5,370 research outputs found
Marcus Joseph Wright memoirs, MSS.1585
No full textAbstract: An incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA."Scope and Content Note: The collection contains an incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA," which includes a family genealogy, and accounts of his early life in Tennessee and his career.Biographical/Historical Note: Confederate General and author from Tennessee
Marcus on Belief and Belief in the Impossible
No full textI review but don’t endorse Marcus’ arguments that impossible beliefs are impossible. I defend her claim that belief’s objects are, in some important sense, not the bearers of truth and falsity, discuss her dispositionalism about belief, and argue it’s a good fit with the idea that belief’s objects are Russellian states of affairs.
Reviso, pero no suscribo, los argumentos de Marcus a favor de que las creencias imposibles son imposibles.
Defiendo su tesis de que los objetos de las creencias no son, en algún sentido importante, los soportes
de la verdad y la falsedad; discuto su disposicionalismo acerca de las creencias y argumento que encaja bien
con la idea de que los objetos de las creencias son estados de cosas russellianos
Freie Hansestadt Bremen, Marcus-Brunnen im Bürgerpark
No full textFREIE HANSESTADT BREMEN, MARCUS-BRUNNEN IM BÜRGERPARK
Freie Hansestadt Bremen, Marcus-Brunnen im Bürgerpark ( -
Marcus Aurelius
No full textBy John Sellars Author: SELLARS, John. Reader in Philosophy, Royal Holloway University of London Reference: Marcus Aurelius. Abingdon: Routledge, 2020, x + 146 pp., ISBN 9780367146078 In this new study, John Sellars offers a fresh examination of Marcus Aurelius’ Meditations as a work of philosophy by placing it against the background of the tradition of Stoic philosophy to which Marcus was committed. The Meditations of Marcus Aurelius is a perennial bestseller, attracting countless..
Ben Marcus, 19th Annual ODU Literary Festival
No full textBen Marcus is the author of The Age of Wire and String, published recently by Alfred A. Knopf. His short fiction has appeared in Grand Street, The Iowa Review, The Pushcart Prize Anthology, The Mississippi Review, The Quarterly, Conjunctions, and Story Quarterly. He was born in Chicago in 1967 and grew up in the Midwest and in Europe, New York and Texas. His undergraduate degree was earned in philosophy at New York University. He received an M.F.A. from Brown University, and has since taught writing in New York, Texas, and Virginia. He is a senior editor of the literary journal Conjunctions, and will present a section of new fiction chosen for the spring issue, Sticks and Stones. Presently he lives in Virginia, where he is an assistant professor at Old Dominion University
Portrait of Marcus Bach
No full textPortrait depicts Marcus Bach, noted author and philosopher and educator of religious studies
Transcendence in the World of the Wu-Tang Clan
No full textIn over three decades since their 1993 debut, the hip-hop artists known as RZA and Wu-Tang Clan created a world whose significance (for them) transcends the local contingencies of time, place, race, and religion. Whether it is by their creating a world based on filmic myths, by their conquering the world via hip-hop and finding their destiny in a Chinese sacred landscape, by their making themselves symbolic of a perennial worldview, or by their reimagining of their possibilities against the historical terrors of racism, in each case we find an ongoing quest for transcendence that at least for their leader, RZA, demonstrates the meaning of the Wu-Tang Clan.
This study sets out to demonstrate this latter point. Framing its discussion in terms of world and worldmaking, I argue that the fundamental thread of significance that ties together the mythical world of the Wu, especially from the perspective of RZA, is a quest for transcendence, a project that is replete with stylistic, spiritual, existential, cross-cultural, and racial implications. While this is no biography of the Wu-Tang Clan, each chapter, starting with Chapter 2, asks how and why this quest takes shape in a sequentially ordered discussion of Wu’s worldmaking career.
In arguing my point, I mainly take a phenomenological approach to RZA and the Wu-Tang Clan’s cultural productions, describing and interpreting various forms of Wu-associated media (songs, compact discs, album concepts and graphic designs, films, books, and more) from 1993 to the early 2020s. Between the practices of cultural criticism and interpretation, the study also draws from and contributes to Afro-Asian studies and Religious Studies.DissertationDoctor of Philosophy (PhD)This is a study of the Wu-Tang Clan, a hip-hop group from Staten Island, New York. It argues that for over two decades since their 1993 debut, the Wu-Tang Clan has come to produce not only a long resume of music and other media but a mythic world. Furthermore, for the purpose of maintaining this world across time, Wu’s leader, RZA (pronounced “Rizah’), has aimed to make the Wu-Tang Clan symbolic of a universal worldview that transcends their local culture, history, place of origin, religion, and race
Clan in Da Front - Wu-Tang: An American Saga Review
No full text@MarcusSmalls is a Teaching Artist and writer who uses his lifelong love of Hip Hop to moderate creative environments around spirituality and identity. He has been a writer in residence at Teachers & Writers Collaborative and a WritersCorps fellow at Bronx Council on the Arts and is the recipient of the 2021 St. Luke’s Alumni Artistic Achievement Award. Marcus has workshopped with award winning authors, M. Evelina Galang at VONA/Voices in 2015 and A. Naomi Jackson in Catapult’s Master Class in 2017. Marcus is currently featured on The MixTape Museum website. Marcus is a Teaching Artist for the Brooklyn Academy of Music (BAM) and is currently querying Literary Agents for his debut novel, The Divine Sinner Chronicles
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