5,838 research outputs found
Ekphrasis through otherness: the transformation of imagery in Derek Walcott's White Egrets
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2015.Abstract : Opposing the contemporary literary reductionism of ekphrasis to a verbal representation of a painting, a sculpture, a drawing, or a photograph, this research views otherness as the object of contemplation. Through the present rereading of ekphrasis, the investigation will seek 1) to analyze how the ekphrastic characteristics of Walcott`s poetry in his latest work White Egrets promote more companionship than antagonistic views between poetry and painting, and; 2) to analyze how ekphrasis transforms the imagery of Derek Walcott`s créole identity into an aesthetic object of contemplation, depicting it in the similar way of a work of art. More specifically, the discussion analyses how the cultural relations/representations between the self and the other provide an ?ekphrastic situation? for Derek Walcott in the Caribbean?s complex colonial legacy. The poet`s ekphrastic act to render private and personal identity intimacies will lean on the nonfixity of the image, or its motion in stasis. The main theoretical concepts that sustain this investigation are drawn from the works of W.J.T. Mitchell (1980, 1986, 1994, 1996), Cheeke (2008), Loizeaux (2008), and Hall (1989, 1993, 1996, 1997).Opondo-se ao reducionismo literário contemporâneo de que a écfrase seja somente uma representação verbal de uma pintura, uma escultura, um desenho ou uma fotografia, esta pesquisa vê a própria alteridade como objeto de contemplação. Através desta releitura da écfrase, a presente investigação visa 1) analisar como as características ecfrásticas da poesia de Derek Walcott em sua última coleção de poesias intitulada White Egrets (Garças Brancas) propiciam mais companheirismo que visões antagônicas entre poesia e pintura, e; 2) analisar como a écfrase transforma a imagem da identidade crioula de Derek Walcott em um objeto estético de contemplação, retratando-a de uma forma semelhante a uma obra de arte. Mais especificamente, a discussão analisa como as relações/representações culturais entre o eu-individual e o outro propiciam uma  situação ecfrástica para Derek Walcott no complexo legado colonial Caribenho. O ato ecfrástico do poeta ao relatar aspectos privados e pessoais de sua identidade revelar-se-á embasado na infixidez da imagem, ou seja, seu imobilismo em movimento. Os principais conceitos teóricos que sustentam esta investigação foram retirados das obras de W.J.T. Mitchell (1980, 1986, 1994, 1996), Cheeke (2008), Loizeaux (2008), e Hall (1989, 1993, 1996, 1997)
Spaces of the Past, Histories of the Present: An Interview with Stuart Elden and Derek Gregory
The ontologies of space and territory, our experience of them and the techniques we use to govern them, the very conception of the socio-spatial formations that we inhabit, are all historically specific: they depend on a genealogy of practices, knowledges, discourses, regulations, performances and representations articulated in a way that is extremely complex yet nevertheless legible over time. In this interview we look at the logic and the patterns that intertwine space and time — both as objects and tools of inquiry — though a cross-disciplinary dialogue. The discussion with Stuart Elden and Derek Gregory covers the place of history in socio-spatial theory and in their own work, old and new ways of thinking about the intersection between history and territory, space and time, the implications of geography and history for thinking about contemporary politics, and the challenges now faced by critical thought and academic work in the current neo-liberal attack on public universities and the welfare stat
The Measured Black-White Wage Gap Among Women is Too Small
Taken as a whole, the literature on black-white wage inequality suggests that racial gaps in potential wages are much larger among men than women, and further that one can accurately assess black-white gaps in potential wages among women without accounting for black-white differences in patterns of female labor supply. This paper challenges both pieces of this conventional wisdom. I provide several estimates of the black-white gap in potential wages for the year 1990 using data from the National Longitudinal Survey of Youth (NLSY), a panel data set that includes persons born between 1957 and 1964. I exploit data on wages and income sources for years before and after 1990 to develop imputation methods that allow me to adjust measures of the black-white wage gap among women for racial differences in selection patterns. Among young adult employed women in 1990, the Census, Current Population Surveys, and NLSY data yield median log wage gaps of -.11, -16, and -.18 respectively. Based on several different imputation procedures, I estimate that the median black-white gap in log potential wages among women in the NLSY is approximately -.25.
