377 research outputs found
„Ausatmungen“. Das Schofar und die Klänge der kommenden Zeit in der Lyrik von Nelly Sachs
This article deals with some intermedial aspects of Nelly Sachs' poetical work. The focus is on Nelly Sachs' literary confrontation with music; in particular the article will examine the role played by instruments, in particular the shofar, in the poetry of German-Jewish author. In doing so, a new scientific territory will be broached, since the significance of this old instrument - central to the Jewish religious rites to Sachs' oevre hase been regularly overlooked. The aim of the article is to shaw that the Shofar in Nelly Sachs' poems points to a dematerialization, to the dissolution of boundaries and, above all, to the time to come, to the hereafter in its metaphysical meaning of an after death time. Methodologically, a philological-hermeneutic as well as an intertextual approach is used. In addition, Nelly Sachs' poetry is analyzed under an interdisciplinary lens, taking into account not only the literary, but its musical and religious aspects, as well
Nelly Arcan, une postféministe?
The article proposes to reconsider the place taken by Nelly Arcan’s work in the women’s and feminist thinking in Quebec in the last years. The author discusses the concepts like the passivity of writer’s main characters, her conception of femininity and the fatalism which characterize her female characters. The aim of the article is to shed light in Nelly Arcan’s vision and renewal of the contemporary Quebecer literature. Her intimate, provocative, furious and dark novels bring out the deadlock on the women’s thinking nowadays and challenge the achievements of the claims of the feminist movements.The article proposes to reconsider the place taken by Nelly Arcan’s work in the women’s and feminist thinking in Quebec in the last years. The author discusses the concepts like the passivity of writer’s main characters, her conception of femininity and the fatalism which characterize her female characters. The aim of the article is to shed light in Nelly Arcan’s vision and renewal of the contemporary Quebecer literature. Her intimate, provocative, furious and dark novels bring out the deadlock on the women’s thinking nowadays and challenge the achievements of the claims of the feminist movements.The article proposes to reconsider the place taken by Nelly Arcan’s work in the women’s and feminist thinking in Quebec in the last years. The author discusses the concepts like the passivity of writer’s main characters, her conception of femininity and the fatalism which characterize her female characters. The aim of the article is to shed light in Nelly Arcan’s vision and renewal of the contemporary Quebecer literature. Her intimate, provocative, furious and dark novels bring out the deadlock on the women’s thinking nowadays and challenge the achievements of the claims of the feminist movements
Benjamin Russel Hanby - Author of Darling Nelly Gray
“Benjamin Russel Hanby - Author of ‘Darling Nelly Gray’,” was first published in April, 1905 as an article in the “Quarterly,” the publication of the Ohio State Archaeological and Historical Society. Author Charles Burleigh Galbreath was an Ohio educator and librarian who twice served as the State Librarian (1896-1911 and 1915-18) and was the secretary and librarian of the Ohio Archaeological and Historical Society (today known as the Ohio History Connection) from 1920 until his death in 1934. Burleigh published numerous articles, pamphlets, and books on Ohio history. This book contains correspondence not published in any other account of Benjamin Hanby’s life.https://digitalcommons.otterbein.edu/archives_hanby/1004/thumbnail.jp
Nelly Arcan, une postféministe?
