponent of scientific determinism, did not derive his statement of determinism directly from the laws of mechanics; rather, his determinism has a background in eighteenth century Leibnizian metaphysics, and is ultimately based on the law of continuity and the principle of sufficient reason. These principles also provided a basis for the idea that one can find laws of nature in the form of differential equations which uniquely determine natural processes.
In "The Norton dome and the nineteenth century foundations of determinism", I argue that an example of indeterminism in classical physics which has attracted attention in philosophy of physics in recent years, namely the Norton come, was already discussed during the nineteenth century. However, the significance which this type of indeterminism had back then is very different from the significance which the Norton dome currently has in philosophy of physics. This is explained by the fact that determinism was conceived of in an essentially different way: in particular, the nineteenth century authors who wrote about this type of indeterminism regarded determinism as an a priori principle rather than as a property of the equations of physics.
In "Vital instability: life and free will in physics and physiology, 1860-1880", I show how Maxwell, Cournot, Stewart and Boussinesq used the possibility of unstable or indeterministic mechanical systems to argue that the will or a vital principle can intervene in organic processes without violating the laws of physics, so that a strictly dualist account of life and the mind is possible. Moreover, I show that their ideas can be understood as a reaction to the law of conservation of energy and to the way it was used in physiology to exclude vital and mental causes.
In "The nineteenth century conflict between mechanism and irreversibility", I show that in the late nineteenth century, there was a widespread conflict between the aim of reducing physical processes to mechanics and the recognition that certain processes are irreversible. Whereas the so-called reversibility objection is known as an objection that was made to the kinetic theory of gases, it in fact appeared in a wide range of arguments, and was susceptible to very different interpretations. It was only when the project of reducing all of physics to mechanics lost favor, in the late nineteenth century, that the reversibility objection came to be used as an argument against mechanism and against the kinetic theory of gases.
In "Continuity in nature and in mathematics: Boltzmann and Poincaré", I show that the development of rigorous foundations of differential calculus in the nineteenth century led to concerns about its applicability in physics: through this development, differential calculus was made independent of empirical and intuitive notions of continuity and was instead based on mathematical continuity conditions, and for Boltzmann and Poincaré, the applicability of differential calculus in physics depended on whether these continuity conditions could be given a foundation in intuition or experience.
In the final paper, "Determinism around 1900", I briefly discuss the implications of the developments described in the previous two papers for the history of determinism in physics, through a discussion of determinism in Mach, Poincaré and Boltzmann. I show that neither of them regards determinism as a property of the laws of mechanics; rather, for them, determinism is a precondition for science, which can be verified to the extent that science is successful
Why Bohm was never a determinist
Get PDFBohm’s interpretation of quantum mechanics has generally been understood as an attempt to restore the determinism of classical physics. However, although Bohm’s interpretation of quantum mechanics, as he initially proposed it in 1952, does indeed have the feature of being deterministic, for Bohm this was never the main point. In fact, in other texts which he published shortly before and after, as well as in correspondence from this period, he argued that the assumption that nature is deterministic is unjustified and should be abandoned. His aim was a different one: to develop an account of quantum mechanics that can be understood. Whereas it has been argued before that Bohm’s commitment to determinism can be linked to his interest in Marxism, I argue for the opposite: in Marxist philosophy, especially Friedrich Engels’ dialectical materialism, Bohm found
resources for developing a notion of causality different from determinism. This non-deterministic causality is based on the idea of infinite complexity and an infinite number of levels of nature. From ca. 1954, Bohm’s conception of causality further weakened, as he developed the idea of a dialectical relation between causality and chance. From now on, Bohm argued that causality and chance are equally indispensable in science, and that wherever we find causality, we can assume that there is underlying chance and vice versa
Why Bohm was never a determinist
Get PDFBohm’s interpretation of quantum mechanics has generally been received as an attempt to restore the determinism of classical physics. However, although this interpretation, as Bohm initially proposed it in 1952, does indeed have the feature of being deterministic, for Bohm this was never the main point. In fact, in other publications and in correspondence from this period, he argued that the assumption that nature is deterministic is unjustified and should be abandoned. Whereas it has been argued before that Bohm’s commitment to determinism was connected to his interest in Marxism, I argue for the opposite: Bohm found resources in Marxist philosophy for developing a nondeterministic notion of causality, which is based on the idea of infinite complexity and an infinite number of levels of nature. From ca. 1954 onwards, Bohm’s conception of causality further weakened, as he developed the idea of a dialectical relation between causality and chance
On the origins and foundations of Laplacian determinism
Get PDFInternational audienceIn this paper I examine the foundations of Laplace's famous statement of determinism in 1814, and argue that rather than derived from his mechanics, this statement is based on general philosophical principles, namely the principle of sufficient reason and the law of continuity. It is usually supposed that Laplace's statement is based on the fact that each system in classical mechanics has an equation of motion which has a unique solution. But Laplace never proved this result, and in fact he could not have proven it, since it depends on a theorem about uniqueness of solutions to differential equations that was only developed later on. I show that the idea that is at the basis of Laplace's determinism was in fact widespread in enlightenment France, and is ultimately based on a re-interpretation of Leibnizian metaphysics, specifically the principle of sufficient reason and the law of continuity. Since the law of continuity also lies at the basis of the application of differential calculus in physics, one can say that Laplace's determinism and the idea that systems in physics can be described by differential equations with unique solutions have a common foundation
Why Bohm was never a determinist
No full textBohm’s interpretation of quantum mechanics has generally been received as an attempt to restore the determinism of classical physics. However, although this interpretation, as Bohm initially proposed it in 1952, does indeed have the feature of being deterministic, for Bohm this was never the main point. In fact, in other publications and in correspondence from this period, he argued that the assumption that nature is deterministic is unjustified and should be abandoned. Whereas it has been argued before that Bohm’s commitment to determinism was connected to his interest in Marxism, I argue for the opposite: Bohm found resources in Marxist philosophy for developing a nondeterministic notion of causality, which is based on the idea of infinite complexity and an infinite number of levels of nature. From ca. 1954 onwards, Bohm’s conception of causality further weakened, as he developed the idea of a dialectical relation between causality and chance
Why Bohm was never a determinist
Get PDFBohm’s interpretation of quantum mechanics has generally been received as an attempt to restore the determinism of classical physics. However, although this interpretation, as Bohm initially proposed it in 1952, does indeed have the feature of being deterministic, for Bohm this was never the main point. In fact, in other publications and in correspondence from this period, he argued that the assumption that nature is deterministic is unjustified and should be abandoned. Whereas it has been argued before that Bohm’s commitment to determinism was connected to his interest in Marxism, I argue for the opposite: Bohm found resources in Marxist philosophy for developing a nondeterministic notion of causality, which is based on the idea of infinite complexity and an infinite number of levels of nature. From ca. 1954 onwards, Bohm’s conception of causality further weakened, as he developed the idea of a dialectical relation between causality and chance
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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