3,077 research outputs found
Marli Wunder: fotografia e criação dinâmica
No full textHe text is about the process of creation of the Brazilian plastic artist Marli Wunder. We will see how the artist deals with matter in its artistic making until it reaches what Tim Ingold (2017) announces as "giving life to things". The work is intrinsically linked to life. The matter of things, the crossings, the affections, the sensations and the senses also take place in the space between (thing-image-thought). We will take a dive into some the creative process of Wunder to watch the networks that help create. We will see sections of the artist's notebook, the affections and lines of force that make the work operate, the researches and how the invention of her work is a dynamic process. Finally, we will observe how the selection and the collection of materials happens, and also, to approach the space of the street to the house of the artist in the attempt to notice that these places also works like opening laboratories to the creation.El texto versa sobre el proceso de creación de la artista plástica brasileña Marli Wunder. Veremos cómo la artista trata con la materia en su hacer artístico hasta llegar a lo que Tim Ingold (2017) anuncia como "dar vida a las cosas". La obra está intrínsecamente ligada a la vida. La materia de las cosas, los atravesamientos, los afectos, las sensaciones y los sentidos también se dan en el espacio del entre (cosa-imagen-pensamiento). Haremos una inmersión em algunos de los procesos creativos de Wunder para observar las redes que agencian la creación. Veremos fragmentos del cuaderno de la artista, los afectos y las líneas de fuerza que hacen la obra operar, las investigaciones y cómo la invención de su trabajo es un proceso dinámico. Por último, vamos a observar cómo ocurre la selección y la recolección de materiales, y aún, acercar el espacio de la calle a la casa de la artista en el intento de notar que estos lugares también funcionan como laboratorios abiertos a la creación.Este texto versa sobre o processo de criação da artista plástica brasileira Marli Wunder. Veremos como a artista lida com a matéria em seu fazer artístico até chegar àquilo que Tim Ingold (2017) anuncia como “dar vida às coisas”. A obra está intrinsecamente ligada à vida. A matéria das coisas, os atravessamentos, os afetos, as sensações e os sentidos também se dão no espaço do entre (coisa-imagem-pensamento). Faremos um mergulho em alguns processos criativos de Wunder para observar as redes que agenciam a criação. Veremos trechos do caderno da artista, os afetos e as linhas de força que fazem a obra operar, as pesquisas e como a invenção do seu trabalho é um processo dinâmico. Por fim, vamos observar como acontece a seleção e a coleta de materiais, e ainda aproximar o espaço da rua à casa da artista na tentativa de notar que estes lugares também funcionam como laboratórios abertos à criação
Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).
No full text<p>Censorship and claims making regarding problem framing in 5 published
RCT's on social anxiety (as identified by the author and Amanda
Reiman, PhD).</p
Unveiling Melodies in Shadows: An Analysis of Swedish Female Composer Amanda Maier’s Sonata for Violin and Piano in B Minor
No full textAmanda Maier (1853−1894), a pioneering Swedish violinist and composer of the late nineteenth century, holds a unique place in music history as the first-ever female music director in Sweden. Despite her significant achievements, her compositions have remained relatively unknown. Therefore, the document aims to illuminate Amanda Maier's violin works, focusing on investigating her violin sonata in terms of violin performance and pedagogy. Specifically, the study offers insights into the performance techniques employed and provides other pertinent pedagogical suggestions for each movement. The document features an introductory chapter and a review of the historical context of Maier's life and the violin sonata. Subsequent chapters shift the focus to performance practice and pedagogical suggestions with theoretical analysis. One distinctive feature of the study is the inclusion of practice exercises composed originally by the author, tailored specifically to the techniques found in the sonata. These exercises aid practitioners in incorporating Maier's violin sonata into their program. The study assists violinists in diversifying their performance and teaching literature. It seeks to inspire renewed appreciation for Amanda Maier's artistic legacy because it is important to recognize the remarkable contributions of women in the classical music industry, and Amanda Maier, an underrepresented composer, exemplifies this. The document not only contributes to music research but also enhances pedagogical practices, fostering a more inclusive and equitable environment for female composers in the classical music world
Belonging: natural histories of place, identity and home
No full textCanongate's synopsis:
"Reflecting on family, identity and nature, Belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy – home to standing dead trees known as snags, which support the overall health of the forest.
Belonging is a book about how we are held in thrall to elements of our past. It speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves.
Beautifully written and featuring Amanda Thomson’s artwork and photography throughout, it explores how place, language and family shape us and make us who we are."
Longlisted for the Highland Book Prize, 2023
Some of the reviews...
Outstanding - ROBERT MACFARLANE
Amanda Thomson’s new book manages to carve out a distinctive niche for itself . . . This is a passionate book and infused with a sense of rootedness - STUART KELLY, The Scotsman
In recent years rural landscapes have turned into battlegrounds, and nature writing has become increasingly polemical. Belonging is a quiet book of questions in a genre full of answers, but it is all the more powerful and beautiful for this - PATRICK GALBRAITH, TLS
One of the best things I have read in ages . . . Quiet and beautiful and powerful - ALYS FOWLER
Thomson writes of the natural in a way I have yet to encounter before. There is no real hoo-haa, no flowery description of which to speak yet somehow, I came away with that ache inside me — that renewed obsession with the world that is only borne of a very particular kind of writing — poetic, loving, raw . . . Like no other - KERRI Ní DOCHARTAIGH, Caught by the River
In strikingly original takes on Scottish history, environmentalism, Black feminist theory, artmaking, list-making, memory, and memoir, Thomson crafts a cadence that is as wise as it is vitally alive. - MARGOT DOUAIHY, author of Scorched Grac
Interview with Amanda Huron, author, Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C.
