1,721,533 research outputs found

    3MT Presentations - Michael Keating

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    Michael Keating presents his graduate work. Video by Mary Stanton Knight.https://egrove.olemiss.edu/umvideo/1205/thumbnail.jp

    [Compte-rendu] Donatella della Porta et Michael Keating (dir.), Approaches and Methodologies in the Social Sciences. A Pluralist Perspective, 2008

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    International audienceBook reviewed: Donatella della Porta and Michael Keating (eds), Approaches and Methodologies in the Social Sciences. A Pluralist Perspective, Cambridge University Press, 2008.Ouvrage recensé : Donatella della Porta et Michael Keating (dir.), Approaches and Methodologies in the Social Sciences. A Pluralist Perspective, Cambridge University Press, 2008

    The catch composition of two monofilament gill net fisheries in Monterey Bay, California

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    by Thomas Michael Keating "A thesis presented to the faculty of Moss Landing Marine Laboratories." Thesis (M.S.) -- San Francisco State University, 1986."A thesis presented to the faculty of Moss Landing Marine Laboratories.

    Portrait of Dr. Michael Keating, Secretary, Federal Department of Employment and Industrial Relations [picture] /

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    Condition: Good.; Title devised by cataloguer based on information on compactus card.; "Australian Information Service Photograph"--Inscription on reverse. Michael Keating, born 1940, was Secretary of the Federal Department of Employment and Industrial Relations from 1983 to 1986

    Central, Eastern and South-Eastern Europe and Territorial Autonomy: Are They Really Incompatible?

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    Why is federalism anathema in Central, Eastern and South Eastern European countries? The study explores reasons and misunderstandings of territorial governance in those countries and suggests ways forwar

    RTI PressAbout the Authors

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    methodologist at RTI who researches data quality and innovations in survey techniques and procedures. Elizabeth Dean, MA, is a survey methodologist at RTI who designs survey instruments and qualitative assessments, including usability testing and cognitive interviewing. Sarah Cook, MA, is survey methodologist at RTI specializing in the review and refinement of questionnaires and materials. Michael Keating, MA, is a survey specialist at RTI who manages survey data collection and quality control efforts. RTI Press publication RR-0014-1012 This PDF document was made available from www.rti.org as a public service of RTI International. More information about RTI Press can be found a

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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