1,721,014 research outputs found

    Ivan Foletti et le projet international et expérimental « Historiens de l'art migrateurs »

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    Ivan Foletti était invité au CESCM le 16 décembre dans le cadre d'une conférence au sujet de son dernier livre sur les portes de Sainte-Sabine ((Ivan FOLETTI, Manuela GIANANDREA - Zona liminare: Il nartece di Santa Sabina a Roma, la sua porta e l’iniziazione cristiana, Collana: I libri di Viella, 2015 (Arte / Studia Artium Medievalium Brunensia)) et pour présenter son nouveau projet « Historiens de l'art migrateurs ». Le projet « Historiens de l’art migrateurs » est une expérience pédagogique..

    Recensione a Ivan Foletti, Adrien Palladino, Byzantium or Democracy? Kondakov’s Legacy in Emigration. The Institutum Kondakovianum and André Grabar, 1925-1952, Roma, Viella, 2020, 212 p., 37 ill.

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    Recensione al volume di Ivan Foletti, Adrien Palladino, Byzantium or Democracy? Kondakov’s Legacy in Emigration: The Institutum Kondakovianum and André Grabar, 1925-1952, Roma, Viella, 2020.Review of Ivan Foletti, Adrien Palladino, Byzantium or Democracy? Kondakov’s Legacy in Emigration: The Institutum Kondakovianum and André Grabar, 1925-1952, Roma, Viella, 2020

    Rome, Trier, Kiev

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    edited by Ivan Foletti and Herbert L. KesslerInternational audienc

    La morte vissuta, la morte pensata. Materiali e fonti per una ricerca sui vescovi e la morte (secoli XIII-XVI)

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    Sulla base di fonti di diversa natura (cronache, testamenti, orazioni funebri) il contributo intende offrire materiali e spunti di riflessione per indagare la concezione della morte negli uomini di Chiesa – e in particolare nei vescovi del tardo medioevo

    Venezia Arti. Vol. 27 - Dicembe 2018. Discovering the Art of Medieval Caucasus (1801-1945)

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    SOMMARIO: DISCOVERING THE ART OF MEDIEVAL CAUCASUS (1801-1945) edited by Ivan Foletti and Stefano Riccioni Inventing, Transforming and Discovering Southern Caucasus Some Introductory Observations Ivan Foletti, Stefano Riccioni From Russia with Love The First Russian Studies on the Art of Southern Caucasus Ivan Foletti, Pavel Rakitin For Beauty, Nation and God The Creation of the Georgian National Treasure Alžběta Filipová La description archéologique et éthnographique de la Grande Arménie par les Pères mékhitaristes de Venise entre hellénophile et arménophilie Benedetta Contin Krikor (Grigor) Balakian’s Ruins of Ani A Surprising Source for Armenian Architecture Christina Maranci “The Heritage of Ancestors” Early Studies on Armenian Manuscripts and Miniature Painting Gohar Grigoryan Savary Illuminating an Armenian Set of Manuscripts A forgotten treasure in the Layard Collection Cecilia Riva Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei Stefano Riccioni Una fortunata metafora di Cesare Brandi: le «chiese di cristallo» degli Armeni Marco Ruffill

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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