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    Penal Institutions and Their Hybridizations "in Action"

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    The TSANTSA special issue 25/2020 Penal Institutions and Their Hybridizations "in Action" discusses the relationship between the penal state and the welfare state, between punishment, rehabilitation, and risk management, and between prison and non-custodial sentences. The contributions examine how these seemingly distinct areas empirically come together to constitute a “sociopenal continuum”. The contributions examine three forms of hybridization. The first form is apparent when two institutions pursuing distinct missions are called upon to collaborate in order to deal with the same public; the second emerges when two paradigms for intervention compete with each other within the same institutional framework; and the third can be observed in the trajectories of the publics of criminal justice institutions, marked by a diverse range of measures for intervention (whether social, judicial, or therapeutic)

    Decolonial Processes in Swiss Academia and Cultural Institutions: Empirical and Theoretical Approaches

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    This issue discusses aspects of decolonial processes and their relevance with regard to Swiss cultural institutions and higher education by presenting key concepts of decolonial thinking such as coloniality, modernity and de-linking. Boaventura de Sousa Santos’s suggestions for decolonising Western universities are juxtaposed with actual decolonial processes taking place in different academic, (art) education and museum settings in Switzerland and abroad, and their political dimensions are scrutinised

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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