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„Róbmy swoje!”, czyli ethos inteligencki w nowoczesnej parenezie Wojciecha Młynarskiego
Full text linkThe article contains a semantic and stylistic analysis of the song by Wojciech Młynarski entitled Let’s Do What Is Ours! (Pol. Róbmy swoje!), carried out with particular emphasis on the axiological intention of the author. The work promoting the attitude of intellectual courage, creative activity and perseverance, which serves the civilization values verbalized by the author in the form of a triad “culture, art, freedom of speech”, was considered a modern paraenesis, in which numerous linguistic and literary means (and in particular the title phrase, which became a winged word) were used to shape the worldview of the audience. The text has been reviewed against the artist’s entire legacy, the usefulness of which for didactics of Polish was reflected in the new base for teaching program for high school.Artykuł zawiera analizę semantyczną i stylistyczną piosenki Wojciecha Młynarskiego pt. Róbmy swoje!, przeprowadzoną ze szczególnym uwzględnieniem aksjologicznej intencji nadawcy. Utwór ten zachęca do odwagi intelektualnej, twórczej aktywności i wytrwałości, a propagowana w nim postawa ma służyć wartościom cywilizacyjnym zwerbalizowanym w postaci triady „kultura, sztuka, wolność słowa”, uznano go zatem za nowoczesną parenezę, w której różnorodne środki językowe i literackie (a w szczególności tytułowa fraza, która stała się skrzydlatym słowem) posłużyły kształtowaniu światopoglądu odbiorców. Tekst został poddany oglądowi na tle całej spuścizny artysty, której przydatność w dydaktyce polonistycznej znalazła odzwierciedlenie w nowej podstawie programowej
“Let’s Do What Is Ours!”, or about the Intellectual Ethos in a Modern Paraenesis by Wojciech Młynarski
No full textArtykuł zawiera analizę semantyczną i stylistyczną piosenki Wojciecha Młynarskiego pt. Róbmy swoje!, przeprowadzoną ze szczególnym uwzględnieniem aksjologicznej intencji nadawcy. Utwór ten zachęca do odwagi intelektualnej, twórczej aktywności i wytrwałości, a propagowana w nim postawa ma służyć wartościom cywilizacyjnym zwerbalizowanym w postaci triady „kultura, sztuka, wolność słowa”, uznano go zatem za nowoczesną parenezę, w której różnorodne środki językowe i literackie (a w szczególności tytułowa fraza, która stała się skrzydlatym słowem) posłużyły kształtowaniu światopoglądu odbiorców. Tekst został poddany oglądowi na tle całej spuścizny artysty, której przydatność w dydaktyce polonistycznej znalazła odzwierciedlenie w nowej podstawie programowej.The article contains a semantic and stylistic analysis of the song by Wojciech Młynarski entitled Let’s Do What Is Ours! (Pol. Róbmy swoje!), carried out with particular emphasis on the axiological intention of the author. The work promoting the attitude of intellectual courage, creative activity and perseverance, which serves the civilization values verbalized by the author in the form of a triad “culture, art, freedom of speech”, was considered a modern paraenesis, in which numerous linguistic and literary means (and in particular the title phrase, which became a winged word) were used to shape the worldview of the audience. The text has been reviewed against the artist’s entire legacy, the usefulness of which for didactics of Polish was reflected in the new base for teaching program for high school
„Ogień z pogańskiego chramu – sacrum” jako domena pojęciowa metafor w najnowszej polskiej poezji erotycznej
Full text linkThe fire from the pagan temple – sanctity as a source domain of metaphors in Polish love poetry of recent years
The article presents a survey of love metaphors based on the conceptual domain of sanctity. The analyzed metaphors come from Polish poems published after the year 1989. The objects of particular interest are the ways in which the metaphors correspond with or depart from literary and folk conventions of various aspects of eroticism described in the categories of divinity, sanctity or, on the contrary, sinfulness. The research confirmed the predominant liveliness of the tradition of referring to the Judaic and Christian sacred in love poems, although references to the category of paganism, to gods of ancient Greece and Rome and to other religions were also found. The author suggested that the popularity of sacred metaphors of erotic love can be connected with the weakening of the taboo.The fire from the pagan temple – sanctity as a source domain of metaphors in Polish love poetry of recent years
The article presents a survey of love metaphors based on the conceptual domain of sanctity. The analyzed metaphors come from Polish poems published after the year 1989. The objects of particular interest are the ways in which the metaphors correspond with or depart from literary and folk conventions of various aspects of eroticism described in the categories of divinity, sanctity or, on the contrary, sinfulness. The research confirmed the predominant liveliness of the tradition of referring to the Judaic and Christian sacred in love poems, although references to the category of paganism, to gods of ancient Greece and Rome and to other religions were also found. The author suggested that the popularity of sacred metaphors of erotic love can be connected with the weakening of the taboo
„Niewielkie słowo przyzwoitość” – o poetyckiej refleksji metajęzykowej Wojciecha Młynarskiego
Full text linkThis article deals with the forms and functions of poetic reflection on selected varieties, styles, and discourses of the Polish language. The study is based on Młynarski’s entire oeuvre, including books, archival materials (from the Museum of Literature in Warsaw), and concert recordings. The methodological framework draws on linguistic and literary studies of metalanguage (Jakobson 1960; Mayenowa 1979; Okopień-Sławińska 2001; Bolecki 1985; Korpysz 2001; Głowiński 2009; Pajdzińska 2021), complemented by tools from linguistic stylistics. The author discusses the most significant strategies for creating the “represented worlds” (Bolecki 1985) of the Polish language, and organizes the analyzes it into the categories of “other people’s”, “alien”, and “own” speech. Moreover, the article indicates the need to reconsider the traditional understanding of the metalinguistic function, particularly as it relates to the category of material supposition
O kilku innowacyjnych sposobach językowego ujęcia relacji „homo–animal” w mowie współczesnych miłośników zwierząt
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A few innovative ways of speaking about homo-animal relationships by contemporary animal loversThe study concerns the communication habits of animal lovers, considered against the background of the linguistic picture of the world, which is generally anthropocentric. The research material are comments posted on hobby websites. The analyses allowed the author to observe the active, reflective and critical attitude of many representatives of the community towards linguistic conventions. Its members attempt a dialogue with the tradition by using innovative expressions of people in relation to animals and animals in relation to people, new ways on naming the process of teaching the animal, as well as its death. However, the texts that speak of the latter case revealed the same need, which had a profound impact on the image of living beings in general Polish language — the imperative to distinguish between what is considered to be specifically human and that which is common throughout nature.
