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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    فن الحب في رواية "أحببت كاتبا" لآية فتحي على منظور إريك فروم

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    مستخلص البحث الحب لا يقتصر فقط على علاقة رومانسية بين شخصين، بل هو قوة حياة متكاملة مع جميع جوانب الوجود الإنساني. كما يظهر في رواية "أحببت كاتبا" للكاتبة آية فتحي أشكال الحب المتنوعة بين الشخصيات فيها. لذلك، تهدف هذا البحث إلى شرح أشكال الحب وتحليل أشكال الحب مكة في رحلة الحب مع بدر في رواية "أحببت كاتبا" لآية فتحي استنادًا إلى منظور إريك فروم. المنهج المستخدم في هذا البحث هو المنهج الوصفي الكيفي. ومصدر البيانات الأولية هو رواية "أحببت كاتبا" لآية فتحي الصادرة عام 2021، وتقع في 62 صفحة من القطع المتوسط. بينما مصادر البيانات الثانوية من الدراسات ذات الصلة بمناقشة هذا البحث. يستخدم أسلوب جمع البيانات أسلوب القراءة وتدوين الملاحظات. بعد ذلك، يتم تحليل البيانات من خلال الكشف والفهم واستخلاص النتائج وفقًا لأهداف البحث. من نتائج هذه الدراسة، تبين من نتائج هذه الدراسة أن شكل كائنات الحب وفقًا لإريك فروم كانت 25 بيانات، مع التفاصيل: 8 حب مثير، و6 حب الأخوة، و4 حب الذات، و3 حب الأم، و4 حب الله. ثم تبين أن رحلة حب الشخصي الرئيسي تجاه بدر انقسمت إلى ثلاث مراحل، وهي مرحلة التعارف وهي في صورة حب الأخوة، ومرحلة التعبير عن المشاعر وهي في صورة حب مثير، ومرحلة الصراع والانفصال وهي في صورة حب الذات. واستنادًا إلى نتائج البحث، واستنادًا إلى نتائج البحث، يمكن استنتاج أن الحب الجنسي هو جوهر الرحلة العاطفية للشخصي الرئيسي. مع ذلك، فإن الحب المثير في العلاقة لا يضمن أن يظهر الحب المثمر كما هو موضح في رحلة حب الشخصي الرئيسي في رواية "أحببت كاتبا" لآية فتحي. ولذلك، كشف إريك فروم أن الحب فن يجب تعلمه وفهمه أولًا. وتأمل الباحث أن يكون هذا البحث مفيدًا ليس فقط للعالم الأكاديمي، بل أيضًا لزيادة المعرفة في الحياة الاجتماعية. ABSTRACT Love is not only limited to a romantic relationship between two people, love becomes a life force that is integrated with all aspects of human existence. As shown in the novel "Ahbabtu Kaatiban" by Aya Fathii with various forms of love between the characters in it. Therefore, this study aims to explain the form of love objects and analyze the form of Mecca's love in the course of her love affair with Badr in the novel “Ahbabtu Kaatiban” by Aya Fathi based on Erich Fromm's perspective. The method used in this research is descriptive qualitative. The primary data source is the novel “Ahbabtu Kaatiban” by Aya Fathi published in 2021 totaling 62 pages. While secondary data sources from studies that are relevant to the discussion of this research. The data collection technique uses the reading and note-taking method. Then, the data is analyzed by detecting, understanding, and drawing conclusions in accordance with the research objectives. From the results of this study, it was found that the form of love objects according to Erich Fromm was 25 data, with details: 8 erotic love, 6 brotherly love, 4 self-love, 3 motherly love, and 4 love of God. Then, it was found that the main character's love journey towards Badr was divided into three phases, namely the introductory phase which takes the form of brotherly love, the phase of expressing feelings which takes the form of erotic love, and the phase of conflict and separation which takes the form of self-love. Based on the results of the study, it can be concluded that erotic love is the core of the emotional journey of the main character. And it can also be concluded that erotic love in a relationship does not guarantee productive love as shown in the love journey of the main character in the novel "Ahbabtu Kaatiban" by Aya Fathi. Therefore, Erich Fromm revealed that love is an art, it must be learned and understood first. The researcher hopes that this research will not only be useful for the academic world, but also increase knowledge in social life. ABSTRAK Cinta tidak hanya terbatas pada hubungan romantis antara dua insan, cinta menjadi daya hidup yang menyatu dengan seluruh aspek eksistensi manusia. Seperti halnya yang di tampakkan dalam novel “ Ahbabtu Kaatiban” karya Aya Fathii dengan berbagai bentuk cinta antar tokoh di dalamnya. Oleh karena itu, Penelitian ini bertujuan untuk menjelaskan bentuk objek-objek cinta dan menganalisis bentuk cinta Mekkah terhadap badr dalam novel “Ahbabtu Kaatiban” karya Aya Fathi berdasarkan persfektif Erich Fromm. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Sumber data primer berupa novel “Ahbabtu Kaatiban” karya Aya Fathi yang diterbitkan pada tahun 2021 berjumlah 62 halaman. Sedangkan sumber data sekunder dari penelitian-penelitian yang relevan dengan pembahasan penelitian ini. Teknik pengumpulan data menggunakan metode baca dan catat. Kemudian, data dianalisis dengan cara mendeteksi, memahami, serta menarik kesimpulan yang sesuai dengan tujuan penelitian. Dari hasil penelitian ini ditemukan bentuk objek cinta menurut Erich Fromm sebanyak 25 data, dengan rincian : 8 cinta erotis, 6 cinta persaudaraan, 4 cinta diri sendiri, 3 cinta ibu, dan 4 cinta Allah. kemudian, ditemukan juga dalam bentuk cinta tokoh utama terhadap badr yang dibagi menjadi tiga fase, yaitu fase perkenalan yang berbentuk cinta persaudaraan, fase pengungkapan perasaan yang berbentuk cinta erotis, dan fase konflik dan perpisahan yang berbentuk cinta diri sendiri. Berdasarkan hasil penelitian dapat disimpulkan bahwa cinta erotis merupakan inti perjalanan emosional tokoh utama. Dan dapat ditarik kesimpulan juga bahwa cinta erotis di dalam sebuah hubungan belum menjamin akan cinta yang produktif sebagaimana yang ditunjukkan dalam perjalanan cinta tokoh utama dalam novel “Ahbabtu Kaatiban” karya Aya Fathi. Oleh karena itu, Erich Fromm mengungkapkan bahwa cinta itu adalah seni, harus dipelajari dan dipahami terlebih dahulu. Peneliti berharap penelitian ini tidak hanya bermanfaat untuk dunia akademik, akan tetapi juga menambah pengetahuan dalam kehidupan sosial

