1,721,424 research outputs found
Culex (Melanoconion) olimpioi Xavier, da Silva & da Silva Mattos 1970
No full text88. olimpioi Xavier, da Silva & da Silva Mattos, 1970: 183 (M). Holotype M: Rio Branco, Acre, Brazil (CPRR). Distribution in South America: Brazil, Peru. Bibliographic sources: Known life stages and taxonomic and geographical references in Pecor et al. (1992). Other geographical records in Pecor et al. (2000); Jones et al. (2004).Published as part of Torres-Gutierrez, Carolina & Sallum, Maria Anice Mureb, 2015, Catalog of the subgenus Melanoconion of Culex (Diptera: Culicidae) for South America, pp. 1-50 in Zootaxa 4028 (1) on page 25, DOI: 10.11646/zootaxa.4028.1.1, http://zenodo.org/record/28970
Entrevista com o historiador medievalista português Professor Doutor Carlos Guardado da Silva da Universidade de Lisboa, Portugal
No full textEntrevista com o historiador medievalista português Professor Doutor Carlos Guardado da Silva da Universidade de Lisboa, Portuga
[Luiz Correia da Silva, da PETROFÉRTIL e o ministro Marcos Vinícius Pratini de Moraes visitam a FJP]
No full textLuiz Correia da Silva, da PETROFÉRTIL e o ministro Marcos Vinícius Pratini de Moraes, por ocasião de sua visita à (FJP)
A Visão de Agostinho da Silva da Galiza, da Ibéria e da Europa
Full text linkNeste texto, o nosso propósito foi o de expressar a visão de Agostinho da Silva da Galiza - vista como a "noiva de Portugal" -, da Ibéria - vista como o grande espaço da Europa do Sul - e, finalmente, da Europa - mais propriamente, das duas Europas: a do Sul e a do Norte
De l'antique officine au laboratoire moderne : A. C. Correia da Silva. Da antiga botica ao moderno laboratorio farmacêutico
No full textJulien Pierre. De l'antique officine au laboratoire moderne : A. C. Correia da Silva. Da antiga botica ao moderno laboratorio farmacêutico. In: Revue d'histoire de la pharmacie, 56ᵉ année, n°199, 1968. p. 228
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Literatura de cordel em rede: o fazer com tecnologias digitais
Full text linkCordel literature is a literary genre that presents specific and particular rules as to the rhyme,
metric, and structuring of texts. In its early days in Brazil, it was printed in leaflets and sold at
fairs and railway stations in the Northeast region. Nowadays, with the advent of Information
and Communication Technologies (ICT), new spaces of circulation of this poetic text were
given, transcending its context that allowed it to go over its geographical limits. On the Internet,
for example, websites, blogs and social media pages can be used for the production and
dissemination of cordel literature. In addition, different resources are available enabling
stringers to compose their works, such as images, sounds and hyperlinks, eliciting new ways of
doing string literature, and it is important to understand them. Thus, the present research aimed
to understand how the mediation of digital technologies influence the writing process of cordel
literature, enhancing new cognitive experiences. We start from the assumption that the coupling
of human beings with technical objects determines a creative inner process that can be seen as
the process of knowing itself. We understand that doing stringed literature with digital
technologies can provoke displacements and transformations in the ways of writing and in the
poetic writing itself. The theoretical support network was woven from the contributions of
Albuquerque Junior about the invention of northeaster popular culture; Roger Chartier thinking
above the popular culture notion and changes in the ways of writing from the integration of
technologies; Pierre Lévy and Gilbert Simondon understanding of the relation between
humanity and technical objects; and the studies of writing in the convergence of media from
Karla Demoly. In a qualitative approach, we use virtual ethnography as a research method. The
techniques to obtain the information consisted of research and selection of websites, blogs and
social networks that disseminate cordel literature; observations in the selected pages and
interviews with the cordel writers who manage their poetic production; analysis and discussion
of information. This methodology enabled us to understand the dynamics of cordel literature in
cyberspace, fomenting discussions about writing mediated by digital technologies. We find that
cordel literature is surpassing a moment of transgression among textual support. In reaching
the cyberspace, the cordel writers began to integrate texts, sounds and images, and to expand
the thematic universe of the genre, adopting specific creation strategies for the virtual
environment. These alterations in the modes of writing and in the cordelistic work itself are
perceptible in our analyzes, and recognized by the cordel writers interviewedA literatura de cordel é um gênero literário que apresenta regras claras quanto a rima, métrica
e estruturação dos textos. Em seus primórdios no Brasil, era impressa em folhetos e vendida
nas feiras e estações ferroviárias da região Nordeste. Com o advento das Tecnologias da
Informação e Comunicação (TIC), novos espaços de circulação do texto poético foram
oportunizados, possibilitando-o transcender os limites geográficos. Na Internet, por exemplo,
sites, blogs e páginas em redes sociais podem ser utilizados para a produção e disseminação da
literatura de cordel. Além disso, diferentes recursos estão à disposição dos cordelistas para
composição de suas obras, tais como imagens, sons e hiperlinks, suscitando novas formas de
fazer literatura de cordel, sendo importante compreendê-las. Dessa forma, a presente pesquisa
objetivou compreender como a mediação das tecnologias digitais influenciam no processo de
escrita da literatura de cordel, potencializando novas experiências cognitivas. Partimos do
pressuposto de que o acoplamento dos seres humanos com os objetos técnicos determina um
processo interno criativo que pode ser visto como o próprio processo do conhecer. Entendemos
que o fazer literatura de cordel com tecnologias digitais pode provocar deslocamentos e
transformações nos modos de escrever e na própria escrita poética. A rede de sustentação
teórica foi tecida a partir das contribuições de Albuquerque Júnior acerca da invenção do
Nordeste e da cultura popular nordestina; do pensamento de Roger Chartier sobre a noção de
cultura popular e das alterações nos modos de escrita a partir da integração das tecnologias; do
entendimento da relação do homem com os objetos técnicos de Pierre Lévy e Gilbert Simondon;
e dos estudos da escrita na convergência de mídias de Karla Demoly. Numa abordagem
qualitativa, utilizamos como método de pesquisa a etnografia virtual. As técnicas para obtenção
das informações consistiram em: busca e seleção de sites, blogs e redes sociais que disseminam
literatura de cordel; observações nas páginas selecionadas e entrevistas com os cordelistas que
as gerenciam; análises e discussões das informações. Essa metodologia nos possibilitou
entender a dinâmica da literatura de cordel no ciberespaço, fomentando discussões acerca da
escrita mediada por tecnologias digitais. Constatamos que a literatura de cordel vive um
momento de transgressão do suporte textual. Ao alcançar o ciberespaço, os cordelistas passaram
a integrar textos, sons e imagens, e a expandir o universo temático do gênero, adotando
estratégias de criação específicas para o ambiente virtual. Essas alterações nos modos de escrita
e na própria obra cordelística são perceptíveis em nossas análises, e reconhecidas pelos
cordelistas entrevistadosCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPE
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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