1,723,853 research outputs found

    LaTeX Template for Writing QUT Thesis (Research Masters and PhD)

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    A LATEX style file, named qutthesis.sty, is developed, for writing PhD or Research Masters thesis. Developed by Professor Glen Yu-Chu Tian, it tries to fulfill QUT’s Thesis\ud requirements but it is unofficial

    Liou Yu Chu and his family

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    Liou Yu Chu, former mayor of Beijing, and his family.https://digitalcommons.whitworth.edu/album21/1045/thumbnail.jp

    Huochezhan

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    第一版 = Di 1 ban024-90 7150·图片314(乙)繪述火車站內站台、人流、列車。 = Depicts platform, passengers and train inside railway stationEditor:上海教育出版社 =Shanghai jiao yu chu ban szheThis copy is donated by Valery Garrett. Valery Garrett Collection. Posters, photographs and objects, c1950s-2000

    Piqiu fushanglaile

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    第一版 = Di 1 ban學齡兒童向地上小洞灌水,使掉進去的皮球浮出来。 = Children make rubber ball come up out from a whole by pouring water inEditor. 人民教育出版社 = Ren min jiao yu chu ban sheThis copy is donated by Valery Garrett. Valery Garrett Collection. Posters, photographs and objects, c1950s-2000

    Betty (Yu Chu) Ling, percussion, Wednesday, December 12, 2012

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    In partial fulfillment of the requirements for the degree of Bachelor of Musi

    Layered inorganic-organic hybrid materials with reduced thermal conductivity

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    New ternary inorganic-organic hybrid materials (H2pda)0.5Cu2SbSe3 and [H2bda]0.5Cu2SbSe3 (pda= propanediamine, bda= butanediamine) were synthesized by the hydrothermal method. Both structures are composed of [Cu2SbSe3]- 2D layer structures that are connected by the organic amines. A series of hybrid compounds Cu2SbSe3(L)x (L= en, pda, bda; x=0.5, 1) were synthesized for an integrated study. Compared with the 3D structure compound CuSbSe2, the thermal conductivity study shows that incorporation of incorporation of inorganic-organic interface can effectively reduce the thermal conductivity.M. S.Includes bibliographical referencesby Yu-Chu ChenTitle page appears as "Layered inorgainc-organic hybrid materials with reduced thermal conductivity

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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