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Bentuk romantisme Russell Noyes dalam novel ”Maa Laa Nabuuhu Bih” karya Sandra Siraj

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    Romanticism in social life has become a human instinct that is impossible to eliminate. The various expressions that humans express make life colorful. Just like the romanticism shown in the novel “Maa Laa Nabuuhu Bih” by Sandra Siraj makes the reader carried away with the story of the complexity of romanticism between the characters in it. This research aims to explain the forms of Russel Noyes' romanticism in the novel “Maa Laa Nabuuhu Bih” by Sandra Siraj. The method used was descriptive–qualitative. The primary data source was the novel “Maa Laa Nabuuhu Bih, ” by Sandra Siraj published by Daar Dawen in 2018, totaling 174 pages. Secondary data sources come from studies relevant to the discussion of this research. The data collection technique used reading and note-taking methods. The data were then analyzed by detecting, understanding, and revealing messages from several novel excerpts. The results of this study found 14 forms of Russel Noyes' romanticism: two return to nature, three melancholia, two sentimentalism, three exoticism, two primitivism, and two individualism. Based on these research results, it can be concluded that melancholy and sentimentalism often occur in social life. Melancholy is caused by longing and sentimentalism is a form of overflow of feelings to convince a partner. Similar to the stories and events described in the novel “Maa Laa Nabuuhu Bih’ by Sandra Siraj. The researcher hopes that this research will not only be useful for the academic world but also add insight into social life
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