The article proposes to reconsider the place taken by Nelly Arcan’s work in the women’s
and feminist thinking in Quebec in the last years. The author discusses the concepts like
the passivity of writer’s main characters, her conception of femininity and the fatalism which
characterize her female characters. The aim of the article is to shed light in Nelly Arcan’s vision
and renewal of the contemporary Quebecer literature. Her intimate, provocative, furious and dark
novels bring out the deadlock on the women’s thinking nowadays and challenge the achievements
of the claims of the feminist movements
Den away, away, for I can't wait any longer [first line of chorus]
strophic with choruspiano and voiceTo Columbia's Noble Song, Maj. Gen. Benj. F. Butler.ads on back cover for Oliver Ditson stockJohns Hopkins University, Levy Sheet Music Collection, Box
089, Item 078By the Author of Darling Nelly Gray.Warren, Music Stereotyper, 43 Centre St
Den away, away, for I can't wait any longer [first line of chorus]
strophic with choruspiano and voiceTo Columbia's Noble Song, Maj. Gen. Benj. F. Butler.ads on back cover for Oliver Ditson stockJohns Hopkins University, Levy Sheet Music Collection, Box
089, Item 078By the Author of Darling Nelly Gray.Warren, Music Stereotyper, 43 Centre St
Jewish Identity in Liminality: the Poet Nelly Sachs and the Holocaust
This thesis analyses the way in which the German-Jewish author Nelly Sachs stages her identity as a poeta vates in her letter correspondence since 1940. This poetic stylisation is interpreted as a reaction to the Holocaust as a negative liminalisation; that is, the exclusion of "the Jews" with the intention of destroying identity and "murdering the soul" of individuals. Nelly Sachs tries to transform the negative liminality which threatens her life into the positive liminality of a poet as a mystic media. This process is mainly based on Martin Bubers existentialist approach towards Chassidism and Kabbalah and relates the process of writing to a mystical understanding of a necessary transformation of the fallen world. However, this transformation of liminality which helps the author to effectively survive surviving, makes it simultaneously impossible for the excluded "Jewess" Nelly Sachs to find her way back into society and community.publishe
RETRATO DE NELLY ARCAN: LECTORA Y ESCRITORA
Cet article propose une première incursion dans la bibliothèque de Nelly Arcan. L’étude du laboratoire d’écriture d’Arcan, envisagé par l’entremise de ses travaux universitaires, de l’inventaire de sa bibliothèque et de sa trajectoire d’autrice, permet d’établir une correspondance entre la circulation des idées qui animent son oeuvre et les filiations que révèlent ses lectures, offrant un accès inédit à la lectrice et à l’écrivaine qu’était Arcan.This article offers an initial foray into Nelly Arcan’s library. The study of Arcan’s writing laboratory, envisioned with the help of her academic work, an inventory of her library and her trajectory as an author, makes it possible to establish a connection between the circulation of ideas that nourished her work and the associations that her readings reveal, offering new insight into Arcan as a reader and a writer.Este artículo propone una primera incursión en la biblioteca de Nelly Arcan. El estudio del laboratorio de escritura de Arcan, contemplado a través de su labor académica, el inventario de su biblioteca y su trayectoria como autora, permite establecer una correspondencia entre la circulación de las ideas que animan su obra y las filiaciones que revelan sus lecturas, ofreciendo un acceso inédito a la lectora y escritora que fue Arcan
Lugar de los muertos
La información de esta miniguía se basa, a la fecha de publicación de la misma en los trabajos de los arquitectos Manuel Francisco Álvarez, Alfredo Moreira Quirós y de la arqueóloga Nelly M. Robles García.En las cuevas que se localizan alrededor de los pueblos actuales de Tlacolula, Matallán y Milla se han encontrado restos arqueológicos que demuestran ocupaciones tempranas en el área; los vestigios encontrados en los abrigos rocosos de Guilá Naquitz (5000-3000 a.C.) así lo confirman. El asentamiento de Mitla ha permanecido ocupado durante los distintos momentos del desarrollo histórico de la población del valle de Oaxaca. Su esplendor ocurrió en el periodo llamado Monte Albán v (1000 a 1521 d.c.). En este lapso la población del valle se encontraba políticamente fragmentada a raíz de los conflictos generados en épocas anteriores, los que habían propiciado la caída de Monte Albán como centro de poder hegemónico.</p
A poeta das "moradas da morte" : sobre a obra lírica de Nelly Sachs
The article studies the German-speaking poetess Nelly Sachs, who received the Nobel-Prize for literature in 1966, together with Shmuel Agnon. In order to shed light upon the behind the decision of the jury, an overview on life and work of the author will be given and a number of poems will be analyzed.Der Artikel behandelt die deutschsprachige Dichterin Nelly Sachs, die 1966 mit Shmuel Agnon den Nobelpreis für Literatur erhielt. In der Absicht, die Gründe für die Entscheidung der Jury zu beleuchten, wird ein Überblick über Leben und Werk der Autorin gegeben und einige ausgewählte Gedichte analysiert
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