1,788,378 research outputs found
Pride Author event: Ellen van Neerven in conversation with Kevin Yow Yeh
No full textTo celebrate Pride Month, 2021 at QUT, QUT Library, in conjunction with Equity Services and QUT Faculty of Health held an online author talk with award winning writer Ellen van Neerven, in conversation with Kevin Yow Yeh (QUT Faculty of Health). Held 19 October, 12-1pm
Alice Yeh oral history interview, 2012
No full textAlice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William & Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; William & Mary campus hip-hop culture; Syndicate; W&M SHHO; James Madison University; Lionz of Zion; Guerilla Will
Yeh Chia Ying reading Chinese poetry.
No full textYeh Chia Ying.Live recording."Aug 9 1995"--Spine label."1st copy"--Spine label.Electronic reproduction from Rulan Chao Pian VHS collection.Spoken in Chinese
Welcome Address - Pi-Ming Yeh
No full textWelcome address from Pi-Ming Yeh, RN., Ph.D., Associate Professor, President of Epsilon Sigma at Large Chapter (3 minutes recording)
Meng Yeh oral history interview and transcript
No full textThis recording and transcript form part of a collection of oral history interviews conducted by the Chao Center for Asian Studies at Rice University. This collection includes audio recordings and transcripts of interviews with Asian Americans native to or living in Houston.Dr. Meng Yeh was born in Hualien, Taiwan in 1961. After earning graduating from college in Taiwan, she came to the States in 1986 for her Master’s and Ph.D degree. She met her husband at UT Austin, started a family, and decided to become an American citizen. Nowadays, Dr. Yeh is heavily involved within the Rice University community, including heading the Chinese Program at the Center for Languages & Intercultural Communication
Dissociation of posture remapping and cognitive load in level-2 perspective-taking: Raw data of three experiments
No full textYeh, Yei-Yu, Wang, Chi-Chin, Cheng, Shih-kuen, & Chiu, Chui-De. (in press). Dissociation of posture remapping and cognitive load in level-2 perspective-taking. Cognition
Exploring Yeh Pulu Relief (an Iconography Approach)
No full textYeh Pulu relief, located in Bedulu Village, Gianyar Regency, is one of the important Balinese visual art work. It serves as a proof of the ultimate artistic achievement in the ancient Balinese kingdom era. It possesses some distinctive characteristics, such as a particular style of figuration, a specific theme, and unique sculptural characters. There are very few articles focusing on this topic. Therefore, there is a need to explore Yeh Pulu relief by conducting an in-depth research. Based on Panofsky's iconography perspective, this research aims to analyze stylistic figurations of the relief, the theme, the sculptural characters and the meaning of the depiction. Panofsky's iconography consists of three levels of analysis, i.e. pre-iconography, iconography and iconology. Employing his theory, the first stage of this analysis focuses on the physical characters on the relief; the second stage focuses on the concept of narration; and the third one deals with discourse around the subject of this study. The image of Yeh Pulu relief very clearly reveals the theme of heroism found in the everyday life by ordinary people. The result of this research is defined of the theme is reinforced by the figuration of the relief's subjects that tends to be realistic (using the body proportion of a normal adult human) and is complemented by carvings of plant tendrils that are nearly naturalistic in style. The research participants are I Nengah Sudika Negara (data collector), Luh Desi in Diana Sari (layout designer), and Anak Agung Udayana (photographer).Relief Yeh Pulu, lokasi di Desa Bedulu, Kabupaten Gianyar merupakan salah satu karya seni rupa terpenting. Relief ini merupakan pencapaian artistik puncak di era kerajaan Bali Kuna. Selain itu juga memiliki karakter yang khas, seperti gaya figurasi yang khusus, memiliki tema spesifik, dan keunikan pahatan. Sangat sedikit tulisan yang fokus membahas tentang topik ini. Sehingga menjadi penting untuk mengeksplorasi Relief Yeh Pulu melalui riset yang mendalam. Penelitian ini bertujuan untuk menganalisa gaya figurasi, tema, karakter pahatan dan makna dari relief. Melalui pendekatan ikonografi Panofsky, analisis dilakukan melalui tiga tahapan, yakni praikonografi, ikonografi dan ikonologi. Analisis level pertama terfokus pada analisis karakter fisik dari relief; kedua, fokus pada konsep narasi; ketiga, terkait tentang diskursus yang melingkupi subjek kajian. Berdasar analisis tersebut, dapat ditegaskan bahwa relief Yeh Pulu mengungkap tema kepahlawanan dunia sehari-hari orang-orang biasa. Selain itu, dapat disimpulkan pula bahwa secara figurasi relief ini cenderung bersifat realistik (terlihat dari proporsi yang berukuran sama dengan ukuran tubuh manusia dewasa normal), begitu juga dengan pemahatan tentang tetumbuhan yang cenderung bergaya naturalistik. Anggota peneliti di antaranya: I Nengah Sudika Negara (pengumpul data), Luh Desi in Diana Sari (layout desain), dan Anak Agung Udayana (fotografer)
A new live-attenuated polio vaccine constructed by rational design improves safety by preventing reversion to virulence
No full textVariant calls for the in vivo and in vitro studies of virus diversity and genetic stability reported in the manuscript, "A new live-attenuated polio vaccine constructed by rational design improves safety by preventing reversion to virulence", by Yeh, et al
The Yeh-Stratton Criterion for Stress Concentrations in Fiber-Reinforced Composite Materials
No full textThe purpose of this study is to investigate the Yeh-Stratton Failure Criterion with the stress concentrations in fiber-reinforced composites materials under tensile loadings. The Yeh-Stratton Failure Criterion developed from the initial yielding of materials is based on a macromechanics point of view. To investigate this criterion, the influence of the material anisotropic properties and the far field loading on the composite materials with a central hole or a normal crack were studied. Special emphasis was placed on definng of the crack tip stress field and their applications.The study of the Yeh-Stratton criterion for damage zone stress field on fiber-reinforced composites under tensile loadings was compared with several other fracture criteria, including the Tasi-Wu Theory, the Hoffman Theory, the Fischer Criterion, and the Cowin Criterion. The theoretical predictions from these criteria are examined by experimental results.</jats:p
Localising Pop Yeh Yeh With Malay Musical Elements And Language In The 1960s
No full textThe term ‘Pop Yeh Yeh’ refers to the genre of Malay popular music that emerged in the 1960s in Malaysia and Singapore influenced by western acts like The Beatles, The Shadows, and The Rolling Stones from the United Kingdom. The music of Pop Yeh Yeh was accompanied by a kugiran (upbeat guitar band) consisting of three guitars and a drum set, mirroring the configuration used by the Western bands of the era. Pop Yeh Yeh music faced disapproval from seasoned musicians who viewed the musicians as amateurs who had no music education and produced songs of poor quality. Through in-depth interviews with people in the music industry and analysing the music of local musicians recorded on vinyl records, this thesis shows that Pop Yeh Yeh music was inspired by and shared many similar characteristics with the popular bands and music of the United Kingdom in the 1960s. Although Pop Yeh Yeh was initially imitative of Western pop styles, local musicians such as L. Ramli and A. Rahman Hassan with their bands Orkes Teruna Ria and Orkes Nirwana eventually localized their music by integrating Malay asli vocal styles, the Malay language, and lyrics about Malaysian life with Western surf rock rhythms, vocal harmonies, and musical form. They also created album covers that illustrated people in Malaysian-style clothing, and scenes from Malaysia. This study shows that although Pop Yeh Yeh music followed western musical styles, local musicians included Malay characteristics and musical elements that made it unique to Malaysia
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