A few innovative ways of speaking about homo-animal relationships by contemporary animal loversThe study concerns the communication habits of animal lovers, considered against the background of the linguistic picture of the world, which is generally anthropocentric. The research material are comments posted on hobby websites. The analyses allowed the author to observe the active, reflective and critical attitude of many representatives of the community towards linguistic conventions. Its members attempt a dialogue with the tradition by using innovative expressions of people in relation to animals and animals in relation to people, new ways on naming the process of teaching the animal, as well as its death. However, the texts that speak of the latter case revealed the same need, which had a profound impact on the image of living beings in general Polish language — the imperative to distinguish between what is considered to be specifically human and that which is common throughout nature
Motto as a space for interference of worldviews. Dialogues of the subjects in the metatextual frame of Shah of Shahs and The Soccer War
No full textThe article brings analyses of semantics and functions of mottos in two documentary books by
Ryszard Kapuściński: Shah of Shahs and The Soccer War. These are special kind of quotes because
their subjects represent types of rationality, which are very different from the way of thinking about
the world, which can be attributed to the reporter, who is the intellectualist from Europe, educated
historian with historiosophical interests. The speakers in mottos in Shah of Shahs are small children,
while The Soccer War is opened by a prayer of the leader of Girkua people from South Africa. Both
of these types of actors involved – the children and the African – have something in common because
in the traditional image of the world imbued in Polish they were associated with naivety and
irrationality. Nevertheless children are also thought to be able to get a deeper, mystic insight into
reality.
The methodological basis of the study is the theory of linguistic picture of the world and the
concept of relativity within language. The text also refers to psychological ideas about the role of
narratives in individual identity. Using these analytical tools, the author shows how the metatextual
frames enrich and universalize the expert, historiosophical interpretation of wars and revolutions.Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00
Lubię wrony – poet’s words and cultural scripts
No full textArtykuł dotyczy sposobów przejawiania się w tekście artystycznym utrwalonych w języku i kulturze intersubiektywnych wyobrażeń o przyrodzie. Bazę materiałową stanowi piosenka Wojciecha Młynarskiego pt. Lubię wrony oraz dwa inne utwory poetyckie wchodzące z nią w relacje o charakterze intertekstualnym: List do KIG z Łodzi W. Młynarskiego i Wierszyk o wronach K.I. Gałczyńskiego. Podstawą metodologiczną opracowania jest teoria skryptów kulturowych, w połączeniu z kognitywnymi koncepcjami obrazowania oraz amalgamatu konceptualnego. Analizy pokazują, w jaki sposób wspólna wiedza kulturowa zostaje przez Młynarskiego poddana artystycznej reinterpretacji w celu wyrażenia własnego patriotyzmu w formie odbiegającej od skonwencjonalizowanych sposobów ekspresji takiej postawy.The paper concerns various manifestations of intersubjective images of nature, established in language and culture, in an artistic text: Wojciech Młynarski’s song Lubię wrony, and two other poetic works which have intertextual relationships with it: List do KIG z Łodzi by the same author, and Wierszyk o wronach by K.I. Gałczyński. Methodologically, the paper is based on the theory of cultural scripts combined with cognitive concepts of imaging and conceptual blending. The analysis presented reveals the way in which Młynarski reinterprets shared cultural knowledge in order to express his own patriotism in a form which differs from conventionalized ways of expressing such an attitude
The Metatextual and Intertextual Dimension of the Motto from The New Athens by Benedykt Chmielowski, as Used in The Emperor by Ryszard Kapuściński
No full textThe article discusses the metatextual and intertextual dimension of one of the mottos for The Emperor by Ryszard Kapuściński, which is a quote from The New Athens by Benedykt Chmielowski. The latter was the first Polish encyclopaedia, which was highly undervalued by traditional authorities in the field of literary history, for it failed to meet the intellectual standards of the Enlightenment and was marked with the anachronistic mentality of the Saxon times. The analysis relates to the way in which Chmielowski’s motto provides an interpretative frame for the controversial book by Kapuściński, devoted to the decline and fall of the oldest African Empire – Ethiopia – in the 1960s and 1970s. The author of the paper’s main focus falls on the relationship between the meaning of the source text and the semantics of modern reportage, the role played by the popular image of Benedykt Chmielowski in the process of interpretation, the relationship between the quote and the archaic style of The Emperor, and the ways in which the quote from The New Athens interacts with the other mottos of the book – the multiplicity of which signals a new narrative strategy used by the reporter and writer
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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