1,829 research outputs found
Lorraine Eaton, 37th Annual ODU Literary Festival
No full textLORRAINE EATON, staff epicure at The Virginian-Pilot, eats for a living. A newspaper journalist for 28 years, she is also author of Tidewater Table (2013), a cookbook chronicling her adventures in eating and the culinary history of southeast Virginia, and Food Lover\u27s Guide to Virginia (Globe Pequot Press, 2014). Eaton\u27s work has won state and national awards; she has been nominated for a Pulitzer Prize; and her prose appears in several anthologies, including Best Food Writing 2012. She earned a BA in mass communications and an MFA in creative nonfiction from Old Dominion
Colors 2012
No full textCONTENTS
Genesis, James Buscher 3;
An Unassuming Hearse, Peter Kelsch 4;
Sonnet, Peter Solis 7;
Harvest, Sam Hunthausen 8;
The Mortician, James Buscher 9;
To A Child, Sabrina Harding 12;
Infliction, Kelly Meros 13;
Tea at the Embassie, Sabrina Harding 15;
Change Alone, Holly Bloomdahl 17;
The Last Red Heifer, Barry Ferst 19;
When You Left, I Dreamt of Swans, Andrea Simons 21;
The Mermaid’s Tear, Liz Reiman 22;
His Name Was Ben, Victoria Simboli 24;
Boxed in the Archives, Andrea Simons 26;
21st, Adam Lythgoe 31;
Twilight Carried You, Daniel Pearson 38;
Moon, Ronald Stottlemyer 40;
God Could Not Hear, Mark Mclean 41;
Jewish Ghetto, Ashli Mildenberger 42;
A Whole Lot of Nothing, Marcus Anduaga-Arias 48;
The Great Leap, Billy McElroy 49;
The Ride, David Lewallen 50;
A Waltz Remembered in Virginia City, Raven Dryden 53;
Halloween 2011, Steve Harper 54;
An Old Pick-Up Truck, the Paint Was Rust, Zach Rosen 57;
Last Chance, Kevin Stewart 58;
Seattle Calling Me Home, Emily Ross 60;
Mother Wolves, Peter Kelsch 61;
In New Orleans, She Grew As Tall As the Willow Would, Zach Rosen 63;
Hide and Seek, Rachel Becker 64;
Storyin, Loren Graham 65;
Home, Elaine Soennichsen 66
The Einstein-Podolsky-Rosen Argument and the Bell Inequalities
No full textIn 1935 Einstein, Podolsky, and Rosen (EPR) published an important paper in which they claimed that the whole formalism of quantum mechanics together with what they called ``Reality Criterion'' imply that quantum mechanics cannot be complete. That is, there must exist some elements of reality that are not described by quantum mechanics. There must be, they concluded, a more complete description of physical reality behind quantum mechanics. There must be a state, a hidden variable, characterizing the state of affairs in the world in more details than the quantum mechanical state, something that also reflects the missing elements of reality. Under some further but quite plausible assumptions, this conclusion implies that in some spin-correlation experiments the measured quantum mechanical probabilities should satisfy particular inequalities (Bell-type inequalities). The paradox consists in the fact that quantum probabilities do not satisfy these inequalities. And this paradoxical fact has been confirmed by several laboratory experiments in the last three decades. The problem is still open and hotly debated among both physicists and philosophers. It has motivated a wide range of research from the most fundamental quantum mechanical experiments through foundations of probability theory to the theory of stochastic causality as well as the metaphysics of free will
Rosen-menetelmä teatterin työvälineenä
No full textTämän opinnäytetyön tavoitteena on selvittää Rosen-menetelmää ja sen käyttömahdollisuuksia näyttämöesityksen valmistelussa ja teatterin työvälineenä. Se kuvaa, mitä Rosen-menetelmä on, mitä annettavaa sillä voi olla näyttelijäntyöhön ja roolin rakentamiseen sekä miten menetelmää voi hyödyntää teatteri-ilmaisun ohjaajan työssä soveltavan teatterin toteutuksissa.
Rosen-menetelmällä tarkoitetaan Marion Rosenin kehittämää Rosen-hoitoa ja siitä syntynyttä Rosen-liikuntaa. Suomessa Rosen-hoitoa antavat tehtävään koulutetut Rosen-terapeutit. Rosen-menetelmä kuuluu kehoterapioihin. Kun puhutaan menetelmän hyödyntämisestä teatterin työvälineenä, voidaan Rosen-menetelmää lähestyä somaattisena menetelmänä.
