391,434 research outputs found
Xinjiang (China), folk dancing of Uyghurs
No full textFolk-dance of UighursImage is part of research conducted by Chang Chih-Yi for the article: Land Utilization and Settlement Possibilities in Sinkiang
Author(s): Chang Chih-Yi
Source: Geographical Review, Vol. 39, No. 1 (Jan., 1949), pp. 57-75
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/211157http://www.jstor.org/stable/211157Grayscal
Yi Min Cai's Graduate Recital
No full textOriginal Format: CassetteComposers in the first graduate recital: J. S. Bach; Gail Barber; E. Granados; J. B. Krumpholz; Claude Debussy; Marcel GrandjanyComposers in the second graduate recital: J. Massenet; Gabriel Faure; W. A. MozartFirst Recital: HarpSecond Recital: Har
A Study on Yi Byeongheon(李炳憲)s Criticism of Confuciuss Shi yi(十翼): Focusing on Influence of Kang You-Wei(康有爲)s Xin xue wei jing kao(新學僞經考)
No full textConfuciuss Shi yi(十翼) has been accepted as a traditional orthodoxy of Confucianism for about 2,000 years after Liu xin(劉歆)s Qi lue(七略). However, due to the influences of the Songs school of suspecting the ancient (疑古學), the Qings Textual Criticism(考證學) and School of Gongyang(公羊), Confuciuss Shi yi(十翼) was criticized by many scholars. In this context, Yi Byeongheon, who lived in the late 19th century and the early 20th century, seems to have attempted a reasonable check on the author of Shi yi(十翼). And the purpose of a reasonable check on the author of Shi yi(十翼) is to upgrade Tuan(彖)·Xiang(象)·Wen Yan(文言)·the front part of Shuo Gua(說卦) created by Confucius to the position of The Scripture. Especially, in the point that the core idea of Confucian Religion Movement by Yi Byeongheon(李炳憲) is the way of god(神道) theory in Tuan(彖), the author of Tuan(彖) must be Confucius, and Tuan(彖) also must be the position of The Scripture.Yi Byeongheon's criticism of Confuciuss Shi yi(十翼) can be regarded as basically influenced by Xin xue wei jing kao(新學僞經考) of Kang You-Wei(康有爲), a scholar of JinWenXue(今文學) in late Qing Dynasty. Of course, Yi Byeongheon did not accept the point of view of Kang You-Wei(康有爲) uncritically. It is Yi Byeongheon's unique viewpoint that the front part of Shuo Gua(說卦), that is from 昔者聖人之作易 to 成言乎艮 is the work of Confucius.이 논문은2017년서울대학교인문학연구원산하종교문제연구소동삼운해유교연구기금으로부터 지원받았음이 논문의 게재료는 서울대학교 인문학연구원에서 지원 받았
Yi-Fang Lin Piano Recital Program Notes
No full textThis report is Yi-Fang Lin Piano Recital Program Notes on April., 23, 2019. The two pieces on the program include Piano Sonata in C minor, K.457 by W.A. Mozart, and Piano Concerto No.1 in F-Sharp minor, Op.1 by S. Rachmaninoff. The note will introduce the life of two composers, the compositional background of individual work, and the analysis of the structure, including tonal design and thematic material in each work
A study of Lie Xian Zhuan and Lie Yi Zhuan
No full textLie Xian Zhuan is representatives of the early story of Immortals class; Lie Yi Zhuan is Wei-Jin and South & North Dynasties\ue2s early Zhiguai's Novels. This thesis is focused on Research the books's author , Year of publication and table of contents ,discuss about the witchcraft from Pre-Qin Dynasty to the Wei Jin Dynasty. By research Lie Xian Zhuan and Lie Yi Zhuan 's contents, can probe the differences between both's background and witchcraft
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Social and Economic Context of Peace and Happiness
No full textEdited by Robert S. Wyer, Chiu Chi-Yue and Hong Ying-Yi</p
Jason S. Yi: Terraform
No full textA Fragile Permanece, 2014 wood, duct tape, mylar tape, colored pencil, gesso, foil lined bubble wrap site specific installation - dimensions variablehttps://scholarship.depauw.edu/peeler_exhibit/1075/thumbnail.jp
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