696 research outputs found
Delphine
No full textDelphine is one of the last great novels belonging to the epistolary tradition of the eighteenth century. Madame de Stael is an exception in the literary panorama of that time. In a fictional production that allows easy solutions, she sets the status of this genre at a very high level in defending it against its detractors. Without succeeding to compete with the great models of the past, Delphine is fully entitled to be placed next to two major novels of the day, Aline and Valcour and Oberman, of which it shares the crisis of values and language. The feminine and / or feminist discourse and the discourse of love are far from being a priority; the passion contained in this text is oriented primarily toward the social and political context in terms of legitimacy. Delphine appeals to the anti-Napoleonic opposition and, more generally, to all those who experience dramatically in their country the ostracism of ideas, eternal victims of the conflict between the individual and the prevailing ideology.
The undersigned has considered the philological part of the present edition included in Oeuvres Complètes: determination of the original edition, identification of the various editions, textual compilation and study of the alternatives. She has also introduced the volume in three parts: "Delphine et la tradition épistolaire", "Histoire des éditions" and "Etablissement du texte." The interest of this publication resides above all in the fact that it offers the public the true text of Delphine, which the author personally wanted and imagined. The editions of both 18th and 19th centuries circulated different texts. The text which is still today the most known among all was published posthumously by the son of Madame de Staël and comprises many interventions dictated by excessive filial solicitude
Les mangas amateurs français dans les fanzines de 1995 à 1997
No full textEn France, l’engouement pour les mangas et la japanimation a véritablement commencé à la fin des années 1980 avec la diffusion à la télévision de dessins animés japonais. Les premiers fans vont, à partir de 1994, publier des fanzines dans lesquels on trouve des bandes dessinées inspirées des mangas dont l’accès était compliqué (contrairement aux dessins animés japonais diffusés à la télévision). De jeunes autrices et auteurs d’à peine 20 ans vont chercher à imiter leur modèle asiatique, mais avec un bagage culturel européen qui intervient forcément dans leurs productions, que ce soit sur le plan de la langue ou de la gestion des codes de la bande dessinée.In France, towards the end of the 1980s, the appetite for mangas and Japanese animation began in earnest with the broadcasting of Japanese cartoons on French television. By 1994, early fans published fanzines containing comics inspired by mangas that were difficult to access (contrary to the Japanese cartoons on television). Young authors, most of them barely twenty years of age at the time, tried to emulate their Asian role models, but inevitably their own European cultural background intervened, may it be in the language or in the way they dealt with comic-book genre codes
Delphine Demelas, Sur un air épique, sur un air lyrique : célébrer le bon connétable. Édition critique et commentaires du manuscrit 428 (306) de la bibliothèque municipale d’Aix-en-Provence contenant La Chanson de Bertrand du Guesclin de Cuvelier suivie de pièces lyriques
No full textLe manuscrit Aix-en-Provence, bibliothèque municipale, 428 (306) contient deux ensembles de textes. Le premier, La Chanson de Bertrand du Guesclin, est un poème épique rimé retraçant la vie de Bertrand du Guesclin (1320-1380), modeste chevalier breton qui s’illustre lors de la première partie de la Guerre de Cent Ans et devient connétable de France. Cette biographie a été composée par un certain Cuvelier entre 1380 et 1385, peu après la mort du guerrier. Le second est un ensemble de sept pièces lyriques écrites en mémoire de Bertrand, dont certaines sont attribuées à Eustache Deschamps. La première œuvre, à la fois récit historique, épopée, éloge posthume, biographie et poème, tient une place de choix dans la production littéraire de l’époque, puisqu’elle est considérée comme étant la dernière chanson de geste à avoir été rédigée en français. Les poèmes à la gloire du connétable sont pleinement en adéquation avec le renouveau lyrique de la fin du Moyen Age. A travers ce travail, je souhaite faire découvrir ou redécouvrir ces textes mal connus. Dans trois volumes qui composent cette thèse sont fournis, avec la transcription de tous les textes originaux du manuscrit 428(306), la description des autres témoins, une étude littéraire incluant une analyse du contexte ainsi que de nouvelles informations sur l’auteur, une analyse linguistique du texte, des notes critiques, un glossaire, un index des noms propres, la liste des proverbes et une bibliographie sélective.The manuscript Aix-en-Provence, municipal library, 428 (306) contains two different texts. The first, La Chanson de Bertrand du Guesclin, is an epic poem telling the life of Bertrand du Guesclin (1320-1380), a Britain knight from a modest background who took part of the One Hundred Years War, and would become the constable of France. This biography has been written by a certain Cuvelier between 1380 and 1385, right after Bertrand’s death. The second is a set of seven lyric poems written in memory of Bertrand, three of which were written by Eustache Deschamps. The first text, historical, epic, biographical, and poetic at the same time, has a considerable importance in the literary production of the day as the last chanson de geste to be written in French. The poems celebrating the constable are fully in line with the lyric revival of the end of the 14th century. The three volumes of this edition provide the original text of the manuscript, descriptions of the other manuscripts, a literary review including a study of the context and new information about the author, a linguistic study, critical notes, a glossary, an index, a list of proverbs, and a bibliography
Les revues littéraires réunionnaises.Entretien avec Jean Erian Samson sur les revues littéraires réunionnaises des années 60-80.
