1,707 research outputs found
Sodalis's Lyrics on Tadeusz Różewicz's Poetic Juveniles
The work analyzes a group of poems written by an eminent poet, Tadeusz Różewicz (b. 1921), and published in the monthly of Marian Sodality entitled "Under the Sign of Mary" in the years of 1938-39. The poems are important not so much due to their artistic value as to their importance for the manner of understanding and expressing religious problems in its later lyrics. In this work the author dealt, among other things, with imaging poems, their semantics, and the attitude of the subject towards the sacred sphere, pointing at the elements exposed in the poems, i.e. loneliness of the temple, man and God and the turning of the reader's attention rather towards the external, visual and artistic (painting, sculptor's and architectonic elements) aspect of the depicted reality. Juvenile poems of Różewicz announced the coming crisis of the hero's faith, confirmed in the poem Burden of 1940, as well as the later divergence between that poetry and the metaphysical sources. In these works one could perceive also some characteristics of poetic technic, characteristic of the later lyrics of the author of Niepokój (Anxiety)
Scaling violation and the inelasticity of very high energy proton–proton interactions
The pseudorapidity measurements at LHC, although in the central region only, allows us to perform preliminary tests of the multiparticle production extrapolation formula inspired by the analysis of recent cosmic ray data. Feynman scaling violation in the form proposed originally by Wdowczyk and Wolfendale in the 1970s has been applied to the Pierre Auger Observatory and the Hi-Res group measurements. The consistency of the average extensive air shower development with the hypothesis of protons being the primary particles, as indicated by anisotropy observations, was found for a smooth rise of the scaling violation parameter. We have shown that the longitudinal momenta of the produced particles determined inclusively as rapidity (pseudorapidity) distributions measured by LHC experiments follow the same universal high energy distribution scaled respectively. The high degree of Feynman scaling violation is confirmed. The decrease of the very high energy interaction inelasticity suggested by the cosmic ray data analysis is found to be consistent with LHC measurements up to 7 TeV
Autonomic Computing for a Complex Problem of Experimental Physics
Standard experimental data analysis is based mainly on conventional, deterministic inference. The complexity of modern physics problems has become so large that new ideas in the field are received with the highest of appreciation. In this paper, the author has analyzed the problem of contemporary high-energy physics concerning the estimation of some parameters of the observed complex phenomenon. This article confronts the Natural and Artificial Networks performance with the standard statistical method of the data analysis and minimization. The general concept of the relations between CI and standard (external) classical and modern informatics was realized and studied by utilizing of Natural Neural Networks (NNN), Artificial Neural Networks (ANN) and MINUIT minimization package from CERN. The idea of Autonomic Computing was followed by using brains of high school students involved in the Roland Maze Project. Some preliminary results of the comparison are given and discussed.</p
Facepoeia: The Author Becoming a Photographic Subject. The Example of Tadeusz Różewicz
This paper reflects on the visual practices involving the circulation of portraits of authors in their publications, and in public sphere. The photographic portrait of the author interjects the belief that the presence of the author through and in the image familiarizes and intensifies its subject’s presence and declares the author’s identity. As a visual paratext, a portrait becomes an autobiographical space of self-invention and self-construction. I wish to illustrate these processes by focusing on Tadeusz Różewicz’s 1921–2014 complex ways of accessing visibility and manners of “fixing” his identity in the collaborative work he produced with the photographer Adam Hawałej under the title Rubbish Dump 2015.This paper reflects on the visual practices involving the circulation of portraits of authors in their publications, and in public sphere. The photographic portrait of the author interjects the belief that the presence of the author through and in the image familiarizes and intensifies its subject’s presence and declares the author’s identity. As a visual paratext, a portrait becomes an autobiographical space of self-invention and self-construction. I wish to illustrate these processes by focusing on Tadeusz Różewicz’s 1921–2014 complex ways of accessing visibility and manners of “fixing” his identity in the collaborative work he produced with the photographer Adam Hawałej under the title Rubbish Dump 2015. 
