310 research outputs found
Don Miho Pešić — Dubrovački slikar 18. stoljeća i njegovo doba
No full textThe author has discussed the work of Don Miho Pešić, an interesting 18 century painter from Dubrovnik. So far he has been studied only as a cartographer and diplomat. His will and newly discovered portrait paintings, as well as handwritten books in the State Archives in Dubrovnik, have broadened the picture showing Don Miho to be also a painter of heraldic themes, and portraitist of Dubrovnik's high clergy and civil servants. Don Miho did not stand alone in the field of native Baroque painting. The author lists a number of so far unknown, or almost unknown, names of Dubrovnik Baroque painters preceding the »Trefoil« of Dubrovnik Baroque Classicism.Autor se bavi likovnim opusom dubrovačkog svečenika don Miha Pešića, zanimljive pojave dubrovačkog XVIII. stoljeća. Do sada se o njemu pisalo kao o kartografu i diplomatu, a na osnovu sačuvane oporuke i pronađenih portreta u dubrovačkom dominikanskom samostanu i rukopisnih knjiga u Državnom arhivu u Dubrovnika zaokružila se slika o ovom heraldičaru i portretistu visokih dubrovački crkvenih prelata i diplomata. Don Miho Pešić nije bio osamljena pojava u domaćem baroknom slikarstvu, stoga autor donosi više do sada nepoznatih ili gotovo nepoznatih imena dubrovačke barokne likovne scene što je prethodila dubrovačkom slikarskom »trolistu« baroknog klasicizma
Who is the author of the 1876 Stefano manuscript?
No full textFor over one hundred years the Stefano manuscript was a private document in the possession of the Baccich family and descendants. It told a story of the 1875 Stefano shipwreck as narrated by the shipwreck survivor and the founding family patriarch Miho Baccich. In these circumstances the question of authorship of the manuscript was immaterial and did not arise as an issue. However, with the publication of the manuscript the author‟s name, or names, need to be formally attributed to it. It turns out that this is not such a clear-cut matter.
As we shall see, all informed sources attributed the authorship, and the ownership, of the manuscript to Miho Baccich. But the manuscript itself was written by Canon Stjepan Skurla – a priest from Miho‟s hometown of Dubrovnik. The question then arises: should Skurla also be considered as an author of the manuscript, or, even as the sole author (as some would have it)
Author Correction: The dengue-specific immune response and antibody identification with machine learning
No full textCorrection to: npj Vaccineshttps://doi.org/10.1038/s41541-023-00788-7, published online 20 January 2024 In this article, the affiliation details for author Alexander Horst were incorrectly given as Alexander Horst1,2 but should have been Alexander Horst1 and other affiliations are renumbered. The original article has been corrected
Effects of an Education Program to Promote Advance Directive Completion in Local Residents
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The Renaissance Art of Dialog: Miho Monaldi, The Treatise on Beauty
No full textU članku se analiziraju filozofsko-estetičke ideje, stajališta i nazori dubrovačkog renesansnog filozofa, pjesnika i pisca Mihe Monaldija (1540–1592) u kontekstu struja i tendencija u filozofiji i književnosti 16. stoljeća.
Uz filozofsko-estetičku dimenziju, razmatraju se i stilsko-formalne i idejno-motivičke odrednice njegove estetičke rasprave (dijaloga) »Irene overo della bellezza« u obzoru europske i domaće dijaloške tradicije.
Utvrđuje se mjesto, značenje i narav Monaldijevog dijaloškog modela, podudarnosti i razlike njegova modela i nekih filozofskih pisaca tog doba (Petrić, Gučetić, Castelvetro, i dr.).The paper analyses the philosophical-esthetic ideas and views of the Renaissance philosopher, poet, and author Miho Monaldi from Dubrovnik (1540–1592) in the context of the trends and tendencies in the sixteenth-century philosophy and literature.
The authoress analyses the philosophical-esthetic dimensions and the ideational-motivational characteristics of Monaldi’s esthetic treatise (dialog) »Irene overo della bellezza« in the context of European and domestic dialog tradition.
The position, significance, and nature of Monaldi’s model of the dialog are defined, as well as the similarities and differences of the model in relation to several other philosophical authors of the period (Petrić, Gučetić, Castelvetro, and others)
Unexpected hair growth induced by gefitinib treatment in two patients with EGFR gene mutation-positive adenocarcinoma of the lung
No full textA COMPARATIVE STUDY OF STRATEGIES FOR PROMOTION OF RETROFITTING OF LOW EARTHQUAKE-RESISTANT STRUCTURES IN US AND JAPAN
No full text書写素材史の研究 : 国東治兵衛著『紙漉重宝記』
No full textThe Japanese Manual on Papermaking,"Kamisuki Chohoki" was written by Jihei Kunisaki at Osaka in 1798.
The Manual explanes many techniques in the production of hand-made paper "Sekishu-washi" and illustrates about the equipment.
The present description is a report on the life of the author Jihei Kunisaki, the publishing background of his work and its block-books
Japanese Ink Painting and the Demise of Apprenticeships in the Arts and Crafts in Japanese Society Today
No full textiii, 115 p.The author traces the master-pupil relationships in various areas of Japanese culture, the growth of Japanese painting traditions based on Chinese roots, and the author's own apprenticeship to painting master Ryou Iwasaki. The author developed a survey of traditional artisans from the cities of Kyoto and Tokyo and includes a collection of original ink paintings
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