Somaattisia liikemenetelmiä ovat esimerkiksi hahmometodi, Autenttinen liike -työskentely, Alexander-tekniikka ja Feldenkrais-menetelmä.
Opinnäytetyötä varten on haastateltu kolmea Rosen-menetelmän tuntijaa. Yksi heistä on dramaturgi ja näytelmäkäsikirjoittaja, joka opiskelee Rosen-menetelmää. Toinen haastatelluista on Rosen-terapeutti ja harrastajateatterilainen. Kolmas heistä on Rosen-terapeutti ja
menetelmän kouluttaja. Opinnäytetyön toisena lähteenä toimii opinnäytteen tekijän omakohtaisesta Rosen-hoitoon osallistumisesta syntynyt työpäiväkirja ja sitä seurannut esityksellinen tutkielma sekä nukkenäytelmäkäsikirjoitus.
Rosen-menetelmää voidaan käyttää teatterin työvälineenä samalla tapaa kuin muita somaattisia menetelmiä. Esittävän taiteen tekijä voi menetelmän kautta lisätä omaa kehotietämystään. Rosen-liikunta tarjoaa esittävän taiteen tekijöille kehollisia harjoitteita, joita voidaan soveltaa esimerkiksi esityksen harjoitusprosessissa. Rosen-hoidon voi myös kytkeä osaksi esityksen valmistamisen prosessia. Esimerkkinä tästä opinnäytetyö esittelee näytelmäkäsikirjoitus- ja ohjausprosessin, jossa Rosen-terapeutiksi opiskeleva ohjaaja käytti menetelmää näyttelijän ja ohjaajan dialogin välineenä.
Kuten muidenkin somaattisten menetelmien, myös Rosen-menetelmän käyttö vaatii riittävän ammattitaidon menetelmän soveltamiseen. Kun terapiaa tai hoitoa sovelletaan teatterin työvälineeksi, on oltava hyvin tietoinen siitä, mitä menetelmällä tahdotaan.The aim of this thesis is to examine the Rosen Method and the method’s usability in the preparation of a stage play and as a tool in theatre making. The thesis concentrates on determining the method, in solving its viability in actor’s work and in constructing roles. The work also describes how the method can be used in Drama Instructor’s work in applied theatre productions.
The Rosen Method refers to Marion Rosen’s Rosen treatment and the Rosen bodywork which evolved from the treatment. In Finland, Rosen therapy is practised by trained Rosen therapists. The Rosen Method is a form of body therapy. When the method is used as a tool in theatre, the method can be approached as a somatic method. Somatic movement methods include for instance Gestalt Therapy, Authentic Movement Method, Alexander Technique and Feldenkreis Method.
For this thesis, three Rosen Method experts were interviewed. One is a dramaturge and a playwright, who studies the method. Another interviewee is a Rosen therapist and an active participant in amateur theatre. The third one is a Rosen therapist and instructor of the method. As a second source of the thesis the author presents both his work dairy written during his participation in Rosen treatment as well as the performance study and a script for a puppet play, which followed the treatment.
Rosen Method can be used as a tool in theatre in the same way as other somatic methods. Through the method, the performing arts maker can increase his or her own body consciousness. Rosen bodywork provides performing arts makers with bodily rehearsals, which can be applied in the process of constructing a performance. The Rosen treatment can also be linked in with the production process of the performance. As an example of this, the thesis presents a playwriting and a directing process, in which a director, who studies to become a Rosen therapist used the method as a tool for dialogue between the director and the actor.