No full textInternational audienceEntretien avec Jean Erian Samson sur les revues littéraires réunionnaises des années 60-80.Entretien du 10 juillet 2023 à la Bibliothèque départementale de La Réunion Jean Erian Samson est un poète haïtien, revuiste et doctorant en recherche-création à l'Université de Limoges.Dans le cadre de son master, Jean Erian Samson a traité deux revues culturelles réunionnaises, Bardzour et Fangok (parues dans les années 1970) qui ont été décisives dans la construction et la légitimation du champ littéraire réunionnais, il a décidé d'approfondir en thèse le champ littéraire, artistique et politiqu
The problems of contemporary society in the novels of Delphine de Vigan
No full textThe bachelor's thesis is focused on the literary works of the contemporary French writer Delphine de Vigan (*1966), who is known for her novels inspired by her own life experiences as well as negative aspects of modern civilization, particularly Jours sans faim (2001), No et moi (2007), Les heures souterraines (2009), and Les enfants sont rois (2021). The thesis introduces Delphine de Vigan and her literary work in the context of contemporary French literature, and analyses the ways in which the author addresses various current topics such as workplace relationships, homelessness, addiction, anorexia, and the impact of social media on children
"La mort justifie toujours les \ue2mes sensibles": \ue0 propos de Delphine
No full textAbstract: The article presents a literary criticism focusing on the theme of death in "Delphine," by Germaine de Sta\uebl. The author places this work in the context of nineteenth century secular and religious culture. The article examines how death was experienced both by characters in the book who were dying and their surviving family, friends, and neighbors
The focalization of autobiography "I am Nujood, age 10 and divorced" by Delphine Minoui
No full textthe writer concluded that I am Nujood, age 10 and divorced is one of autobiography which use "I" refers to Nujood ali as main character or internal focalizer. based on the findings, the writer found internal focalization dominated in autobiography in the novel then author presented internal focalization of this autobiography. because the thoughts or feelings are attributed to a character inside of the story, which thwn functions as internal focalizer so that it can be understood about the style used by the writer which expressed the thoughts and feelings of a character.ix, 40 page
Child bride in delphine minoui’s I am nujood, age 10 and divorced (2010) memoir: A feminist approach
No full textNujood, Age 10 and Divorced memoir. Delphine Minoui. The objective of this
study is to analyze the memoir based on its structural elements and to analyze the
memoir based on the feminist analysis.
In analyzing I Am Nujood, Age 10 and Divorced the researcher uses
qualitative method and feminist approach. The data sources consist of primary
data and secondary data sources. The primary data source is I Am Nujood, Age 10
and Divorced memoir and the secondary data sources are the other sources related
to the analysis such as books of literary theory, the author‟s biography, the
information of Yemen country and the other relevant information to analysis of
this research. The method of the data collection is library research. The technique
of data analysis is descriptive analysis.
The outcome of the study is shown in the following conclusions. First,
from the structural analysis of the memoir, it shows that Delphine Minoui wants
to illustrate and convey his idea about how women are subordinated being
exploited in patriarchal culture and how to speak child bride or child marriage.
Second, based on Feminist Approach, the conclusion is that there is child bride in
the Delphine Minoui‟s I Am Nujood, Age 10 and Divorced memoir. Delphine
Minoui creates that the inner strength of women will be more than the strength of
men when they show up. Women‟s character can break the type of women‟s
position, right, role and participation that are categorized by patriarchal culture
Reasoning on French Aspecto-Temporal Information in French within Conceptual Graphs
No full text@inproceedings{CI-CHARNOIS-2002, author = {Tassadit Amghar and Delphine Battistelli and Thierry Charnois}, title = {{Reasoning on French Aspecto-Temporal Information in French within Conceptual Graphs}}, booktitle = {Proceedings of the 14th IEEE International Conference on Tools with Artificial Intelligence (ICTAI'2002)}, pages = {315-324}, address = {Washington D.C., USA}, month = {November}, year = {2002} }International audienc
Le récit de filiation maternelle : réel, deuil et langage dans l’œuvre de Delphine de Vigan
No full textSince the eighties, publishing houses release a lot of memoirs about one’s mother and this enthusiasm reflects contemporaneous mankind’s concerns. In Delphine de Vigan, Annie Ernaux or Charles Juliet’s novels, this autobiographical literature straying onto the dead mother questions her origins but also encourages the author to deal with the emptiness and fragmentation of his own identity. By fixing these problematical filiations in literature, author and reader mourn over their mother but also grieve the possibility of catching reality. The filiation narrative about one’s mother replaces this desire by a new literary transmission welcoming suspicion and enlightening the blind legacies.Depuis les années quatre-vingts, le récit de filiation maternelle fait l’objet d’un engouement éditorial qui reflète les préoccupations du sujet contemporain. Chez Delphine de Vigan, Annie Ernaux ou encore Charles Juliet, cette écriture de soi par le détour interroge les origines de la mère morte mais conduit aussi son auteur à questionner la vacance et la fragmentation de sa propre identité. En fixant textuellement ces filiations biologiques problématiques, auteur et lecteur font le deuil de la mère mais aussi de la possibilité de déchiffrer le réel. Le récit de filiation maternelle substitue à ce désir une nouvelle transmission littéraire qui accueille le soupçon et éclaire les héritages aveugles
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