1,721,237 research outputs found
Witt, J H, 24995
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/426854Surname: WITT. Given Name(s) or Initials: J H. Military Service Number or Last Known Location: 24995. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 47449.248869
Item: [2016.0049.59115] "Witt, J H, 24995
Witt, J. K. (2019). The Perceptual Experience of Variability in Line Orientation is Greatly Exaggerated
No full textCorresponding materials for Witt, J. K. (2019). The Perceptual Experience of Variability in Line Orientation is Greatly Exaggerated. Journal of Experimental Psychology: Human Perception and Performance, 45(8), 1083-1103
Witt, J. K. (2019). The Perceptual Experience of Variability in Line Orientation is Greatly Exaggerated
No full textCorresponding materials for Witt, J. K. (2019). The Perceptual Experience of Variability in Line Orientation is Greatly Exaggerated. Journal of Experimental Psychology: Human Perception and Performance, 45(8), 1083-1103
We're surely in love with you [music] : fox trot song /
No full textCover title.; Portrait of Myers and Reid on cover.; "Played with great success by Palais Royal 'Californians'" -- Cover.; Also available online http://nla.gov.au/nla.mus-an5398509; Library's copy has dedication by Reid & Myers on cover
Dellwood Estate, Bankstown [cartographic material] : 4 minutes from Bankstown Station /
No full textSales plan for land in the suburb of Bankstown in Sydney bordered by Chapel Road, Georges River Road, Macauley Avenue, Stacey Street and Salt Pan Creek.; "Torrens title. 5 % deposit, balance on easy terms".; In lower left corner: Cowdery & Cowdery, Licensed surveyors under R.P.A. Royal Exchange, Sydney.; In centre left panel: Bradley & Son, Vendors solicitors, 60 Margaret St. Sydney.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.map-lfsp251. Inset: Local sketch
Tenhundfeld, N. L., & Witt, J. K. (2017). Distances on hills look farther than distances on flat ground: Evidence from converging measures.
No full textTenhundfeld, N. L., & Witt, J. K. (2017). Distances on hills look farther than distances on flat ground: Evidence from converging measures. Attention, Perception, & Psychophysics, 79(4), 1165-1181
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Tenhundfeld, N. L., & Witt, J. K. (2017). Distances on hills look farther than distances on flat ground: Evidence from converging measures.
No full textTenhundfeld, N. L., & Witt, J. K. (2017). Distances on hills look farther than distances on flat ground: Evidence from converging measures. Attention, Perception, & Psychophysics, 79(4), 1165-1181
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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