Tadeusz Dzierżykray-Rogalski – w siedemdziesiątą rocznicę urodzin
The author presents the scientific output of professor Tadeusz Dzierżykray-Rogalski on his seventieth birth anniversary. The celebrator of the jubilee was for many years a chairman of the Polish Anthropological Society, the editor of the Polish Anthropological Review, a worthy scientist of the Polish Anthropology and organizer of the scientific life.The author presents the scientific output of professor Tadeusz Dzierżykray-Rogalski on his seventieth birth anniversary. The celebrator of the jubilee was for many years a chairman of the Polish Anthropological Society, the editor of the Polish Anthropological Review, a worthy scientist of the Polish Anthropology and organizer of the scientific life
Rev. Msgr Tadeusz Szetela (1925-2008)
Te article describes the life of rev. Tadeusz Szetela (1925-2008) priest of Przemyśl and Rzeszów dioceses. His older brothers, Jan Bolesław and Stanisław Kazimierz who devoted themselves to God had an unquestionable impact on life path choice by young Tadeusz. Te author presents also difcult reality during T. Szetela’s seminary years, as well as work as a priest and catechist when he had to deal with laicization and antichurch tendencies among Polish society. Moreover, Tadeusz Szetela during his life participated in many national and patriotic events, as well as ministry activities (e.g. he worked as a prison pastor). Humble and priesthood devoted, rev. Tadeusz Szetela was awarded by Church authorities, e.g. he was promoted to a Chaplain of His Holiness rank in 1998
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Viennese portrait of Tadeusz Solski
The collection of the Princes Lubomirski Museum includes an unknown drawing portrait of Tadeusz Solski, a famous bibliophile and long-time Ossolineum employee. The searches for the author of the drawing led to interesting conclusions: the portrait was created in 1914 in Vienna and was created by an amateur artist Hans Allmayer, the father of Josefine Allmayer, a well-known Austrian silhouette artist. The article aims to describe the circumstances in which a drawing was created and to present its author
Tadeusz Miciński on the Internet
In the paper, the author considers how Tadeusz Miciński’s figure is presented on the Internet. According to him, Miciński on the Internet is primarily seen as a ‘mustread author.’ This is hardly surprising, considering the exceptional literary legacy of Miciński. In the age of visual information, an Internet user can also see a multitude of images related to Miciński. By choosing the ‚Images’ tab on the Google search page, one can immediately access a wide range of photos, pictures, and book covers. They are mostly his portraits, photos (including the famous photo with a lynx), but also scanned book pages with his poems. One can not only read but also listen to Miciński’s works on the Internet. The prevailing audio form in which his works reach the Internet audience is through the lyrics of musical pieces. For example, on the LP recorded by Marek Grechuta and the Anawa band in 1970, there is a song titled Twoja postać [Your figure]. Józef Czechowicz and Tadeusz Miciński are named as the authors of the song’s lyrics. Grechuta combined lines written by the two poets to create original lyrics. An interpretation of this song by Grzegorz Turnau was released in his 2006 album Historia pewnej podróży [The Story of a Certain Journey]. However, Miciński’s poems are mostly used by heavy metal performers.MAREK KURKIEWICZ – dr hab., prof. Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, zatrudniony w Pracowni Najnowszej Literatury Polskiej i Krytyki Literackiej w Instytucie Filologii Polskiej i Kulturoznawstwa UKW; zainteresowania badawcze: literatura polska od epoki Młodej Polski po czasy współczesne, poetyka polskich tekstów rockowych; autor książek: W labiryntach konwencji. O prozie Tadeu sza Micińskiego (2004), Symbole, narracje, eschatologie. Szkice o literaturze przełomu XIX i XX wieku (2007), Tętno epoki. Miejsce i rola motywu krwi w literaturze Młodej Polski (2013) oraz współredaktor tomów: Modernizm. Zapowiedzi – Krystalizacje – Kontynuacje (2009); Marian Hemar wczoraj i dziś (2012), Krytyka po przełomie. Wybrane problemy z dwudziestopięciolecia 1989–2015 (2016), Tożsamość. Kultura. Nowoczesność (2017). Ponadto swoje artykuły i recenzje publikował na łamach „Ruchu Literackiego”, „Wieku XIX”, „LiteRacji”, „Tematu”, a także w licznych
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