1,723,873 research outputs found
Dundee Discussion Papers in Economics 234:Environmental degradation and the limits to LOV
We show how consumers’ environmental concerns may limit ‘love of variety’ (LOV) and be reflected in consumers decisions. We investigate how the impact of environmental degradation on LOV influences demand and optimal product variety, and how a pollution tax on firms might be used to improve upon the market outcome and increase welfare
YU-FU HUANG Cello Recital Program Notes
This recital presents two pieces from the Romantic era: Cello Concerto in A Minor Op. 129 by German composer Robert Schumann and Sonata for Violin and Piano in A Major by French composer C\uc3\ua9sar Franck. This program note will discuss the composers\ue2 biographical information and background information of the works along with a brief structural analysis
Replication package for: Strategic Exploration: Preemption and Prioritization
Liu, Qingmin, and Yu Fu Wong. "Strategic Exploration: Preemption and Prioritization." (2022), Accepted for Publication by the Review of Economic Studies.
The replication package contains LaTex and MATLAB files for figures used in the paper
What drives urban consumption in mainland China? The role of property price dynamics
This paper adds to the literature on wealth effects on consumption by disentangling house price effects on consumption for mainland China. In a stochastic modelling framework, the riskiness, rate of increase and persistence of house price movements have different implications for the consumption/housing ratio. We exploit the geographical variation in property prices by using a quarterly city-level panel dataset for the period 1998Q1 – 2009Q4 and rely on a panel error correction model. Overall, the results suggest a significant long run impact of property prices on consumption. They also broadly confirm the predictions from the theoretical model.consumption; house prices; China; panel data
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Thermomechanical behaviour of composites with embedded metallic pins
MSc individual research project poster (2021-2022) modelling the thermomechanical behaviour of large metallic through-thickness reinforcing pins in compsosites presented by Yu Fu. Presents an the development and validation of a local thermomechnical model around the pin placed in the composite.</p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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