A critical edition of Derek Walcott's Omeros
The thesis is a Critical Edition of Derek Walcott’s Omeros, consisting of a Critical
Introduction and Annotations. The Critical Introduction analyses:
- Narrative
- Settings
- Metaphor and Paronomasia
- Symbolism
- Historiography
- Intertexts
- Dualism
- Autobiography
- Dialects
- Prosody.
The Annotations comment on more than 1000 references that may be obscure and on
specifics of narrative, language and prosody.
This study presents new conclusions about some aspects of Omeros:
- It challenges the prevailing view that the work is written substantially in a
variation of terza rima and shows that regular quatrains predominate.
- It demonstrates ways in which the metrics follow the sense of the narrative and
takes a more balanced position on the use of Caribbean as opposed to classical
metrics than that put forward previously.
- It identifies a paragraphic structure to the verse.
- It proposes a new prosodic structure for the significant Chapter XXX/iii.
- It extends Walcott’s recognised use of numerology into word counting the
names of characters.
- It develops the idea of Walcott’s dualism and his use of pairing and
contradiction as a dialectical method.
- It defines his wide use of paronomasia and shows that many of the puns have a
metaphorical aspect beyond mere word-play.
- It analyses some of Walcott’s symbolism.
- It identifies intertextual links to his earlier works and to some thirty other
writers, and suggests homage to Hemingway and possibly Heaney.
- It provides the first complete analysis of Walcott’s rhyme types in Omeros.
In its analysis of Omeros and in the Annotations it has included commentary from
across the critical literature, to provide some sense of other views on Walcott’s
writing, and has included as many as possible of Walcott’s own comments on Omeros
and on the writer’s task, as a background to understanding the poem
Derek Walcott, White Egrets
White Egrets is Derek Walcott’s fourteenth collection of poems and is composed of 54 poems of varying lengths which address a number of themes and issues which recur constantly in Walcott’s poetry. It is a cosmopolitan collection with a broad thematic range, but a number of key Walcottian concerns crop up again and again like love, the demise of the British empire, the Caribbean landscape, Caribbean history and death. All these themes are held together or united by the overarching themes of m..
Nobel Prize-winning Author Derek Walcott to Speak March 28
OXFORD, Miss. - Nobel Prize-winning author Derek Walcott is a featured lecturer March 28 at the University of Mississippi
A conversation with Dr. Derek Schuurman about developing responsible technology
In this episode, I am joined by Dr. Derek Schuurman, professor of computer science at Calvin University and co-author of a new book entitled A Christian Field Guide to Technology for Engineers and Designers with IVP Academic. Today, we talk about how to responsibly develop technology in light of the Christian worldview
Two People talking outside - both wearing white shorts
Two people standing together, both wearing white shorts, one wearing a USU jacket -'Derek Israelson
Derek Mahon as translator
Derek Mahon has devoted much of his productive life to translation, especially from the French. This paper studies his handling of French texts, distinguishing those which he has freely recreated from those which he has assimilated to his own style and those where he has made himself subservient to the character of the original author. Attention is drawn to his inventiveness, his wit, his moderation and rationality, his concern for effective and relevant communication with the reader, his rhythmic sense and his concern for emphasis and coherence. It is argued that the practice of translation affords Mahon the opportunity to write "at one remove" from direct feeling, and in so doing to combine breadth of feeling and of cultural reference with self-awareness and self-discipline
Interview with Derek Nikitas, part 1 of 2 [video]
Derek Nikitas is a faculty member in the Creative Writing MFA Program and author of two recent mystery novels, The Long Division (2009) and Pyres (2007). Nikitas\u27 first novel was nominated for the prestigious Edgar award, and has been optioned for film adaptation by Vox3 Films. His second novel, The Long Division, is receiving rave reviews
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