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Work of Frank Lloyd Wright
No full textArchitectural projects and/or sites mentioned: H. W. Bassett House (Frank Lloyd Wright, 1894) (Oak Park, Illinois) ; Charles E. Roberts House (Frank Lloyd Wright, 1896) (Oak Park, Illinois) ; Quadruple Block Plan (unbuilt) (Frank Lloyd Wright, 1901) ; Robie House (Frank Lloyd Wright, 1908-1910) (Chicago, Illinois) ; Plan of Chicago (Daniel Hudson Burnham, 1909) (Chicago, Illinois) ; Taliesin (Frank Lloyd Wright, 1911) (Spring Green, Wisconsin) ; City Residential Land Development (unbuilt) (Frank Lloyd Wright, 1913) (Chicago, Illinois) ; Ocatilla Desert Camp (Frank Lloyd Wright, 1927) (Arizona) ; Rush City Reformed (unbuilt) (Richard Joseph Neutra, 1927) ; San Marcos In The Desert (unbuilt) (Frank Lloyd Wright, 1928-1929) (Chandler, Arizona) ; Malcolm Willey House (Frank Lloyd Wright, 1932-1934) (Minneapolis, Minnesota) ; Herbert Jacobs House I (Frank Lloyd Wright, 1936-1937) (Madison, Wisconsin) ; Fallingwater (Frank Lloyd Wright, 1936-1939) (Mill Run, Pennsylvania) ; Taliesin West (Frank Lloyd Wright, 1937) (Scottsdale, Arizona) ; Suntop Homes (The Ardmore Experiment) (Frank Lloyd Wright, 1938-1939) (Ardmore, Pennsylvania) ; Herbert Jacobs House II (Frank Lloyd Wright, 1938-1943) (Middleton, Wisconsin) ; Loren Pope House (Frank Lloyd Wright, 1939) (Falls Church, Virginia) ; Theodore Baird House (Frank Lloyd Wright, 1940) (Amherst, Massachusetts) ; Cloverleaf Quadruple Housing (Frank Lloyd Wright, 1942) (Pittsfield, Massachusetts) ; Carver Court (George Howe and Louis I. Kahn and Oscar Stonorov, 1942-1944) (Caln Township, Pennsylvania) ; Lowell Walter House (Frank Lloyd Wright, 1945) (Quasqueton, Iowa) ; Parkwyn Village (Frank Lloyd Wright, 1947) (Kalamazoo, Michigan) ; Pittsburgh Point Civic Center (unbuilt) (Frank Lloyd Wright, 1947-1948) (Pittsburgh, Pennsylvania) ; The Acres (Frank Lloyd Wright, 1947-1954) (Charleston Township, Michigan) ; Isadore J. Zimmerman house (Frank Lloyd Wright, 1950) (Manchester, New Hampshire) ; Robert Llewellyn Wright House (Frank Lloyd Wright, 1953) (Bethesda, Maryland) ; Price Tower (Frank Lloyd Wright, 1953-1956) (Bartlesville, Oklahoma) ; William Thaxton House (Frank Lloyd Wright, 1954) (Houston, Texas) ; Arthur Miller House (unbuilt) (Frank Lloyd Wright, 1956) (Roxbury, Connecticut) ; The Illinois (unbuilt) (Frank Lloyd Wright, 1956) (Chicago, Illinois) ; Housing for Negro Families for Jesse Fisher (unbuilt) (Frank Lloyd Wright, 1957) (Whiteville, North Carolina) ; David Wright House (Frank Lloyd Wright) (Phoenix, Arizona) ; Usonia Historic District (Frank Lloyd Wright) (Pleasantville, New York)Audio files are EID restricted. Individuals without an EID should send an email request to [email protected] Librarie
Frank Lloyd Wright in Iowa
No full textWhy "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The state's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings.This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission.</p
The Wendingen Edition: What Frank Lloyd Wright wanted Holland to know in 1925
No full text‘I believe that Holland will go far along the line of architecture; it is there that the architects seem to have taken root in my work,’ Frank Lloyd Wright told his wife-to-be Olgivanna on the day in 1925 that the Wendingen Edition arrived at Taliesin.1 And to this he added, ‘the enlightened minority does seem at this time to be strongest in Holland.’This accepted book chapter is published as Daniel Naegele, "The Wendingen Edition: What Frank Lloyd Wright Wanted Holland to Know in 1925", in eds. Sjoerd van Fassen, Carola Hein, and Phoebus Panigyrakis, Dutch Connections: Essays on international relationships in architectural history in honour of Herman van Bergeijk (Rotterdam: TU-Delft,(2020) Chapter 17; p207-216. (https://books.bk.tudelft.nl/index.php/press/catalog/book/780 ). </p
Letter from Daniel K. Inouye, United States Senator to Minoru Frank Saito, August 24, 1989
No full textA copied letter from Daniel K. Inouye, United States Senator to Minoru Frank Saito regarding funding for the Civil Liberties Act of 1988
Authenticity and the popular appeal of Frank Lloyd Wright
No full textThe inside cover of the January 17,1938 Life magazine featured a photograph of the recently completed Kaufmann weekend house,'Fallingwater,' designed by America's best known architect, the then 70-year-old Frank Lloyd Wright: The house is shown emerging from thick woods, hovering above flowing water.The view is not from the approach to the house or from within, but from the outside, downstream, a vantage point that renders the conceptual idea of the house in its entirety: the magic of immense heaviness levitating; the Biblical metaphor of water from rock; an exclusive retreat alone in acres of wooded paradise.This chapter is from Amerikaanse dromen Frank Lloyd Wright en Nederland, ed. Herman van Bergeijk (Rotterdam: Uitgeverij 010, 2008). Posted with permission.</p
