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TARI PANGAYOMAN KARYA YETTY MAMAT DI STUDIO TARI SUNDA KANDAGA BANDUNG
No full textABSTRAK
Penelitian ini berjudul Tari Pangayoman Karya Yetty Mamat Di Studio Sunda Kandaga Bandung, bertujuan untuk mendapat pengetahuan tentang Tari Pangayoman melalui analisi mengenai ide terciptanya, nilai, koreografi, dan rias busana pada Tari Pangayoman Karya Yetty Mamat Di Studio Tari Sunda Kandaga Bandung. Peneliti merasa tertarik untuk meneliti Tari Pangayoman, karena biasanya Yetty Mamat menciptakan tarian yang kebanyakan berkarakter halus atau lembut tetapi berbeda dengan Tari Pangayoman yang lincah dan energik dengan menggabungkan dua kultur yang berbeda. Adapun teori yang digunakan yaitu ide penciptaan, koreografi, rias, busana, serta Kajian tentang nilai. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis dengan pendekatan kualitatif. Teknik pengumpulan data menggunakan teknik observasi, wawancara, studi literatur dan studi dokumentasi. Berdasarkan hasil penelitian, Tari Pangayoman ini merupakan tari kreasi baru yang menggambarkan kelincahan para wanita priangan dengan semangat emansipasi menjadi pengayom bagi beragamnya perbedaan dengan menggabungkan dua kultur Sunda dan Cirebon yang unik dan memiliki sembilan belas gerak yang terbagi menjadi ragam gerak pokok, gerak khusus, gerak peralihan, dan gerak penghubung. Terciptanya tari Pangayoman juga menggambarkan kepribadian yang dinamis seorang Yetty Mamat dalam melestarikan seni tradisi khususnya seni tari Sunda.
Kata kunci: Tari Pangayoman, Yetty Mamat, Studio Tari Sunda Kandaga Bandung
ABSTRACT
This study, entitled Pangayoman Dance by Yetty Mamat at Sunda Kandaga Studio Bandung, aims to gain knowledge about Pangayoman Dance by analyzing the idea of creation, value, choreography, and fashion make-up in Yetty Mamat's Pangayoman Dance at Kandaga Sunda Dance Studio Bandung. Researchers are interested in researching Pangayoman Dance because, usually, Yetty Mamat creates mostly smooth or soft dances in character but different from Pangayoman Dance, which is agile and energetic by combining two different cultures. The theory used is the idea of creation, choreography, make-up, clothing, and value studies. The method used in this research is the descriptive analysis method with a qualitative approach through observation, interviews, literature study, and documentation study. Based on the study results, this Pangayoman Dance is a new dance creation that describes the agility of Priangan women with the spirit of emancipation to protect differences by combining the two unique cultures of Sunda and Cirebon. It has nineteen movements divided into basic movements, special movements, transitional movements, and connecting movements. The creation of the Pangayoman dance also illustrates the dynamic personality of Yetty Mamat in preserving traditional arts, especially Sundanese dance.
Keywords: Sunda Kandaga Dance Studio Bandung, Pangayoman Dance, Yetty Mamat
KARAKTER PEREMPUAN DALAM TARI PANGAYOMAN KARYA YETTY MAMAT
No full textTujuan penulisan artikel ini adalah untuk mendeskripsikan hasil penelitian mengenai ide terciptanya, nilai, struktur koreografi, serta rias busana pada Tari Pangayoman Karya Yetty Mamat Di Studio Tari Sunda Kandaga Bandung. Yetty Mamat biasanya menciptakan tarian yang kebanyakan berkarakter halus atau lembut tetapi berbeda dengan Tari Pangayoman yang lincah dan energik, dimana tari ini unik karena menggabungkan dua kultur yaitu Sunda dan Cirebon yang kemudian dikemas menjadi suatu tarian energik penggambaran sesuatu yang mengayomi. Penelitian kualitatif ini menggunakan metode deskriptif analisis. Partisipannya adalah pencipta tari/koreografer, dosen UPI, serta seorang penari yang berlokasi di kota Bandung. Teknik pengumpulan data menggunakan teknik wawancara, observasi, studi literatur dan studi dokumentasi, teknik analisis menggunakan triangulasi. Hasil penelitian ini adalah tentang penggabungan dua karakter tari putri Sunda yang feminim dan Cirebonan yang cenderung maskulin yang kemudian terefleksikan pada gerak Tari Pangayoman yang berkarakter gagah, lincah dan enerjik
SIMBOL AKULTURASI KEBUDAYAAN TIONGHOA DI INDONESIA DALAM NOVEL BASIRAH KARYA YETTY A.K.A: KAJIAN SEMIOLOGI ROLAND BARTHES
No full textPenelitian ini bertujuan untuk membongkar simbol akulturasi kebudayaan Tionghoa di Indonesia dalam Novel Basirah karya Yetty A.KA menggunakan konsep akulturasi kebudayaan Koentjaraningrat dan teori semiologi Roland Barthes. Sumber data penelitian ini yakni novel Basirah karya Yetty A.KA yang memiliki 184 halaman. Penelitian ini adalah jenis penelitian kualitatif dengan pendekatan pragmatik menggunakan metode hermeneutik. Teknik pengumpulan data pada penelitian ini mulai dari membaca novel, menandai dan mencatat data berupa unit teks, kalimat maupun paragraf, mengelompokkan data dan memasukkan data pada tabel data. Hasil dari penelitian skripsi ini terdapat dua puluh satu simbol akulturasi kebudayaan etnis Tionghoa di Indonesia di antaranya Imi, warna merah, ramalan, meditasi, pekerjaan membaca kartu, memelihara anjing, bahasa batin, Nenek Wu, Bertapa, reinkarnasi, klub pembaca kartu tarot, rempah, pondok, pedagang, pisang bakar, omelet, kartu tarot, alam arwah manusia, rumah panggung, pakaian dari kulit kayu, kebaya dan kain.
Kata kunci: Simbol, Akulturasi, Semiolog
Mémé Papouche piège le diable / Jean-Paul Demure ; dessiné par Yetty
No full textCollection : Souris noire ; 60Appartient à l’ensemble documentaire : UnivJeun0Contient une table des matièresAvec mode text
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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