1,721,001 research outputs found
A Mobile Website To Support Teachers In Discussing Terrorism In The Classroom
No full textAbstract of paper 0526 presented at the Digital Humanities Conference 2019 (DH2019), Utrecht , the Netherlands 9-12 July, 2019
Flabase: towards the creation of a flamenco music knowledge base
Full text linkOnline information about flamenco music is scattered overdifferent sites and knowledge bases. Unfortunately, thereis no common repository that indexes all these data. Inthis work, information related to flamenco music is gath-ered from general knowledge bases (e.g., Wikipedia, DB-pedia), music encyclopedias (e.g., MusicBrainz), and spe-cialized flamenco websites, and is then integrated into anew knowledge base called FlaBase. As resources fromdifferent data sources do not share common identifiers, aprocess of pair-wise entity resolution has been performed.FlaBase contains information about 1,174 artists, 76pa-los(flamenco genres), 2,913 albums, 14,078 tracks, and771 Andalusian locations. It is freely available in RDF andJSON formats. In addition, a method for entity recognitionand disambiguation for FlaBase has been created. The sys-tem can recognize and disambiguate FlaBase entity refer-ences in Spanish texts with an f-measure value of 0.77. Weapplied it to biographical texts present in Flabase. By usingthe extracted information, the knowledge base is populatedwith relevant information and a semantic graph is createdconnecting the entities of FlaBase. Artists relevance is thencomputed over the graph and evaluated according to a fla-menco expert criteria. Accuracy of results shows a highdegree of quality and completeness of the knowledge base
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Improving optical music recognition by combining outputs from multiple sources
Full text linkCurrent software for Optical Music Recognition (OMR) produces outputs with too many errors that render it an unrealistic option for the production of a large corpus of symbolic music files. In this paper, we propose a system which applies image pre-processing techniques to scans of scores and combines the outputs of different commercial OMR programs when applied to images of different scores of the same piece of music. As a result of this procedure, the combined output has around 50% fewer errors when compared to the output of any one OMR program. Image pre-processing splits scores into separate movements and sections and removes ossia staves which confuse OMR software. Post-processing aligns the outputs from different OMR programs and from different sources, rejecting outputs with the most errors and using majority voting to determine the likely correct details. Our software produces output in MusicXML, concentrating on accurate pitch and rhythm and ignoring grace notes. Results of tests on the six string quartets by Mozart dedicated to Joseph Haydn and the first six piano sonatas by Mozart are presented, showing an average recognition rate of around 95%
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Automatic handwritten mensural notation interpreter: From manuscript to MIDI performance
No full textstatus: Publishe
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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