Plagued by Fire: The Dreams and Furies of Frank Lloyd Wright
No full textReview of: Plagued by Fire: The Dreams and Furies of Frank Lloyd Wright, by Paul Hendrickso
Letter from Daniel K. Inouye, United States Senator, July 25, 1989
No full textA copied letter from Daniel K. Inouye, United States Senator to Minoru Frank Saito. He details how he learned the incarceration experiences from his fellow Nisei soldiers on the mainland and expresses his regret for his reluctance to participate in the debates. Minoru Frank Saito's brother, James Osamu Saito wrote a note commenting on the letter. His note is found in item: csudh_sai_0198
Espacio dinámico: recorridos en la arquitectura de Le Corbusier y Frank Lloyd Wright
No full textEl trabajo ofrece una investigación sobre el Espacio Dinámico a través de la arquitectura de dos de los arquitectos más influyentes: Le Corbusier y Frank Lloyd Wright. El acercamiento a dicho concepto no pone el foco directamente sobre aquellos edificios donde puede darse el espacio denominado como dinámico, sino que ofrece un recorrido a través del cual se irá descubriendo y entendiendo la idea según se avanza en la propia lectura.Universidad de Sevilla. Grado en Fundamentos de la Arquitectur
Waiting for the Site to Show Up. Henry Luce Makes Frank Lloyd Wright America’s Greatest Architect
No full textHenry Luce, owner of “Life”, “Time”, “Fortune” and “Architectural Forum”, recognized Frank Lloyd Wright’s immense charisma and talent and featured both the architect and his work in all four of his renowned popular press journals in January 1938 – though clearly he did so for his own ends. Luce believed fervently in America. In 1937, the German architects Mies van der Rohe and Walter Gropius migrated to the USA to assume leadership of two of its nest schools of architecture. Luce countered this promotion of European architecture by featuring Wright in his four journals. Despite Wright’s immense unpopularity at the time, Luce put him on the cover of “Time” and prominently presented him and his work in “Life”, “Fortune”, and “Architectural Forum”. That Luce’s ideals were not the same as those of Wright mattered little. With Luce’s endorsement, Wright became the most popular American architect in history, a position he retains to this day. But how very odd that decidedly arti cial mediation could so effectively disseminate and popularize an architecture whose essence was authenticity
The Book of Daniel and manticism: a critical assessment of the view that the Book of Daniel derives from a mantic tradition
No full textThis dissertation examines the consensus view that is based on Hans-Peter
Müller's 1969 and 1972 articles: Daniel was a mantic wise man in the Mesopotamian
ASA
court, and this was the self-understanding or aspiration of the maskilim of Dan 11:33, 35,
12:3, 10, who wrote the book. Chapter 1 reviews the arguments that make the mantic connection and Chapter 2 concludes that a direct connection with the Danes of Aqht, Ezek, and Jub, and with the angel in 1 Enoch should be rejected. There is evidence that the
tradition of a priest in Ezra 8: 2 and Neh 10: 7, and found also in the superscription to
the Old Greek of Bel, and 4 Ezra 12:10-11, and suggested the name.
Chapter 3 concludes that the portrayal of the court diviners in Dan 1-6 is wholly
negative and includes both the diviners, and the essence of the professions, i. e., the
ability to interpret a divine revelation. The critique is conveyed through the story line,
explicit criticisms, irony, and humour. Chapter 4 concludes that Daniel, the interpreter
of dreams and the writing on the wall, is distinguished from every other character and role. In the final form of Dan, Daniel as the divinely assisted each time he interprets, just as when he receives help from an interpreting angel in Dan 7-12.
Chapter 5 demonstrates that the portrayal of Daniel as the divinely assisted
interpreter makes sense of the reinterpretation of old prophecies against the Assyrians
as prophecies against Antiochus IV Epiphanes. Hab 2:2-4 and Isa 52-53 were also
understood as predictions about the maskilim themselves. Comparisons are then made
with the Teacher of Righteousness, the writers of the Hodayot, and with three Essenes
portrayed by Josephus. These too were portrayed as divinely assisted interpreters
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