No full textIs modern capitalism too far advanced in the U.S. to create common property regimes? Are there models for what an Urban Commons might look like? Join us as we speak with Amanda Huron, author of Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C. (University of Minnesota Press, 2018). She’ll help us understand the theory and practice of Limited Equity Housing Cooperatives and the affordability, control, stability, and community they can provide to low-income communities and the people who live in them
Kathleen Jamie, Chitra Ramaswamy & Amanda Thomson: Antlers of Water - Live Event
No full text‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape.
The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’
In a discussion led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us.
This is a live event, with an author Q&A.
Part of the Edinburgh International Book Festival Making Climate Change Personal festival theme
Amanda Galvan Huynh, 46th Annual ODU Literary Festival
No full textAmanda Galvan Huynh (she/her) is a Xicana writer and educator from Texas. She is the author of a chapbook, Songs of Brujería (Big Lucks September 2019) and Co-Editor of Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (The Operating System 2019). Her debut poetry collection, Where My Umbilical is Buried, is forthcoming in March 2023 with Sundress Publications. Amanda has been nominated for the Pushcart Prize, Best New Poets, and Sundress Publications’ Best of the Net. She was a 2016 AWP Intro Journal Project Award Winner, 2018 Best of the Net Winner, a finalist for the 2015 Gloria Anzaldúa Poetry Prize, and a finalist for the 2017 Poetry Society of America Chapbook Fellowship. Her poetry can be read in print and online journals such as Hayden’s Ferry Review, Puerto del Sol, The Southampton Review, and others.
Amanda earned her MFA in Poetry at Old Dominion University, BA in English at the University of Texas at Arlington, and BA in Biology at the University of Texas at Dallas. Currently, she is a doctoral student in English at the University of Hawaiʻi at Mānoa
Amanda Galvan Huynh, 44th Annual ODU Literary Festival
No full textAmanda Galvan Huynh is a Mexican American writer and educator from Texas. She is the author of Lotería (Sundress Publications, 2022), Songs of Brujería (Big Lucks, 2019) and co-editor for Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (Operating System, 2019). Her writing has been supported by fellowships and scholarships from MacDowell, Vermont Studio Center, Robert Rauschenberg Foundation, Virginia Center for the Creative Arts, and others. She received a Master of Fine Arts in creative writing from Old Dominion University, and she is a doctoral student in English at the University of Hawai’i at Mānoa
Wunder, Amanda. Baroque Seville: Sacred Art in a Century of Crisis. University Park, PA: Pennsylvania State University Press, 2017. Pp. xviii + 209 + 95 illustrations. $84.95, cloth
No full textpost-refereed, pre-print version, de acuerdo con Book review guidelines. Publicado en: Religion and the Arts, 22(5) (2018), 695-697. DOI: https://doi.org/10.1163/15685292-02205014The baroque period in Seville was a fertile field for the fine arts. Thanks to the royal decree awarding the city the monopoly of trade with the new world, Seville experienced the increasing importance that commerce and management of all the issues related to the colonies brought, and it became the biggest and most important city in Spain. These conditions motivated noble citizens and the Seville Cathedral chapter to commission artistic works for processions and masses to protect the city by strengthening the faith of its inhabitants. Artists like Juan de Mesa (1583-1627), Juan Martínez Montañes (1568-1649), Bartolomé Estéban Murillo (1617-1682), Juan de Valdés Leal (1622-1690), and Pedro Roldán (1624-1699), among many others, were the beneficiaries and developed their work in the city.
The book by Amanda Wunder explores what she calls these medios divinos (divine methods), which at this time were widespread in the city, in the words of the author "as an authoritarian effort to preserve a conservative regime and divert the masses from their real problems". In contrast to medios humanos (human methods) for which the rulers of the city showed no great interest, these sacred artworks received enormous amounts of money to promote unity and civic identity around the creed. ..
Women, Work, More: Working Mothers & the Pressures of Motherhood — with Amanda Watson
No full textAmanda Watson is an author, lecturer, researcher, and mother of two. Her new book, The Juggling Mother: Coming Undone in the Age of Anxiety, is available from UBC Press. She is a Lecturer in the Department of Sociology and Anthropology at Simon Fraser University, and has a focus on feminist teaching and learning. Amanda teaches and studies theories of labour, capitalism, motherhood, care, representation, and popular culture. She also writes opinions for newspapers and magazines. Her next book project explores the politics of the BirthStrike movement for climate justice. Resources:— The Juggling Mother: Coming Undone in an Age of Anxiety: www.ubcpress.ca/the-juggling-mother— Amanda\u27s website: www.amandadwatson.com/— Amanda Watson & the birthstrike movement: www.sfu.ca/sociology-anthropol…on-sshrc-grant.htm
- …
