1,737,359 research outputs found
Cynthia Shin-Yi Wang: Formulaic State of Transformation Show Card
No full textShow card featuring alumni Cynthia Shin-Yi Wang. April 22 - 26, 2003
Trio Concert with Yi Wang (violin) and Brendan Conroy (cello)
No full textDirect broadcast from the Federation Concert Hall, Hobart, Sunday 14 July 2002 introduced by Lee Parker - Trio Tasman - Yi Wang, (violin), Brendan Conroy, (cello), Shan Deng, (piano), - play Arensky - Piano trio no 1 in D minor, Mozart - Piano Trio No .4 in C major K.548,and Bloch - Three Nocturne
A Research on "Sanyi Tanyuan" by Jue-Yi Wang
No full textJue-Yi Wang, also known as Beihai Elderly, is the fifteenth-generation patriarch of the Post East in I-Kuan Tao. He was born and died in the period from Daoguang twelve years \uef\ubc1832\uef\ubc to Guangxu ten years \uef\ubc1884\uef\ubc of the Qing Dynasty. It was the time when Western powers entered China. The Qing government signed many unequal treaties with the western countries and established trade ports. China then opened its closed doors in addition to economic and trade. The influx of Western religious culture soon brought changes and innovations to Chinese traditional culture. In addition, facing the new trend of thought in the West, the ruling class, literati, gentry, and common people have developed multiple thoughts at different levels.
In the late Qing Dynasty, with the influx of opium in large quantities, all social strata were deeply poisoned by opium, and the people's lives were full of misery. Moreover, facing the strong ships and guns of Western countries, and the signing of unequal treaties, the territory was gradually lost, and the territorial waters, justice, and customs duties were lost. The economic aggression of Western countries, as well as the annexation of land by local officials and landlords in the Qing Dynasty, the traditional rural economy was destroyed, and various places took the opportunity to riot one after another. In such an eventful environment, the folk sects at that time were flourishing promoted and the thoughts of folk religious beliefs by Jue-Yi Wang brought comfort and dependence to the people. Although he is in the chaotic and changing environment of the world, Jue-Yi Wang does not shake his heart for practicing and exploring the truth. In his "Zheng Dao Ge", he says :"Once a single thought is not born, not dead, or alive, the spirit then is Buddha. Everything that dwells is an illusion, and there is no attachment or no care to be full of universe. Human affairs are like waves, jumping out of the nest of right and wrong. The Peaceful Bodhisattva always guard by himself. Furthermore, when the five aggregates of color, feeling, thinking, action, consciousness are empty, one will become DaLuo Immortal." In the situation of the turbulent world affairs, Jue-Yi Wang was not only unaffected by foreign thoughts from the West but he also maintained research and respect for traditional Chinese culture. Jue-Yi Wang studies Neo-Confucianism and integrates the thoughts of Confucianism, Buddhism and Taoism, and absorbs the essence of all parties. It played a very important role in the folk beliefs at that time, and the MoHou-YiZhuo religion he created had far-reaching influence.
The origin of "Sanyi Tanyuan" by Jue-Yi Wang is his understanding and admiration after he studied the "I Ching." He believes that the "I Ching" is the ancestor of all the scriptures and the source of all Dharma in the discussion of "no changes", "changes", "transaction", which are to find the original meaning of being born as a human being, and to explain the value of the source of life. In addition, "Sanyi Tanyuan" cites many ancient books and classics, from the practice of eliminating evil to good, as well as the true nature of Wuji, all of which are systematically demonstrated and analyzed. From the remarks and thoughts of the sages in the past, and comparing the habits and ignorance of the people of the time, Jue-Yi Wang quoted the three ages of the Dharma of Buddhism, namely the age of "Right Dharma", the age of "Semblance" and the age of "Degenerate Dharma".
In Jue-Yi Wang\ue2s point of view, he thought that in this sea of desire and under the "Degenerate Dharma" of reincarnation life and death and the truth is dimly discernible; in his book of "Sanyi Tanyuan" is to clarify his understanding of the truth, Tao, and Wuji, solving the confusion for those who do not understand, together with the essentials of self-cultivation and life which are left for further generations
Shan Deng (piano) Yi Wang (violin) perform 'Sonata No. 3 for Violin and Piano in Eb' by Ludwig Beethoven
No full textShan Deng performs 'Sonata No. 3 for Violin and Piano in Eb' by Ludwig Beethoven. Shan Deng (Piano) Yi Wang (violin) Tasmanian Conservatorium of Music for ABC Classic FM. Tasmanian Conservatorium of Music held CD (SD1, Track 4
sj-docx-1-ijb-10.1177_13670069221085565 – Supplemental material for Multilingual learning and cognitive restructuring: The role of audiovisual media exposure in Cantonese–English–Japanese multilinguals’ motion event cognition
No full textSupplemental material, sj-docx-1-ijb-10.1177_13670069221085565 for Multilingual learning and cognitive restructuring: The role of audiovisual media exposure in Cantonese–English–Japanese multilinguals’ motion event cognition by Yi Wang and and Li Wei in International Journal of Bilingualism</p
Supplemental Material, SCMeta_Appendices - How is safety climate formed? A meta-analysis of the antecedents of safety climate
No full textSupplemental Material, SCMeta_Appendices for How is safety climate formed? A meta-analysis of the antecedents of safety climate by Yimin He, Yi Wang and Stephanie C. Payne in Organizational Psychology Review</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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