As is the case with other somatic methods, the application of the Rosen method requires a sufficient amount of professionalism. When the therapy or treatment is applied as a tool in theatre-making, the goals of the method must be well determined
"Gross Rosen" by Mieczyslaw Moldawa, Polish language excerpt, several pages
No full textA photocopy of pages 51, 238, 250, and 278 of the book "Gross Rosen--A Concentration Camp in Silesia" by Mieczyslaw Moldawa in the original Polish language. Marian Wojciechowski is mentioned on these pages. The photocopy of the title page is inscribed and signed by the author
Penalty Formulation for Zero-One Nonlinear Programming
No full textRaghavachar, has shown the equivalence of zero-one integer programming and a concave quadratic penalty function for a sufficiently large value of the penalty. Kalantari and Rosen found a lower bound for this penalty. It was also shown that this penalty could not be reduced in specific cases. We show that the results generalize to the case where the objective function is any concave function. Equivalent penalty formulation for non-concave functions is also considered.Technical report DCS-TR-14
Merritt Eaton Cornell
No full textMerritt Eaton Cornell was a tent evangelist, leading debater and author of five doctrinal books. After the Great Disappointment (October 22, 1844) Merritt joined the "Age-to-Come" Adventists, who taught that the Jews would return to Israel and that individuals would have a second chance to be saved during the millennium
Winnifred Eaton Reeve's his Royal Nibs : a critical edition
No full textThis thesis is a critical edition of His Royal Nibs, the final published novel by early Chinese Canadian author Winnifred Eaton Reeve, better known by her Japanese pseudonym, “Onoto Watanna.” Born in Montreal to a Chinese mother and a British father, and the younger sister to celebrated Chinese Canadian author Edith Eaton (Sui Sin Far), Winnifred Eaton is best remembered as the prolific author of the hundreds of highly successful and immensely popular Japanese-themed romances she wrote as “Onoto Watanna” in the early twentieth century while living in the United States. Published in 1925 and signed “Winifred Reeve,” His Royal Nibs bears little resemblance to Japanese romances that captivated early American audiences and that, in their troubling appropriation and stereotyped depiction of Japanese identity, continue to challenge scholars today. Set on a cattle ranch near Calgary, Alberta, His Royal Nibs is the culmination of Eaton’s campaigns to become a “Canadian author” and insert herself into the bourgeoning networks of Canadian literature. Yet, while scholars acknowledge her life in Alberta, few have taken her Canadian works seriously and even fewer have paid attention to the significance of Eaton as a prairie writer.
This edition seeks to correct this imbalance by situating Eaton’s final novel within her “Alberta Years.” The first edition of His Royal Nibs since its original publication in 1925, and the first standalone, annotated edition of Eaton’s novels, this thesis seeks to re-introduce critics to Eaton and demonstrate the significance of His Royal Nibs as both a text that offers a complicated meditation on identity and one that enters into contemporary debates surrounding the colonial histories of Alberta.Arts, Faculty ofEnglish, Department ofGraduat
Quantum information entropies for an asymmetric trigonometric Rosen–Morse potential
No full textShannon entropy for the position and momentum eigenstates
of an asymmetric trigonometric Rosen–Morse potential
for the ground and first excited states is evaluated. The
position and momentum information entropies Sx and Sp
are calculated numerically. Also, we find that S1
x is obtained
analytically and increases with the potential depth and
width. Some interesting features of the information entropy
densities ρs (x) and ρs (p) are demonstrated graphically.
The Bialynicki-Birula–Mycielski inequality is also tested and
found to hold good
Hagenulus caligatus Eaton 1882
No full textA.15. Hagenulus caligatus Eaton, 1882 Figures 8, 43. Hagenulus caligatus Eaton 1882:207 (male subimago), 1884:113; Morrison 1919:144 (nymph); Peters 1971:20; Kluge 1994:259 (egg). Holotype. Male subimago, “ Rangel Mountains, Cuba (Poëy, Chas Wright and Gundlach). Hagenulus caligatus was described by Eaton (1882) from a male subimago, and the nymph was later illustrated by Morrison (1919). Hagenulus nymphs are recognized by their filter-feeding maxillae and forelegs. The nymphs of Hagenulus caligatus can be separated from those of H. morrisonae by a very broad labrum which exceeds the width of the head. Ecology. Nymphs of this species are abundant (Alayo 1977). They live in clean rivers and fast flowing rocky streams where they are found attached to the surface of the rocks, sometimes in large numbers (Alayo in Peters 1971; Alayo 1977). Alayo (in Peters 1971) found imagos and subimagos in the early morning resting on branches near the water about 2−3 m above the ground. Subimagos molted to imagos in approximately 24 hours. Geographic distribution. Peters (1971) and Kluge (1994) report that this species is found only in the Western region (Fig. 8). Aldana and Fonseca (2001) also reported the species from the Nipe-Sagua-Baracoa Massif, but after reexamination by the senior author the record must be considered a misidentification.Published as part of L, Carlos Naranjo, Peters, Janice G., del, Pedro López & Castillo, 2019, Ephemeroptera (Insecta) in Cuba, pp. 1-52 in Insecta Mundi 2019 (736) on pages 11-12, DOI: 10.5281/zenodo.517069
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