1,720,981 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Shortly on dramaturgy of contemporary dance in the Czech republic
Content of the bachelor thesis focuses on the dramaturgy of contemporary dance in the Czech republic with special regard to unconventional dance, activities and possibilities of a choreographer in today´s Bohemia. Describes history of an aproach towards dramaturgy in the context of the 20th century art and culture. On the bases of the historical and today´s facts about the theme the thesis tries to reflect author´s own view on a dance dramaturgy and choreographers position in a culture of the Czech republic. In the matter of briefness of the text the author focuses on a reader, who is oriented in the topic
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Spoken word in contemporary dance theatre
Bachelor thesis deals with the spoken word in contemporary dance theatre. Approximates the contact points in the history of dance theatre and offers an insight view into the way how contemporary artists works in this field. Finally, it introduces the experience of the author to production in collaboration with the graduate student of department of authorship at the Theatre Academy of Prague
(With a special regard to unconventional dance and activities and possibilities of a choreographer in today´s Czech republic)
Obsah tejto práce je na téma dramaturgie súčasného tanca v Čechách so zreteľom na netradičný tanec a pôsobenie a možnosti choreografa v súčasných Čechách. Popisuje históriu prístupu k dramaturgii, so zreteľom na kultúrny kontext 20. storočia. Na základe historických i súčasných skutočností sa práca snaží reflektovať vlastný názor autora na chápanie dramaturgie tanca a pozície choreografa v dnešnej kultúre na území Českej republiky. V súvislosti zo stručnosťou textu sa autor zameral na čitateľa, ktorý sa v danom kontexte orientuje.Content of the bachelor thesis focuses on the dramaturgy of contemporary dance in the Czech republic with special regard to unconventional dance, activities and possibilities of a choreographer in today´s Bohemia. Describes history of an aproach towards dramaturgy in the context of the 20th century art and culture. On the bases of the historical and today´s facts about the theme the thesis tries to reflect author´s own view on a dance dramaturgy and choreographers position in a culture of the Czech republic. In the matter of briefness of the text the author focuses on a reader, who is oriented in the topic
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Music in Choreography
The thesis called Music in Choreography with the subtitle Interaction of Dance and Music with the Use of Motion Sensors aims to characterise the relationship between dance and music, and how this relationship was influenced by the advancement of technologies during the 20th century. The work pays close attention to the possibilities of using motion sensors, it presents the basic types of sensors and their use in choreographic work. Based on analysis and exploration of her own master´s degree choreography, The Art of Manipulation, the author describes the process of collaboration between a choreographer and a composer in creating a performance which uses modern technology in the form of Hot Hand motion sensor
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