1,721,192 research outputs found

    Complete solo piano works of Zhou Long

    Get PDF
    Access to thesis restricted until 07/2023.Zhou Long is a contemporary composer of Chinese American descent, who belongs to a generation of Chinese composers that began introducing traditional Chinese music to western audiences. He gained international recognition after receiving the 2011 Pulitzer Prize for his opera, Madame White Snake (2011). Very few performances, recordings, and publications currently exist on Zhou’s piano music, and this doctoral lecture recital is the first time an artist has performed the complete collection of Zhou’s solo piano pieces. The pieces include: Mongolian Folk- Tune Variations, Wu Kui, Pianogongs, and Pianobells. In his piano music, Zhou makes use of unconventional extended piano techniques, imitates and evokes Chinese traditional instruments, and likes to make connections with other art genres. Also, the prominence of percussive elements in Zhou’s music is of a great importance. In this lecture recital, the author has mainly focused on 1) the background information of Zhou Long and his solo piano works; 2) the influence of Chinese traditional instruments, ancient literatures and aesthetic concepts, in addition to folk elements on his piano music; 3) how the composer combined those elements with western music and compositional skills; and 4) the exploration of the percussive usage of the piano along with various sound effect. Much of the discussion were from the author’s own observations; it also include insights from an interview the author conducted with the composer. Through the combined presentation of the lecture and performance of Zhou Long’s four piano pieces, the author intended to help bring exposure to his piano works, and to serve as a guide for piano students and teachers interested in exploring Zhou’s piano music.Thesis (D.A.

    An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long

    Get PDF
    abstract: Contemporary Chinese composers have a rich palette from which to draw inspirations of the distinctive timbres of ancient instruments, the diverse musical types, and the development of musical instruments. Zhou Long, an internationally recognized Chinese-American composer, has created a compositional style that transfers the sounds and techniques of ancient Chinese musical traditions to modern Western instruments. An examination of Zhou Long’s compositions Secluded Orchid and Spirit of Chimes demonstrates his synthesis of Chinese and Western techniques as well as cross-cultural integration. To gain a better understanding of the compositional process of these two piano trios, the author conducted a personal interview with Zhou Long on October 21, 2016, during which he provided unique insight into the influences and inspirations of these pieces. This document describes how the history of ancient Chinese music, the Chinese Cultural Revolution, as well as Zhou Long’s life and education, influenced Seclude Orchid and Spirit of Chimes. The inspirations, formal structures, harmonic language, and compositional techniques that are presented in these works are also discussed. Finally, other repertoires of Zhou Long that share similar ideas or inspirations are explored.Dissertation/ThesisSecluded OrchidSpirit of ChimesDoctoral Dissertation Music 201

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Get PDF
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    Get PDF
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

    No full text
    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

    No full text
    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
    corecore